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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 196 197 0.75 it is the complementary color RGBA 100 59 58 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 196 197 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 196 197 0.75 shade: RGBA 160 196 192 0.75, RGBA 177 214 211 0.75, RGBA 194 232 230 0.75, RGBA 211 250 249 0.75 and RGBA 228 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 196 197 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 196 197 0.75 shade: RGBA 155 196 197 0.75, RGBA 138 178 178 0.75, RGBA 121 160 159 0.75, RGBA 104 142 140 0.75 and RGBA 87 124 121 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 196 197 0.75 shade: RGB 155 196 197, RGB 155 185 197, RGB 155 173 197, RGB 155 162 197 and RGB 159 155 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 196 197 0.75 shade: RGB 155 196 197, RGB 155 185 197, RGB 155 173 197, RGB 155 162 197 and RGB 155 155 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 196 197 0.75 shade matches the following richer shades: RGB 155 196 197, RGB 142 208 210, RGB 129 221 223, RGB 116 233 236 and RGB 103 245 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 196 197 0.75 shade: RGB 155 196 197, RGB 167 184 185, RGB 180 172 172, RGB 193 160 159 and RGB 206 148 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 196 197 0.75 shade: RGB 155 197 175, RGB 155 197 187, RGB 155 197 197, RGB 155 185 197 and RGB 155 174 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 196 197 0.75 shade: RGB 102 166 167, RGB 128 181 182, RGB 155 196 197, RGB 181 212 212 and RGB 207 227 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 196 197 0.75 shade: RGB 155 196 197, RGB 164 155 197 and RGB 197 181 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 196 197 0.75 shade: RGB 155 196 197, RGB 197 155 197 and RGB 197 197 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 196 197 0.75 shade: RGB 155 196 197, RGB 164 155 197, RGB 197 155 155 and RGB 188 197 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 196 197 0.75 shade: RGB 155 196 197, RGB 177 155 197, RGB 197 155 155 and RGB 175 197 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 0 / 17

HEX #9BC4C5BF

RGBA 155 196 197 0.75

HSLA 181.43, 0.27%, 0.69%, 0.75

LABA 76.36, -13.28, -4.98, 0.75

 

Complementary color

CMYK 0 / 31 / 32 / 46

HEX #643B3ABF

RGBA 100 59 58 0.75

HSLA 1.43, 0.27%, 0.31%, 0.75

LABA 29.77, 17.97, 8.32, 0.75

 

CMYK 14 / 0 / 2 / 17

HEX #A0C4C0BF

RGBA 160 196 192 0.75

HSLA 173.33, 0.23%, 0.7%, 0.75

LABA 76.53, -12.79, -1.99, 0.75

 

CMYK 13 / 0 / 1 / 12

HEX #B1D6D3BF

RGBA 177 214 211 0.75

HSLA 175.14, 0.31%, 0.77%, 0.75

LABA 82.99, -12.73, -2.58, 0.75

 

CMYK 12 / 0 / 1 / 7

HEX #C2E8E6BF

RGBA 194 232 230 0.75

HSLA 176.84, 0.45%, 0.84%, 0.75

LABA 89.34, -12.68, -3.16, 0.75

 

CMYK 12 / 0 / 0 / 1

HEX #D3FAF9BF

RGBA 211 250 249 0.75

HSLA 178.46, 0.8%, 0.9%, 0.75

LABA 95.61, -12.64, -3.71, 0.75

 

CMYK 8 / 0 / 0 / 0

HEX #E4FFFFBF

RGBA 228 255 255 0.75

HSLA 180, 1%, 0.95%, 0.75

LABA 98.13, -8.69, -2.97, 0.75

 

CMYK 16 / 0 / 0 / 17

HEX #9BC4C5BF

RGBA 155 196 197 0.75

HSLA 181.43, 0.27%, 0.69%, 0.75

LABA 76.36, -13.28, -4.98, 0.75

 

CMYK 17 / 0 / 0 / 23

HEX #8AB2B2BF

RGBA 138 178 178 0.75

HSLA 180, 0.21%, 0.62%, 0.75

LABA 69.79, -13.35, -4.41, 0.75

 

CMYK 18 / 0 / 0 / 28

HEX #79A09FBF

RGBA 121 160 159 0.75

HSLA 178.46, 0.17%, 0.55%, 0.75

LABA 63.1, -13.44, -3.82, 0.75

 

CMYK 20 / 0 / 1 / 33

HEX #688E8CBF

RGBA 104 142 140 0.75

HSLA 176.84, 0.15%, 0.48%, 0.75

LABA 56.27, -13.54, -3.21, 0.75

 

CMYK 22 / 0 / 2 / 39

HEX #577C79BF

RGBA 87 124 121 0.75

HSLA 175.14, 0.18%, 0.41%, 0.75

LABA 49.28, -13.66, -2.56, 0.75

 

CMYK 21 / 1 / 0 / 23

HEX #9BC4C5

RGB 155 196 197

HSL 181.43, 0.27%, 0.69%

LAB 76.36, -13.28, -4.98

 

CMYK 21 / 6 / 0 / 23

HEX #9BB9C5

RGB 155 185 197

HSL 197.14, 0.27%, 0.69%

LAB 73.35, -7.5, -9.45

 

CMYK 21 / 12 / 0 / 23

HEX #9BADC5

RGB 155 173 197

HSL 214.29, 0.27%, 0.69%

LAB 70.1, -1.03, -14.32

 

CMYK 21 / 18 / 0 / 23

HEX #9BA2C5

RGB 155 162 197

HSL 230, 0.27%, 0.69%

LAB 67.16, 5.05, -18.76

 

CMYK 19 / 21 / 0 / 23

HEX #9F9BC5

RGB 159 155 197

HSL 245.71, 0.27%, 0.69%

LAB 65.63, 10.25, -21.06

 

CMYK 21 / 1 / 0 / 23

HEX #9BC4C5

RGB 155 196 197

HSL 181.43, 0.27%, 0.69%

LAB 76.36, -13.28, -4.98

 

CMYK 21 / 6 / 0 / 23

HEX #9BB9C5

RGB 155 185 197

HSL 197.14, 0.27%, 0.69%

LAB 73.35, -7.5, -9.45

 

CMYK 21 / 12 / 0 / 23

HEX #9BADC5

RGB 155 173 197

HSL 214.29, 0.27%, 0.69%

LAB 70.1, -1.03, -14.32

 

CMYK 21 / 18 / 0 / 23

HEX #9BA2C5

RGB 155 162 197

HSL 230, 0.27%, 0.69%

LAB 67.16, 5.05, -18.76

 

CMYK 21 / 21 / 0 / 23

HEX #9B9BC5

RGB 155 155 197

HSL 240, 0.27%, 0.69%

LAB 65.31, 8.98, -21.57

 

CMYK 21 / 1 / 0 / 23

HEX #9BC4C5

RGB 155 196 197

HSL 181.43, 0.27%, 0.69%

LAB 76.36, -13.28, -4.98

 

CMYK 32 / 1 / 0 / 18

HEX #8ED0D2

RGB 142 208 210

HSL 181.76, 0.43%, 0.69%

LAB 79.34, -20.25, -7.66

 

CMYK 42 / 1 / 0 / 13

HEX #81DDDF

RGB 129 221 223

HSL 181.28, 0.59%, 0.69%

LAB 82.76, -26.88, -9.58

 

CMYK 51 / 1 / 0 / 7

HEX #74E9EC

RGB 116 233 236

HSL 181.5, 0.76%, 0.69%

LAB 86.03, -32.21, -11.63

 

CMYK 58 / 1 / 0 / 3

HEX #67F5F8

RGB 103 245 248

HSL 181.24, 0.91%, 0.69%

LAB 89.38, -37.08, -12.96

 

CMYK 21 / 1 / 0 / 23

HEX #9BC4C5

RGB 155 196 197

HSL 181.43, 0.27%, 0.69%

LAB 76.36, -13.28, -4.98

 

CMYK 10 / 1 / 0 / 27

HEX #A7B8B9

RGB 167 184 185

HSL 183.33, 0.11%, 0.69%

LAB 73.55, -5.64, -2.51

 

CMYK 0 / 4 / 4 / 29

HEX #B4ACAC

RGB 180 172 172

HSL 0, 0.05%, 0.69%

LAB 71, 2.86, 1.01

 

CMYK 0 / 17 / 18 / 24

HEX #C1A09F

RGB 193 160 159

HSL 1.76, 0.22%, 0.69%

LAB 68.74, 11.99, 5.08

 

CMYK 0 / 28 / 29 / 19

HEX #CE9492

RGB 206 148 146

HSL 2, 0.38%, 0.69%

LAB 66.81, 21.58, 9.74

 

CMYK 21 / 0 / 11 / 23

HEX #9BC5AF

RGB 155 197 175

HSL 148.57, 0.27%, 0.69%

LAB 76.07, -18.37, 6.48

 

CMYK 21 / 0 / 5 / 23

HEX #9BC5BB

RGB 155 197 187

HSL 165.71, 0.27%, 0.69%

LAB 76.37, -15.94, 0.44

 

CMYK 21 / 0 / 0 / 23

HEX #9BC5C5

RGB 155 197 197

HSL 180, 0.27%, 0.69%

LAB 76.64, -13.8, -4.57

 

CMYK 21 / 6 / 0 / 23

HEX #9BB9C5

RGB 155 185 197

HSL 197.14, 0.27%, 0.69%

LAB 73.35, -7.5, -9.45

 

CMYK 21 / 12 / 0 / 23

HEX #9BAEC5

RGB 155 174 197

HSL 212.86, 0.27%, 0.69%

LAB 70.37, -1.58, -13.91

 

CMYK 39 / 1 / 0 / 35

HEX #66A6A7

RGB 102 166 167

HSL 180.92, 0.27%, 0.53%

LAB 64.07, -20.17, -6.99

 

CMYK 30 / 1 / 0 / 29

HEX #80B5B6

RGB 128 181 182

HSL 181.11, 0.27%, 0.61%

LAB 70.19, -17.01, -6.1

 

CMYK 21 / 1 / 0 / 23

HEX #9BC4C5

RGB 155 196 197

HSL 181.43, 0.27%, 0.69%

LAB 76.36, -13.28, -4.98

 

CMYK 15 / 0 / 0 / 17

HEX #B5D4D4

RGB 181 212 212

HSL 180, 0.26%, 0.77%

LAB 82.73, -10.23, -3.46

 

CMYK 9 / 0 / 0 / 11

HEX #CFE3E3

RGB 207 227 227

HSL 180, 0.26%, 0.85%

LAB 88.8, -6.61, -2.28

 

CMYK 21 / 1 / 0 / 23

HEX #9BC4C5

RGB 155 196 197

HSL 181.43, 0.27%, 0.69%

LAB 76.36, -13.28, -4.98

 

CMYK 17 / 21 / 0 / 23

HEX #A49BC5

RGB 164 155 197

HSL 252.86, 0.27%, 0.69%

LAB 66.03, 11.85, -20.4

 

CMYK 0 / 8 / 21 / 23

HEX #C5B59B

RGB 197 181 155

HSL 37.14, 0.27%, 0.69%

LAB 74.37, 1.51, 15.32

 

CMYK 21 / 1 / 0 / 23

HEX #9BC4C5

RGB 155 196 197

HSL 181.43, 0.27%, 0.69%

LAB 76.36, -13.28, -4.98

 

CMYK 0 / 21 / 0 / 23

HEX #C59BC5

RGB 197 155 197

HSL 300, 0.27%, 0.69%

LAB 69, 22.81, -15.63

 

CMYK 0 / 0 / 21 / 23

HEX #C5C59B

RGB 197 197 155

HSL 60, 0.27%, 0.69%

LAB 78.56, -6.92, 21.13

 

CMYK 21 / 1 / 0 / 23

HEX #9BC4C5

RGB 155 196 197

HSL 181.43, 0.27%, 0.69%

LAB 76.36, -13.28, -4.98

 

CMYK 17 / 21 / 0 / 23

HEX #A49BC5

RGB 164 155 197

HSL 252.86, 0.27%, 0.69%

LAB 66.03, 11.85, -20.4

 

CMYK 0 / 21 / 21 / 23

HEX #C59B9B

RGB 197 155 155

HSL 0, 0.27%, 0.69%

LAB 67.78, 15.62, 5.98

 

CMYK 5 / 0 / 21 / 23

HEX #BCC59B

RGB 188 197 155

HSL 72.86, 0.27%, 0.69%

LAB 77.87, -10.29, 20.07

 

CMYK 21 / 1 / 0 / 23

HEX #9BC4C5

RGB 155 196 197

HSL 181.43, 0.27%, 0.69%

LAB 76.36, -13.28, -4.98

 

CMYK 10 / 21 / 0 / 23

HEX #B19BC5

RGB 177 155 197

HSL 271.43, 0.27%, 0.69%

LAB 67.14, 16.11, -18.61

 

CMYK 0 / 21 / 21 / 23

HEX #C59B9B

RGB 197 155 155

HSL 0, 0.27%, 0.69%

LAB 67.78, 15.62, 5.98

 

CMYK 11 / 0 / 21 / 23

HEX #AFC59B

RGB 175 197 155

HSL 91.43, 0.27%, 0.69%

LAB 76.93, -15.05, 18.63

 

Description

Color code: RGBA 155 196 197 0.75 | qconv.com Color code: RGBA 155 196 197 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 196 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 196 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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