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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 155 108 15 0.3 it is the complementary color RGBA 100 147 240 0.3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 155 108 15 0.3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 155 108 15 0.3 shade: RGBA 160 108 10 0.3, RGBA 177 126 29 0.3, RGBA 194 144 48 0.3, RGBA 211 162 67 0.3 and RGBA 228 180 86 0.3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 155 108 15 0.3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 155 108 15 0.3 shade: RGBA 155 108 15 0.3, RGBA 138 90 0 0.3, RGBA 121 72 0 0.3, RGBA 104 54 0 0.3 and RGBA 87 36 0 0.3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 155 108 15 0.3 shade: RGB 153 107 15, RGB 153 70 15, RGB 153 32 15 and RGB 153 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 155 108 15 0.3 shade: RGB 153 107 15, RGB 153 144 15, RGB 125 153 15, RGB 88 153 15 and RGB 51 153 15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 155 108 15 0.3 shade matches the following richer shades: RGB 153 107 15 and RGB 167 111 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 155 108 15 0.3 shade: RGB 153 107 15, RGB 140 102 29, RGB 126 98 42, RGB 112 93 56 and RGB 99 89 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 155 108 15 0.3 shade: RGB 153 31 15, RGB 153 68 15, RGB 153 105 15, RGB 153 142 15 and RGB 128 153 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 155 108 15 0.3 shade: RGB 78 54 8, RGB 116 81 11, RGB 153 107 15, RGB 191 133 19 and RGB 228 159 23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 155 108 15 0.3 shade: RGB 155 108 15, RGB 36 153 15 and RGB 50 15 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 155 108 15 0.3 shade: RGB 155 108 15, RGB 15 153 105 and RGB 105 15 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 155 108 15 0.3 shade: RGB 155 108 15, RGB 36 153 15, RGB 15 63 153 and RGB 132 15 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 155 108 15 0.3 shade: RGB 155 108 15, RGB 15 153 36, RGB 15 63 153 and RGB 153 15 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 27 / 12

HEX #9B6C0F4C

RGBA 155 108 15 0.3

HSLA 39.86, 0.82%, 0.33%, 0.3

LABA 49.16, 11.3, 52.8, 0.3

 

Complementary color

CMYK 18 / 12 / 0 / 2

HEX #6493F04C

RGBA 100 147 240 0.3

HSLA 219.86, 0.82%, 0.67%, 0.3

LABA 61.54, 11.49, -51.58, 0.3

 

CMYK 0 / 10 / 28 / 11

HEX #A06C0A4C

RGBA 160 108 10 0.3

HSLA 39.2, 0.88%, 0.33%, 0.3

LABA 49.76, 13.51, 54.67, 0.3

 

CMYK 0 / 9 / 25 / 9

HEX #B17E1D4C

RGBA 177 126 29 0.3

HSLA 39.32, 0.72%, 0.4%, 0.3

LABA 56.44, 11.54, 55.74, 0.3

 

CMYK 0 / 8 / 23 / 7

HEX #C290304C

RGBA 194 144 48 0.3

HSLA 39.45, 0.6%, 0.47%, 0.3

LABA 63.04, 9.88, 55.49, 0.3

 

CMYK 0 / 7 / 20 / 5

HEX #D3A2434C

RGBA 211 162 67 0.3

HSLA 39.58, 0.62%, 0.55%, 0.3

LABA 69.54, 8.47, 54.62, 0.3

 

CMYK 0 / 6 / 19 / 3

HEX #E4B4564C

RGBA 228 180 86 0.3

HSLA 39.72, 0.72%, 0.62%, 0.3

LABA 75.95, 7.27, 53.48, 0.3

 

CMYK 0 / 9 / 27 / 12

HEX #9B6C0F4C

RGBA 155 108 15 0.3

HSLA 39.86, 0.82%, 0.33%, 0.3

LABA 49.16, 11.3, 52.8, 0.3

 

CMYK 0 / 10 / 30 / 14

HEX #8A5A004C

RGBA 138 90 0 0.3

HSLA 39.13, 1%, 0.27%, 0.3

LABA 42.33, 13.49, 50.49, 0.3

 

CMYK 0 / 12 / 30 / 16

HEX #7948004C

RGBA 121 72 0 0.3

HSLA 35.7, 1%, 0.24%, 0.3

LABA 35.4, 16.08, 44.85, 0.3

 

CMYK 0 / 14 / 30 / 18

HEX #6836004C

RGBA 104 54 0 0.3

HSLA 31.15, 1%, 0.2%, 0.3

LABA 28.33, 18.78, 38.74, 0.3

 

CMYK 0 / 18 / 30 / 20

HEX #5724004C

RGBA 87 36 0 0.3

HSLA 24.83, 1%, 0.17%, 0.3

LABA 21.16, 21.52, 30.85, 0.3

 

CMYK 0 / 30 / 90 / 40

HEX #996B0F

RGB 153 107 15

HSL 40, 0.82%, 0.33%

LAB 48.66, 10.94, 52.31

 

CMYK 0 / 54 / 90 / 40

HEX #99460F

RGB 153 70 15

HSL 23.91, 0.82%, 0.33%

LAB 39.89, 31.74, 45.43

 

CMYK 0 / 79 / 90 / 40

HEX #99200F

RGB 153 32 15

HSL 7.39, 0.82%, 0.33%

LAB 33.65, 48.42, 40.59

 

CMYK 0 / 90 / 90 / 40

HEX #990F0F

RGB 153 15 15

HSL 0, 0.82%, 0.33%

LAB 32.14, 52.68, 39.43

 

CMYK 0 / 30 / 90 / 40

HEX #996B0F

RGB 153 107 15

HSL 40, 0.82%, 0.33%

LAB 48.66, 10.94, 52.31

 

CMYK 0 / 6 / 90 / 40

HEX #99900F

RGB 153 144 15

HSL 56.09, 0.82%, 0.33%

LAB 58.75, -9.72, 60.27

 

CMYK 18 / 0 / 90 / 40

HEX #7D990F

RGB 125 153 15

HSL 72.17, 0.82%, 0.33%

LAB 59.14, -26.8, 59.66

 

CMYK 42 / 0 / 90 / 40

HEX #58990F

RGB 88 153 15

HSL 88.26, 0.82%, 0.33%

LAB 56.97, -41.34, 56.97

 

CMYK 67 / 0 / 90 / 40

HEX #33990F

RGB 51 153 15

HSL 104.35, 0.82%, 0.33%

LAB 55.6, -52.07, 55.27

 

CMYK 0 / 30 / 90 / 40

HEX #996B0F

RGB 153 107 15

HSL 40, 0.82%, 0.33%

LAB 48.66, 10.94, 52.31

 

CMYK 0 / 34 / 99 / 35

HEX #A76F02

RGB 167 111 2

HSL 39.64, 0.98%, 0.33%

LAB 51.37, 14.89, 57.84

 

CMYK 0 / 30 / 90 / 40

HEX #996B0F

RGB 153 107 15

HSL 40, 0.82%, 0.33%

LAB 48.66, 10.94, 52.31

 

CMYK 0 / 27 / 79 / 45

HEX #8C661D

RGB 140 102 29

HSL 39.46, 0.66%, 0.33%

LAB 45.86, 8.21, 44.57

 

CMYK 0 / 22 / 67 / 51

HEX #7E622A

RGB 126 98 42

HSL 40, 0.5%, 0.33%

LAB 43.27, 4.7, 35.37

 

CMYK 0 / 17 / 50 / 56

HEX #705D38

RGB 112 93 56

HSL 39.64, 0.33%, 0.33%

LAB 40.51, 2.37, 24.05

 

CMYK 0 / 10 / 29 / 61

HEX #635946

RGB 99 89 70

HSL 39.31, 0.17%, 0.33%

LAB 38.27, 0.73, 12.49

 

CMYK 0 / 80 / 90 / 40

HEX #991F0F

RGB 153 31 15

HSL 6.96, 0.82%, 0.33%

LAB 33.53, 48.73, 40.5

 

CMYK 0 / 56 / 90 / 40

HEX #99440F

RGB 153 68 15

HSL 23.04, 0.82%, 0.33%

LAB 39.48, 32.79, 45.11

 

CMYK 0 / 31 / 90 / 40

HEX #99690F

RGB 153 105 15

HSL 39.13, 0.82%, 0.33%

LAB 48.15, 12.09, 51.9

 

CMYK 0 / 7 / 90 / 40

HEX #998E0F

RGB 153 142 15

HSL 55.22, 0.82%, 0.33%

LAB 58.18, -8.64, 59.83

 

CMYK 16 / 0 / 90 / 40

HEX #80990F

RGB 128 153 15

HSL 70.87, 0.82%, 0.33%

LAB 59.35, -25.51, 59.91

 

CMYK 0 / 31 / 90 / 69

HEX #4E3608

RGB 78 54 8

HSL 39.43, 0.81%, 0.17%

LAB 24.56, 6.11, 30.65

 

CMYK 0 / 30 / 91 / 55

HEX #74510B

RGB 116 81 11

HSL 40, 0.83%, 0.25%

LAB 37.16, 8.53, 42.3

 

CMYK 0 / 30 / 90 / 40

HEX #996B0F

RGB 153 107 15

HSL 40, 0.82%, 0.33%

LAB 48.66, 10.94, 52.31

 

CMYK 0 / 30 / 90 / 25

HEX #BF8513

RGB 191 133 19

HSL 39.77, 0.82%, 0.41%

LAB 59.8, 13.69, 61.95

 

CMYK 0 / 30 / 90 / 11

HEX #E49F17

RGB 228 159 23

HSL 39.8, 0.82%, 0.49%

LAB 70.42, 15.88, 71.06

 

CMYK 0 / 30 / 90 / 39

HEX #9B6C0F

RGB 155 108 15

HSL 39.86, 0.82%, 0.33%

LAB 49.16, 11.3, 52.8

 

CMYK 76 / 0 / 90 / 40

HEX #24990F

RGB 36 153 15

HSL 110.87, 0.82%, 0.33%

LAB 55.27, -54.94, 54.85

 

CMYK 67 / 90 / 0 / 40

HEX #320F99

RGB 50 15 153

HSL 255.22, 0.82%, 0.33%

LAB 21.28, 51.22, -66.43

 

CMYK 0 / 30 / 90 / 39

HEX #9B6C0F

RGB 155 108 15

HSL 39.86, 0.82%, 0.33%

LAB 49.16, 11.3, 52.8

 

CMYK 90 / 0 / 31 / 40

HEX #0F9969

RGB 15 153 105

HSL 159.13, 0.82%, 0.33%

LAB 55.99, -45.38, 15.94

 

CMYK 31 / 90 / 0 / 40

HEX #690F99

RGB 105 15 153

HSL 279.13, 0.82%, 0.33%

LAB 28.5, 57.25, -54.29

 

CMYK 0 / 30 / 90 / 39

HEX #9B6C0F

RGB 155 108 15

HSL 39.86, 0.82%, 0.33%

LAB 49.16, 11.3, 52.8

 

CMYK 76 / 0 / 90 / 40

HEX #24990F

RGB 36 153 15

HSL 110.87, 0.82%, 0.33%

LAB 55.27, -54.94, 54.85

 

CMYK 90 / 59 / 0 / 40

HEX #0F3F99

RGB 15 63 153

HSL 219.13, 0.82%, 0.33%

LAB 29.3, 21.31, -53.29

 

CMYK 14 / 90 / 0 / 40

HEX #840F99

RGB 132 15 153

HSL 290.87, 0.82%, 0.33%

LAB 33.02, 61.5, -46.74

 

CMYK 0 / 30 / 90 / 39

HEX #9B6C0F

RGB 155 108 15

HSL 39.86, 0.82%, 0.33%

LAB 49.16, 11.3, 52.8

 

CMYK 90 / 0 / 76 / 40

HEX #0F9924

RGB 15 153 36

HSL 129.13, 0.82%, 0.33%

LAB 55.08, -56.22, 48.7

 

CMYK 90 / 59 / 0 / 40

HEX #0F3F99

RGB 15 63 153

HSL 219.13, 0.82%, 0.33%

LAB 29.3, 21.31, -53.29

 

CMYK 0 / 90 / 14 / 40

HEX #990F84

RGB 153 15 132

HSL 309.13, 0.82%, 0.33%

LAB 35.56, 62.07, -29.53

 

Description

Color code: RGBA 155 108 15 0.3 | qconv.com Color code: RGBA 155 108 15 0.3 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 108 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 108 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 27 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 27% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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