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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 170 185 176 0.75 it is the complementary color RGBA 85 70 79 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 170 185 176 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 170 185 176 0.75 shade: RGBA 175 185 171 0.75, RGBA 192 203 190 0.75, RGBA 209 221 209 0.75, RGBA 226 239 228 0.75 and RGBA 243 255 247 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 170 185 176 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 170 185 176 0.75 shade: RGBA 170 185 176 0.75, RGBA 153 167 157 0.75, RGBA 136 149 138 0.75, RGBA 119 131 119 0.75 and RGBA 102 113 100 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 170 185 176 0.75 shade: RGB 171 186 177, RGB 171 186 173, RGB 173 186 171, RGB 177 186 171 and RGB 181 186 171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 170 185 176 0.75 shade: RGB 171 186 177, RGB 171 186 181, RGB 171 186 185, RGB 171 183 186 and RGB 171 179 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 170 185 176 0.75 shade matches the following richer shades: RGB 171 186 177, RGB 158 199 174, RGB 146 211 172, RGB 134 223 170 and RGB 121 236 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 170 185 176 0.75 shade: RGB 171 186 177, RGB 183 174 179, RGB 196 161 182, RGB 208 149 184 and RGB 220 137 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 170 185 176 0.75 shade: RGB 173 186 171, RGB 171 186 173, RGB 171 186 177, RGB 171 186 181 and RGB 171 186 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 170 185 176 0.75 shade: RGB 125 149 135, RGB 148 168 156, RGB 171 186 177, RGB 194 205 198 and RGB 216 223 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 170 185 176 0.75 shade: RGB 170 185 176, RGB 171 177 186 and RGB 186 171 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 170 185 176 0.75 shade: RGB 170 185 176, RGB 177 171 186 and RGB 186 177 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 170 185 176 0.75 shade: RGB 170 185 176, RGB 171 177 186, RGB 186 171 180 and RGB 186 180 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 170 185 176 0.75 shade: RGB 170 185 176, RGB 171 172 186, RGB 186 171 180 and RGB 186 185 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 4 / 21

HEX #AAB9B0BF

RGBA 170 185 176 0.75

HSLA 144, 0.1%, 0.7%, 0.75

LABA 73.79, -6.91, 2.78, 0.75

 

Complementary color

CMYK 0 / 13 / 5 / 50

HEX #55464FBF

RGBA 85 70 79 0.75

HSLA 324, 0.1%, 0.3%, 0.75

LABA 31.52, 8.16, -2.99, 0.75

 

CMYK 4 / 0 / 6 / 21

HEX #AFB9ABBF

RGBA 175 185 171 0.75

HSLA 102.86, 0.09%, 0.7%, 0.75

LABA 74.03, -6.08, 5.9, 0.75

 

CMYK 4 / 0 / 5 / 15

HEX #C0CBBEBF

RGBA 192 203 190 0.75

HSLA 110.77, 0.11%, 0.77%, 0.75

LABA 80.54, -6.15, 5.18, 0.75

 

CMYK 4 / 0 / 4 / 10

HEX #D1DDD1BF

RGBA 209 221 209 0.75

HSLA 120, 0.15%, 0.84%, 0.75

LABA 86.93, -6.21, 4.49, 0.75

 

CMYK 4 / 0 / 3 / 5

HEX #E2EFE4BF

RGBA 226 239 228 0.75

HSLA 129.23, 0.29%, 0.91%, 0.75

LABA 93.23, -6.28, 3.82, 0.75

 

CMYK 4 / 0 / 2 / 0

HEX #F3FFF7BF

RGBA 243 255 247 0.75

HSLA 140, 1%, 0.98%, 0.75

LABA 98.94, -5.34, 2.45, 0.75

 

CMYK 6 / 0 / 4 / 21

HEX #AAB9B0BF

RGBA 170 185 176 0.75

HSLA 144, 0.1%, 0.7%, 0.75

LABA 73.79, -6.91, 2.78, 0.75

 

CMYK 6 / 0 / 4 / 26

HEX #99A79DBF

RGBA 153 167 157 0.75

HSLA 137.14, 0.07%, 0.63%, 0.75

LABA 67.16, -6.88, 3.48, 0.75

 

CMYK 7 / 0 / 6 / 31

HEX #88958ABF

RGBA 136 149 138 0.75

HSLA 129.23, 0.06%, 0.56%, 0.75

LABA 60.39, -6.86, 4.21, 0.75

 

CMYK 7 / 0 / 7 / 36

HEX #778377BF

RGBA 119 131 119 0.75

HSLA 120, 0.05%, 0.49%, 0.75

LABA 53.48, -6.84, 4.98, 0.75

 

CMYK 7 / 0 / 9 / 42

HEX #667164BF

RGBA 102 113 100 0.75

HSLA 110.77, 0.06%, 0.42%, 0.75

LABA 46.39, -6.84, 5.81, 0.75

 

CMYK 8 / 0 / 5 / 27

HEX #ABBAB1

RGB 171 186 177

HSL 144, 0.1%, 0.7%

LAB 74.16, -6.9, 2.78

 

CMYK 8 / 0 / 7 / 27

HEX #ABBAAD

RGB 171 186 173

HSL 128, 0.1%, 0.7%

LAB 74.06, -7.65, 4.81

 

CMYK 7 / 0 / 8 / 27

HEX #ADBAAB

RGB 173 186 171

HSL 112, 0.1%, 0.7%

LAB 74.15, -7.32, 6.06

 

CMYK 5 / 0 / 8 / 27

HEX #B1BAAB

RGB 177 186 171

HSL 96, 0.1%, 0.7%

LAB 74.45, -5.9, 6.52

 

CMYK 3 / 0 / 8 / 27

HEX #B5BAAB

RGB 181 186 171

HSL 80, 0.1%, 0.7%

LAB 74.75, -4.48, 6.99

 

CMYK 8 / 0 / 5 / 27

HEX #ABBAB1

RGB 171 186 177

HSL 144, 0.1%, 0.7%

LAB 74.16, -6.9, 2.78

 

CMYK 8 / 0 / 3 / 27

HEX #ABBAB5

RGB 171 186 181

HSL 160, 0.1%, 0.7%

LAB 74.26, -6.13, 0.75

 

CMYK 8 / 0 / 1 / 27

HEX #ABBAB9

RGB 171 186 185

HSL 176, 0.1%, 0.7%

LAB 74.37, -5.35, -1.28

 

CMYK 8 / 2 / 0 / 27

HEX #ABB7BA

RGB 171 183 186

HSL 192, 0.1%, 0.7%

LAB 73.59, -3.55, -2.96

 

CMYK 8 / 4 / 0 / 27

HEX #ABB3BA

RGB 171 179 186

HSL 208, 0.1%, 0.7%

LAB 72.52, -1.4, -4.53

 

CMYK 8 / 0 / 5 / 27

HEX #ABBAB1

RGB 171 186 177

HSL 144, 0.1%, 0.7%

LAB 74.16, -6.9, 2.78

 

CMYK 21 / 0 / 13 / 22

HEX #9EC7AE

RGB 158 199 174

HSL 143.41, 0.27%, 0.7%

LAB 76.78, -18.59, 8.07

 

CMYK 31 / 0 / 18 / 17

HEX #92D3AC

RGB 146 211 172

HSL 144, 0.42%, 0.7%

LAB 79.43, -28.71, 12.82

 

CMYK 40 / 0 / 24 / 13

HEX #86DFAA

RGB 134 223 170

HSL 144.27, 0.58%, 0.7%

LAB 82.24, -38.21, 17.74

 

CMYK 49 / 0 / 29 / 7

HEX #79ECA7

RGB 121 236 167

HSL 144, 0.75%, 0.7%

LAB 85.43, -47.9, 23.62

 

CMYK 8 / 0 / 5 / 27

HEX #ABBAB1

RGB 171 186 177

HSL 144, 0.1%, 0.7%

LAB 74.16, -6.9, 2.78

 

CMYK 0 / 5 / 2 / 28

HEX #B7AEB3

RGB 183 174 179

HSL 326.67, 0.06%, 0.7%

LAB 71.96, 4.12, -1.41

 

CMYK 0 / 18 / 7 / 23

HEX #C4A1B6

RGB 196 161 182

HSL 324, 0.23%, 0.7%

LAB 69.9, 16.41, -5.97

 

CMYK 0 / 28 / 12 / 18

HEX #D095B8

RGB 208 149 184

HSL 324.41, 0.39%, 0.7%

LAB 68.29, 27.57, -9.34

 

CMYK 0 / 38 / 15 / 14

HEX #DC89BB

RGB 220 137 187

HSL 323.86, 0.54%, 0.7%

LAB 67.05, 38.63, -12.74

 

CMYK 7 / 0 / 8 / 27

HEX #ADBAAB

RGB 173 186 171

HSL 112, 0.1%, 0.7%

LAB 74.15, -7.32, 6.06

 

CMYK 8 / 0 / 7 / 27

HEX #ABBAAD

RGB 171 186 173

HSL 128, 0.1%, 0.7%

LAB 74.06, -7.65, 4.81

 

CMYK 8 / 0 / 5 / 27

HEX #ABBAB1

RGB 171 186 177

HSL 144, 0.1%, 0.7%

LAB 74.16, -6.9, 2.78

 

CMYK 8 / 0 / 3 / 27

HEX #ABBAB5

RGB 171 186 181

HSL 160, 0.1%, 0.7%

LAB 74.26, -6.13, 0.75

 

CMYK 8 / 0 / 1 / 27

HEX #ABBAB9

RGB 171 186 185

HSL 176, 0.1%, 0.7%

LAB 74.37, -5.35, -1.28

 

CMYK 16 / 0 / 9 / 42

HEX #7D9587

RGB 125 149 135

HSL 145, 0.1%, 0.54%

LAB 59.53, -11.39, 4.56

 

CMYK 12 / 0 / 7 / 34

HEX #94A89C

RGB 148 168 156

HSL 144, 0.1%, 0.62%

LAB 67.05, -9.37, 3.83

 

CMYK 8 / 0 / 5 / 27

HEX #ABBAB1

RGB 171 186 177

HSL 144, 0.1%, 0.7%

LAB 74.16, -6.9, 2.78

 

CMYK 5 / 0 / 3 / 20

HEX #C2CDC6

RGB 194 205 198

HSL 141.82, 0.1%, 0.78%

LAB 81.41, -5.04, 2.18

 

CMYK 3 / 0 / 2 / 13

HEX #D8DFDB

RGB 216 223 219

HSL 145.71, 0.1%, 0.86%

LAB 88.2, -3.08, 1.13

 

CMYK 8 / 0 / 5 / 27

HEX #AAB9B0

RGB 170 185 176

HSL 144, 0.1%, 0.7%

LAB 73.79, -6.91, 2.78

 

CMYK 8 / 5 / 0 / 27

HEX #ABB1BA

RGB 171 177 186

HSL 216, 0.1%, 0.7%

LAB 71.99, -0.32, -5.32

 

CMYK 0 / 8 / 8 / 27

HEX #BAABAB

RGB 186 171 171

HSL 0, 0.1%, 0.7%

LAB 71.22, 5.39, 1.94

 

CMYK 8 / 0 / 5 / 27

HEX #AAB9B0

RGB 170 185 176

HSL 144, 0.1%, 0.7%

LAB 73.79, -6.91, 2.78

 

CMYK 5 / 8 / 0 / 27

HEX #B1ABBA

RGB 177 171 186

HSL 264, 0.1%, 0.7%

LAB 70.88, 5, -6.91

 

CMYK 0 / 5 / 8 / 27

HEX #BAB1AB

RGB 186 177 171

HSL 24, 0.1%, 0.7%

LAB 72.78, 2.14, 4.2

 

CMYK 8 / 0 / 5 / 27

HEX #AAB9B0

RGB 170 185 176

HSL 144, 0.1%, 0.7%

LAB 73.79, -6.91, 2.78

 

CMYK 8 / 5 / 0 / 27

HEX #ABB1BA

RGB 171 177 186

HSL 216, 0.1%, 0.7%

LAB 71.99, -0.32, -5.32

 

CMYK 0 / 8 / 3 / 27

HEX #BAABB4

RGB 186 171 180

HSL 324, 0.1%, 0.7%

LAB 71.46, 7.01, -2.66

 

CMYK 0 / 3 / 8 / 27

HEX #BAB4AB

RGB 186 180 171

HSL 36, 0.1%, 0.7%

LAB 73.56, 0.53, 5.33

 

CMYK 8 / 0 / 5 / 27

HEX #AAB9B0

RGB 170 185 176

HSL 144, 0.1%, 0.7%

LAB 73.79, -6.91, 2.78

 

CMYK 8 / 8 / 0 / 27

HEX #ABACBA

RGB 171 172 186

HSL 236, 0.1%, 0.7%

LAB 70.67, 2.4, -7.28

 

CMYK 0 / 8 / 3 / 27

HEX #BAABB4

RGB 186 171 180

HSL 324, 0.1%, 0.7%

LAB 71.46, 7.01, -2.66

 

CMYK 0 / 1 / 8 / 27

HEX #BAB9AB

RGB 186 185 171

HSL 56, 0.1%, 0.7%

LAB 74.87, -2.15, 7.22

 

Description

Color code: RGBA 170 185 176 0.75 | qconv.com Color code: RGBA 170 185 176 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 185 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 185 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 4 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 4% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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