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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 164 250 201 0.75 it is the complementary color RGBA 91 5 54 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 164 250 201 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 164 250 201 0.75 shade: RGBA 169 250 196 0.75, RGBA 186 255 215 0.75, RGBA 203 255 234 0.75, RGBA 220 255 253 0.75 and RGBA 237 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 164 250 201 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 164 250 201 0.75 shade: RGBA 164 250 201 0.75, RGBA 147 232 182 0.75, RGBA 130 214 163 0.75, RGBA 113 196 144 0.75 and RGBA 96 178 125 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 164 250 201 0.75 shade: RGB 163 250 200, RGB 163 250 177, RGB 172 250 163, RGB 196 250 163 and RGB 220 250 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 164 250 201 0.75 shade: RGB 163 250 200, RGB 163 250 224, RGB 163 250 247, RGB 163 229 250 and RGB 163 206 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 164 250 201 0.75 shade matches the following richer shades: RGB 163 250 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 164 250 201 0.75 shade: RGB 163 250 200, RGB 171 242 202, RGB 179 234 203, RGB 186 227 204 and RGB 194 219 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 164 250 201 0.75 shade: RGB 173 250 163, RGB 163 250 176, RGB 163 250 199, RGB 163 250 223 and RGB 163 250 246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 164 250 201 0.75 shade: RGB 85 246 154, RGB 124 248 177, RGB 163 250 200, RGB 202 252 224 and RGB 241 254 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 164 250 201 0.75 shade: RGB 164 250 201, RGB 163 196 250 and RGB 250 164 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 164 250 201 0.75 shade: RGB 164 250 201, RGB 199 163 250 and RGB 250 199 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 164 250 201 0.75 shade: RGB 164 250 201, RGB 163 196 250, RGB 250 163 214 and RGB 250 217 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 164 250 201 0.75 shade: RGB 164 250 201, RGB 163 170 250, RGB 250 163 214 and RGB 250 243 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 15 / 1

HEX #A4FAC9BF

RGBA 164 250 201 0.75

HSLA 145.81, 0.9%, 0.81%, 0.75

LABA 91.9, -36.08, 15.39, 0.75

 

Complementary color

CMYK 0 / 71 / 30 / 48

HEX #5B0536BF

RGBA 91 5 54 0.75

HSLA 325.81, 0.9%, 0.19%, 0.75

LABA 18.36, 39.67, -5.69, 0.75

 

CMYK 24 / 0 / 16 / 1

HEX #A9FAC4BF

RGBA 169 250 196 0.75

HSLA 140, 0.89%, 0.82%, 0.75

LABA 92.04, -35.55, 18.19, 0.75

 

CMYK 20 / 0 / 12 / 0

HEX #BAFFD7BF

RGBA 186 255 215 0.75

HSLA 145.22, 1%, 0.86%, 0.75

LABA 94.68, -29.28, 12.29, 0.75

 

CMYK 15 / 0 / 6 / 0

HEX #CBFFEABF

RGBA 203 255 234 0.75

HSLA 155.77, 1%, 0.9%, 0.75

LABA 96.06, -20.5, 4.63, 0.75

 

CMYK 10 / 0 / 1 / 0

HEX #DCFFFDBF

RGBA 220 255 253 0.75

HSLA 176.57, 1%, 0.93%, 0.75

LABA 97.56, -11.57, -2.83, 0.75

 

CMYK 5 / 0 / 0 / 0

HEX #EDFFFFBF

RGBA 237 255 255 0.75

HSLA 180, 1%, 0.96%, 0.75

LABA 98.73, -5.84, -2.02, 0.75

 

CMYK 26 / 0 / 15 / 1

HEX #A4FAC9BF

RGBA 164 250 201 0.75

HSLA 145.81, 0.9%, 0.81%, 0.75

LABA 91.9, -36.08, 15.39, 0.75

 

CMYK 27 / 0 / 16 / 7

HEX #93E8B6BF

RGBA 147 232 182 0.75

HSLA 144.71, 0.65%, 0.74%, 0.75

LABA 85.65, -36.33, 16.32, 0.75

 

CMYK 29 / 0 / 18 / 12

HEX #82D6A3BF

RGBA 130 214 163 0.75

HSLA 143.57, 0.51%, 0.67%, 0.75

LABA 79.32, -36.59, 17.31, 0.75

 

CMYK 32 / 0 / 20 / 17

HEX #71C490BF

RGBA 113 196 144 0.75

HSLA 142.41, 0.41%, 0.61%, 0.75

LABA 72.89, -36.84, 18.37, 0.75

 

CMYK 35 / 0 / 22 / 23

HEX #60B27DBF

RGBA 96 178 125 0.75

HSLA 141.22, 0.35%, 0.54%, 0.75

LABA 66.37, -37.08, 19.51, 0.75

 

CMYK 35 / 0 / 20 / 2

HEX #A3FAC8

RGB 163 250 200

HSL 145.52, 0.9%, 0.81%

LAB 91.83, -36.55, 15.8

 

CMYK 35 / 0 / 29 / 2

HEX #A3FAB1

RGB 163 250 177

HSL 129.66, 0.9%, 0.81%

LAB 91.38, -40.66, 26.94

 

CMYK 31 / 0 / 35 / 2

HEX #ACFAA3

RGB 172 250 163

HSL 113.79, 0.9%, 0.81%

LAB 91.59, -40.11, 34.34

 

CMYK 22 / 0 / 35 / 2

HEX #C4FAA3

RGB 196 250 163

HSL 97.24, 0.9%, 0.81%

LAB 92.91, -32.18, 36.33

 

CMYK 12 / 0 / 35 / 2

HEX #DCFAA3

RGB 220 250 163

HSL 80.69, 0.9%, 0.81%

LAB 94.41, -23.71, 38.59

 

CMYK 35 / 0 / 20 / 2

HEX #A3FAC8

RGB 163 250 200

HSL 145.52, 0.9%, 0.81%

LAB 91.83, -36.55, 15.8

 

CMYK 35 / 0 / 10 / 2

HEX #A3FAE0

RGB 163 250 224

HSL 162.07, 0.9%, 0.81%

LAB 92.37, -31.76, 4.18

 

CMYK 35 / 0 / 1 / 2

HEX #A3FAF7

RGB 163 250 247

HSL 177.93, 0.9%, 0.81%

LAB 92.96, -26.71, -6.88

 

CMYK 35 / 8 / 0 / 2

HEX #A3E5FA

RGB 163 229 250

HSL 194.48, 0.9%, 0.81%

LAB 87.35, -15.67, -16.8

 

CMYK 35 / 18 / 0 / 2

HEX #A3CEFA

RGB 163 206 250

HSL 210.34, 0.9%, 0.81%

LAB 81.2, -3.75, -26.13

 

CMYK 35 / 0 / 20 / 2

HEX #A3FAC8

RGB 163 250 200

HSL 145.52, 0.9%, 0.81%

LAB 91.83, -36.55, 15.8

 

CMYK 35 / 0 / 20 / 2

HEX #A3FAC8

RGB 163 250 200

HSL 145.52, 0.9%, 0.81%

LAB 91.83, -36.55, 15.8

 

CMYK 29 / 0 / 17 / 5

HEX #ABF2CA

RGB 171 242 202

HSL 146.2, 0.73%, 0.81%

LAB 90.06, -30.12, 12.32

 

CMYK 24 / 0 / 13 / 8

HEX #B3EACB

RGB 179 234 203

HSL 146.18, 0.57%, 0.81%

LAB 88.32, -23.65, 9.38

 

CMYK 18 / 0 / 10 / 11

HEX #BAE3CC

RGB 186 227 204

HSL 146.34, 0.42%, 0.81%

LAB 86.87, -17.8, 6.83

 

CMYK 11 / 0 / 6 / 14

HEX #C2DBCD

RGB 194 219 205

HSL 146.4, 0.26%, 0.81%

LAB 85.27, -10.96, 4.06

 

CMYK 31 / 0 / 35 / 2

HEX #ADFAA3

RGB 173 250 163

HSL 113.1, 0.9%, 0.81%

LAB 91.64, -39.79, 34.42

 

CMYK 35 / 0 / 30 / 2

HEX #A3FAB0

RGB 163 250 176

HSL 128.97, 0.9%, 0.81%

LAB 91.37, -40.83, 27.42

 

CMYK 35 / 0 / 20 / 2

HEX #A3FAC7

RGB 163 250 199

HSL 144.83, 0.9%, 0.81%

LAB 91.81, -36.74, 16.29

 

CMYK 35 / 0 / 11 / 2

HEX #A3FADF

RGB 163 250 223

HSL 161.38, 0.9%, 0.81%

LAB 92.35, -31.97, 4.67

 

CMYK 35 / 0 / 2 / 2

HEX #A3FAF6

RGB 163 250 246

HSL 177.24, 0.9%, 0.81%

LAB 92.93, -26.94, -6.4

 

CMYK 65 / 0 / 37 / 4

HEX #55F69A

RGB 85 246 154

HSL 145.71, 0.9%, 0.65%

LAB 87.08, -61.88, 32.29

 

CMYK 50 / 0 / 29 / 3

HEX #7CF8B1

RGB 124 248 177

HSL 145.65, 0.9%, 0.73%

LAB 89.2, -50.33, 23.69

 

CMYK 35 / 0 / 20 / 2

HEX #A3FAC8

RGB 163 250 200

HSL 145.52, 0.9%, 0.81%

LAB 91.83, -36.55, 15.8

 

CMYK 20 / 0 / 11 / 1

HEX #CAFCE0

RGB 202 252 224

HSL 146.4, 0.89%, 0.89%

LAB 94.98, -21.24, 8.2

 

CMYK 5 / 0 / 3 / 0

HEX #F1FEF7

RGB 241 254 247

HSL 147.69, 0.87%, 0.97%

LAB 98.55, -5.5, 1.86

 

CMYK 34 / 0 / 20 / 2

HEX #A4FAC9

RGB 164 250 201

HSL 145.81, 0.9%, 0.81%

LAB 91.9, -36.08, 15.39

 

CMYK 35 / 22 / 0 / 2

HEX #A3C4FA

RGB 163 196 250

HSL 217.24, 0.9%, 0.81%

LAB 78.56, 1.61, -30.17

 

CMYK 0 / 34 / 35 / 2

HEX #FAA4A3

RGB 250 164 163

HSL 0.69, 0.9%, 0.81%

LAB 75.77, 31.69, 13.71

 

CMYK 34 / 0 / 20 / 2

HEX #A4FAC9

RGB 164 250 201

HSL 145.81, 0.9%, 0.81%

LAB 91.9, -36.08, 15.39

 

CMYK 20 / 35 / 0 / 2

HEX #C7A3FA

RGB 199 163 250

HSL 264.83, 0.9%, 0.81%

LAB 73.05, 30.04, -38.47

 

CMYK 0 / 20 / 35 / 2

HEX #FAC7A3

RGB 250 199 163

HSL 24.83, 0.9%, 0.81%

LAB 83.87, 13.31, 24.93

 

CMYK 34 / 0 / 20 / 2

HEX #A4FAC9

RGB 164 250 201

HSL 145.81, 0.9%, 0.81%

LAB 91.9, -36.08, 15.39

 

CMYK 35 / 22 / 0 / 2

HEX #A3C4FA

RGB 163 196 250

HSL 217.24, 0.9%, 0.81%

LAB 78.56, 1.61, -30.17

 

CMYK 0 / 35 / 14 / 2

HEX #FAA3D6

RGB 250 163 214

HSL 324.83, 0.9%, 0.81%

LAB 76.9, 39.29, -12.54

 

CMYK 0 / 13 / 35 / 2

HEX #FAD9A3

RGB 250 217 163

HSL 37.24, 0.9%, 0.81%

LAB 88.25, 3.98, 30.85

 

CMYK 34 / 0 / 20 / 2

HEX #A4FAC9

RGB 164 250 201

HSL 145.81, 0.9%, 0.81%

LAB 91.9, -36.08, 15.39

 

CMYK 35 / 32 / 0 / 2

HEX #A3AAFA

RGB 163 170 250

HSL 235.17, 0.9%, 0.81%

LAB 71.85, 15.97, -40.55

 

CMYK 0 / 35 / 14 / 2

HEX #FAA3D6

RGB 250 163 214

HSL 324.83, 0.9%, 0.81%

LAB 76.9, 39.29, -12.54

 

CMYK 0 / 3 / 35 / 2

HEX #FAF3A3

RGB 250 243 163

HSL 55.17, 0.9%, 0.81%

LAB 94.77, -9.16, 39.46

 

Description

Color code: RGBA 164 250 201 0.75 | qconv.com Color code: RGBA 164 250 201 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 250 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 250 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 15 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 15% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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