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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 164 134 191 0.5 it is the complementary color RGBA 91 121 64 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 164 134 191 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 164 134 191 0.5 shade: RGBA 169 134 186 0.5, RGBA 186 152 205 0.5, RGBA 203 170 224 0.5, RGBA 220 188 243 0.5 and RGBA 237 206 255 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 164 134 191 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 164 134 191 0.5 shade: RGBA 164 134 191 0.5, RGBA 147 116 172 0.5, RGBA 130 98 153 0.5, RGBA 113 80 134 0.5 and RGBA 96 62 115 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 164 134 191 0.5 shade: RGB 165 135 192, RGB 180 135 192, RGB 192 135 188, RGB 192 135 173 and RGB 192 135 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 164 134 191 0.5 shade: RGB 165 135 192, RGB 149 135 192 and RGB 135 135 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 164 134 191 0.5 shade matches the following richer shades: RGB 165 135 192, RGB 165 120 207, RGB 166 105 221, RGB 167 90 236 and RGB 168 75 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 164 134 191 0.5 shade: RGB 165 135 192, RGB 164 150 177, RGB 163 164 162, RGB 162 179 147 and RGB 162 194 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 164 134 191 0.5 shade: RGB 135 136 192, RGB 149 135 192, RGB 164 135 192, RGB 179 135 192 and RGB 192 135 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 164 134 191 0.5 shade: RGB 124 84 160, RGB 144 108 177, RGB 165 135 192, RGB 185 162 206 and RGB 205 189 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 164 134 191 0.5 shade: RGB 164 134 191, RGB 192 135 151 and RGB 135 192 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 164 134 191 0.5 shade: RGB 164 134 191, RGB 192 164 135 and RGB 135 192 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 164 134 191 0.5 shade: RGB 164 134 191, RGB 192 135 151, RGB 162 192 135 and RGB 135 192 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 164 134 191 0.5 shade: RGB 164 134 191, RGB 192 136 135, RGB 162 192 135 and RGB 135 191 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 15 / 0 / 13

HEX #A486BF7F

RGBA 164 134 191 0.5

HSLA 271.58, 0.31%, 0.64%, 0.5

LABA 60.52, 22.44, -25.47, 0.5

 

Complementary color

CMYK 12 / 0 / 24 / 26

HEX #5B79407F

RGBA 91 121 64 0.5

HSLA 91.58, 0.31%, 0.36%, 0.5

LABA 47.33, -21.59, 27.73, 0.5

 

CMYK 5 / 14 / 0 / 14

HEX #A986BA7F

RGBA 169 134 186 0.5

HSLA 280.38, 0.27%, 0.63%, 0.5

LABA 60.81, 22.99, -22.16, 0.5

 

CMYK 5 / 13 / 0 / 10

HEX #BA98CD7F

RGBA 186 152 205 0.5

HSLA 278.49, 0.35%, 0.7%, 0.5

LABA 67.5, 22.4, -22.44, 0.5

 

CMYK 5 / 12 / 0 / 6

HEX #CBAAE07F

RGBA 203 170 224 0.5

HSLA 276.67, 0.47%, 0.77%, 0.5

LABA 74.08, 21.86, -22.72, 0.5

 

CMYK 5 / 11 / 0 / 2

HEX #DCBCF37F

RGBA 220 188 243 0.5

HSLA 274.91, 0.7%, 0.85%, 0.5

LABA 80.55, 21.36, -23.01, 0.5

 

CMYK 4 / 10 / 0 / 0

HEX #EDCEFF7F

RGBA 237 206 255 0.5

HSLA 277.96, 1%, 0.9%, 0.5

LABA 86.69, 19.52, -19.95, 0.5

 

CMYK 7 / 15 / 0 / 13

HEX #A486BF7F

RGBA 164 134 191 0.5

HSLA 271.58, 0.31%, 0.64%, 0.5

LABA 60.52, 22.44, -25.47, 0.5

 

CMYK 7 / 16 / 0 / 16

HEX #9374AC7F

RGBA 147 116 172 0.5

HSLA 273.21, 0.25%, 0.56%, 0.5

LABA 53.68, 23.09, -25.29, 0.5

 

CMYK 8 / 18 / 0 / 20

HEX #8262997F

RGBA 130 98 153 0.5

HSLA 274.91, 0.22%, 0.49%, 0.5

LABA 46.69, 23.8, -25.12, 0.5

 

CMYK 8 / 20 / 0 / 24

HEX #7150867F

RGBA 113 80 134 0.5

HSLA 276.67, 0.25%, 0.42%, 0.5

LABA 39.53, 24.6, -24.96, 0.5

 

CMYK 8 / 23 / 0 / 27

HEX #603E737F

RGBA 96 62 115 0.5

HSLA 278.49, 0.3%, 0.35%, 0.5

LABA 32.19, 25.47, -24.81, 0.5

 

CMYK 14 / 30 / 0 / 25

HEX #A587C0

RGB 165 135 192

HSL 271.58, 0.31%, 0.64%

LAB 60.9, 22.41, -25.45

 

CMYK 6 / 30 / 0 / 25

HEX #B487C0

RGB 180 135 192

HSL 287.37, 0.31%, 0.64%

LAB 62.37, 27.28, -23.06

 

CMYK 0 / 30 / 2 / 25

HEX #C087BC

RGB 192 135 188

HSL 304.21, 0.31%, 0.64%

LAB 63.48, 30.48, -19

 

CMYK 0 / 30 / 10 / 25

HEX #C087AD

RGB 192 135 173

HSL 320, 0.31%, 0.64%

LAB 62.97, 27.77, -11.29

 

CMYK 0 / 30 / 18 / 25

HEX #C0879D

RGB 192 135 157

HSL 336.84, 0.31%, 0.64%

LAB 62.48, 25.11, -2.92

 

CMYK 14 / 30 / 0 / 25

HEX #A587C0

RGB 165 135 192

HSL 271.58, 0.31%, 0.64%

LAB 60.9, 22.41, -25.45

 

CMYK 22 / 30 / 0 / 25

HEX #9587C0

RGB 149 135 192

HSL 254.74, 0.31%, 0.64%

LAB 59.46, 17.35, -27.79

 

CMYK 30 / 30 / 0 / 25

HEX #8787C0

RGB 135 135 192

HSL 240, 0.31%, 0.64%

LAB 58.31, 13.08, -29.66

 

CMYK 14 / 30 / 0 / 25

HEX #A587C0

RGB 165 135 192

HSL 271.58, 0.31%, 0.64%

LAB 60.9, 22.41, -25.45

 

CMYK 20 / 42 / 0 / 19

HEX #A578CF

RGB 165 120 207

HSL 271.03, 0.48%, 0.64%

LAB 57.98, 34.31, -38.47

 

CMYK 25 / 52 / 0 / 13

HEX #A669DD

RGB 166 105 221

HSL 271.55, 0.63%, 0.64%

LAB 55.51, 46.09, -50.25

 

CMYK 29 / 62 / 0 / 7

HEX #A75AEC

RGB 167 90 236

HSL 271.64, 0.79%, 0.64%

LAB 53.58, 57.54, -61.76

 

CMYK 33 / 70 / 0 / 2

HEX #A84BFB

RGB 168 75 251

HSL 271.7, 0.96%, 0.64%

LAB 52.2, 68.06, -72.37

 

CMYK 14 / 30 / 0 / 25

HEX #A587C0

RGB 165 135 192

HSL 271.58, 0.31%, 0.64%

LAB 60.9, 22.41, -25.45

 

CMYK 7 / 15 / 0 / 31

HEX #A496B1

RGB 164 150 177

HSL 271.11, 0.15%, 0.64%

LAB 64.06, 10.36, -12.18

 

CMYK 1 / 0 / 1 / 36

HEX #A3A4A2

RGB 163 164 162

HSL 90, 0.01%, 0.64%

LAB 67.24, -0.73, 0.9

 

CMYK 9 / 0 / 18 / 30

HEX #A2B393

RGB 162 179 147

HSL 91.88, 0.17%, 0.64%

LAB 70.89, -11.81, 14.39

 

CMYK 16 / 0 / 32 / 24

HEX #A2C284

RGB 162 194 132

HSL 90.97, 0.34%, 0.64%

LAB 74.78, -21.81, 27.75

 

CMYK 30 / 29 / 0 / 25

HEX #8788C0

RGB 135 136 192

HSL 238.95, 0.31%, 0.64%

LAB 58.57, 12.5, -29.26

 

CMYK 22 / 30 / 0 / 25

HEX #9587C0

RGB 149 135 192

HSL 254.74, 0.31%, 0.64%

LAB 59.46, 17.35, -27.79

 

CMYK 15 / 30 / 0 / 25

HEX #A487C0

RGB 164 135 192

HSL 270.53, 0.31%, 0.64%

LAB 60.8, 22.09, -25.6

 

CMYK 7 / 30 / 0 / 25

HEX #B387C0

RGB 179 135 192

HSL 286.32, 0.31%, 0.64%

LAB 62.27, 26.96, -23.23

 

CMYK 0 / 30 / 2 / 25

HEX #C087BD

RGB 192 135 189

HSL 303.16, 0.31%, 0.64%

LAB 63.51, 30.67, -19.51

 

CMYK 23 / 48 / 0 / 37

HEX #7C54A0

RGB 124 84 160

HSL 271.58, 0.31%, 0.48%

LAB 43.01, 31.86, -35.08

 

CMYK 19 / 39 / 0 / 31

HEX #906CB1

RGB 144 108 177

HSL 271.3, 0.31%, 0.56%

LAB 51.64, 27.94, -31.37

 

CMYK 14 / 30 / 0 / 25

HEX #A587C0

RGB 165 135 192

HSL 271.58, 0.31%, 0.64%

LAB 60.9, 22.41, -25.45

 

CMYK 10 / 21 / 0 / 19

HEX #B9A2CE

RGB 185 162 206

HSL 271.36, 0.31%, 0.72%

LAB 69.9, 16.72, -19.35

 

CMYK 7 / 14 / 0 / 14

HEX #CDBDDC

RGB 205 189 220

HSL 270.97, 0.31%, 0.8%

LAB 78.78, 11.38, -13.43

 

CMYK 14 / 30 / 0 / 25

HEX #A486BF

RGB 164 134 191

HSL 271.58, 0.31%, 0.64%

LAB 60.52, 22.44, -25.47

 

CMYK 0 / 30 / 21 / 25

HEX #C08797

RGB 192 135 151

HSL 343.16, 0.31%, 0.64%

LAB 62.31, 24.17, 0.24

 

CMYK 30 / 0 / 27 / 25

HEX #87C08D

RGB 135 192 141

HSL 126.32, 0.31%, 0.64%

LAB 72.74, -28.8, 19.94

 

CMYK 14 / 30 / 0 / 25

HEX #A486BF

RGB 164 134 191

HSL 271.58, 0.31%, 0.64%

LAB 60.52, 22.44, -25.47

 

CMYK 0 / 15 / 30 / 25

HEX #C0A487

RGB 192 164 135

HSL 30.53, 0.31%, 0.64%

LAB 69.12, 5.89, 18.86

 

CMYK 30 / 0 / 15 / 25

HEX #87C0A4

RGB 135 192 164

HSL 150.53, 0.31%, 0.64%

LAB 73.24, -24.43, 8.23

 

CMYK 14 / 30 / 0 / 25

HEX #A486BF

RGB 164 134 191

HSL 271.58, 0.31%, 0.64%

LAB 60.52, 22.44, -25.47

 

CMYK 0 / 30 / 21 / 25

HEX #C08797

RGB 192 135 151

HSL 343.16, 0.31%, 0.64%

LAB 62.31, 24.17, 0.24

 

CMYK 16 / 0 / 30 / 25

HEX #A2C087

RGB 162 192 135

HSL 91.58, 0.31%, 0.64%

LAB 74.27, -20.37, 25.49

 

CMYK 30 / 0 / 8 / 25

HEX #87C0B0

RGB 135 192 176

HSL 163.16, 0.31%, 0.64%

LAB 73.54, -21.91, 2.14

 

CMYK 14 / 30 / 0 / 25

HEX #A486BF

RGB 164 134 191

HSL 271.58, 0.31%, 0.64%

LAB 60.52, 22.44, -25.47

 

CMYK 0 / 29 / 30 / 25

HEX #C08887

RGB 192 136 135

HSL 1.05, 0.31%, 0.64%

LAB 62.14, 21.29, 9.1

 

CMYK 16 / 0 / 30 / 25

HEX #A2C087

RGB 162 192 135

HSL 91.58, 0.31%, 0.64%

LAB 74.27, -20.37, 25.49

 

CMYK 30 / 1 / 0 / 25

HEX #87BFC0

RGB 135 191 192

HSL 181.05, 0.31%, 0.64%

LAB 73.69, -17.8, -6.35

 

Description

Color code: RGBA 164 134 191 0.5 | qconv.com Color code: RGBA 164 134 191 0.5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 134 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 134 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 15 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 15% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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