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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 219 131 0.75 it is the complementary color RGBA 100 36 124 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 219 131 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 219 131 0.75 shade: RGBA 160 219 126 0.75, RGBA 177 237 145 0.75, RGBA 194 255 164 0.75, RGBA 211 255 183 0.75 and RGBA 228 255 202 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 219 131 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 219 131 0.75 shade: RGBA 155 219 131 0.75, RGBA 138 201 112 0.75, RGBA 121 183 93 0.75, RGBA 104 165 74 0.75 and RGBA 87 147 55 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 219 131 0.75 shade: RGB 156 219 132, RGB 180 219 132, RGB 203 219 132, RGB 219 212 132 and RGB 219 189 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 219 131 0.75 shade: RGB 156 219 132, RGB 133 219 132, RGB 132 219 156, RGB 132 219 179 and RGB 132 219 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 219 131 0.75 shade matches the following richer shades: RGB 156 219 132, RGB 150 232 120 and RGB 145 245 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 219 131 0.75 shade: RGB 156 219 132, RGB 162 207 145, RGB 168 194 158, RGB 174 181 171 and RGB 179 168 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 219 131 0.75 shade: RGB 203 219 132, RGB 180 219 132, RGB 157 219 132, RGB 134 219 132 and RGB 132 219 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 219 131 0.75 shade: RGB 105 201 69, RGB 130 210 100, RGB 156 219 132, RGB 182 229 164 and RGB 208 238 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 219 131 0.75 shade: RGB 155 219 131, RGB 132 219 212 and RGB 219 132 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 219 131 0.75 shade: RGB 155 219 131, RGB 132 157 219 and RGB 219 132 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 219 131 0.75 shade: RGB 155 219 131, RGB 132 219 212, RGB 195 132 219 and RGB 219 132 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 219 131 0.75 shade: RGB 155 219 131, RGB 132 201 219, RGB 195 132 219 and RGB 219 151 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 30 / 11

HEX #9BDB83BF

RGBA 155 219 131 0.75

HSLA 103.64, 0.55%, 0.69%, 0.75

LABA 81.44, -36.32, 36.93, 0.75

 

Complementary color

CMYK 15 / 53 / 0 / 39

HEX #64247CBF

RGBA 100 36 124 0.75

HSLA 283.64, 0.55%, 0.31%, 0.75

LABA 27.92, 42.95, -37.24, 0.75

 

CMYK 20 / 0 / 32 / 11

HEX #A0DB7EBF

RGBA 160 219 126 0.75

HSLA 98.06, 0.56%, 0.68%, 0.75

LABA 81.64, -35.28, 39.74, 0.75

 

CMYK 19 / 0 / 29 / 5

HEX #B1ED91BF

RGBA 177 237 145 0.75

HSLA 99.13, 0.72%, 0.75%, 0.75

LABA 87.95, -35.16, 38.59, 0.75

 

CMYK 18 / 0 / 27 / 0

HEX #C2FFA4BF

RGBA 194 255 164 0.75

HSLA 100.22, 1%, 0.82%, 0.75

LABA 94.17, -35.02, 37.47, 0.75

 

CMYK 13 / 0 / 21 / 0

HEX #D3FFB7BF

RGBA 211 255 183 0.75

HSLA 96.67, 1%, 0.86%, 0.75

LABA 95.49, -26.53, 29.93, 0.75

 

CMYK 8 / 0 / 16 / 0

HEX #E4FFCABF

RGBA 228 255 202 0.75

HSLA 90.57, 1%, 0.9%, 0.75

LABA 96.93, -17.84, 22.47, 0.75

 

CMYK 22 / 0 / 30 / 11

HEX #9BDB83BF

RGBA 155 219 131 0.75

HSLA 103.64, 0.55%, 0.69%, 0.75

LABA 81.44, -36.32, 36.93, 0.75

 

CMYK 24 / 0 / 33 / 16

HEX #8AC970BF

RGBA 138 201 112 0.75

HSLA 102.47, 0.45%, 0.61%, 0.75

LABA 75.04, -36.48, 38.11, 0.75

 

CMYK 25 / 0 / 37 / 21

HEX #79B75DBF

RGBA 121 183 93 0.75

HSLA 101.33, 0.38%, 0.54%, 0.75

LABA 68.55, -36.59, 39.32, 0.75

 

CMYK 28 / 0 / 41 / 26

HEX #68A54ABF

RGBA 104 165 74 0.75

HSLA 100.22, 0.38%, 0.47%, 0.75

LABA 61.95, -36.64, 40.52, 0.75

 

CMYK 31 / 0 / 47 / 32

HEX #579337BF

RGBA 87 147 55 0.75

HSLA 99.13, 0.46%, 0.4%, 0.75

LABA 55.25, -36.57, 41.62, 0.75

 

CMYK 29 / 0 / 40 / 14

HEX #9CDB84

RGB 156 219 132

HSL 103.45, 0.55%, 0.69%

LAB 81.51, -35.85, 36.52

 

CMYK 18 / 0 / 40 / 14

HEX #B4DB84

RGB 180 219 132

HSL 86.9, 0.55%, 0.69%

LAB 82.93, -27.37, 38.64

 

CMYK 7 / 0 / 40 / 14

HEX #CBDB84

RGB 203 219 132

HSL 71.03, 0.55%, 0.69%

LAB 84.5, -18.74, 40.96

 

CMYK 0 / 3 / 40 / 14

HEX #DBD484

RGB 219 212 132

HSL 55.17, 0.55%, 0.69%

LAB 83.87, -9.01, 40.41

 

CMYK 0 / 14 / 40 / 14

HEX #DBBD84

RGB 219 189 132

HSL 39.31, 0.55%, 0.69%

LAB 77.95, 2.88, 32.76

 

CMYK 29 / 0 / 40 / 14

HEX #9CDB84

RGB 156 219 132

HSL 103.45, 0.55%, 0.69%

LAB 81.51, -35.85, 36.52

 

CMYK 39 / 0 / 40 / 14

HEX #85DB84

RGB 133 219 132

HSL 119.31, 0.55%, 0.69%

LAB 80.36, -43.25, 34.8

 

CMYK 40 / 0 / 29 / 14

HEX #84DB9C

RGB 132 219 156

HSL 136.55, 0.55%, 0.69%

LAB 80.72, -39.58, 22.94

 

CMYK 40 / 0 / 18 / 14

HEX #84DBB3

RGB 132 219 179

HSL 152.41, 0.55%, 0.69%

LAB 81.19, -35.15, 11.51

 

CMYK 40 / 0 / 7 / 14

HEX #84DBCB

RGB 132 219 203

HSL 168.97, 0.55%, 0.69%

LAB 81.77, -29.94, -0.39

 

CMYK 29 / 0 / 40 / 14

HEX #9CDB84

RGB 156 219 132

HSL 103.45, 0.55%, 0.69%

LAB 81.51, -35.85, 36.52

 

CMYK 35 / 0 / 48 / 9

HEX #96E878

RGB 150 232 120

HSL 103.93, 0.71%, 0.69%

LAB 84.77, -45.15, 46.46

 

CMYK 41 / 0 / 56 / 4

HEX #91F56B

RGB 145 245 107

HSL 103.48, 0.87%, 0.69%

LAB 88.15, -53.6, 56.45

 

CMYK 29 / 0 / 40 / 14

HEX #9CDB84

RGB 156 219 132

HSL 103.45, 0.55%, 0.69%

LAB 81.51, -35.85, 36.52

 

CMYK 22 / 0 / 30 / 19

HEX #A2CF91

RGB 162 207 145

HSL 103.55, 0.39%, 0.69%

LAB 78.67, -26.23, 26.15

 

CMYK 13 / 0 / 19 / 24

HEX #A8C29E

RGB 168 194 158

HSL 103.33, 0.23%, 0.69%

LAB 75.69, -15.53, 15.22

 

CMYK 4 / 0 / 6 / 29

HEX #AEB5AB

RGB 174 181 171

HSL 102, 0.06%, 0.69%

LAB 72.88, -4.31, 4.24

 

CMYK 3 / 9 / 0 / 28

HEX #B3A8B8

RGB 179 168 184

HSL 281.25, 0.1%, 0.69%

LAB 70.21, 6.94, -6.78

 

CMYK 7 / 0 / 40 / 14

HEX #CBDB84

RGB 203 219 132

HSL 71.03, 0.55%, 0.69%

LAB 84.5, -18.74, 40.96

 

CMYK 18 / 0 / 40 / 14

HEX #B4DB84

RGB 180 219 132

HSL 86.9, 0.55%, 0.69%

LAB 82.93, -27.37, 38.64

 

CMYK 28 / 0 / 40 / 14

HEX #9DDB84

RGB 157 219 132

HSL 102.76, 0.55%, 0.69%

LAB 81.56, -35.51, 36.6

 

CMYK 39 / 0 / 40 / 14

HEX #86DB84

RGB 134 219 132

HSL 118.62, 0.55%, 0.69%

LAB 80.4, -42.94, 34.87

 

CMYK 40 / 0 / 30 / 14

HEX #84DB9A

RGB 132 219 154

HSL 135.17, 0.55%, 0.69%

LAB 80.68, -39.94, 23.93

 

CMYK 48 / 0 / 66 / 21

HEX #69C945

RGB 105 201 69

HSL 103.64, 0.55%, 0.53%

LAB 73.03, -51.89, 55.29

 

CMYK 38 / 0 / 52 / 18

HEX #82D264

RGB 130 210 100

HSL 103.64, 0.55%, 0.61%

LAB 77.14, -44.6, 46.46

 

CMYK 29 / 0 / 40 / 14

HEX #9CDB84

RGB 156 219 132

HSL 103.45, 0.55%, 0.69%

LAB 81.51, -35.85, 36.52

 

CMYK 21 / 0 / 28 / 10

HEX #B6E5A4

RGB 182 229 164

HSL 103.38, 0.56%, 0.77%

LAB 86.34, -26.96, 26.89

 

CMYK 13 / 0 / 18 / 7

HEX #D0EEC4

RGB 208 238 196

HSL 102.86, 0.55%, 0.85%

LAB 91.03, -17.33, 17.1

 

CMYK 29 / 0 / 40 / 14

HEX #9BDB83

RGB 155 219 131

HSL 103.64, 0.55%, 0.69%

LAB 81.44, -36.32, 36.93

 

CMYK 40 / 0 / 3 / 14

HEX #84DBD4

RGB 132 219 212

HSL 175.17, 0.55%, 0.69%

LAB 82.01, -27.84, -4.82

 

CMYK 0 / 40 / 12 / 14

HEX #DB84C0

RGB 219 132 192

HSL 318.62, 0.55%, 0.69%

LAB 66.03, 41.73, -17.09

 

CMYK 29 / 0 / 40 / 14

HEX #9BDB83

RGB 155 219 131

HSL 103.64, 0.55%, 0.69%

LAB 81.44, -36.32, 36.93

 

CMYK 40 / 28 / 0 / 14

HEX #849DDB

RGB 132 157 219

HSL 222.76, 0.55%, 0.69%

LAB 65.07, 6.75, -34.3

 

CMYK 0 / 40 / 28 / 14

HEX #DB849D

RGB 219 132 157

HSL 342.76, 0.55%, 0.69%

LAB 64.96, 36.5, 1.08

 

CMYK 29 / 0 / 40 / 14

HEX #9BDB83

RGB 155 219 131

HSL 103.64, 0.55%, 0.69%

LAB 81.44, -36.32, 36.93

 

CMYK 40 / 0 / 3 / 14

HEX #84DBD4

RGB 132 219 212

HSL 175.17, 0.55%, 0.69%

LAB 82.01, -27.84, -4.82

 

CMYK 11 / 40 / 0 / 14

HEX #C384DB

RGB 195 132 219

HSL 283.45, 0.55%, 0.69%

LAB 64.34, 39.16, -35.03

 

CMYK 0 / 40 / 36 / 14

HEX #DB848C

RGB 219 132 140

HSL 354.48, 0.55%, 0.69%

LAB 64.53, 34.33, 10.1

 

CMYK 29 / 0 / 40 / 14

HEX #9BDB83

RGB 155 219 131

HSL 103.64, 0.55%, 0.69%

LAB 81.44, -36.32, 36.93

 

CMYK 40 / 8 / 0 / 14

HEX #84C9DB

RGB 132 201 219

HSL 192.41, 0.55%, 0.69%

LAB 77.16, -17.14, -15.81

 

CMYK 11 / 40 / 0 / 14

HEX #C384DB

RGB 195 132 219

HSL 283.45, 0.55%, 0.69%

LAB 64.34, 39.16, -35.03

 

CMYK 0 / 31 / 40 / 14

HEX #DB9784

RGB 219 151 132

HSL 13.1, 0.55%, 0.69%

LAB 68.65, 23.22, 20.32

 

Description

Color code: RGBA 155 219 131 0.75 | qconv.com Color code: RGBA 155 219 131 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 219 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 219 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 30 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 30% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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