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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 164 250 185 0.75 it is the complementary color RGBA 91 5 70 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 164 250 185 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 164 250 185 0.75 shade: RGBA 169 250 180 0.75, RGBA 186 255 199 0.75, RGBA 203 255 218 0.75, RGBA 220 255 237 0.75 and RGBA 237 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 164 250 185 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 164 250 185 0.75 shade: RGBA 164 250 185 0.75, RGBA 147 232 166 0.75, RGBA 130 214 147 0.75, RGBA 113 196 128 0.75 and RGBA 96 178 109 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 164 250 185 0.75 shade: RGB 163 250 184, RGB 165 250 163, RGB 189 250 163, RGB 212 250 163 and RGB 236 250 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 164 250 185 0.75 shade: RGB 163 250 184, RGB 163 250 208, RGB 163 250 231, RGB 163 246 250 and RGB 163 222 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 164 250 185 0.75 shade matches the following richer shades: RGB 163 250 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 164 250 185 0.75 shade: RGB 163 250 184, RGB 171 242 188, RGB 179 234 192, RGB 186 227 196 and RGB 194 219 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 164 250 185 0.75 shade: RGB 189 250 163, RGB 166 250 163, RGB 163 250 183, RGB 163 250 207 and RGB 163 250 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 164 250 185 0.75 shade: RGB 85 246 124, RGB 124 248 154, RGB 163 250 184, RGB 202 252 214 and RGB 241 254 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 164 250 185 0.75 shade: RGB 164 250 185, RGB 163 212 250 and RGB 250 163 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 164 250 185 0.75 shade: RGB 164 250 185, RGB 183 163 250 and RGB 250 183 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 164 250 185 0.75 shade: RGB 164 250 185, RGB 163 212 250, RGB 250 163 230 and RGB 250 201 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 164 250 185 0.75 shade: RGB 164 250 185, RGB 163 186 250, RGB 250 163 230 and RGB 250 227 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 20 / 1

HEX #A4FAB9BF

RGBA 164 250 185 0.75

HSLA 134.65, 0.9%, 0.81%, 0.75

LABA 91.58, -38.99, 23.15, 0.75

 

Complementary color

CMYK 0 / 71 / 17 / 48

HEX #5B0546BF

RGBA 91 5 70 0.75

HSLA 314.65, 0.9%, 0.19%, 0.75

LABA 19.12, 41.72, -15.73, 0.75

 

CMYK 24 / 0 / 21 / 1

HEX #A9FAB4BF

RGBA 169 250 180 0.75

HSLA 128.15, 0.89%, 0.82%, 0.75

LABA 91.73, -38.35, 25.94, 0.75

 

CMYK 20 / 0 / 16 / 0

HEX #BAFFC7BF

RGBA 186 255 199 0.75

HSLA 131.3, 1%, 0.86%, 0.75

LABA 94.35, -32.16, 20.01, 0.75

 

CMYK 15 / 0 / 11 / 0

HEX #CBFFDABF

RGBA 203 255 218 0.75

HSLA 137.31, 1%, 0.9%, 0.75

LABA 95.7, -23.47, 12.33, 0.75

 

CMYK 10 / 0 / 5 / 0

HEX #DCFFEDBF

RGBA 220 255 237 0.75

HSLA 149.14, 1%, 0.93%, 0.75

LABA 97.17, -14.6, 4.81, 0.75

 

CMYK 5 / 0 / 0 / 0

HEX #EDFFFFBF

RGBA 237 255 255 0.75

HSLA 180, 1%, 0.96%, 0.75

LABA 98.73, -5.84, -2.02, 0.75

 

CMYK 26 / 0 / 20 / 1

HEX #A4FAB9BF

RGBA 164 250 185 0.75

HSLA 134.65, 0.9%, 0.81%, 0.75

LABA 91.58, -38.99, 23.15, 0.75

 

CMYK 27 / 0 / 21 / 7

HEX #93E8A6BF

RGBA 147 232 166 0.75

HSLA 133.41, 0.65%, 0.74%, 0.75

LABA 85.34, -39.26, 24.18, 0.75

 

CMYK 29 / 0 / 23 / 12

HEX #82D693BF

RGBA 130 214 147 0.75

HSLA 132.14, 0.51%, 0.67%, 0.75

LABA 79.01, -39.51, 25.28, 0.75

 

CMYK 32 / 0 / 26 / 17

HEX #71C480BF

RGBA 113 196 128 0.75

HSLA 130.84, 0.41%, 0.61%, 0.75

LABA 72.59, -39.76, 26.46, 0.75

 

CMYK 35 / 0 / 29 / 23

HEX #60B26DBF

RGBA 96 178 109 0.75

HSLA 129.51, 0.35%, 0.54%, 0.75

LABA 66.08, -39.97, 27.7, 0.75

 

CMYK 35 / 0 / 26 / 2

HEX #A3FAB8

RGB 163 250 184

HSL 134.48, 0.9%, 0.81%

LAB 91.51, -39.46, 23.56

 

CMYK 34 / 0 / 35 / 2

HEX #A5FAA3

RGB 165 250 163

HSL 118.62, 0.9%, 0.81%

LAB 91.24, -42.3, 33.82

 

CMYK 24 / 0 / 35 / 2

HEX #BDFAA3

RGB 189 250 163

HSL 102.07, 0.9%, 0.81%

LAB 92.5, -34.56, 35.72

 

CMYK 15 / 0 / 35 / 2

HEX #D4FAA3

RGB 212 250 163

HSL 86.21, 0.9%, 0.81%

LAB 93.89, -26.58, 37.8

 

CMYK 6 / 0 / 35 / 2

HEX #ECFAA3

RGB 236 250 163

HSL 69.66, 0.9%, 0.81%

LAB 95.52, -17.84, 40.24

 

CMYK 35 / 0 / 26 / 2

HEX #A3FAB8

RGB 163 250 184

HSL 134.48, 0.9%, 0.81%

LAB 91.51, -39.46, 23.56

 

CMYK 35 / 0 / 17 / 2

HEX #A3FAD0

RGB 163 250 208

HSL 151.03, 0.9%, 0.81%

LAB 92, -35.01, 11.93

 

CMYK 35 / 0 / 8 / 2

HEX #A3FAE7

RGB 163 250 231

HSL 166.9, 0.9%, 0.81%

LAB 92.54, -30.27, 0.81

 

CMYK 35 / 2 / 0 / 2

HEX #A3F6FA

RGB 163 246 250

HSL 182.76, 0.9%, 0.81%

LAB 91.95, -24.09, -9.92

 

CMYK 35 / 11 / 0 / 2

HEX #A3DEFA

RGB 163 222 250

HSL 199.31, 0.9%, 0.81%

LAB 85.47, -12.1, -19.64

 

CMYK 35 / 0 / 26 / 2

HEX #A3FAB8

RGB 163 250 184

HSL 134.48, 0.9%, 0.81%

LAB 91.51, -39.46, 23.56

 

CMYK 35 / 0 / 26 / 2

HEX #A3FAB8

RGB 163 250 184

HSL 134.48, 0.9%, 0.81%

LAB 91.51, -39.46, 23.56

 

CMYK 29 / 0 / 22 / 5

HEX #ABF2BC

RGB 171 242 188

HSL 134.37, 0.73%, 0.81%

LAB 89.76, -32.7, 19.14

 

CMYK 24 / 0 / 18 / 8

HEX #B3EAC0

RGB 179 234 192

HSL 134.18, 0.57%, 0.81%

LAB 88.08, -25.68, 14.78

 

CMYK 18 / 0 / 14 / 11

HEX #BAE3C4

RGB 186 227 196

HSL 134.63, 0.42%, 0.81%

LAB 86.68, -19.28, 10.76

 

CMYK 11 / 0 / 9 / 14

HEX #C2DBC8

RGB 194 219 200

HSL 134.4, 0.26%, 0.81%

LAB 85.15, -11.88, 6.53

 

CMYK 24 / 0 / 35 / 2

HEX #BDFAA3

RGB 189 250 163

HSL 102.07, 0.9%, 0.81%

LAB 92.5, -34.56, 35.72

 

CMYK 34 / 0 / 35 / 2

HEX #A6FAA3

RGB 166 250 163

HSL 117.93, 0.9%, 0.81%

LAB 91.29, -41.99, 33.89

 

CMYK 35 / 0 / 27 / 2

HEX #A3FAB7

RGB 163 250 183

HSL 133.79, 0.9%, 0.81%

LAB 91.49, -39.64, 24.04

 

CMYK 35 / 0 / 17 / 2

HEX #A3FACF

RGB 163 250 207

HSL 150.34, 0.9%, 0.81%

LAB 91.98, -35.21, 12.41

 

CMYK 35 / 0 / 8 / 2

HEX #A3FAE6

RGB 163 250 230

HSL 166.21, 0.9%, 0.81%

LAB 92.52, -30.48, 1.29

 

CMYK 65 / 0 / 50 / 4

HEX #55F67C

RGB 85 246 124

HSL 134.53, 0.9%, 0.65%

LAB 86.65, -66.71, 46.38

 

CMYK 50 / 0 / 38 / 3

HEX #7CF89A

RGB 124 248 154

HSL 134.52, 0.9%, 0.73%

LAB 88.81, -54.37, 34.77

 

CMYK 35 / 0 / 26 / 2

HEX #A3FAB8

RGB 163 250 184

HSL 134.48, 0.9%, 0.81%

LAB 91.51, -39.46, 23.56

 

CMYK 20 / 0 / 15 / 1

HEX #CAFCD6

RGB 202 252 214

HSL 134.4, 0.89%, 0.89%

LAB 94.75, -23.06, 13.03

 

CMYK 5 / 0 / 4 / 0

HEX #F1FEF4

RGB 241 254 244

HSL 133.85, 0.87%, 0.97%

LAB 98.48, -6.03, 3.3

 

CMYK 34 / 0 / 26 / 2

HEX #A4FAB9

RGB 164 250 185

HSL 134.65, 0.9%, 0.81%

LAB 91.58, -38.99, 23.15

 

CMYK 35 / 15 / 0 / 2

HEX #A3D4FA

RGB 163 212 250

HSL 206.21, 0.9%, 0.81%

LAB 82.79, -6.91, -23.7

 

CMYK 0 / 35 / 29 / 2

HEX #FAA3B1

RGB 250 163 177

HSL 350.34, 0.9%, 0.81%

LAB 75.88, 33.97, 6.2

 

CMYK 34 / 0 / 26 / 2

HEX #A4FAB9

RGB 164 250 185

HSL 134.65, 0.9%, 0.81%

LAB 91.58, -38.99, 23.15

 

CMYK 27 / 35 / 0 / 2

HEX #B7A3FA

RGB 183 163 250

HSL 253.79, 0.9%, 0.81%

LAB 71.67, 25.44, -40.73

 

CMYK 0 / 27 / 35 / 2

HEX #FAB7A3

RGB 250 183 163

HSL 13.79, 0.9%, 0.81%

LAB 80.09, 21.71, 19.73

 

CMYK 34 / 0 / 26 / 2

HEX #A4FAB9

RGB 164 250 185

HSL 134.65, 0.9%, 0.81%

LAB 91.58, -38.99, 23.15

 

CMYK 35 / 15 / 0 / 2

HEX #A3D4FA

RGB 163 212 250

HSL 206.21, 0.9%, 0.81%

LAB 82.79, -6.91, -23.7

 

CMYK 0 / 35 / 8 / 2

HEX #FAA3E6

RGB 250 163 230

HSL 313.79, 0.9%, 0.81%

LAB 77.42, 41.89, -20.47

 

CMYK 0 / 20 / 35 / 2

HEX #FAC9A3

RGB 250 201 163

HSL 26.21, 0.9%, 0.81%

LAB 84.35, 12.27, 25.58

 

CMYK 34 / 0 / 26 / 2

HEX #A4FAB9

RGB 164 250 185

HSL 134.65, 0.9%, 0.81%

LAB 91.58, -38.99, 23.15

 

CMYK 35 / 26 / 0 / 2

HEX #A3BAFA

RGB 163 186 250

HSL 224.14, 0.9%, 0.81%

LAB 75.95, 7.07, -34.19

 

CMYK 0 / 35 / 8 / 2

HEX #FAA3E6

RGB 250 163 230

HSL 313.79, 0.9%, 0.81%

LAB 77.42, 41.89, -20.47

 

CMYK 0 / 9 / 35 / 2

HEX #FAE3A3

RGB 250 227 163

HSL 44.14, 0.9%, 0.81%

LAB 90.74, -1.13, 34.16

 

Description

Color code: RGBA 164 250 185 0.75 | qconv.com Color code: RGBA 164 250 185 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 250 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 250 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 20 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 20% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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