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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 171 108 136 0.75 it is the complementary color RGBA 84 147 119 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 171 108 136 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 171 108 136 0.75 shade: RGBA 176 108 131 0.75, RGBA 193 126 150 0.75, RGBA 210 144 169 0.75, RGBA 227 162 188 0.75 and RGBA 244 180 207 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 171 108 136 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 171 108 136 0.75 shade: RGBA 171 108 136 0.75, RGBA 154 90 117 0.75, RGBA 137 72 98 0.75, RGBA 120 54 79 0.75 and RGBA 103 36 60 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 171 108 136 0.75 shade: RGB 171 109 137, RGB 171 109 120 and RGB 171 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 171 108 136 0.75 shade: RGB 171 109 137, RGB 171 109 154, RGB 171 109 170, RGB 156 109 171 and RGB 139 109 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 171 108 136 0.75 shade matches the following richer shades: RGB 171 109 137, RGB 190 91 135, RGB 208 72 133, RGB 227 54 131 and RGB 245 35 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 171 108 136 0.75 shade: RGB 171 109 137, RGB 153 128 139, RGB 134 146 141, RGB 116 165 143 and RGB 97 184 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 171 108 136 0.75 shade: RGB 171 109 170, RGB 171 109 154, RGB 171 109 137, RGB 171 109 121 and RGB 171 114 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 171 108 136 0.75 shade: RGB 126 72 96, RGB 152 87 116, RGB 171 109 137, RGB 186 135 158 and RGB 201 162 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 171 108 136 0.75 shade: RGB 171 108 136, RGB 171 156 109 and RGB 109 162 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 171 108 136 0.75 shade: RGB 171 108 136, RGB 137 171 109 and RGB 109 137 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 171 108 136 0.75 shade: RGB 171 108 136, RGB 171 156 109, RGB 109 171 143 and RGB 109 125 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 171 108 136 0.75 shade: RGB 171 108 136, RGB 168 171 109, RGB 109 171 143 and RGB 112 109 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 15 / 25

HEX #AB6C88BF

RGBA 171 108 136 0.75

HSLA 333.33, 0.27%, 0.55%, 0.75

LABA 53.12, 29.11, -4.86, 0.75

 

Complementary color

CMYK 32 / 0 / 14 / 32

HEX #549377BF

RGBA 84 147 119 0.75

HSLA 153.33, 0.27%, 0.45%, 0.75

LABA 56.17, -27.07, 8.55, 0.75

 

CMYK 0 / 29 / 19 / 23

HEX #B06C83BF

RGBA 176 108 131 0.75

HSLA 339.71, 0.3%, 0.56%, 0.75

LABA 53.59, 30.18, -1.16, 0.75

 

CMYK 0 / 26 / 17 / 18

HEX #C17E96BF

RGBA 193 126 150 0.75

HSLA 338.51, 0.35%, 0.63%, 0.75

LABA 60.3, 29.35, -2.11, 0.75

 

CMYK 0 / 24 / 15 / 13

HEX #D290A9BF

RGBA 210 144 169 0.75

HSLA 337.27, 0.42%, 0.69%, 0.75

LABA 66.91, 28.58, -2.96, 0.75

 

CMYK 0 / 21 / 13 / 8

HEX #E3A2BCBF

RGBA 227 162 188 0.75

HSLA 336, 0.54%, 0.76%, 0.75

LABA 73.42, 27.87, -3.74, 0.75

 

CMYK 0 / 20 / 11 / 3

HEX #F4B4CFBF

RGBA 244 180 207 0.75

HSLA 334.69, 0.74%, 0.83%, 0.75

LABA 79.83, 27.21, -4.46, 0.75

 

CMYK 0 / 28 / 15 / 25

HEX #AB6C88BF

RGBA 171 108 136 0.75

HSLA 333.33, 0.27%, 0.55%, 0.75

LABA 53.12, 29.11, -4.86, 0.75

 

CMYK 0 / 31 / 18 / 30

HEX #9A5A75BF

RGBA 154 90 117 0.75

HSLA 334.69, 0.26%, 0.48%, 0.75

LABA 46.27, 29.96, -3.91, 0.75

 

CMYK 0 / 36 / 21 / 35

HEX #894862BF

RGBA 137 72 98 0.75

HSLA 336, 0.31%, 0.41%, 0.75

LABA 39.3, 30.86, -2.79, 0.75

 

CMYK 0 / 41 / 26 / 40

HEX #78364FBF

RGBA 120 54 79 0.75

HSLA 337.27, 0.38%, 0.34%, 0.75

LABA 32.25, 31.76, -1.39, 0.75

 

CMYK 0 / 49 / 31 / 45

HEX #67243CBF

RGBA 103 36 60 0.75

HSLA 338.51, 0.48%, 0.27%, 0.75

LABA 25.17, 32.51, 0.5, 0.75

 

CMYK 0 / 36 / 20 / 33

HEX #AB6D89

RGB 171 109 137

HSL 332.9, 0.27%, 0.55%

LAB 53.39, 28.71, -5.06

 

CMYK 0 / 36 / 30 / 33

HEX #AB6D78

RGB 171 109 120

HSL 349.35, 0.27%, 0.55%

LAB 52.9, 26.16, 4.23

 

CMYK 0 / 36 / 36 / 33

HEX #AB6D6D

RGB 171 109 109

HSL 0, 0.27%, 0.55%

LAB 52.62, 24.69, 10.31

 

CMYK 0 / 36 / 20 / 33

HEX #AB6D89

RGB 171 109 137

HSL 332.9, 0.27%, 0.55%

LAB 53.39, 28.71, -5.06

 

CMYK 0 / 36 / 10 / 33

HEX #AB6D9A

RGB 171 109 154

HSL 316.45, 0.27%, 0.55%

LAB 53.95, 31.56, -14.18

 

CMYK 0 / 36 / 1 / 33

HEX #AB6DAA

RGB 171 109 170

HSL 300.97, 0.27%, 0.55%

LAB 54.55, 34.5, -22.57

 

CMYK 9 / 36 / 0 / 33

HEX #9C6DAB

RGB 156 109 171

HSL 285.48, 0.27%, 0.55%

LAB 52.89, 29.83, -25.85

 

CMYK 19 / 36 / 0 / 33

HEX #8B6DAB

RGB 139 109 171

HSL 269.03, 0.27%, 0.55%

LAB 51.11, 24.39, -28.75

 

CMYK 0 / 36 / 20 / 33

HEX #AB6D89

RGB 171 109 137

HSL 332.9, 0.27%, 0.55%

LAB 53.39, 28.71, -5.06

 

CMYK 0 / 52 / 29 / 25

HEX #BE5B87

RGB 190 91 135

HSL 333.33, 0.43%, 0.55%

LAB 52.04, 44.68, -5.6

 

CMYK 0 / 65 / 36 / 18

HEX #D04885

RGB 208 72 133

HSL 333.09, 0.59%, 0.55%

LAB 51.54, 58.75, -4.84

 

CMYK 0 / 76 / 42 / 11

HEX #E33683

RGB 227 54 131

HSL 333.29, 0.76%, 0.55%

LAB 52.52, 70.06, -1.83

 

CMYK 0 / 86 / 47 / 4

HEX #F52381

RGB 245 35 129

HSL 333.14, 0.91%, 0.55%

LAB 54.24, 78.75, 2.29

 

CMYK 0 / 36 / 20 / 33

HEX #AB6D89

RGB 171 109 137

HSL 332.9, 0.27%, 0.55%

LAB 53.39, 28.71, -5.06

 

CMYK 0 / 16 / 9 / 40

HEX #99808B

RGB 153 128 139

HSL 333.6, 0.11%, 0.55%

LAB 56.16, 11.5, -2.35

 

CMYK 8 / 0 / 3 / 43

HEX #86928D

RGB 134 146 141

HSL 155, 0.05%, 0.55%

LAB 59.48, -5.33, 1.16

 

CMYK 30 / 0 / 13 / 35

HEX #74A58F

RGB 116 165 143

HSL 153.06, 0.21%, 0.55%

LAB 63.84, -21.18, 6.18

 

CMYK 47 / 0 / 21 / 28

HEX #61B891

RGB 97 184 145

HSL 153.1, 0.38%, 0.55%

LAB 68.65, -35.47, 11.81

 

CMYK 0 / 36 / 1 / 33

HEX #AB6DAA

RGB 171 109 170

HSL 300.97, 0.27%, 0.55%

LAB 54.55, 34.5, -22.57

 

CMYK 0 / 36 / 10 / 33

HEX #AB6D9A

RGB 171 109 154

HSL 316.45, 0.27%, 0.55%

LAB 53.95, 31.56, -14.18

 

CMYK 0 / 36 / 20 / 33

HEX #AB6D89

RGB 171 109 137

HSL 332.9, 0.27%, 0.55%

LAB 53.39, 28.71, -5.06

 

CMYK 0 / 36 / 29 / 33

HEX #AB6D79

RGB 171 109 121

HSL 348.39, 0.27%, 0.55%

LAB 52.92, 26.3, 3.68

 

CMYK 0 / 33 / 36 / 33

HEX #AB726D

RGB 171 114 109

HSL 4.84, 0.27%, 0.55%

LAB 53.81, 21.88, 11.98

 

CMYK 0 / 43 / 24 / 51

HEX #7E4860

RGB 126 72 96

HSL 333.33, 0.27%, 0.39%

LAB 37.69, 26.41, -4.1

 

CMYK 0 / 43 / 24 / 40

HEX #985774

RGB 152 87 116

HSL 333.23, 0.27%, 0.47%

LAB 45.29, 30.75, -4.78

 

CMYK 0 / 36 / 20 / 33

HEX #AB6D89

RGB 171 109 137

HSL 332.9, 0.27%, 0.55%

LAB 53.39, 28.71, -5.06

 

CMYK 0 / 27 / 15 / 27

HEX #BA879E

RGB 186 135 158

HSL 332.94, 0.27%, 0.63%

LAB 61.86, 23.08, -4.49

 

CMYK 0 / 19 / 11 / 21

HEX #C9A2B3

RGB 201 162 179

HSL 333.85, 0.27%, 0.71%

LAB 70.53, 17.12, -3.32

 

CMYK 0 / 37 / 20 / 33

HEX #AB6C88

RGB 171 108 136

HSL 333.33, 0.27%, 0.55%

LAB 53.12, 29.11, -4.86

 

CMYK 0 / 9 / 36 / 33

HEX #AB9C6D

RGB 171 156 109

HSL 45.48, 0.27%, 0.55%

LAB 64.59, -1.59, 26.64

 

CMYK 36 / 5 / 0 / 33

HEX #6DA2AB

RGB 109 162 171

HSL 188.71, 0.27%, 0.55%

LAB 63.37, -15.15, -10.24

 

CMYK 0 / 37 / 20 / 33

HEX #AB6C88

RGB 171 108 136

HSL 333.33, 0.27%, 0.55%

LAB 53.12, 29.11, -4.86

 

CMYK 20 / 0 / 36 / 33

HEX #89AB6D

RGB 137 171 109

HSL 92.9, 0.27%, 0.55%

LAB 66.17, -22.94, 28.23

 

CMYK 36 / 20 / 0 / 33

HEX #6D89AB

RGB 109 137 171

HSL 212.9, 0.27%, 0.55%

LAB 56.17, -1.31, -21.14

 

CMYK 0 / 37 / 20 / 33

HEX #AB6C88

RGB 171 108 136

HSL 333.33, 0.27%, 0.55%

LAB 53.12, 29.11, -4.86

 

CMYK 0 / 9 / 36 / 33

HEX #AB9C6D

RGB 171 156 109

HSL 45.48, 0.27%, 0.55%

LAB 64.59, -1.59, 26.64

 

CMYK 36 / 0 / 16 / 33

HEX #6DAB8F

RGB 109 171 143

HSL 152.9, 0.27%, 0.55%

LAB 65.25, -26.35, 8.15

 

CMYK 36 / 27 / 0 / 33

HEX #6D7DAB

RGB 109 125 171

HSL 224.52, 0.27%, 0.55%

LAB 52.79, 5.7, -26.34

 

CMYK 0 / 37 / 20 / 33

HEX #AB6C88

RGB 171 108 136

HSL 333.33, 0.27%, 0.55%

LAB 53.12, 29.11, -4.86

 

CMYK 2 / 0 / 36 / 33

HEX #A8AB6D

RGB 168 171 109

HSL 62.9, 0.27%, 0.55%

LAB 68.43, -10.82, 31.6

 

CMYK 36 / 0 / 16 / 33

HEX #6DAB8F

RGB 109 171 143

HSL 152.9, 0.27%, 0.55%

LAB 65.25, -26.35, 8.15

 

CMYK 35 / 36 / 0 / 33

HEX #706DAB

RGB 112 109 171

HSL 242.9, 0.27%, 0.55%

LAB 48.66, 16.18, -32.75

 

Description

Color code: RGBA 171 108 136 0.75 | qconv.com Color code: RGBA 171 108 136 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 108 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 108 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 15 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 15% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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