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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 15 103 67 0.5 it is the complementary color RGBA 240 152 188 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 15 103 67 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 15 103 67 0.5 shade: RGBA 20 103 62 0.5, RGBA 37 121 81 0.5, RGBA 54 139 100 0.5, RGBA 71 157 119 0.5 and RGBA 88 175 138 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 15 103 67 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 15 103 67 0.5 shade: RGBA 15 103 67 0.5, RGBA 0 85 48 0.5, RGBA 0 67 29 0.5, RGBA 0 49 10 0.5 and RGBA 0 31 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 15 103 67 0.5 shade: RGB 15 103 67, RGB 15 103 43, RGB 15 103 19, RGB 34 103 15 and RGB 58 103 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 15 103 67 0.5 shade: RGB 15 103 67, RGB 15 103 90, RGB 15 91 103, RGB 15 67 103 and RGB 15 44 103

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 15 103 67 0.5 shade matches the following richer shades: RGB 15 103 67 and RGB 5 112 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 15 103 67 0.5 shade: RGB 15 103 67, RGB 24 93 65, RGB 34 84 63, RGB 43 74 61 and RGB 53 65 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 15 103 67 0.5 shade: RGB 15 103 19, RGB 15 103 43, RGB 15 103 66, RGB 15 103 89 and RGB 15 92 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 15 103 67 0.5 shade: RGB 4 30 20, RGB 10 67 43, RGB 15 103 67, RGB 20 139 90 and RGB 25 175 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 15 103 67 0.5 shade: RGB 15 103 67, RGB 15 34 103 and RGB 103 31 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 15 103 67 0.5 shade: RGB 15 103 67, RGB 66 15 103 and RGB 103 66 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 15 103 67 0.5 shade: RGB 15 103 67, RGB 15 34 103, RGB 103 15 51 and RGB 103 84 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 15 103 67 0.5 shade: RGB 15 103 67, RGB 22 15 103, RGB 103 15 51 and RGB 95 103 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 17 / 30

HEX #0F67437F

RGBA 15 103 67 0.5

HSLA 155.45, 0.75%, 0.23%, 0.5

LABA 38.21, -33.92, 13.5, 0.5

 

Complementary color

CMYK 0 / 18 / 11 / 3

HEX #F098BC7F

RGBA 240 152 188 0.5

HSLA 335.45, 0.75%, 0.77%, 0.5

LABA 72.64, 37.71, -4.73, 0.5

 

CMYK 40 / 0 / 20 / 30

HEX #14673E7F

RGBA 20 103 62 0.5

HSLA 150.36, 0.67%, 0.24%, 0.5

LABA 38.19, -34.42, 16.46, 0.5

 

CMYK 35 / 0 / 17 / 26

HEX #2579517F

RGBA 37 121 81 0.5

HSLA 151.43, 0.53%, 0.31%, 0.5

LABA 45.17, -35.04, 14.82, 0.5

 

CMYK 31 / 0 / 14 / 23

HEX #368B647F

RGBA 54 139 100 0.5

HSLA 152.47, 0.44%, 0.38%, 0.5

LABA 52.03, -35.25, 13.4, 0.5

 

CMYK 27 / 0 / 12 / 19

HEX #479D777F

RGBA 71 157 119 0.5

HSLA 153.49, 0.38%, 0.45%, 0.5

LABA 58.78, -35.25, 12.14, 0.5

 

CMYK 25 / 0 / 11 / 16

HEX #58AF8A7F

RGBA 88 175 138 0.5

HSLA 154.48, 0.35%, 0.52%, 0.5

LABA 65.41, -35.14, 11.02, 0.5

 

CMYK 43 / 0 / 17 / 30

HEX #0F67437F

RGBA 15 103 67 0.5

HSLA 155.45, 0.75%, 0.23%, 0.5

LABA 38.21, -33.92, 13.5, 0.5

 

CMYK 50 / 0 / 22 / 33

HEX #0055307F

RGBA 0 85 48 0.5

HSLA 153.88, 1%, 0.17%, 0.5

LABA 31.14, -32.48, 15.39, 0.5

 

CMYK 50 / 0 / 28 / 37

HEX #00431D7F

RGBA 0 67 29 0.5

HSLA 145.97, 1%, 0.13%, 0.5

LABA 24.01, -29.34, 17.69, 0.5

 

CMYK 50 / 0 / 40 / 40

HEX #00310A7F

RGBA 0 49 10 0.5

HSLA 132.24, 1%, 0.1%, 0.5

LABA 16.59, -25.61, 19.25, 0.5

 

CMYK 50 / 0 / 50 / 44

HEX #001F007F

RGBA 0 31 0 0.5

HSLA 120, 1%, 0.06%, 0.5

LABA 8.82, -17.96, 12.88, 0.5

 

CMYK 85 / 0 / 35 / 60

HEX #0F6743

RGB 15 103 67

HSL 155.45, 0.75%, 0.23%

LAB 38.21, -33.92, 13.5

 

CMYK 85 / 0 / 58 / 60

HEX #0F672B

RGB 15 103 43

HSL 139.09, 0.75%, 0.23%

LAB 37.8, -38.7, 26.71

 

CMYK 85 / 0 / 82 / 60

HEX #0F6713

RGB 15 103 19

HSL 122.73, 0.75%, 0.23%

LAB 37.57, -41.52, 37.52

 

CMYK 67 / 0 / 85 / 60

HEX #22670F

RGB 34 103 15

HSL 107.05, 0.75%, 0.23%

LAB 37.98, -38.14, 39.41

 

CMYK 44 / 0 / 85 / 60

HEX #3A670F

RGB 58 103 15

HSL 90.68, 0.75%, 0.23%

LAB 38.96, -30.53, 40.68

 

CMYK 85 / 0 / 35 / 60

HEX #0F6743

RGB 15 103 67

HSL 155.45, 0.75%, 0.23%

LAB 38.21, -33.92, 13.5

 

CMYK 85 / 0 / 13 / 60

HEX #0F675A

RGB 15 103 90

HSL 171.14, 0.75%, 0.23%

LAB 38.8, -27.68, 0.36

 

CMYK 85 / 12 / 0 / 60

HEX #0F5B67

RGB 15 91 103

HSL 188.18, 0.75%, 0.23%

LAB 35.13, -17.11, -13.15

 

CMYK 85 / 35 / 0 / 60

HEX #0F4367

RGB 15 67 103

HSL 204.55, 0.75%, 0.23%

LAB 27, -2.46, -25.76

 

CMYK 85 / 57 / 0 / 60

HEX #0F2C67

RGB 15 44 103

HSL 220.23, 0.75%, 0.23%

LAB 19.57, 13.77, -37.67

 

CMYK 85 / 0 / 35 / 60

HEX #0F6743

RGB 15 103 67

HSL 155.45, 0.75%, 0.23%

LAB 38.21, -33.92, 13.5

 

CMYK 96 / 0 / 39 / 56

HEX #057044

RGB 5 112 68

HSL 155.33, 0.91%, 0.23%

LAB 41.28, -38.3, 17.03

 

CMYK 85 / 0 / 35 / 60

HEX #0F6743

RGB 15 103 67

HSL 155.45, 0.75%, 0.23%

LAB 38.21, -33.92, 13.5

 

CMYK 74 / 0 / 30 / 64

HEX #185D41

RGB 24 93 65

HSL 155.65, 0.59%, 0.23%

LAB 34.81, -28.65, 10.06

 

CMYK 60 / 0 / 25 / 67

HEX #22543F

RGB 34 84 63

HSL 154.8, 0.42%, 0.23%

LAB 31.9, -22.58, 7.28

 

CMYK 42 / 0 / 18 / 71

HEX #2B4A3D

RGB 43 74 61

HSL 154.84, 0.26%, 0.23%

LAB 28.77, -14.98, 4.17

 

CMYK 18 / 0 / 8 / 75

HEX #35413C

RGB 53 65 60

HSL 155, 0.1%, 0.23%

LAB 26.34, -6.11, 1.42

 

CMYK 85 / 0 / 82 / 60

HEX #0F6713

RGB 15 103 19

HSL 122.73, 0.75%, 0.23%

LAB 37.57, -41.52, 37.52

 

CMYK 85 / 0 / 58 / 60

HEX #0F672B

RGB 15 103 43

HSL 139.09, 0.75%, 0.23%

LAB 37.8, -38.7, 26.71

 

CMYK 85 / 0 / 36 / 60

HEX #0F6742

RGB 15 103 66

HSL 154.77, 0.75%, 0.23%

LAB 38.19, -34.16, 14.07

 

CMYK 85 / 0 / 14 / 60

HEX #0F6759

RGB 15 103 89

HSL 170.45, 0.75%, 0.23%

LAB 38.77, -27.98, 0.93

 

CMYK 85 / 11 / 0 / 60

HEX #0F5C67

RGB 15 92 103

HSL 187.5, 0.75%, 0.23%

LAB 35.47, -17.67, -12.63

 

CMYK 87 / 0 / 33 / 88

HEX #041E14

RGB 4 30 20

HSL 156.92, 0.76%, 0.07%

LAB 9.03, -12.69, 3.81

 

CMYK 85 / 0 / 36 / 74

HEX #0A432B

RGB 10 67 43

HSL 154.74, 0.74%, 0.15%

LAB 24.49, -24.49, 9.6

 

CMYK 85 / 0 / 35 / 60

HEX #0F6743

RGB 15 103 67

HSL 155.45, 0.75%, 0.23%

LAB 38.21, -33.92, 13.5

 

CMYK 86 / 0 / 35 / 45

HEX #148B5A

RGB 20 139 90

HSL 155.29, 0.75%, 0.31%

LAB 51.1, -42.87, 17.69

 

CMYK 86 / 0 / 35 / 31

HEX #19AF72

RGB 25 175 114

HSL 155.6, 0.75%, 0.39%

LAB 63.41, -51.13, 21.14

 

CMYK 85 / 0 / 35 / 60

HEX #0F6743

RGB 15 103 67

HSL 155.45, 0.75%, 0.23%

LAB 38.21, -33.92, 13.5

 

CMYK 85 / 67 / 0 / 60

HEX #0F2267

RGB 15 34 103

HSL 227.05, 0.75%, 0.23%

LAB 16.63, 21.11, -42.46

 

CMYK 0 / 70 / 85 / 60

HEX #671F0F

RGB 103 31 15

HSL 10.91, 0.75%, 0.23%

LAB 23.33, 31.41, 27.65

 

CMYK 85 / 0 / 35 / 60

HEX #0F6743

RGB 15 103 67

HSL 155.45, 0.75%, 0.23%

LAB 38.21, -33.92, 13.5

 

CMYK 36 / 85 / 0 / 60

HEX #420F67

RGB 66 15 103

HSL 274.77, 0.75%, 0.23%

LAB 17.82, 39.86, -40.3

 

CMYK 0 / 36 / 85 / 60

HEX #67420F

RGB 103 66 15

HSL 34.77, 0.75%, 0.23%

LAB 31.38, 11.44, 35.23

 

CMYK 85 / 0 / 35 / 60

HEX #0F6743

RGB 15 103 67

HSL 155.45, 0.75%, 0.23%

LAB 38.21, -33.92, 13.5

 

CMYK 85 / 67 / 0 / 60

HEX #0F2267

RGB 15 34 103

HSL 227.05, 0.75%, 0.23%

LAB 16.63, 21.11, -42.46

 

CMYK 0 / 85 / 50 / 60

HEX #670F33

RGB 103 15 51

HSL 335.45, 0.75%, 0.23%

LAB 21.81, 40.02, 1.82

 

CMYK 0 / 18 / 85 / 60

HEX #67540F

RGB 103 84 15

HSL 47.05, 0.75%, 0.23%

LAB 36.48, 0.43, 39.79

 

CMYK 85 / 0 / 35 / 60

HEX #0F6743

RGB 15 103 67

HSL 155.45, 0.75%, 0.23%

LAB 38.21, -33.92, 13.5

 

CMYK 79 / 85 / 0 / 60

HEX #160F67

RGB 22 15 103

HSL 244.77, 0.75%, 0.23%

LAB 12.55, 34.05, -49.16

 

CMYK 0 / 85 / 50 / 60

HEX #670F33

RGB 103 15 51

HSL 335.45, 0.75%, 0.23%

LAB 21.81, 40.02, 1.82

 

CMYK 8 / 0 / 85 / 60

HEX #5F670F

RGB 95 103 15

HSL 65.45, 0.75%, 0.23%

LAB 41.48, -14.46, 43.89

 

Description

Color code: RGBA 15 103 67 0.5 | qconv.com Color code: RGBA 15 103 67 0.5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 103 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 103 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 17 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 17% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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