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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 15 129 162 0.75 it is the complementary color RGBA 240 126 93 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 15 129 162 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 15 129 162 0.75 shade: RGBA 20 129 157 0.75, RGBA 37 147 176 0.75, RGBA 54 165 195 0.75, RGBA 71 183 214 0.75 and RGBA 88 201 233 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 15 129 162 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 15 129 162 0.75 shade: RGBA 15 129 162 0.75, RGBA 0 111 143 0.75, RGBA 0 93 124 0.75, RGBA 0 75 105 0.75 and RGBA 0 57 86 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 15 129 162 0.75 shade: RGB 15 130 163, RGB 15 90 163, RGB 15 50 163, RGB 20 15 163 and RGB 60 15 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 15 129 162 0.75 shade: RGB 15 130 163, RGB 15 90 163, RGB 15 50 163 and RGB 15 15 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 15 129 162 0.75 shade matches the following richer shades: RGB 15 130 163 and RGB 1 138 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 15 129 162 0.75 shade: RGB 15 130 163, RGB 30 122 149, RGB 44 114 134, RGB 58 106 120 and RGB 73 98 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 15 129 162 0.75 shade: RGB 15 163 116, RGB 15 163 156, RGB 15 131 163, RGB 15 92 163 and RGB 15 52 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 15 129 162 0.75 shade: RGB 8 70 88, RGB 12 100 126, RGB 15 130 163, RGB 19 160 201 and RGB 27 187 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 15 129 162 0.75 shade: RGB 15 129 162, RGB 77 15 163 and RGB 163 136 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 15 129 162 0.75 shade: RGB 15 129 162, RGB 163 15 131 and RGB 131 163 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 15 129 162 0.75 shade: RGB 15 129 162, RGB 77 15 163, RGB 163 47 15 and RGB 102 163 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 15 129 162 0.75 shade: RGB 15 129 162, RGB 121 15 163, RGB 163 47 15 and RGB 57 163 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 15 / 0 / 27

HEX #0F81A2BF

RGBA 15 129 162 0.75

HSLA 193.47, 0.83%, 0.35%, 0.75

LABA 49.99, -16.85, -25.75, 0.75

 

Complementary color

CMYK 0 / 36 / 46 / 4

HEX #F07E5DBF

RGBA 240 126 93 0.75

HSLA 13.47, 0.83%, 0.65%, 0.75

LABA 65.15, 40.98, 37.61, 0.75

 

CMYK 65 / 13 / 0 / 29

HEX #14819DBF

RGBA 20 129 157 0.75

HSLA 192.26, 0.77%, 0.35%, 0.75

LABA 49.84, -18.32, -23.07, 0.75

 

CMYK 59 / 12 / 0 / 23

HEX #2593B0BF

RGBA 37 147 176 0.75

HSLA 192.52, 0.65%, 0.42%, 0.75

LABA 56.48, -19.9, -23.76, 0.75

 

CMYK 54 / 12 / 0 / 18

HEX #36A5C3BF

RGBA 54 165 195 0.75

HSLA 192.77, 0.57%, 0.49%, 0.75

LABA 63.04, -21.07, -24.37, 0.75

 

CMYK 50 / 11 / 0 / 12

HEX #47B7D6BF

RGBA 71 183 214 0.75

HSLA 193.01, 0.64%, 0.56%, 0.75

LABA 69.51, -21.96, -24.92, 0.75

 

CMYK 47 / 10 / 0 / 6

HEX #58C9E9BF

RGBA 88 201 233 0.75

HSLA 193.24, 0.77%, 0.63%, 0.75

LABA 75.9, -22.64, -25.41, 0.75

 

CMYK 68 / 15 / 0 / 27

HEX #0F81A2BF

RGBA 15 129 162 0.75

HSLA 193.47, 0.83%, 0.35%, 0.75

LABA 49.99, -16.85, -25.75, 0.75

 

CMYK 75 / 17 / 0 / 33

HEX #006F8FBF

RGBA 0 111 143 0.75

HSLA 193.43, 1%, 0.28%, 0.75

LABA 43.29, -14.56, -24.97, 0.75

 

CMYK 75 / 19 / 0 / 39

HEX #005D7CBF

RGBA 0 93 124 0.75

HSLA 195, 1%, 0.24%, 0.75

LABA 36.53, -11.44, -24, 0.75

 

CMYK 75 / 21 / 0 / 44

HEX #004B69BF

RGBA 0 75 105 0.75

HSLA 197.14, 1%, 0.21%, 0.75

LABA 29.54, -8.14, -23.06, 0.75

 

CMYK 75 / 25 / 0 / 50

HEX #003956BF

RGBA 0 57 86 0.75

HSLA 200.23, 1%, 0.17%, 0.75

LABA 22.3, -4.58, -22.16, 0.75

 

CMYK 91 / 20 / 0 / 36

HEX #0F82A3

RGB 15 130 163

HSL 193.38, 0.83%, 0.35%

LAB 50.35, -17.04, -25.78

 

CMYK 91 / 45 / 0 / 36

HEX #0F5AA3

RGB 15 90 163

HSL 209.59, 0.83%, 0.35%

LAB 37.95, 7.11, -45.34

 

CMYK 91 / 69 / 0 / 36

HEX #0F32A3

RGB 15 50 163

HSL 225.81, 0.83%, 0.35%

LAB 26.81, 34.12, -63.45

 

CMYK 88 / 91 / 0 / 36

HEX #140FA3

RGB 20 15 163

HSL 242.03, 0.83%, 0.35%

LAB 20.58, 52.63, -73.79

 

CMYK 63 / 91 / 0 / 36

HEX #3C0FA3

RGB 60 15 163

HSL 258.24, 0.83%, 0.35%

LAB 23.49, 54.63, -68.85

 

CMYK 91 / 20 / 0 / 36

HEX #0F82A3

RGB 15 130 163

HSL 193.38, 0.83%, 0.35%

LAB 50.35, -17.04, -25.78

 

CMYK 91 / 45 / 0 / 36

HEX #0F5AA3

RGB 15 90 163

HSL 209.59, 0.83%, 0.35%

LAB 37.95, 7.11, -45.34

 

CMYK 91 / 69 / 0 / 36

HEX #0F32A3

RGB 15 50 163

HSL 225.81, 0.83%, 0.35%

LAB 26.81, 34.12, -63.45

 

CMYK 91 / 91 / 0 / 36

HEX #0F0FA3

RGB 15 15 163

HSL 240, 0.83%, 0.35%

LAB 20.39, 52.51, -74.1

 

CMYK 91 / 20 / 0 / 36

HEX #0F82A3

RGB 15 130 163

HSL 193.38, 0.83%, 0.35%

LAB 50.35, -17.04, -25.78

 

CMYK 99 / 22 / 0 / 30

HEX #018AB2

RGB 1 138 178

HSL 193.56, 0.99%, 0.35%

LAB 53.38, -16.59, -29.73

 

CMYK 91 / 20 / 0 / 36

HEX #0F82A3

RGB 15 130 163

HSL 193.38, 0.83%, 0.35%

LAB 50.35, -17.04, -25.78

 

CMYK 80 / 18 / 0 / 42

HEX #1E7A95

RGB 30 122 149

HSL 193.61, 0.66%, 0.35%

LAB 47.45, -16.41, -22.05

 

CMYK 67 / 15 / 0 / 47

HEX #2C7286

RGB 44 114 134

HSL 193.33, 0.51%, 0.35%

LAB 44.65, -15.13, -17.43

 

CMYK 52 / 12 / 0 / 53

HEX #3A6A78

RGB 58 106 120

HSL 193.55, 0.35%, 0.35%

LAB 42.1, -12.13, -12.86

 

CMYK 31 / 8 / 0 / 58

HEX #49626A

RGB 73 98 106

HSL 194.55, 0.18%, 0.35%

LAB 39.9, -7.17, -7.56

 

CMYK 91 / 0 / 29 / 36

HEX #0FA374

RGB 15 163 116

HSL 160.95, 0.83%, 0.35%

LAB 59.49, -46.75, 14.64

 

CMYK 91 / 0 / 4 / 36

HEX #0FA39C

RGB 15 163 156

HSL 177.16, 0.83%, 0.35%

LAB 60.51, -35.94, -6.35

 

CMYK 91 / 20 / 0 / 36

HEX #0F83A3

RGB 15 131 163

HSL 192.97, 0.83%, 0.35%

LAB 50.66, -17.59, -25.29

 

CMYK 91 / 44 / 0 / 36

HEX #0F5CA3

RGB 15 92 163

HSL 208.78, 0.83%, 0.35%

LAB 38.55, 5.8, -44.37

 

CMYK 91 / 68 / 0 / 36

HEX #0F34A3

RGB 15 52 163

HSL 225, 0.83%, 0.35%

LAB 27.3, 32.8, -62.65

 

CMYK 91 / 20 / 0 / 65

HEX #084658

RGB 8 70 88

HSL 193.5, 0.83%, 0.19%

LAB 27.12, -11.2, -15.92

 

CMYK 90 / 21 / 0 / 51

HEX #0C647E

RGB 12 100 126

HSL 193.68, 0.83%, 0.27%

LAB 39.07, -13.99, -21.26

 

CMYK 91 / 20 / 0 / 36

HEX #0F82A3

RGB 15 130 163

HSL 193.38, 0.83%, 0.35%

LAB 50.35, -17.04, -25.78

 

CMYK 91 / 20 / 0 / 21

HEX #13A0C9

RGB 19 160 201

HSL 193.52, 0.83%, 0.43%

LAB 61.22, -19.54, -30.58

 

CMYK 88 / 20 / 0 / 8

HEX #1BBBEA

RGB 27 187 234

HSL 193.62, 0.83%, 0.51%

LAB 70.67, -21.91, -34.1

 

CMYK 91 / 20 / 0 / 36

HEX #0F81A2

RGB 15 129 162

HSL 193.47, 0.83%, 0.35%

LAB 49.99, -16.85, -25.75

 

CMYK 53 / 91 / 0 / 36

HEX #4D0FA3

RGB 77 15 163

HSL 265.14, 0.83%, 0.35%

LAB 25.45, 56.11, -65.55

 

CMYK 0 / 17 / 91 / 36

HEX #A3880F

RGB 163 136 15

HSL 49.05, 0.83%, 0.35%

LAB 57.49, -0.77, 59.7

 

CMYK 91 / 20 / 0 / 36

HEX #0F81A2

RGB 15 129 162

HSL 193.47, 0.83%, 0.35%

LAB 49.99, -16.85, -25.75

 

CMYK 0 / 91 / 20 / 36

HEX #A30F83

RGB 163 15 131

HSL 312.97, 0.83%, 0.35%

LAB 37.42, 63.99, -25.85

 

CMYK 20 / 0 / 91 / 36

HEX #83A30F

RGB 131 163 15

HSL 72.97, 0.83%, 0.35%

LAB 62.55, -29.09, 62.61

 

CMYK 91 / 20 / 0 / 36

HEX #0F81A2

RGB 15 129 162

HSL 193.47, 0.83%, 0.35%

LAB 49.99, -16.85, -25.75

 

CMYK 53 / 91 / 0 / 36

HEX #4D0FA3

RGB 77 15 163

HSL 265.14, 0.83%, 0.35%

LAB 25.45, 56.11, -65.55

 

CMYK 0 / 71 / 91 / 36

HEX #A32F0F

RGB 163 47 15

HSL 12.97, 0.83%, 0.35%

LAB 37.58, 46.32, 44.44

 

CMYK 37 / 0 / 91 / 36

HEX #66A30F

RGB 102 163 15

HSL 84.73, 0.83%, 0.35%

LAB 60.83, -40.54, 60.48

 

CMYK 91 / 20 / 0 / 36

HEX #0F81A2

RGB 15 129 162

HSL 193.47, 0.83%, 0.35%

LAB 49.99, -16.85, -25.75

 

CMYK 26 / 91 / 0 / 36

HEX #790FA3

RGB 121 15 163

HSL 282.97, 0.83%, 0.35%

LAB 31.92, 61.62, -54.69

 

CMYK 0 / 71 / 91 / 36

HEX #A32F0F

RGB 163 47 15

HSL 12.97, 0.83%, 0.35%

LAB 37.58, 46.32, 44.44

 

CMYK 65 / 0 / 91 / 36

HEX #39A30F

RGB 57 163 15

HSL 102.97, 0.83%, 0.35%

LAB 59.07, -54.14, 58.29

 

Description

Color code: RGBA 15 129 162 0.75 | qconv.com Color code: RGBA 15 129 162 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 129 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 129 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 15 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 15% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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