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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 214 151 0.75 it is the complementary color RGBA 100 41 104 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 214 151 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 214 151 0.75 shade: RGBA 160 214 146 0.75, RGBA 177 232 165 0.75, RGBA 194 250 184 0.75, RGBA 211 255 203 0.75 and RGBA 228 255 222 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 214 151 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 214 151 0.75 shade: RGBA 155 214 151 0.75, RGBA 138 196 132 0.75, RGBA 121 178 113 0.75, RGBA 104 160 94 0.75 and RGBA 87 142 75 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 214 151 0.75 shade: RGB 157 214 153, RGB 173 214 153, RGB 190 214 153, RGB 206 214 153 and RGB 214 206 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 214 151 0.75 shade: RGB 157 214 153, RGB 153 214 166, RGB 153 214 182, RGB 153 214 199 and RGB 153 213 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 214 151 0.75 shade matches the following richer shades: RGB 157 214 153, RGB 147 226 141, RGB 137 237 130 and RGB 127 249 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 214 151 0.75 shade: RGB 157 214 153, RGB 167 203 164, RGB 177 191 176, RGB 187 180 188 and RGB 197 168 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 214 151 0.75 shade: RGB 190 214 153, RGB 173 214 153, RGB 157 214 153, RGB 153 214 165 and RGB 153 214 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 214 151 0.75 shade: RGB 100 191 94, RGB 128 203 123, RGB 157 214 153, RGB 185 226 182 and RGB 214 238 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 214 151 0.75 shade: RGB 155 214 151, RGB 153 206 214 and RGB 214 153 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 214 151 0.75 shade: RGB 155 214 151, RGB 153 157 214 and RGB 214 153 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 214 151 0.75 shade: RGB 155 214 151, RGB 153 206 214, RGB 210 153 214 and RGB 214 161 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 214 151 0.75 shade: RGB 155 214 151, RGB 153 188 214, RGB 210 153 214 and RGB 214 180 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 22 / 12

HEX #9BD697BF

RGBA 155 214 151 0.75

HSLA 116.19, 0.43%, 0.72%, 0.75

LABA 80.35, -31, 25.22, 0.75

 

Complementary color

CMYK 3 / 45 / 0 / 44

HEX #642968BF

RGBA 100 41 104 0.75

HSLA 296.19, 0.43%, 0.28%, 0.75

LABA 27.56, 36.26, -25.04, 0.75

 

CMYK 19 / 0 / 24 / 12

HEX #A0D692BF

RGBA 160 214 146 0.75

HSLA 107.65, 0.45%, 0.71%, 0.75

LABA 80.54, -30.12, 28.13, 0.75

 

CMYK 18 / 0 / 22 / 7

HEX #B1E8A5BF

RGBA 177 232 165 0.75

HSLA 109.25, 0.59%, 0.78%, 0.75

LABA 86.89, -29.93, 27.07, 0.75

 

CMYK 17 / 0 / 20 / 1

HEX #C2FAB8BF

RGBA 194 250 184 0.75

HSLA 110.91, 0.87%, 0.85%, 0.75

LABA 93.15, -29.75, 26.06, 0.75

 

CMYK 13 / 0 / 15 / 0

HEX #D3FFCBBF

RGBA 211 255 203 0.75

HSLA 110.77, 1%, 0.9%, 0.75

LABA 95.86, -23.44, 20.3, 0.75

 

CMYK 8 / 0 / 10 / 0

HEX #E4FFDEBF

RGBA 228 255 222 0.75

HSLA 109.09, 1%, 0.94%, 0.75

LABA 97.34, -14.63, 12.83, 0.75

 

CMYK 21 / 0 / 22 / 12

HEX #9BD697BF

RGBA 155 214 151 0.75

HSLA 116.19, 0.43%, 0.72%, 0.75

LABA 80.35, -31, 25.22, 0.75

 

CMYK 22 / 0 / 24 / 17

HEX #8AC484BF

RGBA 138 196 132 0.75

HSLA 114.38, 0.35%, 0.64%, 0.75

LABA 73.9, -31.23, 26.32, 0.75

 

CMYK 24 / 0 / 27 / 23

HEX #79B271BF

RGBA 121 178 113 0.75

HSLA 112.62, 0.3%, 0.57%, 0.75

LABA 67.35, -31.46, 27.48, 0.75

 

CMYK 26 / 0 / 31 / 28

HEX #68A05EBF

RGBA 104 160 94 0.75

HSLA 110.91, 0.26%, 0.5%, 0.75

LABA 60.69, -31.67, 28.7, 0.75

 

CMYK 29 / 0 / 35 / 33

HEX #578E4BBF

RGBA 87 142 75 0.75

HSLA 109.25, 0.31%, 0.43%, 0.75

LABA 53.9, -31.85, 29.99, 0.75

 

CMYK 27 / 0 / 29 / 16

HEX #9DD699

RGB 157 214 153

HSL 116.07, 0.43%, 0.72%

LAB 80.49, -30.01, 24.4

 

CMYK 19 / 0 / 29 / 16

HEX #ADD699

RGB 173 214 153

HSL 100.33, 0.43%, 0.72%

LAB 81.44, -24.54, 25.85

 

CMYK 11 / 0 / 29 / 16

HEX #BED699

RGB 190 214 153

HSL 83.61, 0.43%, 0.72%

LAB 82.56, -18.45, 27.55

 

CMYK 4 / 0 / 29 / 16

HEX #CED699

RGB 206 214 153

HSL 67.87, 0.43%, 0.72%

LAB 83.71, -12.51, 29.3

 

CMYK 0 / 4 / 29 / 16

HEX #D6CE99

RGB 214 206 153

HSL 52.13, 0.43%, 0.72%

LAB 82.24, -5.39, 27.42

 

CMYK 27 / 0 / 29 / 16

HEX #9DD699

RGB 157 214 153

HSL 116.07, 0.43%, 0.72%

LAB 80.49, -30.01, 24.4

 

CMYK 29 / 0 / 22 / 16

HEX #99D6A6

RGB 153 214 166

HSL 132.79, 0.43%, 0.72%

LAB 80.53, -29.08, 17.59

 

CMYK 29 / 0 / 15 / 16

HEX #99D6B6

RGB 153 214 182

HSL 148.52, 0.43%, 0.72%

LAB 80.87, -26.06, 9.6

 

CMYK 29 / 0 / 7 / 16

HEX #99D6C7

RGB 153 214 199

HSL 165.25, 0.43%, 0.72%

LAB 81.29, -22.57, 1.15

 

CMYK 29 / 0 / 0 / 16

HEX #99D5D6

RGB 153 213 214

HSL 180.98, 0.43%, 0.72%

LAB 81.41, -18.77, -6.67

 

CMYK 27 / 0 / 29 / 16

HEX #9DD699

RGB 157 214 153

HSL 116.07, 0.43%, 0.72%

LAB 80.49, -30.01, 24.4

 

CMYK 35 / 0 / 38 / 11

HEX #93E28D

RGB 147 226 141

HSL 115.76, 0.59%, 0.72%

LAB 83.19, -40.64, 34.08

 

CMYK 42 / 0 / 45 / 7

HEX #89ED82

RGB 137 237 130

HSL 116.07, 0.75%, 0.72%

LAB 85.76, -49.97, 42.75

 

CMYK 49 / 0 / 53 / 2

HEX #7FF976

RGB 127 249 118

HSL 115.88, 0.92%, 0.72%

LAB 88.72, -59.1, 51.99

 

CMYK 27 / 0 / 29 / 16

HEX #9DD699

RGB 157 214 153

HSL 116.07, 0.43%, 0.72%

LAB 80.49, -30.01, 24.4

 

CMYK 18 / 0 / 19 / 20

HEX #A7CBA4

RGB 167 203 164

HSL 115.38, 0.27%, 0.72%

LAB 78.23, -19.4, 15.56

 

CMYK 7 / 0 / 8 / 25

HEX #B1BFB0

RGB 177 191 176

HSL 116, 0.1%, 0.72%

LAB 75.91, -7.63, 5.91

 

CMYK 1 / 4 / 0 / 26

HEX #BBB4BC

RGB 187 180 188

HSL 292.5, 0.06%, 0.72%

LAB 74.09, 3.95, -3.18

 

CMYK 1 / 16 / 0 / 22

HEX #C5A8C7

RGB 197 168 199

HSL 296.13, 0.22%, 0.72%

LAB 72.23, 16.04, -11.88

 

CMYK 11 / 0 / 29 / 16

HEX #BED699

RGB 190 214 153

HSL 83.61, 0.43%, 0.72%

LAB 82.56, -18.45, 27.55

 

CMYK 19 / 0 / 29 / 16

HEX #ADD699

RGB 173 214 153

HSL 100.33, 0.43%, 0.72%

LAB 81.44, -24.54, 25.85

 

CMYK 27 / 0 / 29 / 16

HEX #9DD699

RGB 157 214 153

HSL 116.07, 0.43%, 0.72%

LAB 80.49, -30.01, 24.4

 

CMYK 29 / 0 / 23 / 16

HEX #99D6A5

RGB 153 214 165

HSL 131.8, 0.43%, 0.72%

LAB 80.51, -29.26, 18.09

 

CMYK 29 / 0 / 15 / 16

HEX #99D6B6

RGB 153 214 182

HSL 148.52, 0.43%, 0.72%

LAB 80.87, -26.06, 9.6

 

CMYK 48 / 0 / 51 / 25

HEX #64BF5E

RGB 100 191 94

HSL 116.29, 0.43%, 0.56%

LAB 70.02, -46.59, 40.42

 

CMYK 37 / 0 / 39 / 20

HEX #80CB7B

RGB 128 203 123

HSL 116.25, 0.43%, 0.64%

LAB 75.28, -39.11, 32.73

 

CMYK 27 / 0 / 29 / 16

HEX #9DD699

RGB 157 214 153

HSL 116.07, 0.43%, 0.72%

LAB 80.49, -30.01, 24.4

 

CMYK 18 / 0 / 19 / 11

HEX #B9E2B6

RGB 185 226 182

HSL 115.91, 0.43%, 0.8%

LAB 86.05, -21.58, 17.18

 

CMYK 10 / 0 / 11 / 7

HEX #D6EED4

RGB 214 238 212

HSL 115.38, 0.43%, 0.88%

LAB 91.77, -12.6, 9.92

 

CMYK 28 / 0 / 29 / 16

HEX #9BD697

RGB 155 214 151

HSL 116.19, 0.43%, 0.72%

LAB 80.35, -31, 25.22

 

CMYK 29 / 4 / 0 / 16

HEX #99CED6

RGB 153 206 214

HSL 187.87, 0.43%, 0.72%

LAB 79.48, -15.21, -9.53

 

CMYK 0 / 29 / 15 / 16

HEX #D699B6

RGB 214 153 182

HSL 331.48, 0.43%, 0.72%

LAB 69.79, 27.17, -5.92

 

CMYK 28 / 0 / 29 / 16

HEX #9BD697

RGB 155 214 151

HSL 116.19, 0.43%, 0.72%

LAB 80.35, -31, 25.22

 

CMYK 29 / 27 / 0 / 16

HEX #999DD6

RGB 153 157 214

HSL 236.07, 0.43%, 0.72%

LAB 66.32, 11.33, -29.48

 

CMYK 0 / 29 / 27 / 16

HEX #D6999D

RGB 214 153 157

HSL 356.07, 0.43%, 0.72%

LAB 69.12, 23.4, 7.02

 

CMYK 28 / 0 / 29 / 16

HEX #9BD697

RGB 155 214 151

HSL 116.19, 0.43%, 0.72%

LAB 80.35, -31, 25.22

 

CMYK 29 / 4 / 0 / 16

HEX #99CED6

RGB 153 206 214

HSL 187.87, 0.43%, 0.72%

LAB 79.48, -15.21, -9.53

 

CMYK 2 / 29 / 0 / 16

HEX #D299D6

RGB 210 153 214

HSL 296.07, 0.43%, 0.72%

LAB 70.41, 31.45, -22.76

 

CMYK 0 / 25 / 29 / 16

HEX #D6A199

RGB 214 161 153

HSL 7.87, 0.43%, 0.72%

LAB 70.93, 18.51, 11.81

 

CMYK 28 / 0 / 29 / 16

HEX #9BD697

RGB 155 214 151

HSL 116.19, 0.43%, 0.72%

LAB 80.35, -31, 25.22

 

CMYK 29 / 12 / 0 / 16

HEX #99BCD6

RGB 153 188 214

HSL 205.57, 0.43%, 0.72%

LAB 74.57, -5.78, -16.89

 

CMYK 2 / 29 / 0 / 16

HEX #D299D6

RGB 210 153 214

HSL 296.07, 0.43%, 0.72%

LAB 70.41, 31.45, -22.76

 

CMYK 0 / 16 / 29 / 16

HEX #D6B499

RGB 214 180 153

HSL 26.56, 0.43%, 0.72%

LAB 75.6, 8.27, 18.34

 

Description

Color code: RGBA 155 214 151 0.75 | qconv.com Color code: RGBA 155 214 151 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 214 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 214 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 22 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 22% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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