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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 163 201 141 0.75 it is the complementary color RGBA 92 54 114 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 163 201 141 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 163 201 141 0.75 shade: RGBA 168 201 136 0.75, RGBA 185 219 155 0.75, RGBA 202 237 174 0.75, RGBA 219 255 193 0.75 and RGBA 236 255 212 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 163 201 141 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 163 201 141 0.75 shade: RGBA 163 201 141 0.75, RGBA 146 183 122 0.75, RGBA 129 165 103 0.75, RGBA 112 147 84 0.75 and RGBA 95 129 65 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 163 201 141 0.75 shade: RGB 163 201 141, RGB 179 201 141, RGB 195 201 141, RGB 201 191 141 and RGB 201 174 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 163 201 141 0.75 shade: RGB 163 201 141, RGB 146 201 141, RGB 141 201 151, RGB 141 201 167 and RGB 141 201 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 163 201 141 0.75 shade matches the following richer shades: RGB 163 201 141, RGB 159 215 127, RGB 156 228 113 and RGB 152 242 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 163 201 141 0.75 shade: RGB 163 201 141, RGB 166 188 154, RGB 170 174 168, RGB 174 160 181 and RGB 177 147 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 163 201 141 0.75 shade: RGB 195 201 141, RGB 179 201 141, RGB 163 201 141, RGB 147 201 141 and RGB 141 201 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 163 201 141 0.75 shade: RGB 118 175 84, RGB 140 188 112, RGB 163 201 141, RGB 185 214 169 and RGB 208 228 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 163 201 141 0.75 shade: RGB 163 201 141, RGB 141 201 191 and RGB 201 141 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 163 201 141 0.75 shade: RGB 163 201 141, RGB 141 163 201 and RGB 201 141 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 163 201 141 0.75 shade: RGB 163 201 141, RGB 141 201 191, RGB 179 141 201 and RGB 201 141 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 163 201 141 0.75 shade: RGB 163 201 141, RGB 141 193 201, RGB 179 141 201 and RGB 201 149 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 22 / 16

HEX #A3C98DBF

RGBA 163 201 141 0.75

HSLA 98, 0.36%, 0.67%, 0.75

LABA 76.97, -23.56, 25.97, 0.75

 

Complementary color

CMYK 14 / 39 / 0 / 41

HEX #5C3672BF

RGBA 92 54 114 0.75

HSLA 278, 0.36%, 0.33%, 0.75

LABA 29.73, 28.81, -28.08, 0.75

 

CMYK 12 / 0 / 24 / 16

HEX #A8C988BF

RGBA 168 201 136 0.75

HSLA 90.46, 0.38%, 0.66%, 0.75

LABA 77.21, -22.5, 28.96, 0.75

 

CMYK 12 / 0 / 22 / 11

HEX #B9DB9BBF

RGBA 185 219 155 0.75

HSLA 91.88, 0.47%, 0.73%, 0.75

LABA 83.62, -22.43, 27.89, 0.75

 

CMYK 11 / 0 / 20 / 5

HEX #CAEDAEBF

RGBA 202 237 174 0.75

HSLA 93.33, 0.64%, 0.81%, 0.75

LABA 89.94, -22.37, 26.87, 0.75

 

CMYK 11 / 0 / 18 / 0

HEX #DBFFC1BF

RGBA 219 255 193 0.75

HSLA 94.84, 1%, 0.88%, 0.75

LABA 96.17, -22.3, 25.89, 0.75

 

CMYK 6 / 0 / 13 / 0

HEX #ECFFD4BF

RGBA 236 255 212 0.75

HSLA 86.51, 1%, 0.92%, 0.75

LABA 97.67, -13.53, 18.49, 0.75

 

CMYK 14 / 0 / 22 / 16

HEX #A3C98DBF

RGBA 163 201 141 0.75

HSLA 98, 0.36%, 0.67%, 0.75

LABA 76.97, -23.56, 25.97, 0.75

 

CMYK 15 / 0 / 25 / 21

HEX #92B77ABF

RGBA 146 183 122 0.75

HSLA 96.39, 0.3%, 0.6%, 0.75

LABA 70.44, -23.68, 27.07, 0.75

 

CMYK 16 / 0 / 28 / 26

HEX #81A567BF

RGBA 129 165 103 0.75

HSLA 94.84, 0.26%, 0.53%, 0.75

LABA 63.8, -23.79, 28.23, 0.75

 

CMYK 18 / 0 / 32 / 32

HEX #709354BF

RGBA 112 147 84 0.75

HSLA 93.33, 0.27%, 0.45%, 0.75

LABA 57.03, -23.89, 29.45, 0.75

 

CMYK 20 / 0 / 37 / 37

HEX #5F8141BF

RGBA 95 129 65 0.75

HSLA 91.88, 0.33%, 0.38%, 0.75

LABA 50.11, -23.95, 30.71, 0.75

 

CMYK 19 / 0 / 30 / 21

HEX #A3C98D

RGB 163 201 141

HSL 98, 0.36%, 0.67%

LAB 76.97, -23.56, 25.97

 

CMYK 11 / 0 / 30 / 21

HEX #B3C98D

RGB 179 201 141

HSL 82, 0.36%, 0.67%

LAB 78.04, -17.72, 27.59

 

CMYK 3 / 0 / 30 / 21

HEX #C3C98D

RGB 195 201 141

HSL 66, 0.36%, 0.67%

LAB 79.21, -11.68, 29.37

 

CMYK 0 / 5 / 30 / 21

HEX #C9BF8D

RGB 201 191 141

HSL 50, 0.36%, 0.67%

LAB 77.04, -4.19, 26.55

 

CMYK 0 / 13 / 30 / 21

HEX #C9AE8D

RGB 201 174 141

HSL 33, 0.36%, 0.67%

LAB 72.64, 4.83, 20.56

 

CMYK 19 / 0 / 30 / 21

HEX #A3C98D

RGB 163 201 141

HSL 98, 0.36%, 0.67%

LAB 76.97, -23.56, 25.97

 

CMYK 27 / 0 / 30 / 21

HEX #92C98D

RGB 146 201 141

HSL 115, 0.36%, 0.67%

LAB 75.95, -29.46, 24.42

 

CMYK 30 / 0 / 25 / 21

HEX #8DC997

RGB 141 201 151

HSL 130, 0.36%, 0.67%

LAB 75.87, -29.4, 18.96

 

CMYK 30 / 0 / 17 / 21

HEX #8DC9A7

RGB 141 201 167

HSL 146, 0.36%, 0.67%

LAB 76.21, -26.39, 10.88

 

CMYK 30 / 0 / 8 / 21

HEX #8DC9B8

RGB 141 201 184

HSL 163, 0.36%, 0.67%

LAB 76.62, -22.89, 2.32

 

CMYK 19 / 0 / 30 / 21

HEX #A3C98D

RGB 163 201 141

HSL 98, 0.36%, 0.67%

LAB 76.97, -23.56, 25.97

 

CMYK 26 / 0 / 41 / 16

HEX #9FD77F

RGB 159 215 127

HSL 98.18, 0.52%, 0.67%

LAB 80.46, -33.65, 37.72

 

CMYK 32 / 0 / 50 / 11

HEX #9CE471

RGB 156 228 113

HSL 97.57, 0.68%, 0.67%

LAB 83.83, -42.26, 48.71

 

CMYK 37 / 0 / 59 / 5

HEX #98F264

RGB 152 242 100

HSL 98.03, 0.85%, 0.67%

LAB 87.53, -50.87, 58.87

 

CMYK 19 / 0 / 30 / 21

HEX #A3C98D

RGB 163 201 141

HSL 98, 0.36%, 0.67%

LAB 76.97, -23.56, 25.97

 

CMYK 12 / 0 / 18 / 26

HEX #A6BC9A

RGB 166 188 154

HSL 98.82, 0.2%, 0.67%

LAB 73.81, -13.85, 14.72

 

CMYK 2 / 0 / 3 / 32

HEX #AAAEA8

RGB 170 174 168

HSL 100, 0.04%, 0.67%

LAB 70.63, -2.54, 2.57

 

CMYK 4 / 12 / 0 / 29

HEX #AEA0B5

RGB 174 160 181

HSL 280, 0.12%, 0.67%

LAB 67.63, 9.04, -8.99

 

CMYK 9 / 25 / 0 / 24

HEX #B193C3

RGB 177 147 195

HSL 277.5, 0.29%, 0.67%

LAB 65.09, 20.18, -20.63

 

CMYK 3 / 0 / 30 / 21

HEX #C3C98D

RGB 195 201 141

HSL 66, 0.36%, 0.67%

LAB 79.21, -11.68, 29.37

 

CMYK 11 / 0 / 30 / 21

HEX #B3C98D

RGB 179 201 141

HSL 82, 0.36%, 0.67%

LAB 78.04, -17.72, 27.59

 

CMYK 19 / 0 / 30 / 21

HEX #A3C98D

RGB 163 201 141

HSL 98, 0.36%, 0.67%

LAB 76.97, -23.56, 25.97

 

CMYK 27 / 0 / 30 / 21

HEX #93C98D

RGB 147 201 141

HSL 114, 0.36%, 0.67%

LAB 76.01, -29.13, 24.5

 

CMYK 30 / 0 / 25 / 21

HEX #8DC997

RGB 141 201 151

HSL 130, 0.36%, 0.67%

LAB 75.87, -29.4, 18.96

 

CMYK 33 / 0 / 52 / 31

HEX #76AF54

RGB 118 175 84

HSL 97.58, 0.36%, 0.51%

LAB 65.87, -35.09, 40.48

 

CMYK 26 / 0 / 40 / 26

HEX #8CBC70

RGB 140 188 112

HSL 97.89, 0.36%, 0.59%

LAB 71.36, -29.72, 33.43

 

CMYK 19 / 0 / 30 / 21

HEX #A3C98D

RGB 163 201 141

HSL 98, 0.36%, 0.67%

LAB 76.97, -23.56, 25.97

 

CMYK 14 / 0 / 21 / 16

HEX #B9D6A9

RGB 185 214 169

HSL 98.67, 0.35%, 0.75%

LAB 82.52, -17.8, 19.08

 

CMYK 9 / 0 / 14 / 11

HEX #D0E4C5

RGB 208 228 197

HSL 98.71, 0.36%, 0.83%

LAB 88.41, -12.19, 12.9

 

CMYK 19 / 0 / 30 / 21

HEX #A3C98D

RGB 163 201 141

HSL 98, 0.36%, 0.67%

LAB 76.97, -23.56, 25.97

 

CMYK 30 / 0 / 5 / 21

HEX #8DC9BF

RGB 141 201 191

HSL 170, 0.36%, 0.67%

LAB 76.8, -21.36, -1.19

 

CMYK 0 / 30 / 7 / 21

HEX #C98DBB

RGB 201 141 187

HSL 314, 0.36%, 0.67%

LAB 65.79, 30.04, -14.84

 

CMYK 19 / 0 / 30 / 21

HEX #A3C98D

RGB 163 201 141

HSL 98, 0.36%, 0.67%

LAB 76.97, -23.56, 25.97

 

CMYK 30 / 19 / 0 / 21

HEX #8DA3C9

RGB 141 163 201

HSL 218, 0.36%, 0.67%

LAB 66.58, 1.16, -21.96

 

CMYK 0 / 30 / 19 / 21

HEX #C98DA3

RGB 201 141 163

HSL 338, 0.36%, 0.67%

LAB 65.05, 26.03, -2.43

 

CMYK 19 / 0 / 30 / 21

HEX #A3C98D

RGB 163 201 141

HSL 98, 0.36%, 0.67%

LAB 76.97, -23.56, 25.97

 

CMYK 30 / 0 / 5 / 21

HEX #8DC9BF

RGB 141 201 191

HSL 170, 0.36%, 0.67%

LAB 76.8, -21.36, -1.19

 

CMYK 11 / 30 / 0 / 21

HEX #B38DC9

RGB 179 141 201

HSL 278, 0.36%, 0.67%

LAB 64.04, 25.46, -25.57

 

CMYK 0 / 30 / 25 / 21

HEX #C98D97

RGB 201 141 151

HSL 350, 0.36%, 0.67%

LAB 64.73, 24.22, 3.87

 

CMYK 19 / 0 / 30 / 21

HEX #A3C98D

RGB 163 201 141

HSL 98, 0.36%, 0.67%

LAB 76.97, -23.56, 25.97

 

CMYK 30 / 4 / 0 / 21

HEX #8DC1C9

RGB 141 193 201

HSL 188, 0.36%, 0.67%

LAB 74.84, -14.99, -9.5

 

CMYK 11 / 30 / 0 / 21

HEX #B38DC9

RGB 179 141 201

HSL 278, 0.36%, 0.67%

LAB 64.04, 25.46, -25.57

 

CMYK 0 / 26 / 30 / 21

HEX #C9958D

RGB 201 149 141

HSL 8, 0.36%, 0.67%

LAB 66.39, 18.43, 11.88

 

Description

Color code: RGBA 163 201 141 0.75 | qconv.com Color code: RGBA 163 201 141 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 201 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 201 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 22 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 22% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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