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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 15 23 60 0.75 it is the complementary color RGBA 240 232 195 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 15 23 60 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 15 23 60 0.75 shade: RGBA 20 23 55 0.75, RGBA 37 41 74 0.75, RGBA 54 59 93 0.75, RGBA 71 77 112 0.75 and RGBA 88 95 131 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 15 23 60 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 15 23 60 0.75 shade: RGBA 15 23 60 0.75, RGBA 0 5 41 0.75, RGBA 0 0 22 0.75, RGBA 0 0 3 0.75 and RGBA 0 0 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 15 23 60 0.75 shade: RGB 15 23 61, RGB 20 15 61, RGB 32 15 61, RGB 44 15 61 and RGB 57 15 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 15 23 60 0.75 shade: RGB 15 23 61 and RGB 15 15 61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 15 23 60 0.75 shade matches the following richer shades: RGB 15 23 61, RGB 9 19 67 and RGB 3 15 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 15 23 60 0.75 shade: RGB 15 23 61, RGB 21 27 55, RGB 28 31 49, RGB 34 35 43 and RGB 40 39 36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 15 23 60 0.75 shade: RGB 15 48 61, RGB 15 36 61, RGB 15 24 61, RGB 19 15 61 and RGB 31 15 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 15 23 60 0.75 shade: RGB 0 0 0, RGB 7 11 28, RGB 15 23 61, RGB 24 36 94 and RGB 32 49 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 15 23 60 0.75 shade: RGB 15 23 60, RGB 61 15 60 and RGB 42 61 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 15 23 60 0.75 shade: RGB 15 23 60, RGB 61 15 24 and RGB 24 61 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 15 23 60 0.75 shade: RGB 15 23 60, RGB 61 15 60, RGB 61 53 15 and RGB 15 61 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 15 23 60 0.75 shade: RGB 15 23 60, RGB 61 15 47, RGB 61 53 15 and RGB 15 61 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 46 / 0 / 57

HEX #0F173CBF

RGBA 15 23 60 0.75

HSLA 229.33, 0.6%, 0.15%, 0.75

LABA 9.33, 10.99, -25, 0.75

 

Complementary color

CMYK 0 / 3 / 14 / 4

HEX #F0E8C3BF

RGBA 240 232 195 0.75

HSLA 49.33, 0.6%, 0.85%, 0.75

LABA 91.76, -3.2, 18.99, 0.75

 

CMYK 48 / 44 / 0 / 59

HEX #141737BF

RGBA 20 23 55 0.75

HSLA 234.86, 0.47%, 0.15%, 0.75

LABA 9.3, 10.05, -21.43, 0.75

 

CMYK 38 / 33 / 0 / 53

HEX #25294ABF

RGBA 37 41 74 0.75

HSLA 233.51, 0.33%, 0.22%, 0.75

LABA 17.8, 8.59, -21.11, 0.75

 

CMYK 31 / 27 / 0 / 48

HEX #363B5DBF

RGBA 54 59 93 0.75

HSLA 232.31, 0.27%, 0.29%, 0.75

LABA 25.87, 7.63, -20.95, 0.75

 

CMYK 27 / 23 / 0 / 42

HEX #474D70BF

RGBA 71 77 112 0.75

HSLA 231.22, 0.22%, 0.36%, 0.75

LABA 33.6, 6.94, -20.91, 0.75

 

CMYK 25 / 21 / 0 / 36

HEX #585F83BF

RGBA 88 95 131 0.75

HSLA 230.23, 0.2%, 0.43%, 0.75

LABA 41.05, 6.39, -20.96, 0.75

 

CMYK 56 / 46 / 0 / 57

HEX #0F173CBF

RGBA 15 23 60 0.75

HSLA 229.33, 0.6%, 0.15%, 0.75

LABA 9.33, 10.99, -25, 0.75

 

CMYK 75 / 66 / 0 / 63

HEX #000529BF

RGBA 0 5 41 0.75

HSLA 232.68, 1%, 0.08%, 0.75

LABA 2.43, 8.16, -22.08, 0.75

 

CMYK 75 / 75 / 0 / 69

HEX #000016BF

RGBA 0 0 22 0.75

HSLA 240, 1%, 0.04%, 0.75

LABA 0.52, 3.68, -10.01, 0.75

 

CMYK 75 / 75 / 0 / 74

HEX #000003BF

RGBA 0 0 3 0.75

HSLA 240, 1%, 0.01%, 0.75

LABA 0.06, 0.42, -1.14, 0.75

 

CMYK 0 / 0 / 0 / 100

HEX #000000BF

RGBA 0 0 0 0.75

HSLA 0, 0%, 0%, 0.75

LABA 0, 0, 0, 0.75

 

CMYK 75 / 62 / 0 / 76

HEX #0F173D

RGB 15 23 61

HSL 229.57, 0.61%, 0.15%

LAB 9.41, 11.43, -25.57

 

CMYK 67 / 75 / 0 / 76

HEX #140F3D

RGB 20 15 61

HSL 246.52, 0.61%, 0.15%

LAB 7.47, 18.45, -28.71

 

CMYK 48 / 75 / 0 / 76

HEX #200F3D

RGB 32 15 61

HSL 262.17, 0.61%, 0.15%

LAB 8.87, 21.17, -26.37

 

CMYK 28 / 75 / 0 / 76

HEX #2C0F3D

RGB 44 15 61

HSL 277.83, 0.61%, 0.15%

LAB 10.66, 24.3, -23.39

 

CMYK 7 / 75 / 0 / 76

HEX #390F3D

RGB 57 15 61

HSL 294.78, 0.61%, 0.15%

LAB 12.91, 27.95, -19.66

 

CMYK 75 / 62 / 0 / 76

HEX #0F173D

RGB 15 23 61

HSL 229.57, 0.61%, 0.15%

LAB 9.41, 11.43, -25.57

 

CMYK 75 / 75 / 0 / 76

HEX #0F0F3D

RGB 15 15 61

HSL 240, 0.61%, 0.15%

LAB 7.05, 17.41, -29.42

 

CMYK 75 / 62 / 0 / 76

HEX #0F173D

RGB 15 23 61

HSL 229.57, 0.61%, 0.15%

LAB 9.41, 11.43, -25.57

 

CMYK 87 / 72 / 0 / 74

HEX #091343

RGB 9 19 67

HSL 229.66, 0.76%, 0.15%

LAB 8.39, 16.23, -31.52

 

CMYK 96 / 80 / 0 / 71

HEX #030F4A

RGB 3 15 74

HSL 229.86, 0.92%, 0.15%

LAB 7.73, 21.58, -37.53

 

CMYK 75 / 62 / 0 / 76

HEX #0F173D

RGB 15 23 61

HSL 229.57, 0.61%, 0.15%

LAB 9.41, 11.43, -25.57

 

CMYK 62 / 51 / 0 / 78

HEX #151B37

RGB 21 27 55

HSL 229.41, 0.45%, 0.15%

LAB 10.7, 7.22, -19.19

 

CMYK 43 / 37 / 0 / 81

HEX #1C1F31

RGB 28 31 49

HSL 231.43, 0.27%, 0.15%

LAB 12.28, 4.18, -12.35

 

CMYK 21 / 19 / 0 / 83

HEX #22232B

RGB 34 35 43

HSL 233.33, 0.12%, 0.15%

LAB 13.92, 1.7, -5.46

 

CMYK 0 / 2 / 10 / 84

HEX #282724

RGB 40 39 36

HSL 45, 0.05%, 0.15%

LAB 15.64, -0.24, 2.14

 

CMYK 75 / 21 / 0 / 76

HEX #0F303D

RGB 15 48 61

HSL 196.96, 0.61%, 0.15%

LAB 18.15, -7, -11.75

 

CMYK 75 / 41 / 0 / 76

HEX #0F243D

RGB 15 36 61

HSL 212.61, 0.61%, 0.15%

LAB 13.83, 1.42, -18.51

 

CMYK 75 / 61 / 0 / 76

HEX #0F183D

RGB 15 24 61

HSL 228.26, 0.61%, 0.15%

LAB 9.73, 10.64, -25.05

 

CMYK 69 / 75 / 0 / 76

HEX #130F3D

RGB 19 15 61

HSL 245.22, 0.61%, 0.15%

LAB 7.38, 18.23, -28.86

 

CMYK 49 / 75 / 0 / 76

HEX #1F0F3D

RGB 31 15 61

HSL 260.87, 0.61%, 0.15%

LAB 8.74, 20.93, -26.59

 

CMYK 75 / 61 / 0 / 89

HEX #070B1C

RGB 7 11 28

HSL 228.57, 0.6%, 0.07%

LAB 3.33, 2.74, -10.53

 

CMYK 75 / 62 / 0 / 76

HEX #0F173D

RGB 15 23 61

HSL 229.57, 0.61%, 0.15%

LAB 9.41, 11.43, -25.57

 

CMYK 74 / 62 / 0 / 63

HEX #18245E

RGB 24 36 94

HSL 229.71, 0.59%, 0.23%

LAB 16.82, 17.05, -36.19

 

CMYK 75 / 61 / 0 / 50

HEX #20317F

RGB 32 49 127

HSL 229.26, 0.6%, 0.31%

LAB 23.79, 22.18, -46.15

 

CMYK 75 / 62 / 0 / 76

HEX #0F173C

RGB 15 23 60

HSL 229.33, 0.6%, 0.15%

LAB 9.33, 10.99, -25

 

CMYK 0 / 75 / 2 / 76

HEX #3D0F3C

RGB 61 15 60

HSL 301.3, 0.61%, 0.15%

LAB 13.59, 28.89, -17.83

 

CMYK 31 / 0 / 75 / 76

HEX #2A3D0F

RGB 42 61 15

HSL 84.78, 0.61%, 0.15%

LAB 23.22, -16.29, 24.98

 

CMYK 75 / 62 / 0 / 76

HEX #0F173C

RGB 15 23 60

HSL 229.33, 0.6%, 0.15%

LAB 9.33, 10.99, -25

 

CMYK 0 / 75 / 61 / 76

HEX #3D0F18

RGB 61 15 24

HSL 348.26, 0.61%, 0.15%

LAB 11.96, 23.28, 6.1

 

CMYK 61 / 0 / 75 / 76

HEX #183D0F

RGB 24 61 15

HSL 108.26, 0.61%, 0.15%

LAB 22.18, -23.57, 23.56

 

CMYK 75 / 62 / 0 / 76

HEX #0F173C

RGB 15 23 60

HSL 229.33, 0.6%, 0.15%

LAB 9.33, 10.99, -25

 

CMYK 0 / 75 / 2 / 76

HEX #3D0F3C

RGB 61 15 60

HSL 301.3, 0.61%, 0.15%

LAB 13.59, 28.89, -17.83

 

CMYK 0 / 13 / 75 / 76

HEX #3D350F

RGB 61 53 15

HSL 49.57, 0.61%, 0.15%

LAB 22.21, -1.83, 24.43

 

CMYK 75 / 0 / 74 / 76

HEX #0F3D10

RGB 15 61 16

HSL 121.3, 0.61%, 0.15%

LAB 21.86, -26.09, 22.6

 

CMYK 75 / 62 / 0 / 76

HEX #0F173C

RGB 15 23 60

HSL 229.33, 0.6%, 0.15%

LAB 9.33, 10.99, -25

 

CMYK 0 / 75 / 23 / 76

HEX #3D0F2F

RGB 61 15 47

HSL 318.26, 0.61%, 0.15%

LAB 12.85, 26.45, -9.63

 

CMYK 0 / 13 / 75 / 76

HEX #3D350F

RGB 61 53 15

HSL 49.57, 0.61%, 0.15%

LAB 22.21, -1.83, 24.43

 

CMYK 75 / 0 / 51 / 76

HEX #0F3D1E

RGB 15 61 30

HSL 139.57, 0.61%, 0.15%

LAB 22.06, -23.76, 14.68

 

Description

Color code: RGBA 15 23 60 0.75 | qconv.com Color code: RGBA 15 23 60 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 23 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 23 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 46 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 46% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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