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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 196 108 0.75 it is the complementary color RGBA 100 59 147 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 196 108 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 196 108 0.75 shade: RGBA 160 196 103 0.75, RGBA 177 214 122 0.75, RGBA 194 232 141 0.75, RGBA 211 250 160 0.75 and RGBA 228 255 179 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 196 108 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 196 108 0.75 shade: RGBA 155 196 108 0.75, RGBA 138 178 89 0.75, RGBA 121 160 70 0.75, RGBA 104 142 51 0.75 and RGBA 87 124 32 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 196 108 0.75 shade: RGB 156 197 109, RGB 180 197 109, RGB 197 190 109, RGB 197 167 109 and RGB 197 143 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 196 108 0.75 shade: RGB 156 197 109, RGB 132 197 109, RGB 109 197 110, RGB 109 197 133 and RGB 109 197 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 196 108 0.75 shade matches the following richer shades: RGB 156 197 109, RGB 157 213 93, RGB 158 230 76 and RGB 159 246 60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 196 108 0.75 shade: RGB 156 197 109, RGB 155 180 126, RGB 154 164 142, RGB 153 147 159 and RGB 151 131 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 196 108 0.75 shade: RGB 197 190 109, RGB 181 197 109, RGB 157 197 109, RGB 134 197 109 and RGB 111 197 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 196 108 0.75 shade: RGB 115 160 64, RGB 136 185 80, RGB 156 197 109, RGB 176 209 139 and RGB 196 220 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 196 108 0.75 shade: RGB 155 196 108, RGB 109 197 166 and RGB 197 109 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 196 108 0.75 shade: RGB 155 196 108, RGB 109 157 197 and RGB 197 109 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 196 108 0.75 shade: RGB 155 196 108, RGB 109 197 166, RGB 149 109 197 and RGB 197 109 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 196 108 0.75 shade: RGB 155 196 108, RGB 109 197 192, RGB 149 109 197 and RGB 197 109 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 34 / 17

HEX #9BC46CBF

RGBA 155 196 108 0.75

HSLA 87.95, 0.43%, 0.6%, 0.75

LABA 74.53, -28.56, 39.68, 0.75

 

Complementary color

CMYK 24 / 45 / 0 / 32

HEX #643B93BF

RGBA 100 59 147 0.75

HSLA 267.95, 0.43%, 0.4%, 0.75

LABA 33.87, 36.49, -41.96, 0.75

 

CMYK 14 / 0 / 36 / 17

HEX #A0C467BF

RGBA 160 196 103 0.75

HSLA 83.23, 0.44%, 0.59%, 0.75

LABA 74.78, -27.26, 42.55, 0.75

 

CMYK 13 / 0 / 32 / 12

HEX #B1D67ABF

RGBA 177 214 122 0.75

HSLA 84.13, 0.53%, 0.66%, 0.75

LABA 81.21, -27.31, 41.39, 0.75

 

CMYK 12 / 0 / 29 / 7

HEX #C2E88DBF

RGBA 194 232 141 0.75

HSLA 85.05, 0.66%, 0.73%, 0.75

LABA 87.54, -27.33, 40.24, 0.75

 

CMYK 12 / 0 / 27 / 1

HEX #D3FAA0BF

RGBA 211 250 160 0.75

HSLA 86, 0.9%, 0.8%, 0.75

LABA 93.78, -27.32, 39.13, 0.75

 

CMYK 8 / 0 / 22 / 0

HEX #E4FFB3BF

RGBA 228 255 179 0.75

HSLA 81.32, 1%, 0.85%, 0.75

LABA 96.52, -21.14, 33.51, 0.75

 

CMYK 16 / 0 / 34 / 17

HEX #9BC46CBF

RGBA 155 196 108 0.75

HSLA 87.95, 0.43%, 0.6%, 0.75

LABA 74.53, -28.56, 39.68, 0.75

 

CMYK 17 / 0 / 38 / 23

HEX #8AB259BF

RGBA 138 178 89 0.75

HSLA 86.97, 0.37%, 0.52%, 0.75

LABA 68, -28.55, 40.86, 0.75

 

CMYK 18 / 0 / 42 / 28

HEX #79A046BF

RGBA 121 160 70 0.75

HSLA 86, 0.39%, 0.45%, 0.75

LABA 61.35, -28.46, 42, 0.75

 

CMYK 20 / 0 / 48 / 33

HEX #688E33BF

RGBA 104 142 51 0.75

HSLA 85.05, 0.47%, 0.38%, 0.75

LABA 54.58, -28.28, 42.98, 0.75

 

CMYK 22 / 0 / 56 / 39

HEX #577C20BF

RGBA 87 124 32 0.75

HSLA 84.13, 0.59%, 0.31%, 0.75

LABA 47.68, -27.92, 43.54, 0.75

 

CMYK 21 / 0 / 45 / 23

HEX #9CC56D

RGB 156 197 109

HSL 87.95, 0.43%, 0.6%

LAB 74.89, -28.55, 39.65

 

CMYK 9 / 0 / 45 / 23

HEX #B4C56D

RGB 180 197 109

HSL 71.59, 0.43%, 0.6%

LAB 76.52, -19.33, 42.03

 

CMYK 0 / 4 / 45 / 23

HEX #C5BE6D

RGB 197 190 109

HSL 55.23, 0.43%, 0.6%

LAB 75.95, -8.95, 41.61

 

CMYK 0 / 15 / 45 / 23

HEX #C5A76D

RGB 197 167 109

HSL 39.55, 0.43%, 0.6%

LAB 69.9, 3.18, 34.01

 

CMYK 0 / 27 / 45 / 23

HEX #C58F6D

RGB 197 143 109

HSL 23.18, 0.43%, 0.6%

LAB 63.85, 16.26, 26.13

 

CMYK 21 / 0 / 45 / 23

HEX #9CC56D

RGB 156 197 109

HSL 87.95, 0.43%, 0.6%

LAB 74.89, -28.55, 39.65

 

CMYK 33 / 0 / 45 / 23

HEX #84C56D

RGB 132 197 109

HSL 104.32, 0.43%, 0.6%

LAB 73.51, -37.1, 37.61

 

CMYK 45 / 0 / 44 / 23

HEX #6DC56E

RGB 109 197 110

HSL 120.68, 0.43%, 0.6%

LAB 72.43, -44.24, 35.52

 

CMYK 45 / 0 / 32 / 23

HEX #6DC585

RGB 109 197 133

HSL 136.36, 0.43%, 0.6%

LAB 72.81, -40.47, 24.08

 

CMYK 45 / 0 / 20 / 23

HEX #6DC59D

RGB 109 197 157

HSL 152.73, 0.43%, 0.6%

LAB 73.3, -35.77, 11.93

 

CMYK 21 / 0 / 45 / 23

HEX #9CC56D

RGB 156 197 109

HSL 87.95, 0.43%, 0.6%

LAB 74.89, -28.55, 39.65

 

CMYK 26 / 0 / 56 / 16

HEX #9DD55D

RGB 157 213 93

HSL 88, 0.59%, 0.6%

LAB 79.36, -37.34, 52.67

 

CMYK 31 / 0 / 67 / 10

HEX #9EE64C

RGB 158 230 76

HSL 88.05, 0.75%, 0.6%

LAB 84.17, -45.83, 65.09

 

CMYK 35 / 0 / 76 / 4

HEX #9FF63C

RGB 159 246 60

HSL 88.06, 0.91%, 0.6%

LAB 88.74, -53.09, 75.15

 

CMYK 21 / 0 / 45 / 23

HEX #9CC56D

RGB 156 197 109

HSL 87.95, 0.43%, 0.6%

LAB 74.89, -28.55, 39.65

 

CMYK 14 / 0 / 30 / 29

HEX #9BB47E

RGB 155 180 126

HSL 87.78, 0.26%, 0.6%

LAB 70.26, -18.25, 24.79

 

CMYK 6 / 0 / 13 / 36

HEX #9AA48E

RGB 154 164 142

HSL 87.27, 0.11%, 0.6%

LAB 66.04, -7.66, 10.21

 

CMYK 4 / 8 / 0 / 38

HEX #99939F

RGB 153 147 159

HSL 270, 0.06%, 0.6%

LAB 61.78, 4.54, -5.53

 

CMYK 14 / 25 / 0 / 31

HEX #9783AF

RGB 151 131 175

HSL 267.27, 0.22%, 0.6%

LAB 57.95, 16.37, -20.42

 

CMYK 0 / 4 / 45 / 23

HEX #C5BE6D

RGB 197 190 109

HSL 55.23, 0.43%, 0.6%

LAB 75.95, -8.95, 41.61

 

CMYK 8 / 0 / 45 / 23

HEX #B5C56D

RGB 181 197 109

HSL 70.91, 0.43%, 0.6%

LAB 76.59, -18.93, 42.14

 

CMYK 20 / 0 / 45 / 23

HEX #9DC56D

RGB 157 197 109

HSL 87.27, 0.43%, 0.6%

LAB 74.95, -28.18, 39.74

 

CMYK 32 / 0 / 45 / 23

HEX #86C56D

RGB 134 197 109

HSL 102.95, 0.43%, 0.6%

LAB 73.61, -36.42, 37.77

 

CMYK 44 / 0 / 45 / 23

HEX #6FC56D

RGB 111 197 109

HSL 118.64, 0.43%, 0.6%

LAB 72.51, -43.8, 36.14

 

CMYK 28 / 0 / 60 / 37

HEX #73A040

RGB 115 160 64

HSL 88.13, 0.43%, 0.44%

LAB 60.92, -31.37, 44.24

 

CMYK 26 / 0 / 57 / 27

HEX #88B950

RGB 136 185 80

HSL 88, 0.43%, 0.52%

LAB 69.83, -33.55, 47.32

 

CMYK 21 / 0 / 45 / 23

HEX #9CC56D

RGB 156 197 109

HSL 87.95, 0.43%, 0.6%

LAB 74.89, -28.55, 39.65

 

CMYK 16 / 0 / 33 / 18

HEX #B0D18B

RGB 176 209 139

HSL 88.29, 0.43%, 0.68%

LAB 80.01, -23.08, 31.22

 

CMYK 11 / 0 / 24 / 14

HEX #C4DCA8

RGB 196 220 168

HSL 87.69, 0.43%, 0.76%

LAB 84.87, -17.05, 22.96

 

CMYK 21 / 0 / 45 / 23

HEX #9BC46C

RGB 155 196 108

HSL 87.95, 0.43%, 0.6%

LAB 74.53, -28.56, 39.68

 

CMYK 45 / 0 / 16 / 23

HEX #6DC5A6

RGB 109 197 166

HSL 158.86, 0.43%, 0.6%

LAB 73.5, -33.82, 7.36

 

CMYK 0 / 45 / 3 / 23

HEX #C56DC0

RGB 197 109 192

HSL 303.41, 0.43%, 0.6%

LAB 58.61, 46.76, -28.68

 

CMYK 21 / 0 / 45 / 23

HEX #9BC46C

RGB 155 196 108

HSL 87.95, 0.43%, 0.6%

LAB 74.53, -28.56, 39.68

 

CMYK 45 / 20 / 0 / 23

HEX #6D9DC5

RGB 109 157 197

HSL 207.27, 0.43%, 0.6%

LAB 62.84, -5.4, -25.62

 

CMYK 0 / 45 / 20 / 23

HEX #C56D9D

RGB 197 109 157

HSL 327.27, 0.43%, 0.6%

LAB 57.31, 40.95, -10.54

 

CMYK 21 / 0 / 45 / 23

HEX #9BC46C

RGB 155 196 108

HSL 87.95, 0.43%, 0.6%

LAB 74.53, -28.56, 39.68

 

CMYK 45 / 0 / 16 / 23

HEX #6DC5A6

RGB 109 197 166

HSL 158.86, 0.43%, 0.6%

LAB 73.5, -33.82, 7.36

 

CMYK 24 / 45 / 0 / 23

HEX #956DC5

RGB 149 109 197

HSL 267.27, 0.43%, 0.6%

LAB 53.34, 33.58, -40.19

 

CMYK 0 / 45 / 29 / 23

HEX #C56D8C

RGB 197 109 140

HSL 338.86, 0.43%, 0.6%

LAB 56.78, 38.51, -1.43

 

CMYK 21 / 0 / 45 / 23

HEX #9BC46C

RGB 155 196 108

HSL 87.95, 0.43%, 0.6%

LAB 74.53, -28.56, 39.68

 

CMYK 45 / 0 / 3 / 23

HEX #6DC5C0

RGB 109 197 192

HSL 176.59, 0.43%, 0.6%

LAB 74.18, -27.67, -5.75

 

CMYK 24 / 45 / 0 / 23

HEX #956DC5

RGB 149 109 197

HSL 267.27, 0.43%, 0.6%

LAB 53.34, 33.58, -40.19

 

CMYK 0 / 45 / 42 / 23

HEX #C56D72

RGB 197 109 114

HSL 356.59, 0.43%, 0.6%

LAB 56.11, 35.31, 12.77

 

Description

Color code: RGBA 155 196 108 0.75 | qconv.com Color code: RGBA 155 196 108 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 196 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 196 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 34 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 34% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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