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Color name
RGBA 171 103 31 0.5

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 171 103 31 0.5 it is the complementary color RGBA 84 152 224 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color RGBA 171 103 31 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 171 103 31 0.5 shade: RGBA 176 103 26 0.5, RGBA 193 121 45 0.5, RGBA 210 139 64 0.5, RGBA 227 157 83 0.5 and RGBA 244 175 102 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color RGBA 171 103 31 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 171 103 31 0.5 shade: RGBA 171 103 31 0.5, RGBA 154 85 12 0.5, RGBA 137 67 0 0.5, RGBA 120 49 0 0.5 and RGBA 103 31 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 171 103 31 0.5 shade: RGB 172 104 32, RGB 172 66 32 and RGB 172 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 171 103 31 0.5 shade: RGB 172 104 32, RGB 172 142 32, RGB 165 172 32, RGB 127 172 32 and RGB 89 172 32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 171 103 31 0.5 shade matches the following richer shades: RGB 172 104 32 and RGB 189 104 15

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 171 103 31 0.5 shade: RGB 172 104 32, RGB 156 104 48, RGB 139 103 65, RGB 123 103 81 and RGB 106 102 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 171 103 31 0.5 shade: RGB 172 32 36, RGB 172 64 32, RGB 172 102 32, RGB 172 140 32 and RGB 168 172 32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 171 103 31 0.5 shade: RGB 103 62 19, RGB 138 83 25, RGB 172 104 32, RGB 207 125 38 and RGB 220 145 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 171 103 31 0.5 shade: RGB 171 103 31, RGB 74 172 32 and RGB 46 32 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 171 103 31 0.5 shade: RGB 171 103 31, RGB 32 172 102 and RGB 102 32 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 171 103 31 0.5 shade: RGB 171 103 31, RGB 74 172 32, RGB 32 102 172 and RGB 130 32 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 171 103 31 0.5 shade: RGB 171 103 31, RGB 32 172 32, RGB 32 102 172 and RGB 172 32 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 41 / 16

RGBA 171 103 31 0.5

HSLA 30.86, 0.69%, 0.4%, 0.5

LABA 50.05, 21.81, 49.06, 0.5

Complementary color

CMYK 31 / 16 / 0 / 6

RGBA 84 152 224 0.5

HSLA 210.86, 0.69%, 0.6%, 0.5

LABA 61.41, 0.35, -42.97, 0.5

Lighter colors

CMYK 0 / 21 / 43 / 15

RGBA 176 103 26 0.5

HSLA 30.8, 0.74%, 0.4%, 0.5

LABA 50.69, 23.84, 51.78, 0.5

CMYK 0 / 19 / 38 / 12

RGBA 193 121 45 0.5

HSLA 30.81, 0.62%, 0.47%, 0.5

LABA 57.27, 21.95, 51.07, 0.5

CMYK 0 / 17 / 35 / 9

RGBA 210 139 64 0.5

HSLA 30.82, 0.62%, 0.54%, 0.5

LABA 63.78, 20.32, 49.81, 0.5

CMYK 0 / 15 / 32 / 5

RGBA 227 157 83 0.5

HSLA 30.83, 0.72%, 0.61%, 0.5

LABA 70.22, 18.9, 48.39, 0.5

CMYK 0 / 14 / 29 / 2

RGBA 244 175 102 0.5

HSLA 30.85, 0.87%, 0.68%, 0.5

LABA 76.59, 17.66, 46.93, 0.5

Darker colors

CMYK 0 / 20 / 41 / 16

RGBA 171 103 31 0.5

HSLA 30.86, 0.69%, 0.4%, 0.5

LABA 50.05, 21.81, 49.06, 0.5

CMYK 0 / 22 / 46 / 20

RGBA 154 85 12 0.5

HSLA 30.85, 0.86%, 0.33%, 0.5

LABA 43.35, 23.9, 49.07, 0.5

CMYK 0 / 26 / 50 / 23

RGBA 137 67 0 0.5

HSLA 29.34, 1%, 0.27%, 0.5

LABA 36.62, 26.27, 46.81, 0.5

CMYK 0 / 30 / 50 / 26

RGBA 120 49 0 0.5

HSLA 24.5, 1%, 0.24%, 0.5

LABA 29.89, 28.79, 41.11, 0.5

CMYK 0 / 35 / 50 / 30

RGBA 103 31 0 0.5

HSLA 18.06, 1%, 0.2%, 0.5

LABA 23.22, 30.97, 33.95, 0.5

Warmer colors

CMYK 0 / 40 / 81 / 33

HSL 30.86, 0.69%, 0.4%

LAB 50.42, 21.73, 49.05

CMYK 0 / 62 / 81 / 33

HSL 14.57, 0.69%, 0.4%

LAB 42.42, 41.69, 41.56

CMYK 0 / 81 / 81 / 33

HSL 0, 0.69%, 0.4%

LAB 37.68, 54.65, 36.93

Colder colors

CMYK 0 / 40 / 81 / 33

HSL 30.86, 0.69%, 0.4%

LAB 50.42, 21.73, 49.05

CMYK 0 / 17 / 81 / 33

HSL 47.14, 0.69%, 0.4%

LAB 60.09, 0.5, 57.73

CMYK 4 / 0 / 81 / 33

HSL 63, 0.69%, 0.4%

LAB 67.73, -18.48, 64.18

CMYK 26 / 0 / 81 / 33

HSL 79.29, 0.69%, 0.4%

LAB 65.06, -34.39, 60.8

CMYK 48 / 0 / 81 / 33

HSL 95.57, 0.69%, 0.4%

LAB 63.12, -48.01, 58.32

Richer colors

CMYK 0 / 40 / 81 / 33

HSL 30.86, 0.69%, 0.4%

LAB 50.42, 21.73, 49.05

CMYK 0 / 45 / 92 / 26

HSL 30.69, 0.85%, 0.4%

LAB 52.68, 28.64, 57.43

Paler colors

CMYK 0 / 40 / 81 / 33

HSL 30.86, 0.69%, 0.4%

LAB 50.42, 21.73, 49.05

CMYK 0 / 33 / 69 / 39

HSL 31.11, 0.53%, 0.4%

LAB 48.49, 15.38, 39.09

CMYK 0 / 26 / 53 / 45

HSL 30.81, 0.36%, 0.4%

LAB 46.41, 9.66, 26.95

CMYK 0 / 16 / 34 / 52

HSL 31.43, 0.21%, 0.4%

LAB 44.95, 4.48, 15.39

CMYK 0 / 4 / 8 / 58

HSL 30, 0.04%, 0.4%

LAB 43.43, 0.78, 2.81

Analogue colors

CMYK 0 / 81 / 79 / 33

HSL 358.29, 0.69%, 0.4%

LAB 37.72, 54.78, 34.69

CMYK 0 / 63 / 81 / 33

HSL 13.71, 0.69%, 0.4%

LAB 42.06, 42.63, 41.22

CMYK 0 / 41 / 81 / 33

HSL 30, 0.69%, 0.4%

LAB 49.95, 22.84, 48.62

CMYK 0 / 19 / 81 / 33

HSL 46.29, 0.69%, 0.4%

LAB 59.55, 1.6, 57.26

CMYK 2 / 0 / 81 / 33

HSL 61.71, 0.69%, 0.4%

LAB 67.97, -17.18, 64.48

Monochromatic colors

CMYK 0 / 40 / 82 / 60

HSL 30.71, 0.69%, 0.24%

LAB 30.34, 14.08, 32.44

CMYK 0 / 40 / 82 / 46

HSL 30.8, 0.69%, 0.32%

LAB 40.67, 18.21, 41.28

CMYK 0 / 40 / 81 / 33

HSL 30.86, 0.69%, 0.4%

LAB 50.42, 21.73, 49.05

CMYK 0 / 40 / 82 / 19

HSL 30.89, 0.69%, 0.48%

LAB 59.95, 25.5, 57.06

CMYK 0 / 34 / 70 / 14

HSL 30.78, 0.69%, 0.56%

LAB 66.41, 21.41, 52.05

Partial complementary colors

CMYK 0 / 40 / 82 / 33

HSL 30.86, 0.69%, 0.4%

LAB 50.05, 21.81, 49.06

CMYK 57 / 0 / 81 / 33

HSL 102, 0.69%, 0.4%

LAB 62.56, -52.37, 57.6

CMYK 73 / 81 / 0 / 33

HSL 246, 0.69%, 0.4%

LAB 25.54, 49.6, -70.94

Triadic colors

CMYK 0 / 40 / 82 / 33

HSL 30.86, 0.69%, 0.4%

LAB 50.05, 21.81, 49.06

CMYK 81 / 0 / 41 / 33

HSL 150, 0.69%, 0.4%

LAB 62.31, -51.78, 26.13

CMYK 41 / 81 / 0 / 33

HSL 270, 0.69%, 0.4%

LAB 31.43, 56.06, -61.03

Rectangular (tetradic) colors

CMYK 0 / 40 / 82 / 33

HSL 30.86, 0.69%, 0.4%

LAB 50.05, 21.81, 49.06

CMYK 57 / 0 / 81 / 33

HSL 102, 0.69%, 0.4%

LAB 62.56, -52.37, 57.6

CMYK 81 / 41 / 0 / 33

HSL 210, 0.69%, 0.4%

LAB 42.44, 4.34, -43.45

CMYK 24 / 81 / 0 / 33

HSL 282, 0.69%, 0.4%

LAB 35.51, 60.6, -54.2

Square colors

CMYK 0 / 40 / 82 / 33

HSL 30.86, 0.69%, 0.4%

LAB 50.05, 21.81, 49.06

CMYK 81 / 0 / 81 / 33

HSL 120, 0.69%, 0.4%

LAB 61.58, -60.6, 56.33

CMYK 81 / 41 / 0 / 33

HSL 210, 0.69%, 0.4%

LAB 42.44, 4.34, -43.45

CMYK 0 / 81 / 0 / 33

HSL 300, 0.69%, 0.4%

LAB 42.43, 68.39, -42.71

Description

Color code: RGBA 171 103 31 0.5 | qconv.com

Color code: RGBA 171 103 31 0.5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 103 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 41 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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