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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 166 149 141 0.75 it is the complementary color RGBA 89 106 114 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 166 149 141 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 166 149 141 0.75 shade: RGBA 171 149 136 0.75, RGBA 188 167 155 0.75, RGBA 205 185 174 0.75, RGBA 222 203 193 0.75 and RGBA 239 221 212 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 166 149 141 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 166 149 141 0.75 shade: RGBA 166 149 141 0.75, RGBA 149 131 122 0.75, RGBA 132 113 103 0.75, RGBA 115 95 84 0.75 and RGBA 98 77 65 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 166 149 141 0.75 shade: RGB 165 149 141, RGB 165 142 141 and RGB 165 141 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 166 149 141 0.75 shade: RGB 165 149 141, RGB 165 155 141, RGB 165 162 141, RGB 162 165 141 and RGB 155 165 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 166 149 141 0.75 shade matches the following richer shades: RGB 165 149 141, RGB 182 143 124, RGB 198 137 108, RGB 215 131 91 and RGB 231 125 75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 166 149 141 0.75 shade: RGB 165 149 141, RGB 149 155 157, RGB 132 160 174, RGB 116 166 190 and RGB 99 172 207

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 166 149 141 0.75 shade: RGB 165 141 146, RGB 165 142 141, RGB 165 149 141, RGB 165 155 141 and RGB 165 162 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 166 149 141 0.75 shade: RGB 125 107 98, RGB 147 127 118, RGB 165 149 141, RGB 183 170 164 and RGB 202 192 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 166 149 141 0.75 shade: RGB 166 149 141, RGB 153 165 141 and RGB 141 143 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 166 149 141 0.75 shade: RGB 166 149 141, RGB 141 165 149 and RGB 149 141 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 166 149 141 0.75 shade: RGB 166 149 141, RGB 153 165 141, RGB 141 157 165 and RGB 153 141 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 166 149 141 0.75 shade: RGB 166 149 141, RGB 145 165 141, RGB 141 157 165 and RGB 161 141 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 11 / 26

HEX #A6958DBF

RGBA 166 149 141 0.75

HSLA 19.2, 0.12%, 0.6%, 0.75

LABA 62.95, 4.92, 6.51, 0.75

 

Complementary color

CMYK 16 / 5 / 0 / 41

HEX #596A72BF

RGBA 89 106 114 0.75

HSLA 199.2, 0.12%, 0.4%, 0.75

LABA 43.72, -4.44, -6.6, 0.75

 

CMYK 0 / 10 / 15 / 25

HEX #AB9588BF

RGBA 171 149 136 0.75

HSLA 22.29, 0.17%, 0.6%, 0.75

LABA 63.29, 6.04, 9.87, 0.75

 

CMYK 0 / 8 / 13 / 20

HEX #BCA79BBF

RGBA 188 167 155 0.75

HSLA 21.82, 0.2%, 0.67%, 0.75

LABA 69.96, 5.64, 8.98, 0.75

 

CMYK 0 / 7 / 11 / 15

HEX #CDB9AEBF

RGBA 205 185 174 0.75

HSLA 21.29, 0.24%, 0.74%, 0.75

LABA 76.52, 5.29, 8.16, 0.75

 

CMYK 0 / 6 / 10 / 10

HEX #DECBC1BF

RGBA 222 203 193 0.75

HSLA 20.69, 0.31%, 0.81%, 0.75

LABA 82.96, 4.98, 7.37, 0.75

 

CMYK 0 / 6 / 8 / 5

HEX #EFDDD4BF

RGBA 239 221 212 0.75

HSLA 20, 0.46%, 0.88%, 0.75

LABA 89.31, 4.69, 6.63, 0.75

 

CMYK 0 / 8 / 11 / 26

HEX #A6958DBF

RGBA 166 149 141 0.75

HSLA 19.2, 0.12%, 0.6%, 0.75

LABA 62.95, 4.92, 6.51, 0.75

 

CMYK 0 / 9 / 14 / 31

HEX #95837ABF

RGBA 149 131 122 0.75

HSLA 20, 0.11%, 0.53%, 0.75

LABA 56.12, 5.29, 7.36, 0.75

 

CMYK 0 / 11 / 16 / 36

HEX #847167BF

RGBA 132 113 103 0.75

HSLA 20.69, 0.12%, 0.46%, 0.75

LABA 49.12, 5.73, 8.29, 0.75

 

CMYK 0 / 13 / 20 / 41

HEX #735F54BF

RGBA 115 95 84 0.75

HSLA 21.29, 0.16%, 0.39%, 0.75

LABA 41.95, 6.24, 9.32, 0.75

 

CMYK 0 / 16 / 25 / 46

HEX #624D41BF

RGBA 98 77 65 0.75

HSLA 21.82, 0.2%, 0.32%, 0.75

LABA 34.57, 6.88, 10.48, 0.75

 

CMYK 0 / 10 / 15 / 35

HEX #A5958D

RGB 165 149 141

HSL 20, 0.12%, 0.6%

LAB 62.86, 4.53, 6.36

 

CMYK 0 / 14 / 15 / 35

HEX #A58E8D

RGB 165 142 141

HSL 2.5, 0.12%, 0.6%

LAB 61.02, 8.45, 3.72

 

CMYK 0 / 15 / 15 / 35

HEX #A58D8D

RGB 165 141 141

HSL 0, 0.12%, 0.6%

LAB 60.76, 9.01, 3.34

 

CMYK 0 / 10 / 15 / 35

HEX #A5958D

RGB 165 149 141

HSL 20, 0.12%, 0.6%

LAB 62.86, 4.53, 6.36

 

CMYK 0 / 6 / 15 / 35

HEX #A59B8D

RGB 165 155 141

HSL 35, 0.12%, 0.6%

LAB 64.46, 1.21, 8.65

 

CMYK 0 / 2 / 15 / 35

HEX #A5A28D

RGB 165 162 141

HSL 52.5, 0.12%, 0.6%

LAB 66.34, -2.62, 11.32

 

CMYK 2 / 0 / 15 / 35

HEX #A2A58D

RGB 162 165 141

HSL 67.5, 0.12%, 0.6%

LAB 66.91, -5.38, 12.09

 

CMYK 6 / 0 / 15 / 35

HEX #9BA58D

RGB 155 165 141

HSL 85, 0.12%, 0.6%

LAB 66.37, -8, 11.25

 

CMYK 0 / 10 / 15 / 35

HEX #A5958D

RGB 165 149 141

HSL 20, 0.12%, 0.6%

LAB 62.86, 4.53, 6.36

 

CMYK 0 / 21 / 32 / 29

HEX #B68F7C

RGB 182 143 124

HSL 19.66, 0.28%, 0.6%

LAB 62.55, 11.98, 15.74

 

CMYK 0 / 31 / 45 / 22

HEX #C6896C

RGB 198 137 108

HSL 19.33, 0.44%, 0.6%

LAB 62.49, 19.86, 24.91

 

CMYK 0 / 39 / 58 / 16

HEX #D7835B

RGB 215 131 91

HSL 19.35, 0.61%, 0.6%

LAB 62.87, 28.47, 35.14

 

CMYK 0 / 46 / 68 / 9

HEX #E77D4B

RGB 231 125 75

HSL 19.23, 0.76%, 0.6%

LAB 63.48, 36.92, 44.81

 

CMYK 0 / 10 / 15 / 35

HEX #A5958D

RGB 165 149 141

HSL 20, 0.12%, 0.6%

LAB 62.86, 4.53, 6.36

 

CMYK 5 / 1 / 0 / 38

HEX #959B9D

RGB 149 155 157

HSL 195, 0.04%, 0.6%

LAB 63.56, -1.75, -1.8

 

CMYK 24 / 8 / 0 / 32

HEX #84A0AE

RGB 132 160 174

HSL 200, 0.21%, 0.6%

LAB 64.24, -6.49, -10.48

 

CMYK 39 / 13 / 0 / 25

HEX #74A6BE

RGB 116 166 190

HSL 199.46, 0.36%, 0.6%

LAB 65.52, -10.43, -17.59

 

CMYK 52 / 17 / 0 / 19

HEX #63ACCF

RGB 99 172 207

HSL 199.44, 0.53%, 0.6%

LAB 67.02, -13.09, -24.8

 

CMYK 0 / 15 / 12 / 35

HEX #A58D92

RGB 165 141 146

HSL 347.5, 0.12%, 0.6%

LAB 60.89, 9.87, 0.69

 

CMYK 0 / 14 / 15 / 35

HEX #A58E8D

RGB 165 142 141

HSL 2.5, 0.12%, 0.6%

LAB 61.02, 8.45, 3.72

 

CMYK 0 / 10 / 15 / 35

HEX #A5958D

RGB 165 149 141

HSL 20, 0.12%, 0.6%

LAB 62.86, 4.53, 6.36

 

CMYK 0 / 6 / 15 / 35

HEX #A59B8D

RGB 165 155 141

HSL 35, 0.12%, 0.6%

LAB 64.46, 1.21, 8.65

 

CMYK 0 / 2 / 15 / 35

HEX #A5A28D

RGB 165 162 141

HSL 52.5, 0.12%, 0.6%

LAB 66.34, -2.62, 11.32

 

CMYK 0 / 14 / 22 / 51

HEX #7D6B62

RGB 125 107 98

HSL 20, 0.12%, 0.44%

LAB 46.65, 5.55, 7.67

 

CMYK 0 / 14 / 20 / 42

HEX #937F76

RGB 147 127 118

HSL 18.62, 0.12%, 0.52%

LAB 54.75, 6.13, 7.71

 

CMYK 0 / 10 / 15 / 35

HEX #A5958D

RGB 165 149 141

HSL 20, 0.12%, 0.6%

LAB 62.86, 4.53, 6.36

 

CMYK 0 / 7 / 10 / 28

HEX #B7AAA4

RGB 183 170 164

HSL 18.95, 0.12%, 0.68%

LAB 70.52, 3.63, 4.76

 

CMYK 0 / 5 / 7 / 21

HEX #CAC0BB

RGB 202 192 187

HSL 20, 0.12%, 0.76%

LAB 78.37, 2.63, 3.76

 

CMYK 0 / 10 / 15 / 35

HEX #A6958D

RGB 166 149 141

HSL 19.2, 0.12%, 0.6%

LAB 62.95, 4.92, 6.51

 

CMYK 7 / 0 / 15 / 35

HEX #99A58D

RGB 153 165 141

HSL 90, 0.12%, 0.6%

LAB 66.22, -8.74, 11.01

 

CMYK 15 / 13 / 0 / 35

HEX #8D8FA5

RGB 141 143 165

HSL 235, 0.12%, 0.6%

LAB 59.91, 3.89, -11.82

 

CMYK 0 / 10 / 15 / 35

HEX #A6958D

RGB 166 149 141

HSL 19.2, 0.12%, 0.6%

LAB 62.95, 4.92, 6.51

 

CMYK 15 / 0 / 10 / 35

HEX #8DA595

RGB 141 165 149

HSL 140, 0.12%, 0.6%

LAB 65.55, -11.58, 5.49

 

CMYK 10 / 15 / 0 / 35

HEX #958DA5

RGB 149 141 165

HSL 260, 0.12%, 0.6%

LAB 60.03, 7.77, -11.58

 

CMYK 0 / 10 / 15 / 35

HEX #A6958D

RGB 166 149 141

HSL 19.2, 0.12%, 0.6%

LAB 62.95, 4.92, 6.51

 

CMYK 7 / 0 / 15 / 35

HEX #99A58D

RGB 153 165 141

HSL 90, 0.12%, 0.6%

LAB 66.22, -8.74, 11.01

 

CMYK 15 / 5 / 0 / 35

HEX #8D9DA5

RGB 141 157 165

HSL 200, 0.12%, 0.6%

LAB 63.75, -3.94, -6.1

 

CMYK 7 / 15 / 0 / 35

HEX #998DA5

RGB 153 141 165

HSL 270, 0.12%, 0.6%

LAB 60.37, 9.16, -11.03

 

CMYK 0 / 10 / 15 / 35

HEX #A6958D

RGB 166 149 141

HSL 19.2, 0.12%, 0.6%

LAB 62.95, 4.92, 6.51

 

CMYK 12 / 0 / 15 / 35

HEX #91A58D

RGB 145 165 141

HSL 110, 0.12%, 0.6%

LAB 65.63, -11.67, 10.1

 

CMYK 15 / 5 / 0 / 35

HEX #8D9DA5

RGB 141 157 165

HSL 200, 0.12%, 0.6%

LAB 63.75, -3.94, -6.1

 

CMYK 2 / 15 / 0 / 35

HEX #A18DA5

RGB 161 141 165

HSL 290, 0.12%, 0.6%

LAB 61.08, 11.97, -9.89

 

Description

Color code: RGBA 166 149 141 0.75 | qconv.com Color code: RGBA 166 149 141 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 149 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 149 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 11 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 11% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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