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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 232 234 0.75 it is the complementary color RGBA 100 23 21 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 232 234 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 232 234 0.75 shade: RGBA 160 232 229 0.75, RGBA 177 250 248 0.75, RGBA 194 255 255 0.75, RGBA 211 255 255 0.75 and RGBA 228 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 232 234 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 232 234 0.75 shade: RGBA 155 232 234 0.75, RGBA 138 214 215 0.75, RGBA 121 196 196 0.75, RGBA 104 178 177 0.75 and RGBA 87 160 158 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 232 234 0.75 shade: RGB 154 232 234, RGB 154 210 234, RGB 154 189 234, RGB 154 167 234 and RGB 162 154 234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 232 234 0.75 shade: RGB 154 232 234, RGB 154 210 234, RGB 154 189 234, RGB 154 167 234 and RGB 154 154 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 232 234 0.75 shade matches the following richer shades: RGB 154 232 234, RGB 144 241 243 and RGB 134 250 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 232 234 0.75 shade: RGB 154 232 234, RGB 164 222 224, RGB 174 213 214, RGB 184 203 204 and RGB 194 194 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 232 234 0.75 shade: RGB 154 234 192, RGB 154 234 214, RGB 154 232 234, RGB 154 211 234 and RGB 154 190 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 232 234 0.75 shade: RGB 86 216 219, RGB 120 224 226, RGB 154 232 234, RGB 188 239 241 and RGB 222 247 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 232 234 0.75 shade: RGB 155 232 234, RGB 171 154 234 and RGB 234 203 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 232 234 0.75 shade: RGB 155 232 234, RGB 234 154 232 and RGB 232 234 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 232 234 0.75 shade: RGB 155 232 234, RGB 171 154 234, RGB 234 155 154 and RGB 216 234 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 232 234 0.75 shade: RGB 155 232 234, RGB 195 154 234, RGB 234 155 154 and RGB 192 234 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 1 / 0 / 6

HEX #9BE8EABF

RGBA 155 232 234 0.75

HSLA 181.52, 0.65%, 0.76%, 0.75

LABA 87.3, -23.06, -8.51, 0.75

 

Complementary color

CMYK 0 / 58 / 59 / 46

HEX #641715BF

RGBA 100 23 21 0.75

HSLA 1.52, 0.65%, 0.24%, 0.75

LABA 21.49, 34.08, 21.92, 0.75

 

CMYK 23 / 0 / 1 / 7

HEX #A0E8E5BF

RGBA 160 232 229 0.75

HSLA 177.5, 0.61%, 0.77%, 0.75

LABA 87.41, -22.86, -5.7, 0.75

 

CMYK 22 / 0 / 1 / 1

HEX #B1FAF8BF

RGBA 177 250 248 0.75

HSLA 178.36, 0.88%, 0.84%, 0.75

LABA 93.67, -22.76, -6.27, 0.75

 

CMYK 18 / 0 / 0 / 0

HEX #C2FFFFBF

RGBA 194 255 255 0.75

HSLA 180, 1%, 0.88%, 0.75

LABA 96.08, -18.92, -6.22, 0.75

 

CMYK 13 / 0 / 0 / 0

HEX #D3FFFFBF

RGBA 211 255 255 0.75

HSLA 180, 1%, 0.91%, 0.75

LABA 97.06, -13.92, -4.67, 0.75

 

CMYK 8 / 0 / 0 / 0

HEX #E4FFFFBF

RGBA 228 255 255 0.75

HSLA 180, 1%, 0.95%, 0.75

LABA 98.13, -8.69, -2.97, 0.75

 

CMYK 25 / 1 / 0 / 6

HEX #9BE8EABF

RGBA 155 232 234 0.75

HSLA 181.52, 0.65%, 0.76%, 0.75

LABA 87.3, -23.06, -8.51, 0.75

 

CMYK 27 / 0 / 0 / 12

HEX #8AD6D7BF

RGBA 138 214 215 0.75

HSLA 180.78, 0.49%, 0.69%, 0.75

LABA 80.96, -23.13, -7.95, 0.75

 

CMYK 29 / 0 / 0 / 17

HEX #79C4C4BF

RGBA 121 196 196 0.75

HSLA 180, 0.39%, 0.62%, 0.75

LABA 74.53, -23.2, -7.35, 0.75

 

CMYK 31 / 0 / 0 / 23

HEX #68B2B1BF

RGBA 104 178 177 0.75

HSLA 179.19, 0.32%, 0.55%, 0.75

LABA 67.99, -23.25, -6.73, 0.75

 

CMYK 34 / 0 / 1 / 28

HEX #57A09EBF

RGBA 87 160 158 0.75

HSLA 178.36, 0.3%, 0.48%, 0.75

LABA 61.34, -23.27, -6.06, 0.75

 

CMYK 34 / 1 / 0 / 8

HEX #9AE8EA

RGB 154 232 234

HSL 181.5, 0.66%, 0.76%

LAB 87.25, -23.33, -8.59

 

CMYK 34 / 10 / 0 / 8

HEX #9AD2EA

RGB 154 210 234

HSL 198, 0.66%, 0.76%

LAB 81.24, -12.24, -17.59

 

CMYK 34 / 19 / 0 / 8

HEX #9ABDEA

RGB 154 189 234

HSL 213.75, 0.66%, 0.76%

LAB 75.58, -1.11, -26.18

 

CMYK 34 / 29 / 0 / 8

HEX #9AA7EA

RGB 154 167 234

HSL 230.25, 0.66%, 0.76%

LAB 69.79, 11.05, -35.11

 

CMYK 31 / 34 / 0 / 8

HEX #A29AEA

RGB 162 154 234

HSL 246, 0.66%, 0.76%

LAB 67.08, 20.64, -39.28

 

CMYK 34 / 1 / 0 / 8

HEX #9AE8EA

RGB 154 232 234

HSL 181.5, 0.66%, 0.76%

LAB 87.25, -23.33, -8.59

 

CMYK 34 / 10 / 0 / 8

HEX #9AD2EA

RGB 154 210 234

HSL 198, 0.66%, 0.76%

LAB 81.24, -12.24, -17.59

 

CMYK 34 / 19 / 0 / 8

HEX #9ABDEA

RGB 154 189 234

HSL 213.75, 0.66%, 0.76%

LAB 75.58, -1.11, -26.18

 

CMYK 34 / 29 / 0 / 8

HEX #9AA7EA

RGB 154 167 234

HSL 230.25, 0.66%, 0.76%

LAB 69.79, 11.05, -35.11

 

CMYK 34 / 34 / 0 / 8

HEX #9A9AEA

RGB 154 154 234

HSL 240, 0.66%, 0.76%

LAB 66.46, 18.43, -40.29

 

CMYK 34 / 1 / 0 / 8

HEX #9AE8EA

RGB 154 232 234

HSL 181.5, 0.66%, 0.76%

LAB 87.25, -23.33, -8.59

 

CMYK 41 / 1 / 0 / 5

HEX #90F1F3

RGB 144 241 243

HSL 181.21, 0.8%, 0.76%

LAB 89.54, -28.06, -9.96

 

CMYK 47 / 1 / 0 / 1

HEX #86FAFD

RGB 134 250 253

HSL 181.51, 0.97%, 0.76%

LAB 91.92, -32.14, -11.66

 

CMYK 34 / 1 / 0 / 8

HEX #9AE8EA

RGB 154 232 234

HSL 181.5, 0.66%, 0.76%

LAB 87.25, -23.33, -8.59

 

CMYK 27 / 1 / 0 / 12

HEX #A4DEE0

RGB 164 222 224

HSL 182, 0.49%, 0.76%

LAB 84.75, -17.9, -6.97

 

CMYK 19 / 0 / 0 / 16

HEX #AED5D6

RGB 174 213 214

HSL 181.5, 0.33%, 0.76%

LAB 82.62, -12.52, -4.75

 

CMYK 10 / 0 / 0 / 20

HEX #B8CBCC

RGB 184 203 204

HSL 183, 0.16%, 0.76%

LAB 80.33, -6.2, -2.7

 

CMYK 0 / 0 / 0 / 24

HEX #C2C2C2

RGB 194 194 194

HSL 0, 0%, 0.76%

LAB 78.43, 0, -0.01

 

CMYK 34 / 0 / 18 / 8

HEX #9AEAC0

RGB 154 234 192

HSL 148.5, 0.66%, 0.76%

LAB 86.76, -33.31, 12.72

 

CMYK 34 / 0 / 9 / 8

HEX #9AEAD6

RGB 154 234 214

HSL 165, 0.66%, 0.76%

LAB 87.28, -28.78, 1.95

 

CMYK 34 / 1 / 0 / 8

HEX #9AE8EA

RGB 154 232 234

HSL 181.5, 0.66%, 0.76%

LAB 87.25, -23.33, -8.59

 

CMYK 34 / 10 / 0 / 8

HEX #9AD3EA

RGB 154 211 234

HSL 197.25, 0.66%, 0.76%

LAB 81.51, -12.75, -17.18

 

CMYK 34 / 19 / 0 / 8

HEX #9ABEEA

RGB 154 190 234

HSL 213, 0.66%, 0.76%

LAB 75.85, -1.65, -25.78

 

CMYK 61 / 1 / 0 / 14

HEX #56D8DB

RGB 86 216 219

HSL 181.35, 0.65%, 0.6%

LAB 79.73, -34.29, -12.12

 

CMYK 47 / 1 / 0 / 11

HEX #78E0E2

RGB 120 224 226

HSL 181.13, 0.65%, 0.68%

LAB 83.33, -29.64, -10.35

 

CMYK 34 / 1 / 0 / 8

HEX #9AE8EA

RGB 154 232 234

HSL 181.5, 0.66%, 0.76%

LAB 87.25, -23.33, -8.59

 

CMYK 22 / 1 / 0 / 5

HEX #BCEFF1

RGB 188 239 241

HSL 182.26, 0.65%, 0.84%

LAB 91.13, -15.72, -6.31

 

CMYK 10 / 0 / 0 / 3

HEX #DEF7F8

RGB 222 247 248

HSL 182.31, 0.65%, 0.92%

LAB 95.51, -7.91, -3.26

 

CMYK 34 / 1 / 0 / 8

HEX #9BE8EA

RGB 155 232 234

HSL 181.52, 0.65%, 0.76%

LAB 87.3, -23.06, -8.51

 

CMYK 27 / 34 / 0 / 8

HEX #AB9AEA

RGB 171 154 234

HSL 252.75, 0.66%, 0.76%

LAB 67.81, 23.2, -38.09

 

CMYK 0 / 13 / 34 / 8

HEX #EACB9A

RGB 234 203 154

HSL 36.75, 0.66%, 0.76%

LAB 83.2, 3.99, 28.49

 

CMYK 34 / 1 / 0 / 8

HEX #9BE8EA

RGB 155 232 234

HSL 181.52, 0.65%, 0.76%

LAB 87.3, -23.06, -8.51

 

CMYK 0 / 34 / 1 / 8

HEX #EA9AE8

RGB 234 154 232

HSL 301.5, 0.66%, 0.76%

LAB 73.82, 41.87, -27.2

 

CMYK 1 / 0 / 34 / 8

HEX #E8EA9A

RGB 232 234 154

HSL 61.5, 0.66%, 0.76%

LAB 90.93, -12.56, 38.69

 

CMYK 34 / 1 / 0 / 8

HEX #9BE8EA

RGB 155 232 234

HSL 181.52, 0.65%, 0.76%

LAB 87.3, -23.06, -8.51

 

CMYK 27 / 34 / 0 / 8

HEX #AB9AEA

RGB 171 154 234

HSL 252.75, 0.66%, 0.76%

LAB 67.81, 23.2, -38.09

 

CMYK 0 / 34 / 34 / 8

HEX #EA9B9A

RGB 234 155 154

HSL 0.75, 0.66%, 0.76%

LAB 71.74, 29.41, 12.71

 

CMYK 8 / 0 / 34 / 8

HEX #D8EA9A

RGB 216 234 154

HSL 73.5, 0.66%, 0.76%

LAB 89.76, -18.57, 36.93

 

CMYK 34 / 1 / 0 / 8

HEX #9BE8EA

RGB 155 232 234

HSL 181.52, 0.65%, 0.76%

LAB 87.3, -23.06, -8.51

 

CMYK 17 / 34 / 0 / 8

HEX #C39AEA

RGB 195 154 234

HSL 270.75, 0.66%, 0.76%

LAB 69.93, 30.28, -34.62

 

CMYK 0 / 34 / 34 / 8

HEX #EA9B9A

RGB 234 155 154

HSL 0.75, 0.66%, 0.76%

LAB 71.74, 29.41, 12.71

 

CMYK 18 / 0 / 34 / 8

HEX #C0EA9A

RGB 192 234 154

HSL 91.5, 0.66%, 0.76%

LAB 88.15, -27.31, 34.52

 

Description

Color code: RGBA 155 232 234 0.75 | qconv.com Color code: RGBA 155 232 234 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 232 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 232 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 1 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 1% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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