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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 164 171 159 0.2 it is the complementary color RGBA 91 84 96 0.2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 164 171 159 0.2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 164 171 159 0.2 shade: RGBA 169 171 154 0.2, RGBA 186 189 173 0.2, RGBA 203 207 192 0.2, RGBA 220 225 211 0.2 and RGBA 237 243 230 0.2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 164 171 159 0.2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 164 171 159 0.2 shade: RGBA 164 171 159 0.2, RGBA 147 153 140 0.2, RGBA 130 135 121 0.2, RGBA 113 117 102 0.2 and RGBA 96 99 83 0.2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 164 171 159 0.2 shade: RGB 165 172 160, RGB 168 172 160, RGB 171 172 160, RGB 172 169 160 and RGB 172 166 160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 164 171 159 0.2 shade: RGB 165 172 160, RGB 161 172 160, RGB 160 172 161, RGB 160 172 164 and RGB 160 172 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 164 171 159 0.2 shade matches the following richer shades: RGB 165 172 160, RGB 162 186 145, RGB 160 201 131, RGB 157 215 116 and RGB 155 230 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 164 171 159 0.2 shade: RGB 165 172 160, RGB 167 158 174, RGB 170 143 188, RGB 172 129 203 and RGB 174 114 217

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 164 171 159 0.2 shade: RGB 171 172 160, RGB 168 172 160, RGB 165 172 160, RGB 161 172 160 and RGB 160 172 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 164 171 159 0.2 shade: RGB 123 133 116, RGB 144 153 137, RGB 165 172 160, RGB 186 191 182 and RGB 206 210 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 164 171 159 0.2 shade: RGB 164 171 159, RGB 160 172 169 and RGB 172 160 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 164 171 159 0.2 shade: RGB 164 171 159, RGB 160 165 172 and RGB 172 160 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 164 171 159 0.2 shade: RGB 164 171 159, RGB 160 172 169, RGB 167 160 172 and RGB 172 160 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 164 171 159 0.2 shade: RGB 164 171 159, RGB 160 171 172, RGB 167 160 172 and RGB 172 161 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 1 / 7

HEX #A4AB9F33

RGBA 164 171 159 0.2

HSLA 95, 0.07%, 0.65%, 0.2

LABA 69.13, -4.73, 5.31, 0.2

 

Complementary color

CMYK 1 / 3 / 0 / 12

HEX #5B546033

RGBA 91 84 96 0.2

HSLA 275, 0.07%, 0.35%, 0.2

LABA 36.76, 5.4, -5.92, 0.2

 

CMYK 0 / 0 / 2 / 7

HEX #A9AB9A33

RGBA 169 171 154 0.2

HSLA 67.06, 0.09%, 0.64%, 0.2

LABA 69.39, -3.79, 8.51, 0.2

 

CMYK 0 / 0 / 2 / 5

HEX #BABDAD33

RGBA 186 189 173 0.2

HSLA 71.25, 0.11%, 0.71%, 0.2

LABA 75.98, -3.92, 7.72, 0.2

 

CMYK 0 / 0 / 1 / 4

HEX #CBCFC033

RGBA 203 207 192 0.2

HSLA 76, 0.14%, 0.78%, 0.2

LABA 82.45, -4.04, 6.97, 0.2

 

CMYK 0 / 0 / 1 / 2

HEX #DCE1D333

RGBA 220 225 211 0.2

HSLA 81.43, 0.19%, 0.85%, 0.2

LABA 88.81, -4.16, 6.25, 0.2

 

CMYK 0 / 0 / 1 / 1

HEX #EDF3E633

RGBA 237 243 230 0.2

HSLA 87.69, 0.35%, 0.93%, 0.2

LABA 95.08, -4.26, 5.56, 0.2

 

CMYK 1 / 0 / 1 / 7

HEX #A4AB9F33

RGBA 164 171 159 0.2

HSLA 95, 0.07%, 0.65%, 0.2

LABA 69.13, -4.73, 5.31, 0.2

 

CMYK 1 / 0 / 2 / 8

HEX #93998C33

RGBA 147 153 140 0.2

HSLA 87.69, 0.06%, 0.57%, 0.2

LABA 62.41, -4.64, 6.08, 0.2

 

CMYK 1 / 0 / 2 / 9

HEX #82877933

RGBA 130 135 121 0.2

HSLA 81.43, 0.06%, 0.5%, 0.2

LABA 55.54, -4.55, 6.89, 0.2

 

CMYK 1 / 0 / 3 / 11

HEX #71756633

RGBA 113 117 102 0.2

HSLA 76, 0.07%, 0.43%, 0.2

LABA 48.5, -4.45, 7.76, 0.2

 

CMYK 1 / 0 / 3 / 12

HEX #60635333

RGBA 96 99 83 0.2

HSLA 71.25, 0.09%, 0.36%, 0.2

LABA 41.27, -4.33, 8.71, 0.2

 

CMYK 4 / 0 / 7 / 33

HEX #A5ACA0

RGB 165 172 160

HSL 95, 0.07%, 0.65%

LAB 69.5, -4.72, 5.31

 

CMYK 2 / 0 / 7 / 33

HEX #A8ACA0

RGB 168 172 160

HSL 80, 0.07%, 0.65%

LAB 69.73, -3.64, 5.67

 

CMYK 1 / 0 / 7 / 33

HEX #ABACA0

RGB 171 172 160

HSL 65, 0.07%, 0.65%

LAB 69.97, -2.55, 6.04

 

CMYK 0 / 2 / 7 / 33

HEX #ACA9A0

RGB 172 169 160

HSL 45, 0.07%, 0.65%

LAB 69.24, -0.56, 5.01

 

CMYK 0 / 3 / 7 / 33

HEX #ACA6A0

RGB 172 166 160

HSL 30, 0.07%, 0.65%

LAB 68.45, 1.07, 3.86

 

CMYK 4 / 0 / 7 / 33

HEX #A5ACA0

RGB 165 172 160

HSL 95, 0.07%, 0.65%

LAB 69.5, -4.72, 5.31

 

CMYK 6 / 0 / 7 / 33

HEX #A1ACA0

RGB 161 172 160

HSL 115, 0.07%, 0.65%

LAB 69.2, -6.16, 4.83

 

CMYK 7 / 0 / 6 / 33

HEX #A0ACA1

RGB 160 172 161

HSL 125, 0.07%, 0.65%

LAB 69.15, -6.32, 4.2

 

CMYK 7 / 0 / 5 / 33

HEX #A0ACA4

RGB 160 172 164

HSL 140, 0.07%, 0.65%

LAB 69.23, -5.76, 2.66

 

CMYK 7 / 0 / 2 / 33

HEX #A0ACA8

RGB 160 172 168

HSL 160, 0.07%, 0.65%

LAB 69.33, -4.98, 0.6

 

CMYK 4 / 0 / 7 / 33

HEX #A5ACA0

RGB 165 172 160

HSL 95, 0.07%, 0.65%

LAB 69.5, -4.72, 5.31

 

CMYK 13 / 0 / 22 / 27

HEX #A2BA91

RGB 162 186 145

HSL 95.12, 0.23%, 0.65%

LAB 72.79, -15.76, 18.12

 

CMYK 20 / 0 / 35 / 21

HEX #A0C983

RGB 160 201 131

HSL 95.14, 0.39%, 0.65%

LAB 76.61, -26.11, 30.68

 

CMYK 27 / 0 / 46 / 16

HEX #9DD774

RGB 157 215 116

HSL 95.15, 0.55%, 0.65%

LAB 80.2, -35.75, 42.82

 

CMYK 33 / 0 / 56 / 10

HEX #9BE666

RGB 155 230 102

HSL 95.16, 0.72%, 0.65%

LAB 84.24, -44.64, 54.24

 

CMYK 4 / 0 / 7 / 33

HEX #A5ACA0

RGB 165 172 160

HSL 95, 0.07%, 0.65%

LAB 69.5, -4.72, 5.31

 

CMYK 4 / 9 / 0 / 32

HEX #A79EAE

RGB 167 158 174

HSL 273.75, 0.09%, 0.65%

LAB 66.31, 6.32, -7.12

 

CMYK 10 / 24 / 0 / 26

HEX #AA8FBC

RGB 170 143 188

HSL 276, 0.25%, 0.65%

LAB 63.2, 18.64, -19.64

 

CMYK 15 / 36 / 0 / 20

HEX #AC81CB

RGB 172 129 203

HSL 274.86, 0.42%, 0.65%

LAB 60.59, 30.44, -32.08

 

CMYK 20 / 47 / 0 / 15

HEX #AE72D9

RGB 174 114 217

HSL 274.95, 0.58%, 0.65%

LAB 58.08, 42.45, -43.88

 

CMYK 1 / 0 / 7 / 33

HEX #ABACA0

RGB 171 172 160

HSL 65, 0.07%, 0.65%

LAB 69.97, -2.55, 6.04

 

CMYK 2 / 0 / 7 / 33

HEX #A8ACA0

RGB 168 172 160

HSL 80, 0.07%, 0.65%

LAB 69.73, -3.64, 5.67

 

CMYK 4 / 0 / 7 / 33

HEX #A5ACA0

RGB 165 172 160

HSL 95, 0.07%, 0.65%

LAB 69.5, -4.72, 5.31

 

CMYK 6 / 0 / 7 / 33

HEX #A1ACA0

RGB 161 172 160

HSL 115, 0.07%, 0.65%

LAB 69.2, -6.16, 4.83

 

CMYK 7 / 0 / 6 / 33

HEX #A0ACA1

RGB 160 172 161

HSL 125, 0.07%, 0.65%

LAB 69.15, -6.32, 4.2

 

CMYK 8 / 0 / 13 / 48

HEX #7B8574

RGB 123 133 116

HSL 95.29, 0.07%, 0.49%

LAB 54.29, -7.02, 7.92

 

CMYK 6 / 0 / 10 / 40

HEX #909989

RGB 144 153 137

HSL 93.75, 0.07%, 0.57%

LAB 62.1, -6.3, 7.3

 

CMYK 4 / 0 / 7 / 33

HEX #A5ACA0

RGB 165 172 160

HSL 95, 0.07%, 0.65%

LAB 69.5, -4.72, 5.31

 

CMYK 3 / 0 / 5 / 25

HEX #BABFB6

RGB 186 191 182

HSL 93.33, 0.07%, 0.73%

LAB 76.73, -3.39, 3.92

 

CMYK 2 / 0 / 3 / 18

HEX #CED2CC

RGB 206 210 204

HSL 100, 0.06%, 0.81%

LAB 83.74, -2.45, 2.48

 

CMYK 4 / 0 / 7 / 33

HEX #A4AB9F

RGB 164 171 159

HSL 95, 0.07%, 0.65%

LAB 69.13, -4.73, 5.31

 

CMYK 7 / 0 / 2 / 33

HEX #A0ACA9

RGB 160 172 169

HSL 165, 0.07%, 0.65%

LAB 69.36, -4.79, 0.08

 

CMYK 0 / 7 / 1 / 33

HEX #ACA0AA

RGB 172 160 170

HSL 310, 0.07%, 0.65%

LAB 67.14, 6.2, -3.61

 

CMYK 4 / 0 / 7 / 33

HEX #A4AB9F

RGB 164 171 159

HSL 95, 0.07%, 0.65%

LAB 69.13, -4.73, 5.31

 

CMYK 7 / 4 / 0 / 33

HEX #A0A5AC

RGB 160 165 172

HSL 215, 0.07%, 0.65%

LAB 67.55, -0.38, -4.23

 

CMYK 0 / 7 / 4 / 33

HEX #ACA0A5

RGB 172 160 165

HSL 335, 0.07%, 0.65%

LAB 67, 5.27, -1.03

 

CMYK 4 / 0 / 7 / 33

HEX #A4AB9F

RGB 164 171 159

HSL 95, 0.07%, 0.65%

LAB 69.13, -4.73, 5.31

 

CMYK 7 / 0 / 2 / 33

HEX #A0ACA9

RGB 160 172 169

HSL 165, 0.07%, 0.65%

LAB 69.36, -4.79, 0.08

 

CMYK 3 / 7 / 0 / 33

HEX #A7A0AC

RGB 167 160 172

HSL 275, 0.07%, 0.65%

LAB 66.78, 4.82, -5.31

 

CMYK 0 / 7 / 6 / 33

HEX #ACA0A2

RGB 172 160 162

HSL 350, 0.07%, 0.65%

LAB 66.92, 4.72, 0.52

 

CMYK 4 / 0 / 7 / 33

HEX #A4AB9F

RGB 164 171 159

HSL 95, 0.07%, 0.65%

LAB 69.13, -4.73, 5.31

 

CMYK 7 / 1 / 0 / 33

HEX #A0ABAC

RGB 160 171 172

HSL 185, 0.07%, 0.65%

LAB 69.17, -3.65, -1.85

 

CMYK 3 / 7 / 0 / 33

HEX #A7A0AC

RGB 167 160 172

HSL 275, 0.07%, 0.65%

LAB 66.78, 4.82, -5.31

 

CMYK 0 / 6 / 7 / 33

HEX #ACA1A0

RGB 172 161 160

HSL 5, 0.07%, 0.65%

LAB 67.13, 3.81, 1.95

 

Description

Color code: RGBA 164 171 159 0.2 | qconv.com Color code: RGBA 164 171 159 0.2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 171 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 171 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 1 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 1% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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