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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 219 153 0.75 it is the complementary color RGBA 100 36 102 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 219 153 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 219 153 0.75 shade: RGBA 160 219 148 0.75, RGBA 177 237 167 0.75, RGBA 194 255 186 0.75, RGBA 211 255 205 0.75 and RGBA 228 255 224 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 219 153 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 219 153 0.75 shade: RGBA 155 219 153 0.75, RGBA 138 201 134 0.75, RGBA 121 183 115 0.75, RGBA 104 165 96 0.75 and RGBA 87 147 77 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 219 153 0.75 shade: RGB 155 219 153, RGB 173 219 153, RGB 191 219 153, RGB 209 219 153 and RGB 219 212 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 219 153 0.75 shade: RGB 155 219 153, RGB 153 219 169, RGB 153 219 187, RGB 153 219 205 and RGB 153 216 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 219 153 0.75 shade matches the following richer shades: RGB 155 219 153, RGB 145 230 142, RGB 134 241 131 and RGB 124 253 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 219 153 0.75 shade: RGB 155 219 153, RGB 166 208 164, RGB 176 197 175, RGB 186 186 187 and RGB 197 175 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 219 153 0.75 shade: RGB 191 219 153, RGB 173 219 153, RGB 155 219 153, RGB 153 219 169 and RGB 153 219 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 219 153 0.75 shade: RGB 95 198 92, RGB 125 208 123, RGB 155 219 153, RGB 185 230 184 and RGB 215 241 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 219 153 0.75 shade: RGB 155 219 153, RGB 153 208 219 and RGB 219 153 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 219 153 0.75 shade: RGB 155 219 153, RGB 153 155 219 and RGB 219 153 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 219 153 0.75 shade: RGB 155 219 153, RGB 153 208 219, RGB 217 153 219 and RGB 219 164 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 219 153 0.75 shade: RGB 155 219 153, RGB 153 188 219, RGB 217 153 219 and RGB 219 184 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 23 / 11

HEX #9BDB99BF

RGBA 155 219 153 0.75

HSLA 118.18, 0.48%, 0.73%, 0.75

LABA 81.8, -33.02, 26.16, 0.75

 

Complementary color

CMYK 1 / 49 / 0 / 45

HEX #642466BF

RGBA 100 36 102 0.75

HSLA 298.18, 0.48%, 0.27%, 0.75

LABA 26.54, 38.35, -25.36, 0.75

 

CMYK 20 / 0 / 24 / 11

HEX #A0DB94BF

RGBA 160 219 148 0.75

HSLA 109.86, 0.5%, 0.72%, 0.75

LABA 81.99, -32.16, 29.04, 0.75

 

CMYK 19 / 0 / 22 / 5

HEX #B1EDA7BF

RGBA 177 237 167 0.75

HSLA 111.43, 0.66%, 0.79%, 0.75

LABA 88.31, -31.96, 27.97, 0.75

 

CMYK 18 / 0 / 20 / 0

HEX #C2FFBABF

RGBA 194 255 186 0.75

HSLA 113.04, 1%, 0.86%, 0.75

LABA 94.54, -31.76, 26.95, 0.75

 

CMYK 13 / 0 / 15 / 0

HEX #D3FFCDBF

RGBA 211 255 205 0.75

HSLA 112.8, 1%, 0.9%, 0.75

LABA 95.9, -23.11, 19.34, 0.75

 

CMYK 8 / 0 / 9 / 0

HEX #E4FFE0BF

RGBA 228 255 224 0.75

HSLA 112.26, 1%, 0.94%, 0.75

LABA 97.39, -14.29, 11.87, 0.75

 

CMYK 22 / 0 / 23 / 11

HEX #9BDB99BF

RGBA 155 219 153 0.75

HSLA 118.18, 0.48%, 0.73%, 0.75

LABA 81.8, -33.02, 26.16, 0.75

 

CMYK 24 / 0 / 25 / 16

HEX #8AC986BF

RGBA 138 201 134 0.75

HSLA 116.42, 0.38%, 0.66%, 0.75

LABA 75.39, -33.25, 27.26, 0.75

 

CMYK 25 / 0 / 28 / 21

HEX #79B773BF

RGBA 121 183 115 0.75

HSLA 114.71, 0.32%, 0.58%, 0.75

LABA 68.87, -33.49, 28.43, 0.75

 

CMYK 28 / 0 / 31 / 26

HEX #68A560BF

RGBA 104 165 96 0.75

HSLA 113.04, 0.28%, 0.51%, 0.75

LABA 62.25, -33.71, 29.66, 0.75

 

CMYK 31 / 0 / 36 / 32

HEX #57934DBF

RGBA 87 147 77 0.75

HSLA 111.43, 0.31%, 0.44%, 0.75

LABA 55.51, -33.88, 30.96, 0.75

 

CMYK 29 / 0 / 30 / 14

HEX #9BDB99

RGB 155 219 153

HSL 118.18, 0.48%, 0.73%

LAB 81.8, -33.02, 26.16

 

CMYK 21 / 0 / 30 / 14

HEX #ADDB99

RGB 173 219 153

HSL 101.82, 0.48%, 0.73%

LAB 82.83, -26.96, 27.73

 

CMYK 13 / 0 / 30 / 14

HEX #BFDB99

RGB 191 219 153

HSL 85.45, 0.48%, 0.73%

LAB 83.99, -20.55, 29.48

 

CMYK 5 / 0 / 30 / 14

HEX #D1DB99

RGB 209 219 153

HSL 69.09, 0.48%, 0.73%

LAB 85.26, -13.89, 31.4

 

CMYK 0 / 3 / 30 / 14

HEX #DBD499

RGB 219 212 153

HSL 53.64, 0.48%, 0.73%

LAB 84.2, -6.56, 30.12

 

CMYK 29 / 0 / 30 / 14

HEX #9BDB99

RGB 155 219 153

HSL 118.18, 0.48%, 0.73%

LAB 81.8, -33.02, 26.16

 

CMYK 30 / 0 / 23 / 14

HEX #99DBA9

RGB 153 219 169

HSL 134.55, 0.48%, 0.73%

LAB 82, -30.91, 18.06

 

CMYK 30 / 0 / 15 / 14

HEX #99DBBB

RGB 153 219 187

HSL 150.91, 0.48%, 0.73%

LAB 82.39, -27.49, 9.12

 

CMYK 30 / 0 / 6 / 14

HEX #99DBCD

RGB 153 219 205

HSL 167.27, 0.48%, 0.73%

LAB 82.83, -23.75, 0.21

 

CMYK 30 / 1 / 0 / 14

HEX #99D8DB

RGB 153 216 219

HSL 182.73, 0.48%, 0.73%

LAB 82.38, -19.13, -7.9

 

CMYK 29 / 0 / 30 / 14

HEX #9BDB99

RGB 155 219 153

HSL 118.18, 0.48%, 0.73%

LAB 81.8, -33.02, 26.16

 

CMYK 37 / 0 / 38 / 10

HEX #91E68E

RGB 145 230 142

HSL 117.95, 0.64%, 0.73%

LAB 84.26, -42.87, 34.96

 

CMYK 44 / 0 / 46 / 5

HEX #86F183

RGB 134 241 131

HSL 118.36, 0.8%, 0.73%

LAB 86.81, -52.34, 43.57

 

CMYK 51 / 0 / 53 / 1

HEX #7CFD78

RGB 124 253 120

HSL 118.2, 0.97%, 0.73%

LAB 89.81, -61.17, 52.36

 

CMYK 29 / 0 / 30 / 14

HEX #9BDB99

RGB 155 219 153

HSL 118.18, 0.48%, 0.73%

LAB 81.8, -33.02, 26.16

 

CMYK 20 / 0 / 21 / 18

HEX #A6D0A4

RGB 166 208 164

HSL 117.27, 0.32%, 0.73%

LAB 79.56, -22.23, 17.41

 

CMYK 11 / 0 / 11 / 23

HEX #B0C5AF

RGB 176 197 175

HSL 117.27, 0.16%, 0.73%

LAB 77.43, -11.29, 8.63

 

CMYK 1 / 1 / 0 / 27

HEX #BABABB

RGB 186 186 187

HSL 240, 0.01%, 0.73%

LAB 75.54, 0.19, -0.51

 

CMYK 1 / 12 / 0 / 22

HEX #C5AFC6

RGB 197 175 198

HSL 297.39, 0.17%, 0.73%

LAB 73.94, 12.02, -8.78

 

CMYK 13 / 0 / 30 / 14

HEX #BFDB99

RGB 191 219 153

HSL 85.45, 0.48%, 0.73%

LAB 83.99, -20.55, 29.48

 

CMYK 21 / 0 / 30 / 14

HEX #ADDB99

RGB 173 219 153

HSL 101.82, 0.48%, 0.73%

LAB 82.83, -26.96, 27.73

 

CMYK 29 / 0 / 30 / 14

HEX #9BDB99

RGB 155 219 153

HSL 118.18, 0.48%, 0.73%

LAB 81.8, -33.02, 26.16

 

CMYK 30 / 0 / 23 / 14

HEX #99DBA9

RGB 153 219 169

HSL 134.55, 0.48%, 0.73%

LAB 82, -30.91, 18.06

 

CMYK 30 / 0 / 15 / 14

HEX #99DBBA

RGB 153 219 186

HSL 150, 0.48%, 0.73%

LAB 82.37, -27.69, 9.62

 

CMYK 52 / 0 / 54 / 22

HEX #5FC65C

RGB 95 198 92

HSL 118.3, 0.48%, 0.57%

LAB 71.96, -51.07, 43.69

 

CMYK 40 / 0 / 41 / 18

HEX #7DD07B

RGB 125 208 123

HSL 118.59, 0.47%, 0.65%

LAB 76.62, -42.25, 34.44

 

CMYK 29 / 0 / 30 / 14

HEX #9BDB99

RGB 155 219 153

HSL 118.18, 0.48%, 0.73%

LAB 81.8, -33.02, 26.16

 

CMYK 20 / 0 / 20 / 10

HEX #B9E6B8

RGB 185 230 184

HSL 118.7, 0.48%, 0.81%

LAB 87.18, -23.19, 17.72

 

CMYK 11 / 0 / 11 / 5

HEX #D7F1D6

RGB 215 241 214

HSL 117.78, 0.49%, 0.89%

LAB 92.67, -13.42, 10.17

 

CMYK 29 / 0 / 30 / 14

HEX #9BDB99

RGB 155 219 153

HSL 118.18, 0.48%, 0.73%

LAB 81.8, -33.02, 26.16

 

CMYK 30 / 5 / 0 / 14

HEX #99D0DB

RGB 153 208 219

HSL 190, 0.48%, 0.73%

LAB 80.18, -15.07, -11.17

 

CMYK 0 / 30 / 17 / 14

HEX #DB99B6

RGB 219 153 182

HSL 333.64, 0.48%, 0.73%

LAB 70.33, 28.94, -5.07

 

CMYK 29 / 0 / 30 / 14

HEX #9BDB99

RGB 155 219 153

HSL 118.18, 0.48%, 0.73%

LAB 81.8, -33.02, 26.16

 

CMYK 30 / 29 / 0 / 14

HEX #999BDB

RGB 153 155 219

HSL 238.18, 0.48%, 0.73%

LAB 66, 13.72, -32.74

 

CMYK 0 / 30 / 29 / 14

HEX #DB999B

RGB 219 153 155

HSL 358.18, 0.48%, 0.73%

LAB 69.62, 25, 8.91

 

CMYK 29 / 0 / 30 / 14

HEX #9BDB99

RGB 155 219 153

HSL 118.18, 0.48%, 0.73%

LAB 81.8, -33.02, 26.16

 

CMYK 30 / 5 / 0 / 14

HEX #99D0DB

RGB 153 208 219

HSL 190, 0.48%, 0.73%

LAB 80.18, -15.07, -11.17

 

CMYK 1 / 30 / 0 / 14

HEX #D999DB

RGB 217 153 219

HSL 298.18, 0.48%, 0.73%

LAB 71.32, 34.64, -24.07

 

CMYK 0 / 25 / 30 / 14

HEX #DBA499

RGB 219 164 153

HSL 10, 0.48%, 0.73%

LAB 72.17, 18.79, 13.63

 

CMYK 29 / 0 / 30 / 14

HEX #9BDB99

RGB 155 219 153

HSL 118.18, 0.48%, 0.73%

LAB 81.8, -33.02, 26.16

 

CMYK 30 / 14 / 0 / 14

HEX #99BCDB

RGB 153 188 219

HSL 208.18, 0.48%, 0.73%

LAB 74.73, -4.57, -19.36

 

CMYK 1 / 30 / 0 / 14

HEX #D999DB

RGB 217 153 219

HSL 298.18, 0.48%, 0.73%

LAB 71.32, 34.64, -24.07

 

CMYK 0 / 16 / 30 / 14

HEX #DBB899

RGB 219 184 153

HSL 28.18, 0.48%, 0.73%

LAB 77.07, 8.07, 20.44

 

Description

Color code: RGBA 155 219 153 0.75 | qconv.com Color code: RGBA 155 219 153 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 219 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 219 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 23 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 23% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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