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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 166 131 120 0.75 it is the complementary color RGBA 89 124 135 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 166 131 120 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 166 131 120 0.75 shade: RGBA 171 131 115 0.75, RGBA 188 149 134 0.75, RGBA 205 167 153 0.75, RGBA 222 185 172 0.75 and RGBA 239 203 191 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 166 131 120 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 166 131 120 0.75 shade: RGBA 166 131 120 0.75, RGBA 149 113 101 0.75, RGBA 132 95 82 0.75, RGBA 115 77 63 0.75 and RGBA 98 59 44 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 166 131 120 0.75 shade: RGB 166 131 119 and RGB 166 119 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 166 131 120 0.75 shade: RGB 166 131 119, RGB 166 143 119, RGB 166 156 119, RGB 164 166 119 and RGB 151 166 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 166 131 120 0.75 shade matches the following richer shades: RGB 166 131 119, RGB 185 121 101, RGB 203 112 83, RGB 221 102 65 and RGB 239 93 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 166 131 120 0.75 shade: RGB 166 131 119, RGB 148 140 137, RGB 130 149 156, RGB 112 159 174 and RGB 94 168 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 166 131 120 0.75 shade: RGB 166 119 133, RGB 166 119 121, RGB 166 130 119, RGB 166 143 119 and RGB 166 155 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 166 131 120 0.75 shade: RGB 123 90 80, RGB 148 109 97, RGB 166 131 119, RGB 183 153 144 and RGB 199 176 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 166 131 120 0.75 shade: RGB 166 131 120, RGB 146 166 119 and RGB 119 127 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 166 131 120 0.75 shade: RGB 166 131 120, RGB 119 166 130 and RGB 130 119 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 166 131 120 0.75 shade: RGB 166 131 120, RGB 146 166 119, RGB 119 155 166 and RGB 140 119 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 166 131 120 0.75 shade: RGB 166 131 120, RGB 132 166 119, RGB 119 155 166 and RGB 154 119 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 21 / 26

HEX #A68378BF

RGBA 166 131 120 0.75

HSLA 14.35, 0.21%, 0.56%, 0.75

LABA 57.75, 11.75, 11.06, 0.75

 

Complementary color

CMYK 26 / 6 / 0 / 35

HEX #597C87BF

RGBA 89 124 135 0.75

HSLA 194.35, 0.21%, 0.44%, 0.75

LABA 49.84, -9.47, -9.95, 0.75

 

CMYK 0 / 18 / 25 / 25

HEX #AB8373BF

RGBA 171 131 115 0.75

HSLA 17.14, 0.25%, 0.56%, 0.75

LABA 58.16, 13.06, 14.58, 0.75

 

CMYK 0 / 16 / 22 / 20

HEX #BC9586BF

RGBA 188 149 134 0.75

HSLA 16.67, 0.29%, 0.63%, 0.75

LABA 64.89, 12.4, 13.48, 0.75

 

CMYK 0 / 14 / 19 / 15

HEX #CDA799BF

RGBA 205 167 153 0.75

HSLA 16.15, 0.34%, 0.7%, 0.75

LABA 71.5, 11.81, 12.48, 0.75

 

CMYK 0 / 13 / 17 / 10

HEX #DEB9ACBF

RGBA 222 185 172 0.75

HSLA 15.6, 0.43%, 0.77%, 0.75

LABA 78, 11.3, 11.55, 0.75

 

CMYK 0 / 11 / 15 / 5

HEX #EFCBBFBF

RGBA 239 203 191 0.75

HSLA 15, 0.6%, 0.84%, 0.75

LABA 84.39, 10.83, 10.68, 0.75

 

CMYK 0 / 16 / 21 / 26

HEX #A68378BF

RGBA 166 131 120 0.75

HSLA 14.35, 0.21%, 0.56%, 0.75

LABA 57.75, 11.75, 11.06, 0.75

 

CMYK 0 / 18 / 24 / 31

HEX #957165BF

RGBA 149 113 101 0.75

HSLA 15, 0.19%, 0.49%, 0.75

LABA 50.85, 12.43, 12.15, 0.75

 

CMYK 0 / 21 / 28 / 36

HEX #845F52BF

RGBA 132 95 82 0.75

HSLA 15.6, 0.23%, 0.42%, 0.75

LABA 43.8, 13.23, 13.38, 0.75

 

CMYK 0 / 25 / 34 / 41

HEX #734D3FBF

RGBA 115 77 63 0.75

HSLA 16.15, 0.29%, 0.35%, 0.75

LABA 36.58, 14.21, 14.8, 0.75

 

CMYK 0 / 30 / 41 / 46

HEX #623B2CBF

RGBA 98 59 44 0.75

HSLA 16.67, 0.38%, 0.28%, 0.75

LABA 29.18, 15.42, 16.48, 0.75

 

CMYK 0 / 21 / 28 / 35

HEX #A68377

RGB 166 131 119

HSL 15.32, 0.21%, 0.56%

LAB 57.72, 11.6, 11.6

 

CMYK 0 / 28 / 28 / 35

HEX #A67777

RGB 166 119 119

HSL 0, 0.21%, 0.56%

LAB 54.69, 18.42, 7.31

 

CMYK 0 / 21 / 28 / 35

HEX #A68377

RGB 166 131 119

HSL 15.32, 0.21%, 0.56%

LAB 57.72, 11.6, 11.6

 

CMYK 0 / 14 / 28 / 35

HEX #A68F77

RGB 166 143 119

HSL 30.64, 0.21%, 0.56%

LAB 60.86, 4.86, 15.97

 

CMYK 0 / 6 / 28 / 35

HEX #A69C77

RGB 166 156 119

HSL 47.23, 0.21%, 0.56%

LAB 64.34, -2.31, 20.74

 

CMYK 1 / 0 / 28 / 35

HEX #A4A677

RGB 164 166 119

HSL 62.55, 0.21%, 0.56%

LAB 66.9, -8.49, 24.17

 

CMYK 9 / 0 / 28 / 35

HEX #97A677

RGB 151 166 119

HSL 79.15, 0.21%, 0.56%

LAB 65.89, -13.58, 22.64

 

CMYK 0 / 21 / 28 / 35

HEX #A68377

RGB 166 131 119

HSL 15.32, 0.21%, 0.56%

LAB 57.72, 11.6, 11.6

 

CMYK 0 / 35 / 45 / 27

HEX #B97965

RGB 185 121 101

HSL 14.29, 0.38%, 0.56%

LAB 57.01, 22.68, 21.25

 

CMYK 0 / 45 / 59 / 20

HEX #CB7053

RGB 203 112 83

HSL 14.5, 0.54%, 0.56%

LAB 56.99, 33.18, 31.84

 

CMYK 0 / 54 / 71 / 13

HEX #DD6641

RGB 221 102 65

HSL 14.23, 0.7%, 0.56%

LAB 57.32, 44.11, 42.64

 

CMYK 0 / 61 / 80 / 6

HEX #EF5D2F

RGB 239 93 47

HSL 14.38, 0.86%, 0.56%

LAB 58.4, 54.08, 53.58

 

CMYK 0 / 21 / 28 / 35

HEX #A68377

RGB 166 131 119

HSL 15.32, 0.21%, 0.56%

LAB 57.72, 11.6, 11.6

 

CMYK 0 / 5 / 7 / 42

HEX #948C89

RGB 148 140 137

HSL 16.36, 0.05%, 0.56%

LAB 58.84, 2.42, 2.66

 

CMYK 17 / 4 / 0 / 39

HEX #82959C

RGB 130 149 156

HSL 196.15, 0.12%, 0.56%

LAB 60.46, -5.2, -5.97

NCS® S4010-B10G

CMYK 36 / 9 / 0 / 32

HEX #709FAE

RGB 112 159 174

HSL 194.52, 0.28%, 0.56%

LAB 62.76, -11.93, -12.83

NCS® S4010-B10G

CMYK 51 / 13 / 0 / 25

HEX #5EA8C0

RGB 94 168 192

HSL 194.69, 0.44%, 0.56%

LAB 65.11, -16.41, -19.42

NCS® S4010-B10G

CMYK 0 / 28 / 20 / 35

HEX #A67785

RGB 166 119 133

HSL 342.13, 0.21%, 0.56%

LAB 55.07, 20.55, -0.31

 

CMYK 0 / 28 / 27 / 35

HEX #A67779

RGB 166 119 121

HSL 357.45, 0.21%, 0.56%

LAB 54.74, 18.71, 6.22

 

CMYK 0 / 22 / 28 / 35

HEX #A68277

RGB 166 130 119

HSL 14.04, 0.21%, 0.56%

LAB 57.47, 12.17, 11.24

 

CMYK 0 / 14 / 28 / 35

HEX #A68F77

RGB 166 143 119

HSL 30.64, 0.21%, 0.56%

LAB 60.86, 4.86, 15.97

 

CMYK 0 / 7 / 28 / 35

HEX #A69B77

RGB 166 155 119

HSL 45.96, 0.21%, 0.56%

LAB 64.06, -1.76, 20.37

 

CMYK 0 / 27 / 35 / 52

HEX #7B5A50

RGB 123 90 80

HSL 13.95, 0.21%, 0.4%

LAB 41.38, 12.08, 11.08

 

CMYK 0 / 26 / 34 / 42

HEX #946D61

RGB 148 109 97

HSL 14.12, 0.21%, 0.48%

LAB 49.61, 13.78, 12.77

 

CMYK 0 / 21 / 28 / 35

HEX #A68377

RGB 166 131 119

HSL 15.32, 0.21%, 0.56%

LAB 57.72, 11.6, 11.6

 

CMYK 0 / 16 / 21 / 28

HEX #B79990

RGB 183 153 144

HSL 13.85, 0.21%, 0.64%

LAB 65.64, 9.7, 8.88

 

CMYK 0 / 12 / 15 / 22

HEX #C7B0A9

RGB 199 176 169

HSL 14, 0.21%, 0.72%

LAB 73.58, 7.11, 6.6

 

CMYK 0 / 21 / 28 / 35

HEX #A68378

RGB 166 131 120

HSL 14.35, 0.21%, 0.56%

LAB 57.75, 11.75, 11.06

 

CMYK 12 / 0 / 28 / 35

HEX #92A677

RGB 146 166 119

HSL 85.53, 0.21%, 0.56%

LAB 65.53, -15.5, 22.09

 

CMYK 28 / 23 / 0 / 35

HEX #777FA6

RGB 119 127 166

HSL 229.79, 0.21%, 0.56%

LAB 53.87, 6.2, -21.73

 

CMYK 0 / 21 / 28 / 35

HEX #A68378

RGB 166 131 120

HSL 14.35, 0.21%, 0.56%

LAB 57.75, 11.75, 11.06

 

CMYK 28 / 0 / 22 / 35

HEX #77A682

RGB 119 166 130

HSL 134.04, 0.21%, 0.56%

LAB 64, -23.32, 13.67

 

CMYK 22 / 28 / 0 / 35

HEX #8277A6

RGB 130 119 166

HSL 254.04, 0.21%, 0.56%

LAB 52.61, 14.41, -23.59

 

CMYK 0 / 21 / 28 / 35

HEX #A68378

RGB 166 131 120

HSL 14.35, 0.21%, 0.56%

LAB 57.75, 11.75, 11.06

 

CMYK 12 / 0 / 28 / 35

HEX #92A677

RGB 146 166 119

HSL 85.53, 0.21%, 0.56%

LAB 65.53, -15.5, 22.09

 

CMYK 28 / 7 / 0 / 35

HEX #779BA6

RGB 119 155 166

HSL 194.04, 0.21%, 0.56%

LAB 61.76, -9.7, -9.78

 

CMYK 16 / 28 / 0 / 35

HEX #8C77A6

RGB 140 119 166

HSL 266.81, 0.21%, 0.56%

LAB 53.52, 17.68, -22.12

 

CMYK 0 / 21 / 28 / 35

HEX #A68378

RGB 166 131 120

HSL 14.35, 0.21%, 0.56%

LAB 57.75, 11.75, 11.06

 

CMYK 20 / 0 / 28 / 35

HEX #84A677

RGB 132 166 119

HSL 103.4, 0.21%, 0.56%

LAB 64.57, -20.72, 20.63

 

CMYK 28 / 7 / 0 / 35

HEX #779BA6

RGB 119 155 166

HSL 194.04, 0.21%, 0.56%

LAB 61.76, -9.7, -9.78

 

CMYK 7 / 28 / 0 / 35

HEX #9A77A6

RGB 154 119 166

HSL 284.68, 0.21%, 0.56%

LAB 54.88, 22.36, -19.91

 

Description

Color code: RGBA 166 131 120 0.75 | qconv.com Color code: RGBA 166 131 120 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 131 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 131 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 21 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 21% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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