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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 164 237 98 0.75 it is the complementary color RGBA 91 18 157 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 164 237 98 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 164 237 98 0.75 shade: RGBA 169 237 93 0.75, RGBA 186 255 112 0.75, RGBA 203 255 131 0.75, RGBA 220 255 150 0.75 and RGBA 237 255 169 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 164 237 98 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 164 237 98 0.75 shade: RGBA 164 237 98 0.75, RGBA 147 219 79 0.75, RGBA 130 201 60 0.75, RGBA 113 183 41 0.75 and RGBA 96 165 22 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 164 237 98 0.75 shade: RGB 165 237 100, RGB 202 237 100, RGB 237 235 100, RGB 237 198 100 and RGB 237 161 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 164 237 98 0.75 shade: RGB 165 237 100, RGB 128 237 100, RGB 100 237 109, RGB 100 237 146 and RGB 100 237 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 164 237 98 0.75 shade matches the following richer shades: RGB 165 237 100 and RGB 164 251 86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 164 237 98 0.75 shade: RGB 165 237 100, RGB 166 223 114, RGB 166 209 128, RGB 167 195 142 and RGB 168 181 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 164 237 98 0.75 shade: RGB 237 235 100, RGB 203 237 100, RGB 166 237 100, RGB 129 237 100 and RGB 100 237 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 164 237 98 0.75 shade: RGB 122 227 27, RGB 143 232 63, RGB 165 237 100, RGB 186 241 137 and RGB 208 245 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 164 237 98 0.75 shade: RGB 164 237 98, RGB 100 237 198 and RGB 237 100 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 164 237 98 0.75 shade: RGB 164 237 98, RGB 100 166 237 and RGB 237 100 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 164 237 98 0.75 shade: RGB 164 237 98, RGB 100 237 198, RGB 171 100 237 and RGB 237 100 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 164 237 98 0.75 shade: RGB 164 237 98, RGB 100 235 237, RGB 171 100 237 and RGB 237 102 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 44 / 5

HEX #A4ED62BF

RGBA 164 237 98 0.75

HSLA 91.51, 0.79%, 0.66%, 0.75

LABA 86.67, -44.94, 58.92, 0.75

 

Complementary color

CMYK 32 / 66 / 0 / 29

HEX #5B129DBF

RGBA 91 18 157 0.75

HSLA 271.51, 0.79%, 0.34%, 0.75

LABA 26.99, 55.48, -59.29, 0.75

 

CMYK 22 / 0 / 46 / 5

HEX #A9ED5DBF

RGBA 169 237 93 0.75

HSLA 88.33, 0.8%, 0.65%, 0.75

LABA 86.9, -43.63, 61.37, 0.75

 

CMYK 20 / 0 / 42 / 0

HEX #BAFF70BF

RGBA 186 255 112 0.75

HSLA 88.95, 1%, 0.72%, 0.75

LABA 93.07, -43.77, 60.46, 0.75

 

CMYK 15 / 0 / 36 / 0

HEX #CBFF83BF

RGBA 203 255 131 0.75

HSLA 85.16, 1%, 0.76%, 0.75

LABA 94.25, -35.87, 53.55, 0.75

 

CMYK 10 / 0 / 31 / 0

HEX #DCFF96BF

RGBA 220 255 150 0.75

HSLA 80, 1%, 0.79%, 0.75

LABA 95.55, -27.63, 46.41, 0.75

 

CMYK 5 / 0 / 25 / 0

HEX #EDFFA9BF

RGBA 237 255 169 0.75

HSLA 72.56, 1%, 0.83%, 0.75

LABA 96.98, -19.17, 39.2, 0.75

 

CMYK 23 / 0 / 44 / 5

HEX #A4ED62BF

RGBA 164 237 98 0.75

HSLA 91.51, 0.79%, 0.66%, 0.75

LABA 86.67, -44.94, 58.92, 0.75

 

CMYK 25 / 0 / 48 / 11

HEX #93DB4FBF

RGBA 147 219 79 0.75

HSLA 90.86, 0.66%, 0.58%, 0.75

LABA 80.42, -44.78, 59.75, 0.75

 

CMYK 26 / 0 / 53 / 16

HEX #82C93CBF

RGBA 130 201 60 0.75

HSLA 90.21, 0.57%, 0.51%, 0.75

LABA 74.09, -44.49, 60.28, 0.75

 

CMYK 29 / 0 / 58 / 21

HEX #71B729BF

RGBA 113 183 41 0.75

HSLA 89.58, 0.63%, 0.44%, 0.75

LABA 67.68, -44.02, 60.26, 0.75

 

CMYK 31 / 0 / 65 / 26

HEX #60A516BF

RGBA 96 165 22 0.75

HSLA 88.95, 0.76%, 0.37%, 0.75

LABA 61.18, -43.31, 59.26, 0.75

 

CMYK 30 / 0 / 58 / 7

HEX #A5ED64

RGB 165 237 100

HSL 91.53, 0.79%, 0.66%

LAB 86.75, -44.41, 58.15

 

CMYK 15 / 0 / 58 / 7

HEX #CAED64

RGB 202 237 100

HSL 75.33, 0.79%, 0.66%

LAB 88.94, -30.84, 61.23

 

CMYK 0 / 1 / 58 / 7

HEX #EDEB64

RGB 237 235 100

HSL 59.12, 0.79%, 0.66%

LAB 90.94, -16.09, 64.15

 

CMYK 0 / 16 / 58 / 7

HEX #EDC664

RGB 237 198 100

HSL 42.92, 0.79%, 0.66%

LAB 81.46, 2.58, 53.45

 

CMYK 0 / 32 / 58 / 7

HEX #EDA164

RGB 237 161 100

HSL 26.72, 0.79%, 0.66%

LAB 72.5, 22.06, 42.84

 

CMYK 30 / 0 / 58 / 7

HEX #A5ED64

RGB 165 237 100

HSL 91.53, 0.79%, 0.66%

LAB 86.75, -44.41, 58.15

 

CMYK 46 / 0 / 58 / 7

HEX #80ED64

RGB 128 237 100

HSL 107.74, 0.79%, 0.66%

LAB 85.04, -56.22, 55.74

 

CMYK 58 / 0 / 54 / 7

HEX #64ED6D

RGB 100 237 109

HSL 123.94, 0.79%, 0.66%

LAB 84.16, -62.43, 50.43

 

CMYK 58 / 0 / 38 / 7

HEX #64ED92

RGB 100 237 146

HSL 140.15, 0.79%, 0.66%

LAB 84.67, -56.95, 33.17

 

CMYK 58 / 0 / 23 / 7

HEX #64EDB7

RGB 100 237 183

HSL 156.35, 0.79%, 0.66%

LAB 85.35, -49.81, 15.12

 

CMYK 30 / 0 / 58 / 7

HEX #A5ED64

RGB 165 237 100

HSL 91.53, 0.79%, 0.66%

LAB 86.75, -44.41, 58.15

 

CMYK 35 / 0 / 66 / 2

HEX #A4FB56

RGB 164 251 86

HSL 91.64, 0.95%, 0.66%

LAB 90.58, -51.8, 68.09

 

CMYK 30 / 0 / 58 / 7

HEX #A5ED64

RGB 165 237 100

HSL 91.53, 0.79%, 0.66%

LAB 86.75, -44.41, 58.15

 

CMYK 26 / 0 / 49 / 13

HEX #A6DF72

RGB 166 223 114

HSL 91.38, 0.63%, 0.66%

LAB 82.97, -36.44, 47.31

 

CMYK 21 / 0 / 39 / 18

HEX #A6D180

RGB 166 209 128

HSL 91.85, 0.47%, 0.66%

LAB 79.19, -28.21, 35.67

 

CMYK 14 / 0 / 27 / 24

HEX #A7C38E

RGB 167 195 142

HSL 91.7, 0.31%, 0.66%

LAB 75.57, -18.98, 23.6

 

CMYK 7 / 0 / 14 / 29

HEX #A8B59C

RGB 168 181 156

HSL 91.2, 0.14%, 0.66%

LAB 72.08, -9.14, 11.21

 

CMYK 0 / 1 / 58 / 7

HEX #EDEB64

RGB 237 235 100

HSL 59.12, 0.79%, 0.66%

LAB 90.94, -16.09, 64.15

 

CMYK 14 / 0 / 58 / 7

HEX #CBED64

RGB 203 237 100

HSL 74.89, 0.79%, 0.66%

LAB 89.01, -30.46, 61.32

 

CMYK 30 / 0 / 58 / 7

HEX #A6ED64

RGB 166 237 100

HSL 91.09, 0.79%, 0.66%

LAB 86.8, -44.07, 58.22

 

CMYK 46 / 0 / 58 / 7

HEX #81ED64

RGB 129 237 100

HSL 107.3, 0.79%, 0.66%

LAB 85.08, -55.93, 55.8

 

CMYK 58 / 0 / 55 / 7

HEX #64ED6B

RGB 100 237 107

HSL 123.07, 0.79%, 0.66%

LAB 84.14, -62.68, 51.32

 

CMYK 46 / 0 / 88 / 11

HEX #7AE31B

RGB 122 227 27

HSL 91.5, 0.79%, 0.5%

LAB 81.38, -58.99, 75.96

 

CMYK 38 / 0 / 73 / 9

HEX #8FE83F

RGB 143 232 63

HSL 91.6, 0.79%, 0.58%

LAB 83.92, -52.65, 69.27

 

CMYK 30 / 0 / 58 / 7

HEX #A5ED64

RGB 165 237 100

HSL 91.53, 0.79%, 0.66%

LAB 86.75, -44.41, 58.15

 

CMYK 23 / 0 / 43 / 5

HEX #BAF189

RGB 186 241 137

HSL 91.73, 0.79%, 0.74%

LAB 89.47, -34.88, 44.56

 

CMYK 15 / 0 / 29 / 4

HEX #D0F5AE

RGB 208 245 174

HSL 91.27, 0.78%, 0.82%

LAB 92.47, -24.11, 30.36

 

CMYK 31 / 0 / 59 / 7

HEX #A4ED62

RGB 164 237 98

HSL 91.51, 0.79%, 0.66%

LAB 86.67, -44.94, 58.92

 

CMYK 58 / 0 / 16 / 7

HEX #64EDC6

RGB 100 237 198

HSL 162.92, 0.79%, 0.66%

LAB 85.68, -46.49, 7.77

 

CMYK 0 / 58 / 7 / 7

HEX #ED64DD

RGB 237 100 221

HSL 307.01, 0.79%, 0.66%

LAB 63.62, 67.13, -36.87

 

CMYK 31 / 0 / 59 / 7

HEX #A4ED62

RGB 164 237 98

HSL 91.51, 0.79%, 0.66%

LAB 86.67, -44.94, 58.92

 

CMYK 58 / 30 / 0 / 7

HEX #64A6ED

RGB 100 166 237

HSL 211.09, 0.79%, 0.66%

LAB 66.59, -0.45, -41.96

 

CMYK 0 / 58 / 30 / 7

HEX #ED64A6

RGB 237 100 166

HSL 331.09, 0.79%, 0.66%

LAB 61.54, 59.36, -8.82

 

CMYK 31 / 0 / 59 / 7

HEX #A4ED62

RGB 164 237 98

HSL 91.51, 0.79%, 0.66%

LAB 86.67, -44.94, 58.92

 

CMYK 58 / 0 / 16 / 7

HEX #64EDC6

RGB 100 237 198

HSL 162.92, 0.79%, 0.66%

LAB 85.68, -46.49, 7.77

 

CMYK 28 / 58 / 0 / 7

HEX #AB64ED

RGB 171 100 237

HSL 271.09, 0.79%, 0.66%

LAB 55.97, 53.65, -58.46

 

CMYK 0 / 58 / 41 / 7

HEX #ED648B

RGB 237 100 139

HSL 342.92, 0.79%, 0.66%

LAB 60.77, 56.32, 5.64

 

CMYK 31 / 0 / 59 / 7

HEX #A4ED62

RGB 164 237 98

HSL 91.51, 0.79%, 0.66%

LAB 86.67, -44.94, 58.92

 

CMYK 58 / 1 / 0 / 7

HEX #64EBED

RGB 100 235 237

HSL 180.88, 0.79%, 0.66%

LAB 86.13, -35.9, -12.06

 

CMYK 28 / 58 / 0 / 7

HEX #AB64ED

RGB 171 100 237

HSL 271.09, 0.79%, 0.66%

LAB 55.97, 53.65, -58.46

 

CMYK 0 / 57 / 58 / 7

HEX #ED6664

RGB 237 102 100

HSL 0.88, 0.79%, 0.66%

LAB 60.27, 52.01, 27.46

 

Description

Color code: RGBA 164 237 98 0.75 | qconv.com Color code: RGBA 164 237 98 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 237 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 237 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 44 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 44% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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