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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 108 201 0.75 it is the complementary color RGBA 100 147 54 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 108 201 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 108 201 0.75 shade: RGBA 160 108 196 0.75, RGBA 177 126 215 0.75, RGBA 194 144 234 0.75, RGBA 211 162 253 0.75 and RGBA 228 180 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 108 201 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 108 201 0.75 shade: RGBA 155 108 201 0.75, RGBA 138 90 182 0.75, RGBA 121 72 163 0.75, RGBA 104 54 144 0.75 and RGBA 87 36 125 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 108 201 0.75 shade: RGB 156 110 201, RGB 181 110 201, RGB 201 110 197, RGB 201 110 173 and RGB 201 110 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 108 201 0.75 shade: RGB 156 110 201, RGB 131 110 201 and RGB 110 110 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 108 201 0.75 shade matches the following richer shades: RGB 156 110 201, RGB 156 94 217, RGB 156 78 233 and RGB 157 62 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 108 201 0.75 shade: RGB 156 110 201, RGB 156 126 185, RGB 156 142 169, RGB 156 158 153 and RGB 155 174 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 108 201 0.75 shade: RGB 110 113 201, RGB 131 110 201, RGB 156 110 201, RGB 180 110 201 and RGB 201 110 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 108 201 0.75 shade: RGB 115 62 167, RGB 136 80 190, RGB 156 110 201, RGB 177 140 212 and RGB 197 170 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 108 201 0.75 shade: RGB 155 108 201, RGB 201 110 137 and RGB 110 201 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 108 201 0.75 shade: RGB 155 108 201, RGB 201 156 110 and RGB 110 201 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 108 201 0.75 shade: RGB 155 108 201, RGB 201 110 137, RGB 156 201 110 and RGB 110 201 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 108 201 0.75 shade: RGB 155 108 201, RGB 201 110 110, RGB 156 201 110 and RGB 110 201 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 35 / 0 / 16

HEX #9B6CC9BF

RGBA 155 108 201 0.75

HSLA 270.32, 0.46%, 0.61%, 0.75

LABA 53.93, 36.8, -41.49, 0.75

 

Complementary color

CMYK 24 / 0 / 47 / 32

HEX #649336BF

RGBA 100 147 54 0.75

HSLA 90.32, 0.46%, 0.39%, 0.75

LABA 55.93, -31.94, 43.03, 0.75

 

CMYK 14 / 34 / 0 / 17

HEX #A06CC4BF

RGBA 160 108 196 0.75

HSLA 275.45, 0.43%, 0.6%, 0.75

LABA 54.22, 37.08, -38.15, 0.75

 

CMYK 13 / 31 / 0 / 12

HEX #B17ED7BF

RGBA 177 126 215 0.75

HSLA 274.38, 0.53%, 0.67%, 0.75

LABA 60.94, 36.26, -38.24, 0.75

 

CMYK 13 / 29 / 0 / 6

HEX #C290EABF

RGBA 194 144 234 0.75

HSLA 273.33, 0.68%, 0.74%, 0.75

LABA 67.54, 35.49, -38.34, 0.75

 

CMYK 12 / 27 / 0 / 1

HEX #D3A2FDBF

RGBA 211 162 253 0.75

HSLA 272.31, 0.96%, 0.81%, 0.75

LABA 74.05, 34.76, -38.45, 0.75

 

CMYK 8 / 22 / 0 / 0

HEX #E4B4FFBF

RGBA 228 180 255 0.75

HSLA 278.4, 1%, 0.85%, 0.75

LABA 79.82, 30.58, -30.49, 0.75

 

CMYK 17 / 35 / 0 / 16

HEX #9B6CC9BF

RGBA 155 108 201 0.75

HSLA 270.32, 0.46%, 0.61%, 0.75

LABA 53.93, 36.8, -41.49, 0.75

 

CMYK 18 / 38 / 0 / 21

HEX #8A5AB6BF

RGBA 138 90 182 0.75

HSLA 271.3, 0.39%, 0.53%, 0.75

LABA 47.1, 37.71, -41.47, 0.75

 

CMYK 19 / 42 / 0 / 27

HEX #7948A3BF

RGBA 121 72 163 0.75

HSLA 272.31, 0.39%, 0.46%, 0.75

LABA 40.15, 38.64, -41.42, 0.75

 

CMYK 21 / 47 / 0 / 33

HEX #683690BF

RGBA 104 54 144 0.75

HSLA 273.33, 0.45%, 0.39%, 0.75

LABA 33.12, 39.52, -41.29, 0.75

 

CMYK 23 / 53 / 0 / 38

HEX #57247DBF

RGBA 87 36 125 0.75

HSLA 274.38, 0.55%, 0.32%, 0.75

LABA 26.07, 40.18, -40.95, 0.75

 

CMYK 22 / 45 / 0 / 21

HEX #9C6EC9

RGB 156 110 201

HSL 270.33, 0.46%, 0.61%

LAB 54.49, 35.96, -40.61

 

CMYK 10 / 45 / 0 / 21

HEX #B56EC9

RGB 181 110 201

HSL 286.81, 0.46%, 0.61%

LAB 57.26, 43.19, -36.06

 

CMYK 0 / 45 / 2 / 21

HEX #C96EC5

RGB 201 110 197

HSL 302.64, 0.46%, 0.61%

LAB 59.53, 48.34, -30.08

 

CMYK 0 / 45 / 14 / 21

HEX #C96EAD

RGB 201 110 173

HSL 318.46, 0.46%, 0.61%

LAB 58.59, 44.25, -17.8

 

CMYK 0 / 45 / 26 / 21

HEX #C96E94

RGB 201 110 148

HSL 334.95, 0.46%, 0.61%

LAB 57.76, 40.49, -4.59

 

CMYK 22 / 45 / 0 / 21

HEX #9C6EC9

RGB 156 110 201

HSL 270.33, 0.46%, 0.61%

LAB 54.49, 35.96, -40.61

 

CMYK 35 / 45 / 0 / 21

HEX #836EC9

RGB 131 110 201

HSL 253.85, 0.46%, 0.61%

LAB 52.06, 29.05, -44.61

 

CMYK 45 / 45 / 0 / 21

HEX #6E6EC9

RGB 110 110 201

HSL 240, 0.46%, 0.61%

LAB 50.32, 23.69, -47.49

 

CMYK 22 / 45 / 0 / 21

HEX #9C6EC9

RGB 156 110 201

HSL 270.33, 0.46%, 0.61%

LAB 54.49, 35.96, -40.61

 

CMYK 28 / 57 / 0 / 15

HEX #9C5ED9

RGB 156 94 217

HSL 270.24, 0.62%, 0.61%

LAB 51.93, 48.52, -53.77

 

CMYK 33 / 67 / 0 / 9

HEX #9C4EE9

RGB 156 78 233

HSL 270.19, 0.78%, 0.61%

LAB 49.98, 60.31, -65.96

 

CMYK 37 / 75 / 0 / 2

HEX #9D3EFA

RGB 157 62 250

HSL 270.32, 0.95%, 0.61%

LAB 48.9, 71.25, -77.24

 

CMYK 22 / 45 / 0 / 21

HEX #9C6EC9

RGB 156 110 201

HSL 270.33, 0.46%, 0.61%

LAB 54.49, 35.96, -40.61

 

CMYK 16 / 32 / 0 / 27

HEX #9C7EB9

RGB 156 126 185

HSL 270.51, 0.3%, 0.61%

LAB 57.55, 23.13, -26.7

 

CMYK 8 / 16 / 0 / 34

HEX #9C8EA9

RGB 156 142 169

HSL 271.11, 0.14%, 0.61%

LAB 61.03, 10.47, -12.29

 

CMYK 1 / 0 / 3 / 38

HEX #9C9E99

RGB 156 158 153

HSL 84, 0.03%, 0.61%

LAB 64.82, -1.67, 2.35

 

CMYK 11 / 0 / 21 / 32

HEX #9BAE89

RGB 155 174 137

HSL 90.81, 0.19%, 0.61%

LAB 68.79, -13.43, 16.83

 

CMYK 45 / 44 / 0 / 21

HEX #6E71C9

RGB 110 113 201

HSL 238.02, 0.46%, 0.61%

LAB 51.09, 21.87, -46.26

 

CMYK 35 / 45 / 0 / 21

HEX #836EC9

RGB 131 110 201

HSL 253.85, 0.46%, 0.61%

LAB 52.06, 29.05, -44.61

 

CMYK 22 / 45 / 0 / 21

HEX #9C6EC9

RGB 156 110 201

HSL 270.33, 0.46%, 0.61%

LAB 54.49, 35.96, -40.61

 

CMYK 10 / 45 / 0 / 21

HEX #B46EC9

RGB 180 110 201

HSL 286.15, 0.46%, 0.61%

LAB 57.15, 42.9, -36.25

 

CMYK 0 / 45 / 1 / 21

HEX #C96EC6

RGB 201 110 198

HSL 301.98, 0.46%, 0.61%

LAB 59.57, 48.52, -30.58

 

CMYK 31 / 63 / 0 / 35

HEX #733EA7

RGB 115 62 167

HSL 270.29, 0.46%, 0.45%

LAB 37.63, 43.59, -47.9

 

CMYK 28 / 58 / 0 / 25

HEX #8850BE

RGB 136 80 190

HSL 270.55, 0.46%, 0.53%

LAB 45.21, 44.64, -49.16

 

CMYK 22 / 45 / 0 / 21

HEX #9C6EC9

RGB 156 110 201

HSL 270.33, 0.46%, 0.61%

LAB 54.49, 35.96, -40.61

 

CMYK 17 / 34 / 0 / 17

HEX #B18CD4

RGB 177 140 212

HSL 270.83, 0.46%, 0.69%

LAB 64.04, 27.77, -31.72

 

CMYK 12 / 24 / 0 / 12

HEX #C5AAE0

RGB 197 170 224

HSL 270, 0.47%, 0.77%

LAB 73.55, 19.94, -23.58

 

CMYK 23 / 46 / 0 / 21

HEX #9B6CC9

RGB 155 108 201

HSL 270.32, 0.46%, 0.61%

LAB 53.93, 36.8, -41.49

 

CMYK 0 / 45 / 32 / 21

HEX #C96E89

RGB 201 110 137

HSL 342.2, 0.46%, 0.61%

LAB 57.44, 39.01, 1.34

 

CMYK 45 / 0 / 41 / 21

HEX #6EC977

RGB 110 201 119

HSL 125.93, 0.46%, 0.61%

LAB 73.82, -44.28, 32.72

 

CMYK 23 / 46 / 0 / 21

HEX #9B6CC9

RGB 155 108 201

HSL 270.32, 0.46%, 0.61%

LAB 53.93, 36.8, -41.49

 

CMYK 0 / 22 / 45 / 21

HEX #C99C6E

RGB 201 156 110

HSL 30.33, 0.46%, 0.61%

LAB 67.52, 10.89, 30.47

 

CMYK 45 / 0 / 22 / 21

HEX #6EC99C

RGB 110 201 156

HSL 150.33, 0.46%, 0.61%

LAB 74.5, -37.55, 14.17

 

CMYK 23 / 46 / 0 / 21

HEX #9B6CC9

RGB 155 108 201

HSL 270.32, 0.46%, 0.61%

LAB 53.93, 36.8, -41.49

 

CMYK 0 / 45 / 32 / 21

HEX #C96E89

RGB 201 110 137

HSL 342.2, 0.46%, 0.61%

LAB 57.44, 39.01, 1.34

 

CMYK 22 / 0 / 45 / 21

HEX #9CC96E

RGB 156 201 110

HSL 89.67, 0.46%, 0.61%

LAB 76.05, -30.33, 40.6

 

CMYK 45 / 0 / 13 / 21

HEX #6EC9AE

RGB 110 201 174

HSL 162.2, 0.46%, 0.61%

LAB 74.92, -33.64, 5.07

 

CMYK 23 / 46 / 0 / 21

HEX #9B6CC9

RGB 155 108 201

HSL 270.32, 0.46%, 0.61%

LAB 53.93, 36.8, -41.49

 

CMYK 0 / 45 / 45 / 21

HEX #C96E6E

RGB 201 110 110

HSL 0, 0.46%, 0.61%

LAB 56.78, 35.86, 16.11

 

CMYK 22 / 0 / 45 / 21

HEX #9CC96E

RGB 156 201 110

HSL 89.67, 0.46%, 0.61%

LAB 76.05, -30.33, 40.6

 

CMYK 45 / 0 / 0 / 21

HEX #6EC9C9

RGB 110 201 201

HSL 180, 0.46%, 0.61%

LAB 75.64, -27.12, -8.46

 

Description

Color code: RGBA 155 108 201 0.75 | qconv.com Color code: RGBA 155 108 201 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 108 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 108 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 35 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 35% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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