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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 165 225 0.75 it is the complementary color RGBA 100 90 30 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 165 225 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 165 225 0.75 shade: RGBA 160 165 220 0.75, RGBA 177 183 239 0.75, RGBA 194 201 255 0.75, RGBA 211 219 255 0.75 and RGBA 228 237 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 165 225 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 165 225 0.75 shade: RGBA 155 165 225 0.75, RGBA 138 147 206 0.75, RGBA 121 129 187 0.75, RGBA 104 111 168 0.75 and RGBA 87 93 149 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 165 225 0.75 shade: RGB 157 167 226, RGB 166 157 226, RGB 184 157 226, RGB 203 157 226 and RGB 221 157 226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 165 225 0.75 shade: RGB 157 167 226 and RGB 157 157 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 165 225 0.75 shade matches the following richer shades: RGB 157 167 226, RGB 147 159 236 and RGB 136 152 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 165 225 0.75 shade: RGB 157 167 226, RGB 167 174 215, RGB 177 181 205, RGB 188 189 195 and RGB 198 196 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 165 225 0.75 shade: RGB 157 204 226, RGB 157 186 226, RGB 157 167 226, RGB 165 157 226 and RGB 183 157 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 165 225 0.75 shade: RGB 93 109 207, RGB 125 138 216, RGB 157 167 226, RGB 189 195 235 and RGB 220 224 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 165 225 0.75 shade: RGB 155 165 225, RGB 226 157 222 and RGB 195 226 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 165 225 0.75 shade: RGB 155 165 225, RGB 226 157 167 and RGB 167 226 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 165 225 0.75 shade: RGB 155 165 225, RGB 226 157 222, RGB 226 215 157 and RGB 157 226 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 165 225 0.75 shade: RGB 155 165 225, RGB 226 157 202, RGB 226 215 157 and RGB 157 226 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 20 / 0 / 9

HEX #9BA5E1BF

RGBA 155 165 225 0.75

HSLA 231.43, 0.54%, 0.75%, 0.75

LABA 68.98, 10.16, -31.43, 0.75

 

Complementary color

CMYK 0 / 7 / 53 / 46

HEX #645A1EBF

RGBA 100 90 30 0.75

HSLA 51.43, 0.54%, 0.25%, 0.75

LABA 38.05, -3.85, 34.87, 0.75

 

CMYK 20 / 19 / 0 / 10

HEX #A0A5DCBF

RGBA 160 165 220 0.75

HSLA 235, 0.46%, 0.75%, 0.75

LABA 69.15, 10.37, -28.39, 0.75

 

CMYK 19 / 18 / 0 / 5

HEX #B1B7EFBF

RGBA 177 183 239 0.75

HSLA 234.19, 0.66%, 0.82%, 0.75

LABA 75.73, 9.98, -28.52, 0.75

 

CMYK 18 / 16 / 0 / 0

HEX #C2C9FFBF

RGBA 194 201 255 0.75

HSLA 233.11, 1%, 0.88%, 0.75

LABA 82.09, 8.93, -27.25, 0.75

 

CMYK 13 / 11 / 0 / 0

HEX #D3DBFFBF

RGBA 211 219 255 0.75

HSLA 229.09, 1%, 0.91%, 0.75

LABA 87.84, 4.48, -18.4, 0.75

 

CMYK 8 / 5 / 0 / 0

HEX #E4EDFFBF

RGBA 228 237 255 0.75

HSLA 220, 1%, 0.95%, 0.75

LABA 93.57, 0.43, -9.7, 0.75

 

CMYK 23 / 20 / 0 / 9

HEX #9BA5E1BF

RGBA 155 165 225 0.75

HSLA 231.43, 0.54%, 0.75%, 0.75

LABA 68.98, 10.16, -31.43, 0.75

 

CMYK 25 / 21 / 0 / 14

HEX #8A93CEBF

RGBA 138 147 206 0.75

HSLA 232.06, 0.41%, 0.67%, 0.75

LABA 62.28, 10.64, -31.37, 0.75

 

CMYK 26 / 23 / 0 / 20

HEX #7981BBBF

RGBA 121 129 187 0.75

HSLA 232.73, 0.33%, 0.6%, 0.75

LABA 55.43, 11.19, -31.36, 0.75

 

CMYK 29 / 25 / 0 / 26

HEX #686FA8BF

RGBA 104 111 168 0.75

HSLA 233.44, 0.27%, 0.53%, 0.75

LABA 48.43, 11.83, -31.4, 0.75

 

CMYK 31 / 28 / 0 / 31

HEX #575D95BF

RGBA 87 93 149 0.75

HSLA 234.19, 0.26%, 0.46%, 0.75

LABA 41.26, 12.59, -31.51, 0.75

 

CMYK 31 / 26 / 0 / 11

HEX #9DA7E2

RGB 157 167 226

HSL 231.3, 0.54%, 0.75%

LAB 69.68, 9.86, -30.88

 

CMYK 27 / 31 / 0 / 11

HEX #A69DE2

RGB 166 157 226

HSL 247.83, 0.54%, 0.75%

LAB 67.81, 18.11, -33.72

 

CMYK 19 / 31 / 0 / 11

HEX #B89DE2

RGB 184 157 226

HSL 263.48, 0.54%, 0.75%

LAB 69.32, 23.51, -31.26

 

CMYK 10 / 31 / 0 / 11

HEX #CB9DE2

RGB 203 157 226

HSL 280, 0.54%, 0.75%

LAB 71.08, 29.4, -28.4

 

CMYK 2 / 31 / 0 / 11

HEX #DD9DE2

RGB 221 157 226

HSL 295.65, 0.54%, 0.75%

LAB 72.88, 35.08, -25.49

 

CMYK 31 / 26 / 0 / 11

HEX #9DA7E2

RGB 157 167 226

HSL 231.3, 0.54%, 0.75%

LAB 69.68, 9.86, -30.88

 

CMYK 31 / 31 / 0 / 11

HEX #9D9DE2

RGB 157 157 226

HSL 240, 0.54%, 0.75%

LAB 67.11, 15.5, -34.87

 

CMYK 31 / 26 / 0 / 11

HEX #9DA7E2

RGB 157 167 226

HSL 231.3, 0.54%, 0.75%

LAB 69.68, 9.86, -30.88

 

CMYK 38 / 33 / 0 / 7

HEX #939FEC

RGB 147 159 236

HSL 231.91, 0.7%, 0.75%

LAB 67.32, 14.22, -40.08

 

CMYK 45 / 38 / 0 / 4

HEX #8898F6

RGB 136 152 246

HSL 231.27, 0.86%, 0.75%

LAB 65.24, 18.24, -48.89

 

CMYK 31 / 26 / 0 / 11

HEX #9DA7E2

RGB 157 167 226

HSL 231.3, 0.54%, 0.75%

LAB 69.68, 9.86, -30.88

 

CMYK 22 / 19 / 0 / 16

HEX #A7AED7

RGB 167 174 215

HSL 231.25, 0.38%, 0.75%

LAB 71.82, 6.3, -21.51

 

CMYK 14 / 12 / 0 / 20

HEX #B1B5CD

RGB 177 181 205

HSL 231.43, 0.22%, 0.75%

LAB 74.06, 3.43, -12.59

 

CMYK 4 / 3 / 0 / 24

HEX #BCBDC3

RGB 188 189 195

HSL 231.43, 0.06%, 0.75%

LAB 76.7, 0.79, -3.15

 

CMYK 0 / 1 / 7 / 22

HEX #C6C4B8

RGB 198 196 184

HSL 51.43, 0.11%, 0.75%

LAB 79.01, -1.43, 6.26

 

CMYK 31 / 10 / 0 / 11

HEX #9DCCE2

RGB 157 204 226

HSL 199.13, 0.54%, 0.75%

LAB 79.53, -10.22, -15.87

 

CMYK 31 / 18 / 0 / 11

HEX #9DBAE2

RGB 157 186 226

HSL 214.78, 0.54%, 0.75%

LAB 74.68, -0.63, -23.21

 

CMYK 31 / 26 / 0 / 11

HEX #9DA7E2

RGB 157 167 226

HSL 231.3, 0.54%, 0.75%

LAB 69.68, 9.86, -30.88

 

CMYK 27 / 31 / 0 / 11

HEX #A59DE2

RGB 165 157 226

HSL 246.96, 0.54%, 0.75%

LAB 67.73, 17.82, -33.85

 

CMYK 19 / 31 / 0 / 11

HEX #B79DE2

RGB 183 157 226

HSL 262.61, 0.54%, 0.75%

LAB 69.24, 23.2, -31.4

 

CMYK 55 / 47 / 0 / 19

HEX #5D6DCF

RGB 93 109 207

HSL 231.58, 0.54%, 0.59%

LAB 49.22, 22.34, -52.74

 

CMYK 42 / 36 / 0 / 15

HEX #7D8AD8

RGB 125 138 216

HSL 231.43, 0.54%, 0.67%

LAB 59.43, 15.08, -41.48

 

CMYK 31 / 26 / 0 / 11

HEX #9DA7E2

RGB 157 167 226

HSL 231.3, 0.54%, 0.75%

LAB 69.68, 9.86, -30.88

 

CMYK 20 / 17 / 0 / 8

HEX #BDC3EB

RGB 189 195 235

HSL 232.17, 0.53%, 0.83%

LAB 79.53, 6.15, -20.5

 

CMYK 10 / 9 / 0 / 4

HEX #DCE0F5

RGB 220 224 245

HSL 230.4, 0.56%, 0.91%

LAB 89.45, 2.64, -10.67

 

CMYK 31 / 27 / 0 / 12

HEX #9BA5E1

RGB 155 165 225

HSL 231.43, 0.54%, 0.75%

LAB 68.98, 10.16, -31.43

 

CMYK 0 / 31 / 2 / 11

HEX #E29DDE

RGB 226 157 222

HSL 303.48, 0.54%, 0.75%

LAB 73.26, 35.94, -22.67

 

CMYK 14 / 0 / 31 / 11

HEX #C3E29D

RGB 195 226 157

HSL 86.96, 0.54%, 0.75%

LAB 86.22, -21.97, 30.46

 

CMYK 31 / 27 / 0 / 12

HEX #9BA5E1

RGB 155 165 225

HSL 231.43, 0.54%, 0.75%

LAB 68.98, 10.16, -31.43

 

CMYK 0 / 31 / 26 / 11

HEX #E29DA7

RGB 226 157 167

HSL 351.3, 0.54%, 0.75%

LAB 71.6, 27.09, 5.2

 

CMYK 26 / 0 / 31 / 11

HEX #A7E29D

RGB 167 226 157

HSL 111.3, 0.54%, 0.75%

LAB 84.51, -31.7, 27.86

 

CMYK 31 / 27 / 0 / 12

HEX #9BA5E1

RGB 155 165 225

HSL 231.43, 0.54%, 0.75%

LAB 68.98, 10.16, -31.43

 

CMYK 0 / 31 / 2 / 11

HEX #E29DDE

RGB 226 157 222

HSL 303.48, 0.54%, 0.75%

LAB 73.26, 35.94, -22.67

 

CMYK 0 / 5 / 31 / 11

HEX #E2D79D

RGB 226 215 157

HSL 50.43, 0.54%, 0.75%

LAB 85.61, -4.91, 30.04

 

CMYK 31 / 0 / 29 / 11

HEX #9DE2A0

RGB 157 226 160

HSL 122.61, 0.54%, 0.75%

LAB 84.02, -34.47, 25.56

 

CMYK 31 / 27 / 0 / 12

HEX #9BA5E1

RGB 155 165 225

HSL 231.43, 0.54%, 0.75%

LAB 68.98, 10.16, -31.43

 

CMYK 0 / 31 / 11 / 11

HEX #E29DCA

RGB 226 157 202

HSL 320.87, 0.54%, 0.75%

LAB 72.59, 32.46, -12.69

 

CMYK 0 / 5 / 31 / 11

HEX #E2D79D

RGB 226 215 157

HSL 50.43, 0.54%, 0.75%

LAB 85.61, -4.91, 30.04

 

CMYK 31 / 0 / 20 / 11

HEX #9DE2B5

RGB 157 226 181

HSL 140.87, 0.54%, 0.75%

LAB 84.43, -30.77, 15.2

 

Description

Color code: RGBA 155 165 225 0.75 | qconv.com Color code: RGBA 155 165 225 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 165 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 165 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 20 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 20% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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