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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 164 201 131 0.75 it is the complementary color RGBA 91 54 124 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 164 201 131 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 164 201 131 0.75 shade: RGBA 169 201 126 0.75, RGBA 186 219 145 0.75, RGBA 203 237 164 0.75, RGBA 220 255 183 0.75 and RGBA 237 255 202 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 164 201 131 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 164 201 131 0.75 shade: RGBA 164 201 131 0.75, RGBA 147 183 112 0.75, RGBA 130 165 93 0.75, RGBA 113 147 74 0.75 and RGBA 96 129 55 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 164 201 131 0.75 shade: RGB 164 201 131, RGB 183 201 131, RGB 201 200 131, RGB 201 181 131 and RGB 201 162 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 164 201 131 0.75 shade: RGB 164 201 131, RGB 145 201 131, RGB 131 201 136, RGB 131 201 154 and RGB 131 201 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 164 201 131 0.75 shade matches the following richer shades: RGB 164 201 131, RGB 163 215 117, RGB 162 229 102 and RGB 161 244 88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 164 201 131 0.75 shade: RGB 164 201 131, RGB 165 186 145, RGB 165 172 160, RGB 166 157 174 and RGB 167 143 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 164 201 131 0.75 shade: RGB 201 199 131, RGB 183 201 131, RGB 165 201 131, RGB 146 201 131 and RGB 131 201 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 164 201 131 0.75 shade: RGB 122 173 76, RGB 143 188 102, RGB 164 201 131, RGB 185 213 160 and RGB 206 226 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 164 201 131 0.75 shade: RGB 164 201 131, RGB 131 201 181 and RGB 201 131 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 164 201 131 0.75 shade: RGB 164 201 131, RGB 131 165 201 and RGB 201 131 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 164 201 131 0.75 shade: RGB 164 201 131, RGB 131 201 181, RGB 167 131 201 and RGB 201 131 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 164 201 131 0.75 shade: RGB 164 201 131, RGB 131 199 201, RGB 167 131 201 and RGB 201 132 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 26 / 16

HEX #A4C983BF

RGBA 164 201 131 0.75

HSLA 91.71, 0.39%, 0.65%, 0.75

LABA 76.86, -24.66, 31.06, 0.75

 

Complementary color

CMYK 20 / 42 / 0 / 39

HEX #5B367CBF

RGBA 91 54 124 0.75

HSLA 271.71, 0.39%, 0.35%, 0.75

LABA 30.2, 31.03, -33.65, 0.75

 

CMYK 12 / 0 / 28 / 16

HEX #A9C97EBF

RGBA 169 201 126 0.75

HSLA 85.6, 0.41%, 0.64%, 0.75

LABA 77.11, -23.5, 34.02, 0.75

 

CMYK 11 / 0 / 25 / 11

HEX #BADB91BF

RGBA 186 219 145 0.75

HSLA 86.76, 0.51%, 0.71%, 0.75

LABA 83.52, -23.48, 32.9, 0.75

 

CMYK 11 / 0 / 23 / 5

HEX #CBEDA4BF

RGBA 203 237 164 0.75

HSLA 87.95, 0.67%, 0.79%, 0.75

LABA 89.83, -23.45, 31.82, 0.75

 

CMYK 10 / 0 / 21 / 0

HEX #DCFFB7BF

RGBA 220 255 183 0.75

HSLA 89.17, 1%, 0.86%, 0.75

LABA 96.06, -23.41, 30.79, 0.75

 

CMYK 5 / 0 / 16 / 0

HEX #EDFFCABF

RGBA 237 255 202 0.75

HSLA 80.38, 1%, 0.9%, 0.75

LABA 97.55, -14.71, 23.41, 0.75

 

CMYK 14 / 0 / 26 / 16

HEX #A4C983BF

RGBA 164 201 131 0.75

HSLA 91.71, 0.39%, 0.65%, 0.75

LABA 76.86, -24.66, 31.06, 0.75

 

CMYK 15 / 0 / 29 / 21

HEX #93B770BF

RGBA 147 183 112 0.75

HSLA 90.42, 0.33%, 0.58%, 0.75

LABA 70.34, -24.73, 32.21, 0.75

 

CMYK 16 / 0 / 33 / 26

HEX #82A55DBF

RGBA 130 165 93 0.75

HSLA 89.17, 0.29%, 0.51%, 0.75

LABA 63.71, -24.78, 33.41, 0.75

 

CMYK 17 / 0 / 37 / 32

HEX #71934ABF

RGBA 113 147 74 0.75

HSLA 87.95, 0.33%, 0.43%, 0.75

LABA 56.95, -24.78, 34.63, 0.75

 

CMYK 19 / 0 / 43 / 37

HEX #608137BF

RGBA 96 129 55 0.75

HSLA 86.76, 0.4%, 0.36%, 0.75

LABA 50.05, -24.72, 35.82, 0.75

 

CMYK 18 / 0 / 35 / 21

HEX #A4C983

RGB 164 201 131

HSL 91.71, 0.39%, 0.65%

LAB 76.86, -24.66, 31.06

 

CMYK 9 / 0 / 35 / 21

HEX #B7C983

RGB 183 201 131

HSL 75.43, 0.39%, 0.65%

LAB 78.16, -17.57, 33

 

CMYK 0 / 0 / 35 / 21

HEX #C9C883

RGB 201 200 131

HSL 59.14, 0.39%, 0.65%

LAB 79.25, -10.09, 34.69

 

CMYK 0 / 10 / 35 / 21

HEX #C9B583

RGB 201 181 131

HSL 42.86, 0.39%, 0.65%

LAB 74.26, -0.18, 28.12

 

CMYK 0 / 19 / 35 / 21

HEX #C9A283

RGB 201 162 131

HSL 26.57, 0.39%, 0.65%

LAB 69.4, 10.03, 21.57

 

CMYK 18 / 0 / 35 / 21

HEX #A4C983

RGB 164 201 131

HSL 91.71, 0.39%, 0.65%

LAB 76.86, -24.66, 31.06

 

CMYK 28 / 0 / 35 / 21

HEX #91C983

RGB 145 201 131

HSL 108, 0.39%, 0.65%

LAB 75.72, -31.38, 29.34

 

CMYK 35 / 0 / 32 / 21

HEX #83C988

RGB 131 201 136

HSL 124.29, 0.39%, 0.65%

LAB 75.06, -35.18, 25.71

 

CMYK 35 / 0 / 23 / 21

HEX #83C99A

RGB 131 201 154

HSL 139.71, 0.39%, 0.65%

LAB 75.41, -31.97, 16.65

 

CMYK 35 / 0 / 14 / 21

HEX #83C9AD

RGB 131 201 173

HSL 156, 0.39%, 0.65%

LAB 75.83, -28.17, 7.05

 

CMYK 18 / 0 / 35 / 21

HEX #A4C983

RGB 164 201 131

HSL 91.71, 0.39%, 0.65%

LAB 76.86, -24.66, 31.06

 

CMYK 24 / 0 / 46 / 16

HEX #A3D775

RGB 163 215 117

HSL 91.84, 0.55%, 0.65%

LAB 80.56, -33.5, 42.85

 

CMYK 29 / 0 / 55 / 10

HEX #A2E566

RGB 162 229 102

HSL 91.65, 0.71%, 0.65%

LAB 84.32, -41.79, 54.43

 

CMYK 34 / 0 / 64 / 4

HEX #A1F458

RGB 161 244 88

HSL 91.92, 0.88%, 0.65%

LAB 88.44, -49.77, 64.98

 

CMYK 18 / 0 / 35 / 21

HEX #A4C983

RGB 164 201 131

HSL 91.71, 0.39%, 0.65%

LAB 76.86, -24.66, 31.06

 

CMYK 11 / 0 / 22 / 27

HEX #A5BA91

RGB 165 186 145

HSL 90.73, 0.23%, 0.65%

LAB 73, -14.67, 18.44

 

CMYK 4 / 0 / 7 / 33

HEX #A5ACA0

RGB 165 172 160

HSL 95, 0.07%, 0.65%

LAB 69.5, -4.72, 5.31

 

CMYK 5 / 10 / 0 / 32

HEX #A69DAE

RGB 166 157 174

HSL 271.76, 0.09%, 0.65%

LAB 65.96, 6.53, -7.64

 

CMYK 12 / 24 / 0 / 26

HEX #A78FBD

RGB 167 143 189

HSL 271.3, 0.26%, 0.65%

LAB 62.96, 17.86, -20.59

 

CMYK 0 / 1 / 35 / 21

HEX #C9C783

RGB 201 199 131

HSL 58.29, 0.39%, 0.65%

LAB 78.99, -9.57, 34.34

 

CMYK 9 / 0 / 35 / 21

HEX #B7C983

RGB 183 201 131

HSL 75.43, 0.39%, 0.65%

LAB 78.16, -17.57, 33

 

CMYK 18 / 0 / 35 / 21

HEX #A5C983

RGB 165 201 131

HSL 90.86, 0.39%, 0.65%

LAB 76.93, -24.3, 31.15

 

CMYK 27 / 0 / 35 / 21

HEX #92C983

RGB 146 201 131

HSL 107.14, 0.39%, 0.65%

LAB 75.78, -31.04, 29.42

 

CMYK 35 / 0 / 33 / 21

HEX #83C986

RGB 131 201 134

HSL 122.57, 0.39%, 0.65%

LAB 75.03, -35.52, 26.71

 

CMYK 29 / 0 / 56 / 32

HEX #7AAD4C

RGB 122 173 76

HSL 91.55, 0.39%, 0.49%

LAB 65.39, -33.61, 43.85

 

CMYK 24 / 0 / 46 / 26

HEX #8FBC66

RGB 143 188 102

HSL 91.4, 0.39%, 0.57%

LAB 71.4, -29.93, 38.62

 

CMYK 18 / 0 / 35 / 21

HEX #A4C983

RGB 164 201 131

HSL 91.71, 0.39%, 0.65%

LAB 76.86, -24.66, 31.06

 

CMYK 13 / 0 / 25 / 16

HEX #B9D5A0

RGB 185 213 160

HSL 91.7, 0.39%, 0.73%

LAB 82.08, -18.72, 23.19

 

CMYK 9 / 0 / 17 / 11

HEX #CEE2BC

RGB 206 226 188

HSL 91.58, 0.4%, 0.81%

LAB 87.56, -13.37, 16.37

 

CMYK 18 / 0 / 35 / 21

HEX #A4C983

RGB 164 201 131

HSL 91.71, 0.39%, 0.65%

LAB 76.86, -24.66, 31.06

 

CMYK 35 / 0 / 10 / 21

HEX #83C9B5

RGB 131 201 181

HSL 162.86, 0.39%, 0.65%

LAB 76.03, -26.45, 3.02

 

CMYK 0 / 35 / 4 / 21

HEX #C983C0

RGB 201 131 192

HSL 307.71, 0.39%, 0.65%

LAB 63.72, 36.37, -20.8

 

CMYK 18 / 0 / 35 / 21

HEX #A4C983

RGB 164 201 131

HSL 91.71, 0.39%, 0.65%

LAB 76.86, -24.66, 31.06

 

CMYK 35 / 18 / 0 / 21

HEX #83A5C9

RGB 131 165 201

HSL 210.86, 0.39%, 0.65%

LAB 66.48, -2.85, -22.15

 

CMYK 0 / 35 / 18 / 21

HEX #C983A5

RGB 201 131 165

HSL 330.86, 0.39%, 0.65%

LAB 62.82, 31.81, -6.87

 

CMYK 18 / 0 / 35 / 21

HEX #A4C983

RGB 164 201 131

HSL 91.71, 0.39%, 0.65%

LAB 76.86, -24.66, 31.06

 

CMYK 35 / 0 / 10 / 21

HEX #83C9B5

RGB 131 201 181

HSL 162.86, 0.39%, 0.65%

LAB 76.03, -26.45, 3.02

 

CMYK 17 / 35 / 0 / 21

HEX #A783C9

RGB 167 131 201

HSL 270.86, 0.39%, 0.65%

LAB 60.48, 27.32, -31.15

 

CMYK 0 / 35 / 25 / 21

HEX #C98397

RGB 201 131 151

HSL 342.86, 0.39%, 0.65%

LAB 62.41, 29.69, 0.51

 

CMYK 18 / 0 / 35 / 21

HEX #A4C983

RGB 164 201 131

HSL 91.71, 0.39%, 0.65%

LAB 76.86, -24.66, 31.06

 

CMYK 35 / 1 / 0 / 21

HEX #83C7C9

RGB 131 199 201

HSL 181.71, 0.39%, 0.65%

LAB 76, -20.85, -7.82

 

CMYK 17 / 35 / 0 / 21

HEX #A783C9

RGB 167 131 201

HSL 270.86, 0.39%, 0.65%

LAB 60.48, 27.32, -31.15

 

CMYK 0 / 34 / 35 / 21

HEX #C98483

RGB 201 132 131

HSL 0.86, 0.39%, 0.65%

LAB 62.13, 26.43, 11.51

 

Description

Color code: RGBA 164 201 131 0.75 | qconv.com Color code: RGBA 164 201 131 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 201 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 201 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 26 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 26% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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