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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 173 198 162 0.3 it is the complementary color RGBA 82 57 93 0.3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 173 198 162 0.3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 173 198 162 0.3 shade: RGBA 178 198 157 0.3, RGBA 195 216 176 0.3, RGBA 212 234 195 0.3, RGBA 229 252 214 0.3 and RGBA 246 255 233 0.3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 173 198 162 0.3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 173 198 162 0.3 shade: RGBA 173 198 162 0.3, RGBA 156 180 143 0.3, RGBA 139 162 124 0.3, RGBA 122 144 105 0.3 and RGBA 105 126 86 0.3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 173 198 162 0.3 shade: RGB 174 199 163, RGB 184 199 163, RGB 193 199 163, RGB 199 195 163 and RGB 199 185 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 173 198 162 0.3 shade: RGB 174 199 163, RGB 165 199 163, RGB 163 199 172, RGB 163 199 181 and RGB 163 199 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 173 198 162 0.3 shade matches the following richer shades: RGB 174 199 163, RGB 169 211 151, RGB 165 223 139, RGB 160 235 127 and RGB 156 247 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 173 198 162 0.3 shade: RGB 174 199 163, RGB 179 187 175, RGB 183 175 187, RGB 188 163 199 and RGB 193 151 211

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 173 198 162 0.3 shade: RGB 193 199 163, RGB 184 199 163, RGB 175 199 163, RGB 165 199 163 and RGB 163 199 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 173 198 162 0.3 shade: RGB 129 167 112, RGB 152 183 138, RGB 174 199 163, RGB 197 214 189 and RGB 219 230 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 173 198 162 0.3 shade: RGB 173 198 162, RGB 163 199 195 and RGB 199 163 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 173 198 162 0.3 shade: RGB 173 198 162, RGB 163 175 199 and RGB 199 163 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 173 198 162 0.3 shade: RGB 173 198 162, RGB 163 199 195, RGB 188 163 199 and RGB 199 163 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 173 198 162 0.3 shade: RGB 173 198 162, RGB 163 192 199, RGB 188 163 199 and RGB 199 170 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 5 / 7

HEX #ADC6A24C

RGBA 173 198 162 0.3

HSLA 101.67, 0.24%, 0.71%, 0.3

LABA 77.21, -15.12, 15.26, 0.3

 

Complementary color

CMYK 4 / 12 / 0 / 19

HEX #52395D4C

RGBA 82 57 93 0.3

HSLA 281.67, 0.24%, 0.29%, 0.3

LABA 28.14, 18.5, -17.2, 0.3

 

CMYK 3 / 0 / 6 / 7

HEX #B2C69D4C

RGBA 178 198 157 0.3

HSLA 89.27, 0.26%, 0.7%, 0.3

LABA 77.45, -14.16, 18.32, 0.3

 

CMYK 3 / 0 / 6 / 5

HEX #C3D8B04C

RGBA 195 216 176 0.3

HSLA 91.5, 0.34%, 0.77%, 0.3

LABA 83.89, -14.15, 17.4, 0.3

 

CMYK 3 / 0 / 5 / 2

HEX #D4EAC34C

RGBA 212 234 195 0.3

HSLA 93.85, 0.48%, 0.84%, 0.3

LABA 90.22, -14.14, 16.53, 0.3

 

CMYK 3 / 0 / 5 / 0

HEX #E5FCD64C

RGBA 229 252 214 0.3

HSLA 96.32, 0.86%, 0.91%, 0.3

LABA 96.47, -14.14, 15.7, 0.3

 

CMYK 1 / 0 / 3 / 0

HEX #F6FFE94C

RGBA 246 255 233 0.3

HSLA 84.55, 1%, 0.96%, 0.3

LABA 98.83, -6.74, 9.48, 0.3

 

CMYK 4 / 0 / 5 / 7

HEX #ADC6A24C

RGBA 173 198 162 0.3

HSLA 101.67, 0.24%, 0.71%, 0.3

LABA 77.21, -15.12, 15.26, 0.3

 

CMYK 4 / 0 / 6 / 9

HEX #9CB48F4C

RGBA 156 180 143 0.3

HSLA 98.92, 0.2%, 0.63%, 0.3

LABA 70.66, -15.18, 16.18, 0.3

 

CMYK 4 / 0 / 7 / 11

HEX #8BA27C4C

RGBA 139 162 124 0.3

HSLA 96.32, 0.17%, 0.56%, 0.3

LABA 63.99, -15.25, 17.16, 0.3

 

CMYK 5 / 0 / 8 / 13

HEX #7A90694C

RGBA 122 144 105 0.3

HSLA 93.85, 0.16%, 0.49%, 0.3

LABA 57.18, -15.32, 18.2, 0.3

 

CMYK 5 / 0 / 10 / 15

HEX #697E564C

RGBA 105 126 86 0.3

HSLA 91.5, 0.19%, 0.42%, 0.3

LABA 50.21, -15.4, 19.33, 0.3

 

CMYK 13 / 0 / 18 / 22

HEX #AEC7A3

RGB 174 199 163

HSL 101.67, 0.24%, 0.71%

LAB 77.57, -15.11, 15.24

 

CMYK 8 / 0 / 18 / 22

HEX #B8C7A3

RGB 184 199 163

HSL 85, 0.24%, 0.71%

LAB 78.28, -11.53, 16.33

 

CMYK 3 / 0 / 18 / 22

HEX #C1C7A3

RGB 193 199 163

HSL 70, 0.24%, 0.71%

LAB 78.94, -8.24, 17.36

 

CMYK 0 / 2 / 18 / 22

HEX #C7C3A3

RGB 199 195 163

HSL 53.33, 0.24%, 0.71%

LAB 78.35, -3.94, 16.61

 

CMYK 0 / 7 / 18 / 22

HEX #C7B9A3

RGB 199 185 163

HSL 36.67, 0.24%, 0.71%

LAB 75.75, 1.34, 12.95

 

CMYK 13 / 0 / 18 / 22

HEX #AEC7A3

RGB 174 199 163

HSL 101.67, 0.24%, 0.71%

LAB 77.57, -15.11, 15.24

 

CMYK 17 / 0 / 18 / 22

HEX #A5C7A3

RGB 165 199 163

HSL 116.67, 0.24%, 0.71%

LAB 76.98, -18.26, 14.31

 

CMYK 18 / 0 / 14 / 22

HEX #A3C7AC

RGB 163 199 172

HSL 135, 0.24%, 0.71%

LAB 77.05, -17.31, 9.57

 

CMYK 18 / 0 / 9 / 22

HEX #A3C7B5

RGB 163 199 181

HSL 150, 0.24%, 0.71%

LAB 77.26, -15.59, 5.04

 

CMYK 18 / 0 / 4 / 22

HEX #A3C7BF

RGB 163 199 191

HSL 166.67, 0.24%, 0.71%

LAB 77.52, -13.59, 0.01

 

CMYK 13 / 0 / 18 / 22

HEX #AEC7A3

RGB 174 199 163

HSL 101.67, 0.24%, 0.71%

LAB 77.57, -15.11, 15.24

 

CMYK 20 / 0 / 28 / 17

HEX #A9D397

RGB 169 211 151

HSL 102, 0.41%, 0.71%

LAB 80.32, -24.8, 25.33

 

CMYK 26 / 0 / 38 / 13

HEX #A5DF8B

RGB 165 223 139

HSL 101.43, 0.57%, 0.71%

LAB 83.25, -33.65, 35.35

 

CMYK 32 / 0 / 46 / 8

HEX #A0EB7F

RGB 160 235 127

HSL 101.67, 0.73%, 0.71%

LAB 86.22, -42.32, 45.01

 

CMYK 37 / 0 / 53 / 3

HEX #9CF773

RGB 156 247 115

HSL 101.36, 0.89%, 0.71%

LAB 89.31, -50.13, 54.35

 

CMYK 13 / 0 / 18 / 22

HEX #AEC7A3

RGB 174 199 163

HSL 101.67, 0.24%, 0.71%

LAB 77.57, -15.11, 15.24

 

CMYK 4 / 0 / 6 / 27

HEX #B3BBAF

RGB 179 187 175

HSL 100, 0.08%, 0.71%

LAB 74.96, -5, 5.11

 

CMYK 2 / 6 / 0 / 27

HEX #B7AFBB

RGB 183 175 187

HSL 280, 0.08%, 0.71%

LAB 72.44, 5.08, -5.1

 

CMYK 6 / 18 / 0 / 22

HEX #BCA3C7

RGB 188 163 199

HSL 281.67, 0.24%, 0.71%

LAB 70.18, 15.74, -15.03

 

CMYK 9 / 28 / 0 / 17

HEX #C197D3

RGB 193 151 211

HSL 282, 0.41%, 0.71%

LAB 68.15, 26.46, -24.72

 

CMYK 3 / 0 / 18 / 22

HEX #C1C7A3

RGB 193 199 163

HSL 70, 0.24%, 0.71%

LAB 78.94, -8.24, 17.36

 

CMYK 8 / 0 / 18 / 22

HEX #B8C7A3

RGB 184 199 163

HSL 85, 0.24%, 0.71%

LAB 78.28, -11.53, 16.33

 

CMYK 12 / 0 / 18 / 22

HEX #AFC7A3

RGB 175 199 163

HSL 100, 0.24%, 0.71%

LAB 77.64, -14.76, 15.35

 

CMYK 17 / 0 / 18 / 22

HEX #A5C7A3

RGB 165 199 163

HSL 116.67, 0.24%, 0.71%

LAB 76.98, -18.26, 14.31

 

CMYK 18 / 0 / 14 / 22

HEX #A3C7AB

RGB 163 199 171

HSL 133.33, 0.24%, 0.71%

LAB 77.03, -17.5, 10.08

 

CMYK 23 / 0 / 33 / 35

HEX #81A770

RGB 129 167 112

HSL 101.45, 0.24%, 0.55%

LAB 64.54, -23.44, 24.37

 

CMYK 17 / 0 / 25 / 28

HEX #98B78A

RGB 152 183 138

HSL 101.33, 0.24%, 0.63%

LAB 71.13, -19, 19.5

 

CMYK 13 / 0 / 18 / 22

HEX #AEC7A3

RGB 174 199 163

HSL 101.67, 0.24%, 0.71%

LAB 77.57, -15.11, 15.24

 

CMYK 8 / 0 / 12 / 16

HEX #C5D6BD

RGB 197 214 189

HSL 100.8, 0.23%, 0.79%

LAB 83.78, -10.26, 10.41

 

CMYK 5 / 0 / 7 / 10

HEX #DBE6D6

RGB 219 230 214

HSL 101.25, 0.24%, 0.87%

LAB 90.1, -6.53, 6.52

 

CMYK 13 / 0 / 18 / 22

HEX #ADC6A2

RGB 173 198 162

HSL 101.67, 0.24%, 0.71%

LAB 77.21, -15.12, 15.26

 

CMYK 18 / 0 / 2 / 22

HEX #A3C7C3

RGB 163 199 195

HSL 173.33, 0.24%, 0.71%

LAB 77.62, -12.76, -1.99

 

CMYK 0 / 18 / 5 / 22

HEX #C7A3BD

RGB 199 163 189

HSL 316.67, 0.24%, 0.71%

LAB 70.88, 17.62, -8.36

 

CMYK 13 / 0 / 18 / 22

HEX #ADC6A2

RGB 173 198 162

HSL 101.67, 0.24%, 0.71%

LAB 77.21, -15.12, 15.26

 

CMYK 18 / 12 / 0 / 22

HEX #A3AFC7

RGB 163 175 199

HSL 220, 0.24%, 0.71%

LAB 71.26, 0.87, -13.61

 

CMYK 0 / 18 / 12 / 22

HEX #C7A3AF

RGB 199 163 175

HSL 340, 0.24%, 0.71%

LAB 70.48, 15.18, -1.21

 

CMYK 13 / 0 / 18 / 22

HEX #ADC6A2

RGB 173 198 162

HSL 101.67, 0.24%, 0.71%

LAB 77.21, -15.12, 15.26

 

CMYK 18 / 0 / 2 / 22

HEX #A3C7C3

RGB 163 199 195

HSL 173.33, 0.24%, 0.71%

LAB 77.62, -12.76, -1.99

 

CMYK 6 / 18 / 0 / 22

HEX #BCA3C7

RGB 188 163 199

HSL 281.67, 0.24%, 0.71%

LAB 70.18, 15.74, -15.03

 

CMYK 0 / 18 / 16 / 22

HEX #C7A3A7

RGB 199 163 167

HSL 353.33, 0.24%, 0.71%

LAB 70.26, 13.86, 2.92

 

CMYK 13 / 0 / 18 / 22

HEX #ADC6A2

RGB 173 198 162

HSL 101.67, 0.24%, 0.71%

LAB 77.21, -15.12, 15.26

 

CMYK 18 / 4 / 0 / 22

HEX #A3C0C7

RGB 163 192 199

HSL 191.67, 0.24%, 0.71%

LAB 75.83, -8.26, -6.8

 

CMYK 6 / 18 / 0 / 22

HEX #BCA3C7

RGB 188 163 199

HSL 281.67, 0.24%, 0.71%

LAB 70.18, 15.74, -15.03

 

CMYK 0 / 15 / 18 / 22

HEX #C7AAA3

RGB 199 170 163

HSL 11.67, 0.24%, 0.71%

LAB 71.92, 9.41, 7.5

 

Description

Color code: RGBA 173 198 162 0.3 | qconv.com Color code: RGBA 173 198 162 0.3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 198 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 198 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 5 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 5% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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