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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 250 215 0.75 it is the complementary color RGBA 100 5 40 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 250 215 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 250 215 0.75 shade: RGBA 160 250 210 0.75, RGBA 177 255 229 0.75, RGBA 194 255 248 0.75, RGBA 211 255 255 0.75 and RGBA 228 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 250 215 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 250 215 0.75 shade: RGBA 155 250 215 0.75, RGBA 138 232 196 0.75, RGBA 121 214 177 0.75, RGBA 104 196 158 0.75 and RGBA 87 178 139 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 250 215 0.75 shade: RGB 153 250 214, RGB 153 250 188, RGB 153 250 162, RGB 170 250 153 and RGB 196 250 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 250 215 0.75 shade: RGB 153 250 214, RGB 153 250 240, RGB 153 233 250, RGB 153 207 250 and RGB 153 181 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 250 215 0.75 shade matches the following richer shades: RGB 153 250 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 250 215 0.75 shade: RGB 153 250 214, RGB 162 241 212, RGB 171 232 210, RGB 179 224 207 and RGB 188 215 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 250 215 0.75 shade: RGB 153 250 161, RGB 153 250 187, RGB 153 250 213, RGB 153 250 238 and RGB 153 235 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 250 215 0.75 shade: RGB 75 246 183, RGB 114 248 198, RGB 153 250 214, RGB 192 252 230 and RGB 232 254 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 250 215 0.75 shade: RGB 155 250 215, RGB 153 171 250 and RGB 250 174 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 250 215 0.75 shade: RGB 155 250 215, RGB 213 153 250 and RGB 250 213 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 250 215 0.75 shade: RGB 155 250 215, RGB 153 171 250, RGB 250 153 190 and RGB 250 232 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 250 215 0.75 shade: RGB 155 250 215, RGB 165 153 250, RGB 250 153 190 and RGB 238 250 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 11 / 1

HEX #9BFAD7BF

RGBA 155 250 215 0.75

HSLA 157.89, 0.9%, 0.79%, 0.75

LABA 91.8, -35.79, 7.96, 0.75

 

Complementary color

CMYK 0 / 71 / 45 / 46

HEX #640528BF

RGBA 100 5 40 0.75

HSLA 337.89, 0.9%, 0.21%, 0.75

LABA 19.93, 40.77, 6.81, 0.75

 

CMYK 27 / 0 / 12 / 1

HEX #A0FAD2BF

RGBA 160 250 210 0.75

HSLA 153.33, 0.9%, 0.8%, 0.75

LABA 91.91, -35.45, 10.74, 0.75

 

CMYK 23 / 0 / 8 / 0

HEX #B1FFE5BF

RGBA 177 255 229 0.75

HSLA 160, 1%, 0.85%, 0.75

LABA 94.54, -29.18, 4.82, 0.75

 

CMYK 18 / 0 / 2 / 0

HEX #C2FFF8BF

RGBA 194 255 248 0.75

HSLA 173.11, 1%, 0.88%, 0.75

LABA 95.9, -20.39, -2.88, 0.75

 

CMYK 13 / 0 / 0 / 0

HEX #D3FFFFBF

RGBA 211 255 255 0.75

HSLA 180, 1%, 0.91%, 0.75

LABA 97.06, -13.92, -4.67, 0.75

 

CMYK 8 / 0 / 0 / 0

HEX #E4FFFFBF

RGBA 228 255 255 0.75

HSLA 180, 1%, 0.95%, 0.75

LABA 98.13, -8.69, -2.97, 0.75

 

CMYK 29 / 0 / 11 / 1

HEX #9BFAD7BF

RGBA 155 250 215 0.75

HSLA 157.89, 0.9%, 0.79%, 0.75

LABA 91.8, -35.79, 7.96, 0.75

 

CMYK 30 / 0 / 12 / 7

HEX #8AE8C4BF

RGBA 138 232 196 0.75

HSLA 157.02, 0.67%, 0.73%, 0.75

LABA 85.56, -36, 8.81, 0.75

 

CMYK 33 / 0 / 13 / 12

HEX #79D6B1BF

RGBA 121 214 177 0.75

HSLA 156.13, 0.53%, 0.66%, 0.75

LABA 79.23, -36.2, 9.71, 0.75

 

CMYK 35 / 0 / 15 / 17

HEX #68C49EBF

RGBA 104 196 158 0.75

HSLA 155.22, 0.44%, 0.59%, 0.75

LABA 72.82, -36.39, 10.68, 0.75

 

CMYK 38 / 0 / 16 / 23

HEX #57B28BBF

RGBA 87 178 139 0.75

HSLA 154.29, 0.37%, 0.52%, 0.75

LABA 66.31, -36.54, 11.73, 0.75

 

CMYK 39 / 0 / 14 / 2

HEX #99FAD6

RGB 153 250 214

HSL 157.73, 0.91%, 0.79%

LAB 91.68, -36.53, 8.31

 

CMYK 39 / 0 / 25 / 2

HEX #99FABC

RGB 153 250 188

HSL 141.65, 0.91%, 0.79%

LAB 91.13, -41.62, 20.92

 

CMYK 39 / 0 / 35 / 2

HEX #99FAA2

RGB 153 250 162

HSL 125.57, 0.91%, 0.79%

LAB 90.67, -46.05, 33.46

 

CMYK 32 / 0 / 39 / 2

HEX #AAFA99

RGB 170 250 153

HSL 109.48, 0.91%, 0.79%

LAB 91.33, -42.2, 38.95

 

CMYK 22 / 0 / 39 / 2

HEX #C4FA99

RGB 196 250 153

HSL 93.4, 0.91%, 0.79%

LAB 92.75, -33.51, 41.07

 

CMYK 39 / 0 / 14 / 2

HEX #99FAD6

RGB 153 250 214

HSL 157.73, 0.91%, 0.79%

LAB 91.68, -36.53, 8.31

 

CMYK 39 / 0 / 4 / 2

HEX #99FAF0

RGB 153 250 240

HSL 173.81, 0.91%, 0.79%

LAB 92.32, -30.85, -4.23

 

CMYK 39 / 7 / 0 / 2

HEX #99E9FA

RGB 153 233 250

HSL 190.52, 0.91%, 0.79%

LAB 87.95, -20.24, -15.96

 

CMYK 39 / 17 / 0 / 2

HEX #99CFFA

RGB 153 207 250

HSL 206.6, 0.91%, 0.79%

LAB 80.91, -6.92, -26.62

 

CMYK 39 / 28 / 0 / 2

HEX #99B5FA

RGB 153 181 250

HSL 222.68, 0.91%, 0.79%

LAB 74.01, 7.17, -37.24

 

CMYK 39 / 0 / 14 / 2

HEX #99FAD6

RGB 153 250 214

HSL 157.73, 0.91%, 0.79%

LAB 91.68, -36.53, 8.31

 

CMYK 39 / 0 / 14 / 2

HEX #99FAD6

RGB 153 250 214

HSL 157.73, 0.91%, 0.79%

LAB 91.68, -36.53, 8.31

 

CMYK 33 / 0 / 12 / 5

HEX #A2F1D4

RGB 162 241 212

HSL 157.97, 0.74%, 0.79%

LAB 89.55, -30.3, 6.34

 

CMYK 26 / 0 / 9 / 9

HEX #ABE8D2

RGB 171 232 210

HSL 158.36, 0.57%, 0.79%

LAB 87.5, -23.76, 4.47

 

CMYK 20 / 0 / 8 / 12

HEX #B3E0CF

RGB 179 224 207

HSL 157.33, 0.42%, 0.79%

LAB 85.71, -17.95, 3.51

 

CMYK 13 / 0 / 5 / 16

HEX #BCD7CD

RGB 188 215 205

HSL 157.78, 0.25%, 0.79%

LAB 83.81, -10.9, 1.89

 

CMYK 39 / 0 / 36 / 2

HEX #99FAA1

RGB 153 250 161

HSL 124.95, 0.91%, 0.79%

LAB 90.65, -46.21, 33.93

 

CMYK 39 / 0 / 25 / 2

HEX #99FABB

RGB 153 250 187

HSL 141.03, 0.91%, 0.79%

LAB 91.11, -41.8, 21.4

 

CMYK 39 / 0 / 15 / 2

HEX #99FAD5

RGB 153 250 213

HSL 157.11, 0.91%, 0.79%

LAB 91.66, -36.74, 8.79

 

CMYK 39 / 0 / 5 / 2

HEX #99FAEE

RGB 153 250 238

HSL 172.58, 0.91%, 0.79%

LAB 92.27, -31.31, -3.27

 

CMYK 39 / 6 / 0 / 2

HEX #99EBFA

RGB 153 235 250

HSL 189.28, 0.91%, 0.79%

LAB 88.49, -21.24, -15.14

 

CMYK 70 / 0 / 26 / 4

HEX #4BF6B7

RGB 75 246 183

HSL 157.89, 0.9%, 0.63%

LAB 87.4, -57.72, 17.91

 

CMYK 54 / 0 / 20 / 3

HEX #72F8C6

RGB 114 248 198

HSL 157.61, 0.91%, 0.71%

LAB 89.29, -48.35, 12.98

 

CMYK 39 / 0 / 14 / 2

HEX #99FAD6

RGB 153 250 214

HSL 157.73, 0.91%, 0.79%

LAB 91.68, -36.53, 8.31

 

CMYK 24 / 0 / 9 / 1

HEX #C0FCE6

RGB 192 252 230

HSL 158, 0.91%, 0.87%

LAB 94.54, -23.16, 4.41

 

CMYK 9 / 0 / 3 / 0

HEX #E8FEF6

RGB 232 254 246

HSL 158.18, 0.92%, 0.95%

LAB 97.91, -8.6, 1.37

 

CMYK 38 / 0 / 14 / 2

HEX #9BFAD7

RGB 155 250 215

HSL 157.89, 0.9%, 0.79%

LAB 91.8, -35.79, 7.96

 

CMYK 39 / 32 / 0 / 2

HEX #99ABFA

RGB 153 171 250

HSL 228.87, 0.91%, 0.79%

LAB 71.42, 12.76, -41.28

 

CMYK 0 / 30 / 39 / 2

HEX #FAAE99

RGB 250 174 153

HSL 12.99, 0.91%, 0.79%

LAB 77.81, 25.29, 21.97

 

CMYK 38 / 0 / 14 / 2

HEX #9BFAD7

RGB 155 250 215

HSL 157.89, 0.9%, 0.79%

LAB 91.8, -35.79, 7.96

 

CMYK 15 / 39 / 0 / 2

HEX #D599FA

RGB 213 153 250

HSL 277.11, 0.91%, 0.79%

LAB 72.12, 39.58, -39.82

 

CMYK 0 / 15 / 39 / 2

HEX #FAD599

RGB 250 213 153

HSL 37.11, 0.91%, 0.79%

LAB 87.1, 4.9, 34.46

 

CMYK 38 / 0 / 14 / 2

HEX #9BFAD7

RGB 155 250 215

HSL 157.89, 0.9%, 0.79%

LAB 91.8, -35.79, 7.96

 

CMYK 39 / 32 / 0 / 2

HEX #99ABFA

RGB 153 171 250

HSL 228.87, 0.91%, 0.79%

LAB 71.42, 12.76, -41.28

 

CMYK 0 / 39 / 24 / 2

HEX #FA99BE

RGB 250 153 190

HSL 337.11, 0.91%, 0.79%

LAB 74.08, 40.92, -3.57

 

CMYK 0 / 7 / 39 / 2

HEX #FAE899

RGB 250 232 153

HSL 48.87, 0.91%, 0.79%

LAB 91.84, -4.77, 40.63

 

CMYK 38 / 0 / 14 / 2

HEX #9BFAD7

RGB 155 250 215

HSL 157.89, 0.9%, 0.79%

LAB 91.8, -35.79, 7.96

 

CMYK 34 / 39 / 0 / 2

HEX #A599FA

RGB 165 153 250

HSL 247.42, 0.91%, 0.79%

LAB 67.79, 26.12, -46.91

 

CMYK 0 / 39 / 24 / 2

HEX #FA99BE

RGB 250 153 190

HSL 337.11, 0.91%, 0.79%

LAB 74.08, 40.92, -3.57

 

CMYK 5 / 0 / 39 / 2

HEX #EEFA99

RGB 238 250 153

HSL 67.42, 0.91%, 0.79%

LAB 95.52, -18.24, 45.17

 

Description

Color code: RGBA 155 250 215 0.75 | qconv.com Color code: RGBA 155 250 215 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 250 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 250 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 11 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 11% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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