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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 153 237 120 0.75 it is the complementary color RGBA 102 18 135 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 153 237 120 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 153 237 120 0.75 shade: RGBA 158 237 115 0.75, RGBA 175 255 134 0.75, RGBA 192 255 153 0.75, RGBA 209 255 172 0.75 and RGBA 226 255 191 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 153 237 120 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 153 237 120 0.75 shade: RGBA 153 237 120 0.75, RGBA 136 219 101 0.75, RGBA 119 201 82 0.75, RGBA 102 183 63 0.75 and RGBA 85 165 44 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 153 237 120 0.75 shade: RGB 153 237 120, RGB 185 237 120, RGB 216 237 120, RGB 237 226 120 and RGB 237 195 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 153 237 120 0.75 shade: RGB 153 237 120, RGB 122 237 120, RGB 120 237 150, RGB 120 237 182 and RGB 120 237 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 153 237 120 0.75 shade matches the following richer shades: RGB 153 237 120 and RGB 148 249 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 153 237 120 0.75 shade: RGB 153 237 120, RGB 159 224 133, RGB 164 212 145, RGB 169 200 157 and RGB 175 187 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 153 237 120 0.75 shade: RGB 215 237 120, RGB 184 237 120, RGB 153 237 120, RGB 122 237 120 and RGB 120 237 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 153 237 120 0.75 shade: RGB 98 227 48, RGB 126 232 84, RGB 153 237 120, RGB 181 242 157 and RGB 208 247 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 153 237 120 0.75 shade: RGB 153 237 120, RGB 120 237 227 and RGB 237 120 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 153 237 120 0.75 shade: RGB 153 237 120, RGB 120 153 237 and RGB 237 120 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 153 237 120 0.75 shade: RGB 153 237 120, RGB 120 237 227, RGB 204 120 237 and RGB 237 120 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 153 237 120 0.75 shade: RGB 153 237 120, RGB 120 211 237, RGB 204 120 237 and RGB 237 146 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 37 / 5

HEX #99ED78BF

RGBA 153 237 120 0.75

HSLA 103.08, 0.76%, 0.7%, 0.75

LABA 86.35, -46.32, 48.44, 0.75

 

Complementary color

CMYK 18 / 65 / 0 / 35

HEX #661287BF

RGBA 102 18 135 0.75

HSLA 283.08, 0.76%, 0.3%, 0.75

LABA 26.75, 52.3, -46.01, 0.75

 

CMYK 25 / 0 / 39 / 5

HEX #9EED73BF

RGBA 158 237 115 0.75

HSLA 98.85, 0.77%, 0.69%, 0.75

LABA 86.54, -45.26, 51.07, 0.75

 

CMYK 24 / 0 / 36 / 0

HEX #AFFF86BF

RGBA 175 255 134 0.75

HSLA 99.67, 1%, 0.76%, 0.75

LABA 92.73, -45.2, 49.94, 0.75

 

CMYK 19 / 0 / 30 / 0

HEX #C0FF99BF

RGBA 192 255 153 0.75

HSLA 97.06, 1%, 0.8%, 0.75

LABA 93.89, -37.16, 42.49, 0.75

 

CMYK 14 / 0 / 24 / 0

HEX #D1FFACBF

RGBA 209 255 172 0.75

HSLA 93.25, 1%, 0.84%, 0.75

LABA 95.18, -28.78, 35, 0.75

 

CMYK 9 / 0 / 19 / 0

HEX #E2FFBFBF

RGBA 226 255 191 0.75

HSLA 87.19, 1%, 0.87%, 0.75

LABA 96.6, -20.17, 27.55, 0.75

 

CMYK 27 / 0 / 37 / 5

HEX #99ED78BF

RGBA 153 237 120 0.75

HSLA 103.08, 0.76%, 0.7%, 0.75

LABA 86.35, -46.32, 48.44, 0.75

 

CMYK 28 / 0 / 40 / 11

HEX #88DB65BF

RGBA 136 219 101 0.75

HSLA 102.2, 0.62%, 0.63%, 0.75

LABA 80.09, -46.37, 49.59, 0.75

 

CMYK 31 / 0 / 44 / 16

HEX #77C952BF

RGBA 119 201 82 0.75

HSLA 101.34, 0.52%, 0.55%, 0.75

LABA 73.74, -46.32, 50.66, 0.75

 

CMYK 33 / 0 / 49 / 21

HEX #66B73FBF

RGBA 102 183 63 0.75

HSLA 100.5, 0.49%, 0.48%, 0.75

LABA 67.32, -46.14, 51.57, 0.75

 

CMYK 36 / 0 / 55 / 26

HEX #55A52CBF

RGBA 85 165 44 0.75

HSLA 99.67, 0.58%, 0.41%, 0.75

LABA 60.8, -45.75, 52.09, 0.75

 

CMYK 35 / 0 / 49 / 7

HEX #99ED78

RGB 153 237 120

HSL 103.08, 0.76%, 0.7%

LAB 86.35, -46.32, 48.44

 

CMYK 22 / 0 / 49 / 7

HEX #B9ED78

RGB 185 237 120

HSL 86.67, 0.76%, 0.7%

LAB 88.08, -35.33, 50.95

 

CMYK 9 / 0 / 49 / 7

HEX #D8ED78

RGB 216 237 120

HSL 70.77, 0.76%, 0.7%

LAB 90.1, -23.72, 53.85

 

CMYK 0 / 5 / 49 / 7

HEX #EDE278

RGB 237 226 120

HSL 54.36, 0.76%, 0.7%

LAB 88.81, -10.08, 52.69

 

CMYK 0 / 18 / 49 / 7

HEX #EDC378

RGB 237 195 120

HSL 38.46, 0.76%, 0.7%

LAB 80.96, 5.77, 43.1

 

CMYK 35 / 0 / 49 / 7

HEX #99ED78

RGB 153 237 120

HSL 103.08, 0.76%, 0.7%

LAB 86.35, -46.32, 48.44

 

CMYK 49 / 0 / 49 / 7

HEX #7AED78

RGB 122 237 120

HSL 118.97, 0.76%, 0.7%

LAB 85.03, -55.54, 46.52

 

CMYK 49 / 0 / 37 / 7

HEX #78ED96

RGB 120 237 150

HSL 135.38, 0.76%, 0.7%

LAB 85.38, -51.58, 32.22

 

CMYK 49 / 0 / 23 / 7

HEX #78EDB6

RGB 120 237 182

HSL 151.79, 0.76%, 0.7%

LAB 85.98, -45.65, 16.62

 

CMYK 49 / 0 / 10 / 7

HEX #78EDD5

RGB 120 237 213

HSL 167.69, 0.76%, 0.7%

LAB 86.68, -38.87, 1.44

 

CMYK 35 / 0 / 49 / 7

HEX #99ED78

RGB 153 237 120

HSL 103.08, 0.76%, 0.7%

LAB 86.35, -46.32, 48.44

 

CMYK 41 / 0 / 57 / 2

HEX #94F96C

RGB 148 249 108

HSL 102.98, 0.92%, 0.7%

LAB 89.45, -54.18, 57.55

 

CMYK 35 / 0 / 49 / 7

HEX #99ED78

RGB 153 237 120

HSL 103.08, 0.76%, 0.7%

LAB 86.35, -46.32, 48.44

 

CMYK 29 / 0 / 41 / 12

HEX #9FE085

RGB 159 224 133

HSL 102.86, 0.59%, 0.7%

LAB 83.11, -36.97, 38.12

 

CMYK 23 / 0 / 32 / 17

HEX #A4D491

RGB 164 212 145

HSL 102.99, 0.44%, 0.7%

LAB 80.19, -27.94, 28.23

 

CMYK 16 / 0 / 22 / 22

HEX #A9C89D

RGB 169 200 157

HSL 103.26, 0.28%, 0.7%

LAB 77.39, -18.39, 18.13

 

CMYK 6 / 0 / 9 / 27

HEX #AFBBAA

RGB 175 187 170

HSL 102.35, 0.11%, 0.7%

LAB 74.54, -7.32, 7.18

 

CMYK 9 / 0 / 49 / 7

HEX #D7ED78

RGB 215 237 120

HSL 71.28, 0.76%, 0.7%

LAB 90.03, -24.1, 53.75

 

CMYK 22 / 0 / 49 / 7

HEX #B8ED78

RGB 184 237 120

HSL 87.18, 0.76%, 0.7%

LAB 88.02, -35.7, 50.86

 

CMYK 35 / 0 / 49 / 7

HEX #99ED78

RGB 153 237 120

HSL 103.08, 0.76%, 0.7%

LAB 86.35, -46.32, 48.44

 

CMYK 49 / 0 / 49 / 7

HEX #7AED78

RGB 122 237 120

HSL 118.97, 0.76%, 0.7%

LAB 85.03, -55.54, 46.52

 

CMYK 49 / 0 / 37 / 7

HEX #78ED95

RGB 120 237 149

HSL 134.87, 0.76%, 0.7%

LAB 85.37, -51.75, 32.71

 

CMYK 57 / 0 / 79 / 11

HEX #62E330

RGB 98 227 48

HSL 103.24, 0.76%, 0.54%

LAB 80.6, -64.81, 70.13

 

CMYK 46 / 0 / 64 / 9

HEX #7EE854

RGB 126 232 84

HSL 102.97, 0.76%, 0.62%

LAB 83.33, -56.41, 60.59

 

CMYK 35 / 0 / 49 / 7

HEX #99ED78

RGB 153 237 120

HSL 103.08, 0.76%, 0.7%

LAB 86.35, -46.32, 48.44

 

CMYK 25 / 0 / 35 / 5

HEX #B5F29D

RGB 181 242 157

HSL 103.06, 0.77%, 0.78%

LAB 89.75, -34.43, 35

 

CMYK 16 / 0 / 22 / 3

HEX #D0F7C1

RGB 208 247 193

HSL 103.33, 0.77%, 0.86%

LAB 93.36, -22.21, 21.89

 

CMYK 35 / 0 / 49 / 7

HEX #99ED78

RGB 153 237 120

HSL 103.08, 0.76%, 0.7%

LAB 86.35, -46.32, 48.44

 

CMYK 49 / 0 / 4 / 7

HEX #78EDE3

RGB 120 237 227

HSL 174.87, 0.76%, 0.7%

LAB 87.05, -35.52, -5.37

 

CMYK 0 / 49 / 16 / 7

HEX #ED78C8

RGB 237 120 200

HSL 318.97, 0.76%, 0.7%

LAB 66.22, 54.72, -21.09

 

CMYK 35 / 0 / 49 / 7

HEX #99ED78

RGB 153 237 120

HSL 103.08, 0.76%, 0.7%

LAB 86.35, -46.32, 48.44

 

CMYK 49 / 35 / 0 / 7

HEX #7899ED

RGB 120 153 237

HSL 223.08, 0.76%, 0.7%

LAB 64.07, 11.27, -45.85

 

CMYK 0 / 49 / 35 / 7

HEX #ED7899

RGB 237 120 153

HSL 343.08, 0.76%, 0.7%

LAB 64.75, 48.41, 3.34

 

CMYK 35 / 0 / 49 / 7

HEX #99ED78

RGB 153 237 120

HSL 103.08, 0.76%, 0.7%

LAB 86.35, -46.32, 48.44

 

CMYK 49 / 0 / 4 / 7

HEX #78EDE3

RGB 120 237 227

HSL 174.87, 0.76%, 0.7%

LAB 87.05, -35.52, -5.37

 

CMYK 14 / 49 / 0 / 7

HEX #CC78ED

RGB 204 120 237

HSL 283.08, 0.76%, 0.7%

LAB 63.66, 51.76, -46.01

 

CMYK 0 / 49 / 45 / 7

HEX #ED7882

RGB 237 120 130

HSL 354.87, 0.76%, 0.7%

LAB 64.2, 45.93, 15.66

 

CMYK 35 / 0 / 49 / 7

HEX #99ED78

RGB 153 237 120

HSL 103.08, 0.76%, 0.7%

LAB 86.35, -46.32, 48.44

 

CMYK 49 / 11 / 0 / 7

HEX #78D3ED

RGB 120 211 237

HSL 193.33, 0.76%, 0.7%

LAB 80.01, -20.34, -21.2

 

CMYK 14 / 49 / 0 / 7

HEX #CC78ED

RGB 204 120 237

HSL 283.08, 0.76%, 0.7%

LAB 63.66, 51.76, -46.01

 

CMYK 0 / 38 / 49 / 7

HEX #ED9278

RGB 237 146 120

HSL 13.33, 0.76%, 0.7%

LAB 69.41, 31.66, 28.3

 

Description

Color code: RGBA 153 237 120 0.75 | qconv.com Color code: RGBA 153 237 120 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 237 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 237 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 37 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 37% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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