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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 16 198 104 0.07 it is the complementary color RGBA 239 57 151 0.07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 16 198 104 0.07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 16 198 104 0.07: RGBA 21 198 99 0.07, RGBA 38 216 118 0.07, RGBA 55 234 137 0.07, RGBA 72 252 156 0.07 and RGBA 89 255 175 0.07

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 16 198 104 0.07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 16 198 104 0.07: RGBA 16 198 104 0.07, RGBA 0 180 85 0.07, RGBA 0 162 66 0.07, RGBA 0 144 47 0.07 and RGBA 0 126 28 0.07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 3 / 2

HEX #10C66811

RGBA 16 198 104 0.07

HSLA 149.01, 0.85%, 0.42%, 0.07

LABA 70.52, -61.79, 35.68, 0.07

 

Complementary color

CMYK 0 / 5 / 3 / 0

HEX #EF399711

RGBA 239 57 151 0.07

HSLA 329.01, 0.85%, 0.58%, 0.07

LABA 55.6, 74.18, -8.93, 0.07

 

CMYK 6 / 0 / 4 / 2

HEX #15C66311

RGBA 21 198 99 0.07

HSLA 146.44, 0.81%, 0.43%, 0.07

LABA 70.49, -62.33, 38.14, 0.07

 

CMYK 6 / 0 / 3 / 1

HEX #26D87611

RGBA 38 216 118 0.07

HSLA 146.97, 0.7%, 0.5%, 0.07

LABA 76.58, -63.89, 36.43, 0.07

 

CMYK 5 / 0 / 3 / 1

HEX #37EA8911

RGBA 55 234 137 0.07

HSLA 147.49, 0.81%, 0.57%, 0.07

LABA 82.63, -64.99, 34.82, 0.07

 

CMYK 5 / 0 / 3 / 0

HEX #48FC9C11

RGBA 72 252 156 0.07

HSLA 148, 0.97%, 0.64%, 0.07

LABA 88.64, -65.75, 33.3, 0.07

 

CMYK 5 / 0 / 2 / 0

HEX #59FFAF11

RGBA 89 255 175 0.07

HSLA 151.08, 1%, 0.67%, 0.07

LABA 90.2, -60.65, 25.92, 0.07

 

CMYK 6 / 0 / 3 / 2

HEX #10C66811

RGBA 16 198 104 0.07

HSLA 149.01, 0.85%, 0.42%, 0.07

LABA 70.52, -61.79, 35.68, 0.07

 

CMYK 7 / 0 / 4 / 2

HEX #00B45511

RGBA 0 180 85 0.07

HSLA 148.33, 1%, 0.35%, 0.07

LABA 64.4, -59.64, 37.5, 0.07

 

CMYK 7 / 0 / 4 / 3

HEX #00A24211

RGBA 0 162 66 0.07

HSLA 144.44, 1%, 0.32%, 0.07

LABA 58.26, -56.63, 39.37, 0.07

 

CMYK 7 / 0 / 5 / 3

HEX #00902F11

RGBA 0 144 47 0.07

HSLA 139.58, 1%, 0.28%, 0.07

LABA 52.01, -53.33, 41.04, 0.07

 

CMYK 7 / 0 / 5 / 4

HEX #007E1C11

RGBA 0 126 28 0.07

HSLA 133.33, 1%, 0.25%, 0.07

LABA 45.64, -49.63, 42.14, 0.07

 

CMYK 6 / 0 / 3 / 2

HEX #10C66811

RGBA 16 198 104 0.07

HSLA 149.01, 0.85%, 0.42%, 0.07

LABA 70.52, -61.79, 35.68, 0.07

 

CMYK 6 / 0 / 2 / 2

HEX #10C68611

RGBA 16 198 134 0.07

HSLA 158.9, 0.85%, 0.42%, 0.07

LABA 71.02, -55.98, 20.77, 0.07

 

CMYK 6 / 0 / 1 / 2

HEX #10C6A411

RGBA 16 198 164 0.07

HSLA 168.79, 0.85%, 0.42%, 0.07

LABA 71.68, -48.79, 5.55, 0.07

 

CMYK 6 / 0 / 0 / 2

HEX #10C6C311

RGBA 16 198 195 0.07

HSLA 179.01, 0.85%, 0.42%, 0.07

LABA 72.52, -40.15, -10.07, 0.07

 

CMYK 6 / 1 / 0 / 2

HEX #10AAC611

RGBA 16 170 198 0.07

HSLA 189.23, 0.85%, 0.42%, 0.07

LABA 64.11, -25.88, -24.45, 0.07

 

CMYK 6 / 0 / 3 / 2

HEX #10C66811

RGBA 16 198 104 0.07

HSLA 149.01, 0.85%, 0.42%, 0.07

LABA 70.52, -61.79, 35.68, 0.07

 

CMYK 6 / 0 / 3 / 0

HEX #14F98311

RGBA 20 249 131 0.07

HSLA 149.08, 0.95%, 0.53%, 0.07

LABA 86.77, -73.79, 43.01, 0.07

 

CMYK 6 / 0 / 3 / 6

HEX #042D1811

RGBA 4 45 24 0.07

HSLA 149.27, 0.84%, 0.1%, 0.07

LABA 15.32, -20.11, 9.7, 0.07

 

CMYK 6 / 0 / 3 / 4

HEX #08603211

RGBA 8 96 50 0.07

HSLA 148.64, 0.85%, 0.2%, 0.07

LABA 35.3, -35.54, 19.65, 0.07

 

CMYK 6 / 0 / 3 / 3

HEX #0C934D11

RGBA 12 147 77 0.07

HSLA 148.89, 0.85%, 0.31%, 0.07

LABA 53.47, -49.14, 27.95, 0.07

 

CMYK 6 / 0 / 3 / 2

HEX #10C66811

RGBA 16 198 104 0.07

HSLA 149.01, 0.85%, 0.42%, 0.07

LABA 70.52, -61.79, 35.68, 0.07

 

CMYK 6 / 4 / 0 / 2

HEX #1049C611

RGBA 16 73 198 0.07

HSLA 221.21, 0.85%, 0.42%, 0.07

LABA 35.89, 32.54, -69.31, 0.07

 

CMYK 0 / 6 / 6 / 2

HEX #C61F1011

RGBA 198 31 16 0.07

HSLA 4.95, 0.85%, 0.42%, 0.07

LABA 42.8, 62.03, 50.94, 0.07

 

CMYK 6 / 0 / 3 / 2

HEX #10C66811

RGBA 16 198 104 0.07

HSLA 149.01, 0.85%, 0.42%, 0.07

LABA 70.52, -61.79, 35.68, 0.07

 

CMYK 3 / 6 / 0 / 2

HEX #6810C611

RGBA 104 16 198 0.07

HSLA 269.01, 0.85%, 0.42%, 0.07

LABA 32.68, 66.75, -74.38, 0.07

 

CMYK 0 / 3 / 6 / 2

HEX #C6681011

RGBA 198 104 16 0.07

HSLA 29.01, 0.85%, 0.42%, 0.07

LABA 53.97, 32.42, 58.7, 0.07

 

CMYK 6 / 0 / 3 / 2

HEX #10C66811

RGBA 16 198 104 0.07

HSLA 149.01, 0.85%, 0.42%, 0.07

LABA 70.52, -61.79, 35.68, 0.07

 

CMYK 6 / 4 / 0 / 2

HEX #1049C611

RGBA 16 73 198 0.07

HSLA 221.21, 0.85%, 0.42%, 0.07

LABA 35.89, 32.54, -69.31, 0.07

 

CMYK 0 / 6 / 3 / 2

HEX #C6106E11

RGBA 198 16 110 0.07

HSLA 329.01, 0.85%, 0.42%, 0.07

LABA 43.51, 69.26, -2.88, 0.07

 

CMYK 0 / 2 / 6 / 2

HEX #C68C1011

RGBA 198 140 16 0.07

HSLA 40.88, 0.85%, 0.42%, 0.07

LABA 62.34, 12.91, 64.87, 0.07

 

CMYK 6 / 0 / 3 / 2

HEX #10C66811

RGBA 16 198 104 0.07

HSLA 149.01, 0.85%, 0.42%, 0.07

LABA 70.52, -61.79, 35.68, 0.07

 

CMYK 6 / 6 / 0 / 2

HEX #1013C611

RGBA 16 19 198 0.07

HSLA 239.01, 0.85%, 0.42%, 0.07

LABA 25.72, 61.13, -86.14, 0.07

 

CMYK 0 / 6 / 3 / 2

HEX #C6106E11

RGBA 198 16 110 0.07

HSLA 329.01, 0.85%, 0.42%, 0.07

LABA 43.51, 69.26, -2.88, 0.07

 

CMYK 0 / 0 / 6 / 2

HEX #C6C31011

RGBA 198 195 16 0.07

HSLA 59.01, 0.85%, 0.42%, 0.07

LABA 76.72, -16.14, 75.8, 0.07

 

Description

Color code: RGBA 16 198 104 0.07 | qconv.com Color code: RGBA 16 198 104 0.07 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 198 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 198 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 3 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 3% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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