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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 172 193 143 0.5 it is the complementary color RGBA 83 62 112 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 172 193 143 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 172 193 143 0.5 shade: RGBA 177 193 138 0.5, RGBA 194 211 157 0.5, RGBA 211 229 176 0.5, RGBA 228 247 195 0.5 and RGBA 245 255 214 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 172 193 143 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 172 193 143 0.5 shade: RGBA 172 193 143 0.5, RGBA 155 175 124 0.5, RGBA 138 157 105 0.5, RGBA 121 139 86 0.5 and RGBA 104 121 67 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 172 193 143 0.5 shade: RGB 172 193 143, RGB 186 193 143, RGB 193 187 143, RGB 193 174 143 and RGB 193 160 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 172 193 143 0.5 shade: RGB 172 193 143, RGB 159 193 143, RGB 145 193 143, RGB 143 193 155 and RGB 143 193 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 172 193 143 0.5 shade matches the following richer shades: RGB 172 193 143, RGB 175 207 129, RGB 177 221 115, RGB 179 236 101 and RGB 181 250 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 172 193 143 0.5 shade: RGB 172 193 143, RGB 170 179 157, RGB 168 165 171, RGB 166 151 185 and RGB 163 137 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 172 193 143 0.5 shade: RGB 193 188 143, RGB 186 193 143, RGB 172 193 143, RGB 159 193 143 and RGB 146 193 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 172 193 143 0.5 shade: RGB 133 164 90, RGB 153 179 117, RGB 172 193 143, RGB 192 208 170 and RGB 212 223 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 172 193 143 0.5 shade: RGB 172 193 143, RGB 143 193 174 and RGB 193 143 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 172 193 143 0.5 shade: RGB 172 193 143, RGB 143 172 193 and RGB 193 143 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 172 193 143 0.5 shade: RGB 172 193 143, RGB 143 193 174, RGB 164 143 193 and RGB 193 143 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 172 193 143 0.5 shade: RGB 172 193 143, RGB 143 193 189, RGB 164 143 193 and RGB 193 143 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 13 / 12

HEX #ACC18F7F

RGBA 172 193 143 0.5

HSLA 85.2, 0.29%, 0.66%, 0.5

LABA 75.39, -15.98, 22.86, 0.5

 

Complementary color

CMYK 13 / 22 / 0 / 28

HEX #533E707F

RGBA 83 62 112 0.5

HSLA 265.2, 0.29%, 0.34%, 0.5

LABA 30.53, 20.5, -25.63, 0.5

 

CMYK 4 / 0 / 14 / 12

HEX #B1C18A7F

RGBA 177 193 138 0.5

HSLA 77.45, 0.31%, 0.65%, 0.5

LABA 75.65, -14.85, 25.94, 0.5

 

CMYK 4 / 0 / 13 / 9

HEX #C2D39D7F

RGBA 194 211 157 0.5

HSLA 78.89, 0.38%, 0.72%, 0.5

LABA 82.1, -14.9, 24.9, 0.5

 

CMYK 4 / 0 / 12 / 5

HEX #D3E5B07F

RGBA 211 229 176 0.5

HSLA 80.38, 0.5%, 0.79%, 0.5

LABA 88.46, -14.95, 23.91, 0.5

 

CMYK 4 / 0 / 11 / 2

HEX #E4F7C37F

RGBA 228 247 195 0.5

HSLA 81.92, 0.76%, 0.87%, 0.5

LABA 94.72, -14.98, 22.97, 0.5

 

CMYK 2 / 0 / 8 / 0

HEX #F5FFD67F

RGBA 245 255 214 0.5

HSLA 74.63, 1%, 0.92%, 0.5

LABA 98.35, -10.11, 18.51, 0.5

 

CMYK 5 / 0 / 13 / 12

HEX #ACC18F7F

RGBA 172 193 143 0.5

HSLA 85.2, 0.29%, 0.66%, 0.5

LABA 75.39, -15.98, 22.86, 0.5

 

CMYK 6 / 0 / 15 / 16

HEX #9BAF7C7F

RGBA 155 175 124 0.5

HSLA 83.53, 0.24%, 0.59%, 0.5

LABA 68.81, -15.98, 23.92, 0.5

 

CMYK 6 / 0 / 17 / 19

HEX #8A9D697F

RGBA 138 157 105 0.5

HSLA 81.92, 0.21%, 0.51%, 0.5

LABA 62.11, -15.97, 25.04, 0.5

 

CMYK 6 / 0 / 19 / 23

HEX #798B567F

RGBA 121 139 86 0.5

HSLA 80.38, 0.24%, 0.44%, 0.5

LABA 55.28, -15.93, 26.24, 0.5

 

CMYK 7 / 0 / 22 / 26

HEX #6879437F

RGBA 104 121 67 0.5

HSLA 78.89, 0.29%, 0.37%, 0.5

LABA 48.29, -15.85, 27.49, 0.5

 

CMYK 11 / 0 / 26 / 24

HEX #ACC18F

RGB 172 193 143

HSL 85.2, 0.29%, 0.66%

LAB 75.39, -15.98, 22.86

 

CMYK 4 / 0 / 26 / 24

HEX #BAC18F

RGB 186 193 143

HSL 68.4, 0.29%, 0.66%

LAB 76.41, -10.73, 24.43

 

CMYK 0 / 3 / 26 / 24

HEX #C1BB8F

RGB 193 187 143

HSL 52.8, 0.29%, 0.66%

LAB 75.36, -4.92, 23.1

 

CMYK 0 / 10 / 26 / 24

HEX #C1AE8F

RGB 193 174 143

HSL 37.2, 0.29%, 0.66%

LAB 71.96, 1.98, 18.42

 

CMYK 0 / 17 / 26 / 24

HEX #C1A08F

RGB 193 160 143

HSL 20.4, 0.29%, 0.66%

LAB 68.36, 9.57, 13.41

 

CMYK 11 / 0 / 26 / 24

HEX #ACC18F

RGB 172 193 143

HSL 85.2, 0.29%, 0.66%

LAB 75.39, -15.98, 22.86

 

CMYK 18 / 0 / 26 / 24

HEX #9FC18F

RGB 159 193 143

HSL 100.8, 0.29%, 0.66%

LAB 74.5, -20.71, 21.52

 

CMYK 25 / 0 / 26 / 24

HEX #91C18F

RGB 145 193 143

HSL 117.6, 0.29%, 0.66%

LAB 73.64, -25.6, 20.19

 

CMYK 26 / 0 / 20 / 24

HEX #8FC19B

RGB 143 193 155

HSL 134.4, 0.29%, 0.66%

LAB 73.77, -24.13, 13.91

 

CMYK 26 / 0 / 13 / 24

HEX #8FC1A8

RGB 143 193 168

HSL 150, 0.29%, 0.66%

LAB 74.07, -21.61, 7.3

 

CMYK 11 / 0 / 26 / 24

HEX #ACC18F

RGB 172 193 143

HSL 85.2, 0.29%, 0.66%

LAB 75.39, -15.98, 22.86

 

CMYK 15 / 0 / 38 / 19

HEX #AFCF81

RGB 175 207 129

HSL 84.62, 0.45%, 0.66%

LAB 79.23, -23.81, 35.31

 

CMYK 20 / 0 / 48 / 13

HEX #B1DD73

RGB 177 221 115

HSL 84.91, 0.61%, 0.66%

LAB 83.07, -31.41, 47.11

 

CMYK 24 / 0 / 57 / 7

HEX #B3EC65

RGB 179 236 101

HSL 85.33, 0.78%, 0.66%

LAB 87.25, -38.91, 58.49

 

CMYK 28 / 0 / 65 / 2

HEX #B5FA57

RGB 181 250 87

HSL 85.4, 0.94%, 0.66%

LAB 91.18, -45.43, 68.61

 

CMYK 11 / 0 / 26 / 24

HEX #ACC18F

RGB 172 193 143

HSL 85.2, 0.29%, 0.66%

LAB 75.39, -15.98, 22.86

 

CMYK 5 / 0 / 12 / 30

HEX #AAB39D

RGB 170 179 157

HSL 84.55, 0.13%, 0.66%

LAB 71.7, -7.18, 10.16

 

CMYK 2 / 4 / 0 / 33

HEX #A8A5AB

RGB 168 165 171

HSL 270, 0.03%, 0.66%

LAB 68.15, 2.22, -2.72

 

CMYK 10 / 18 / 0 / 27

HEX #A697B9

RGB 166 151 185

HSL 266.47, 0.2%, 0.66%

LAB 64.76, 12.15, -15.61

 

CMYK 18 / 31 / 0 / 22

HEX #A389C7

RGB 163 137 199

HSL 265.16, 0.36%, 0.66%

LAB 61.48, 22.2, -28.51

 

CMYK 0 / 3 / 26 / 24

HEX #C1BC8F

RGB 193 188 143

HSL 54, 0.29%, 0.66%

LAB 75.63, -5.45, 23.46

 

CMYK 4 / 0 / 26 / 24

HEX #BAC18F

RGB 186 193 143

HSL 68.4, 0.29%, 0.66%

LAB 76.41, -10.73, 24.43

 

CMYK 11 / 0 / 26 / 24

HEX #ACC18F

RGB 172 193 143

HSL 85.2, 0.29%, 0.66%

LAB 75.39, -15.98, 22.86

 

CMYK 18 / 0 / 26 / 24

HEX #9FC18F

RGB 159 193 143

HSL 100.8, 0.29%, 0.66%

LAB 74.5, -20.71, 21.52

 

CMYK 24 / 0 / 26 / 24

HEX #92C18F

RGB 146 193 143

HSL 116.4, 0.29%, 0.66%

LAB 73.7, -25.26, 20.28

 

CMYK 19 / 0 / 45 / 36

HEX #85A45A

RGB 133 164 90

HSL 85.14, 0.29%, 0.5%

LAB 63.57, -23.5, 34.83

 

CMYK 15 / 0 / 35 / 30

HEX #99B375

RGB 153 179 117

HSL 85.16, 0.29%, 0.58%

LAB 69.68, -19.79, 28.79

 

CMYK 11 / 0 / 26 / 24

HEX #ACC18F

RGB 172 193 143

HSL 85.2, 0.29%, 0.66%

LAB 75.39, -15.98, 22.86

 

CMYK 8 / 0 / 18 / 18

HEX #C0D0AA

RGB 192 208 170

HSL 85.26, 0.29%, 0.74%

LAB 81.41, -12.13, 17.08

 

CMYK 5 / 0 / 12 / 13

HEX #D4DFC4

RGB 212 223 196

HSL 84.44, 0.3%, 0.82%

LAB 87.37, -8.44, 11.97

 

CMYK 11 / 0 / 26 / 24

HEX #ACC18F

RGB 172 193 143

HSL 85.2, 0.29%, 0.66%

LAB 75.39, -15.98, 22.86

 

CMYK 26 / 0 / 10 / 24

HEX #8FC1AE

RGB 143 193 174

HSL 157.2, 0.29%, 0.66%

LAB 74.21, -20.38, 4.26

 

CMYK 0 / 26 / 0 / 24

HEX #C18FC1

RGB 193 143 193

HSL 300, 0.29%, 0.66%

LAB 65.62, 27.34, -18.55

 

CMYK 11 / 0 / 26 / 24

HEX #ACC18F

RGB 172 193 143

HSL 85.2, 0.29%, 0.66%

LAB 75.39, -15.98, 22.86

 

CMYK 26 / 11 / 0 / 24

HEX #8FACC1

RGB 143 172 193

HSL 205.2, 0.29%, 0.66%

LAB 68.89, -5.14, -14

 

CMYK 0 / 26 / 11 / 24

HEX #C18FAC

RGB 193 143 172

HSL 325.2, 0.29%, 0.66%

LAB 64.93, 23.53, -7.78

 

CMYK 11 / 0 / 26 / 24

HEX #ACC18F

RGB 172 193 143

HSL 85.2, 0.29%, 0.66%

LAB 75.39, -15.98, 22.86

 

CMYK 26 / 0 / 10 / 24

HEX #8FC1AE

RGB 143 193 174

HSL 157.2, 0.29%, 0.66%

LAB 74.21, -20.38, 4.26

 

CMYK 15 / 26 / 0 / 24

HEX #A48FC1

RGB 164 143 193

HSL 265.2, 0.29%, 0.66%

LAB 62.83, 17.75, -23.05

 

CMYK 0 / 26 / 16 / 24

HEX #C18FA2

RGB 193 143 162

HSL 337.2, 0.29%, 0.66%

LAB 64.64, 21.85, -2.58

 

CMYK 11 / 0 / 26 / 24

HEX #ACC18F

RGB 172 193 143

HSL 85.2, 0.29%, 0.66%

LAB 75.39, -15.98, 22.86

 

CMYK 26 / 0 / 2 / 24

HEX #8FC1BD

RGB 143 193 189

HSL 175.2, 0.29%, 0.66%

LAB 74.61, -17.16, -3.31

 

CMYK 15 / 26 / 0 / 24

HEX #A48FC1

RGB 164 143 193

HSL 265.2, 0.29%, 0.66%

LAB 62.83, 17.75, -23.05

 

CMYK 0 / 26 / 24 / 24

HEX #C18F93

RGB 193 143 147

HSL 355.2, 0.29%, 0.66%

LAB 64.23, 19.52, 5.31

 

Description

Color code: RGBA 172 193 143 0.5 | qconv.com Color code: RGBA 172 193 143 0.5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 193 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 193 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 13 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 13% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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