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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 196 153 0.75 it is the complementary color RGBA 100 59 102 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 196 153 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 196 153 0.75 shade: RGBA 160 196 148 0.75, RGBA 177 214 167 0.75, RGBA 194 232 186 0.75, RGBA 211 250 205 0.75 and RGBA 228 255 224 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 196 153 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 196 153 0.75 shade: RGBA 155 196 153 0.75, RGBA 138 178 134 0.75, RGBA 121 160 115 0.75, RGBA 104 142 96 0.75 and RGBA 87 124 77 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 196 153 0.75 shade: RGB 153 195 151, RGB 165 195 151, RGB 177 195 151, RGB 189 195 151 and RGB 195 190 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 196 153 0.75 shade: RGB 153 195 151, RGB 151 195 161, RGB 151 195 173, RGB 151 195 185 and RGB 151 194 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 196 153 0.75 shade matches the following richer shades: RGB 153 195 151, RGB 141 209 138, RGB 129 222 125, RGB 117 235 112 and RGB 106 248 99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 196 153 0.75 shade: RGB 153 195 151, RGB 165 182 165, RGB 177 169 178, RGB 189 156 191 and RGB 201 143 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 196 153 0.75 shade: RGB 177 195 151, RGB 165 195 151, RGB 154 195 151, RGB 151 195 161 and RGB 151 195 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 196 153 0.75 shade: RGB 102 165 99, RGB 128 180 125, RGB 153 195 151, RGB 179 210 178 and RGB 205 226 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 196 153 0.75 shade: RGB 155 196 153, RGB 151 189 195 and RGB 195 151 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 196 153 0.75 shade: RGB 155 196 153, RGB 151 154 195 and RGB 195 151 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 196 153 0.75 shade: RGB 155 196 153, RGB 151 189 195, RGB 193 151 195 and RGB 195 158 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 196 153 0.75 shade: RGB 155 196 153, RGB 151 176 195, RGB 193 151 195 and RGB 195 171 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 16 / 17

HEX #9BC499BF

RGBA 155 196 153 0.75

HSLA 117.21, 0.27%, 0.68%, 0.75

LABA 75.29, -21.94, 17.23, 0.75

 

Complementary color

CMYK 1 / 32 / 0 / 45

HEX #643B66BF

RGBA 100 59 102 0.75

HSLA 297.21, 0.27%, 0.32%, 0.75

LABA 31.34, 25.67, -17.85, 0.75

 

CMYK 14 / 0 / 18 / 17

HEX #A0C494BF

RGBA 160 196 148 0.75

HSLA 105, 0.29%, 0.67%, 0.75

LABA 75.51, -21.05, 20.24, 0.75

 

CMYK 13 / 0 / 16 / 12

HEX #B1D6A7BF

RGBA 177 214 167 0.75

HSLA 107.23, 0.36%, 0.75%, 0.75

LABA 81.96, -20.92, 19.27, 0.75

 

CMYK 12 / 0 / 15 / 7

HEX #C2E8BABF

RGBA 194 232 186 0.75

HSLA 109.57, 0.5%, 0.82%, 0.75

LABA 88.32, -20.8, 18.36, 0.75

 

CMYK 12 / 0 / 14 / 1

HEX #D3FACDBF

RGBA 211 250 205 0.75

HSLA 112, 0.82%, 0.89%, 0.75

LABA 94.58, -20.7, 17.48, 0.75

 

CMYK 8 / 0 / 9 / 0

HEX #E4FFE0BF

RGBA 228 255 224 0.75

HSLA 112.26, 1%, 0.94%, 0.75

LABA 97.39, -14.29, 11.87, 0.75

 

CMYK 16 / 0 / 16 / 17

HEX #9BC499BF

RGBA 155 196 153 0.75

HSLA 117.21, 0.27%, 0.68%, 0.75

LABA 75.29, -21.94, 17.23, 0.75

 

CMYK 17 / 0 / 19 / 23

HEX #8AB286BF

RGBA 138 178 134 0.75

HSLA 114.55, 0.22%, 0.61%, 0.75

LABA 68.73, -22.12, 18.21, 0.75

 

CMYK 18 / 0 / 21 / 28

HEX #79A073BF

RGBA 121 160 115 0.75

HSLA 112, 0.19%, 0.54%, 0.75

LABA 62.04, -22.32, 19.26, 0.75

 

CMYK 20 / 0 / 24 / 33

HEX #688E60BF

RGBA 104 142 96 0.75

HSLA 109.57, 0.19%, 0.47%, 0.75

LABA 55.21, -22.53, 20.39, 0.75

 

CMYK 22 / 0 / 28 / 39

HEX #577C4DBF

RGBA 87 124 77 0.75

HSLA 107.23, 0.23%, 0.39%, 0.75

LABA 48.23, -22.74, 21.6, 0.75

 

CMYK 22 / 0 / 23 / 24

HEX #99C397

RGB 153 195 151

HSL 117.27, 0.27%, 0.68%

LAB 74.85, -22.48, 17.66

 

CMYK 15 / 0 / 23 / 24

HEX #A5C397

RGB 165 195 151

HSL 100.91, 0.27%, 0.68%

LAB 75.62, -18.28, 18.84

 

CMYK 9 / 0 / 23 / 24

HEX #B1C397

RGB 177 195 151

HSL 84.55, 0.27%, 0.68%

LAB 76.44, -13.93, 20.11

 

CMYK 3 / 0 / 23 / 24

HEX #BDC397

RGB 189 195 151

HSL 68.18, 0.27%, 0.68%

LAB 77.33, -9.48, 21.47

 

CMYK 0 / 3 / 23 / 24

HEX #C3BE97

RGB 195 190 151

HSL 53.18, 0.27%, 0.68%

LAB 76.47, -4.6, 20.37

 

CMYK 22 / 0 / 23 / 24

HEX #99C397

RGB 153 195 151

HSL 117.27, 0.27%, 0.68%

LAB 74.85, -22.48, 17.66

 

CMYK 23 / 0 / 17 / 24

HEX #97C3A1

RGB 151 195 161

HSL 133.64, 0.27%, 0.68%

LAB 74.94, -21.36, 12.4

 

CMYK 23 / 0 / 11 / 24

HEX #97C3AD

RGB 151 195 173

HSL 150, 0.27%, 0.68%

LAB 75.22, -19.05, 6.31

 

CMYK 23 / 0 / 5 / 24

HEX #97C3B9

RGB 151 195 185

HSL 166.36, 0.27%, 0.68%

LAB 75.52, -16.59, 0.26

 

CMYK 23 / 1 / 0 / 24

HEX #97C2C3

RGB 151 194 195

HSL 181.36, 0.27%, 0.68%

LAB 75.52, -13.91, -5.17

 

CMYK 22 / 0 / 23 / 24

HEX #99C397

RGB 153 195 151

HSL 117.27, 0.27%, 0.68%

LAB 74.85, -22.48, 17.66

 

CMYK 33 / 0 / 34 / 18

HEX #8DD18A

RGB 141 209 138

HSL 117.46, 0.44%, 0.68%

LAB 77.93, -35.34, 28.61

 

CMYK 42 / 0 / 44 / 13

HEX #81DE7D

RGB 129 222 125

HSL 117.53, 0.6%, 0.68%

LAB 80.96, -46.76, 39.04

 

CMYK 50 / 0 / 52 / 8

HEX #75EB70

RGB 117 235 112

HSL 117.56, 0.75%, 0.68%

LAB 84.16, -57.11, 49.17

 

CMYK 57 / 0 / 60 / 3

HEX #6AF863

RGB 106 248 99

HSL 117.18, 0.91%, 0.68%

LAB 87.53, -66.14, 58.83

 

CMYK 22 / 0 / 23 / 24

HEX #99C397

RGB 153 195 151

HSL 117.27, 0.27%, 0.68%

LAB 74.85, -22.48, 17.66

 

CMYK 9 / 0 / 9 / 29

HEX #A5B6A5

RGB 165 182 165

HSL 120, 0.1%, 0.68%

LAB 72.34, -9.13, 6.65

 

CMYK 1 / 5 / 0 / 30

HEX #B1A9B2

RGB 177 169 178

HSL 293.33, 0.06%, 0.68%

LAB 70.13, 4.54, -3.6

 

CMYK 1 / 18 / 0 / 25

HEX #BD9CBF

RGB 189 156 191

HSL 296.57, 0.21%, 0.68%

LAB 68.28, 18.39, -13.45

 

CMYK 1 / 30 / 0 / 20

HEX #C98FCC

RGB 201 143 204

HSL 297.05, 0.37%, 0.68%

LAB 66.84, 32.07, -22.76

 

CMYK 9 / 0 / 23 / 24

HEX #B1C397

RGB 177 195 151

HSL 84.55, 0.27%, 0.68%

LAB 76.44, -13.93, 20.11

 

CMYK 15 / 0 / 23 / 24

HEX #A5C397

RGB 165 195 151

HSL 100.91, 0.27%, 0.68%

LAB 75.62, -18.28, 18.84

 

CMYK 21 / 0 / 23 / 24

HEX #9AC397

RGB 154 195 151

HSL 115.91, 0.27%, 0.68%

LAB 74.91, -22.13, 17.75

 

CMYK 23 / 0 / 17 / 24

HEX #97C3A1

RGB 151 195 161

HSL 133.64, 0.27%, 0.68%

LAB 74.94, -21.36, 12.4

 

CMYK 23 / 0 / 11 / 24

HEX #97C3AD

RGB 151 195 173

HSL 150, 0.27%, 0.68%

LAB 75.22, -19.05, 6.31

 

CMYK 38 / 0 / 40 / 35

HEX #66A563

RGB 102 165 99

HSL 117.27, 0.27%, 0.52%

LAB 62.2, -33.9, 27.98

 

CMYK 29 / 0 / 31 / 29

HEX #80B47D

RGB 128 180 125

HSL 116.73, 0.27%, 0.6%

LAB 68.54, -28.09, 22.73

 

CMYK 22 / 0 / 23 / 24

HEX #99C397

RGB 153 195 151

HSL 117.27, 0.27%, 0.68%

LAB 74.85, -22.48, 17.66

 

CMYK 15 / 0 / 15 / 18

HEX #B3D2B2

RGB 179 210 178

HSL 118.13, 0.26%, 0.76%

LAB 81.23, -16.36, 12.45

 

CMYK 9 / 0 / 10 / 11

HEX #CDE2CC

RGB 205 226 204

HSL 117.27, 0.28%, 0.84%

LAB 87.84, -11, 8.38

 

CMYK 21 / 0 / 22 / 23

HEX #9BC499

RGB 155 196 153

HSL 117.21, 0.27%, 0.68%

LAB 75.29, -21.94, 17.23

 

CMYK 23 / 3 / 0 / 24

HEX #97BDC3

RGB 151 189 195

HSL 188.18, 0.27%, 0.68%

LAB 74.14, -11.31, -7.22

 

CMYK 0 / 23 / 12 / 24

HEX #C397AB

RGB 195 151 171

HSL 332.73, 0.27%, 0.68%

LAB 67.03, 19.65, -4.08

 

CMYK 21 / 0 / 22 / 23

HEX #9BC499

RGB 155 196 153

HSL 117.21, 0.27%, 0.68%

LAB 75.29, -21.94, 17.23

 

CMYK 23 / 21 / 0 / 24

HEX #979AC3

RGB 151 154 195

HSL 235.91, 0.27%, 0.68%

LAB 64.67, 7.81, -21.46

 

CMYK 0 / 23 / 21 / 24

HEX #C3979A

RGB 195 151 154

HSL 355.91, 0.27%, 0.68%

LAB 66.57, 16.91, 4.77

 

CMYK 21 / 0 / 22 / 23

HEX #9BC499

RGB 155 196 153

HSL 117.21, 0.27%, 0.68%

LAB 75.29, -21.94, 17.23

 

CMYK 23 / 3 / 0 / 24

HEX #97BDC3

RGB 151 189 195

HSL 188.18, 0.27%, 0.68%

LAB 74.14, -11.31, -7.22

 

CMYK 1 / 23 / 0 / 24

HEX #C197C3

RGB 193 151 195

HSL 297.27, 0.27%, 0.68%

LAB 67.58, 23.29, -16.69

 

CMYK 0 / 19 / 23 / 24

HEX #C39E97

RGB 195 158 151

HSL 9.55, 0.27%, 0.68%

LAB 68.23, 12.61, 8.82

 

CMYK 21 / 0 / 22 / 23

HEX #9BC499

RGB 155 196 153

HSL 117.21, 0.27%, 0.68%

LAB 75.29, -21.94, 17.23

 

CMYK 23 / 10 / 0 / 24

HEX #97B0C3

RGB 151 176 195

HSL 205.91, 0.27%, 0.68%

LAB 70.57, -4.37, -12.53

 

CMYK 1 / 23 / 0 / 24

HEX #C197C3

RGB 193 151 195

HSL 297.27, 0.27%, 0.68%

LAB 67.58, 23.29, -16.69

 

CMYK 0 / 12 / 23 / 24

HEX #C3AB97

RGB 195 171 151

HSL 27.27, 0.27%, 0.68%

LAB 71.53, 5.52, 13.49

 

Description

Color code: RGBA 155 196 153 0.75 | qconv.com Color code: RGBA 155 196 153 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 196 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 196 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 16 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 16% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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