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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 153 142 197 0 it is the complementary color RGBA 102 113 58 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 153 142 197 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 153 142 197 0 shade: RGBA 158 142 192 0, RGBA 175 160 211 0, RGBA 192 178 230 0, RGBA 209 196 249 0 and RGBA 226 214 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 153 142 197 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 153 142 197 0 shade: RGBA 153 142 197 0, RGBA 136 124 178 0, RGBA 119 106 159 0, RGBA 102 88 140 0 and RGBA 85 70 121 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 153 142 197 0 shade: RGB 152 141 196, RGB 167 141 196, RGB 182 141 196, RGB 196 141 196 and RGB 196 141 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 153 142 197 0 shade: RGB 152 141 196 and RGB 141 141 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 153 142 197 0 shade matches the following richer shades: RGB 152 141 196, RGB 143 127 210, RGB 135 112 224, RGB 126 98 238 and RGB 118 84 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 153 142 197 0 shade: RGB 152 141 196, RGB 160 155 182, RGB 168 169 168, RGB 177 183 154 and RGB 185 197 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 153 142 197 0 shade: RGB 141 159 196, RGB 141 144 196, RGB 152 141 196, RGB 166 141 196 and RGB 181 141 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 153 142 197 0 shade: RGB 103 86 168, RGB 127 113 182, RGB 152 141 196, RGB 176 168 210 and RGB 201 195 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 153 142 197 0 shade: RGB 153 142 197, RGB 196 141 174 and RGB 152 196 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 153 142 197 0 shade: RGB 153 142 197, RGB 196 152 141 and RGB 141 196 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 153 142 197 0 shade: RGB 153 142 197, RGB 196 141 174, RGB 185 196 141 and RGB 141 196 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 153 142 197 0 shade: RGB 153 142 197, RGB 196 141 157, RGB 185 196 141 and RGB 141 196 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #998EC500

RGBA 153 142 197 0

HSLA 252, 0.32%, 0.66%, 0

LABA 61.78, 15.75, -26.99, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #66713A00

RGBA 102 113 58 0

HSLA 72, 0.32%, 0.34%, 0

LABA 45.55, -13.45, 28.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9E8EC000

RGBA 158 142 192 0

HSLA 259.2, 0.28%, 0.65%, 0

LABA 62.02, 16.17, -23.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AFA0D300

RGBA 175 160 211 0

HSLA 257.65, 0.37%, 0.73%, 0

LABA 68.72, 15.68, -23.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C0B2E600

RGBA 192 178 230 0

HSLA 256.15, 0.51%, 0.8%, 0

LABA 75.3, 15.24, -24.2, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D1C4F900

RGBA 209 196 249 0

HSLA 254.72, 0.82%, 0.87%, 0

LABA 81.77, 14.84, -24.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E2D6FF00

RGBA 226 214 255 0

HSLA 257.56, 1%, 0.92%, 0

LABA 87.72, 11.79, -18.48, 0

 

CMYK 0 / 0 / 0 / 0

HEX #998EC500

RGBA 153 142 197 0

HSLA 252, 0.32%, 0.66%, 0

LABA 61.78, 15.75, -26.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #887CB200

RGBA 136 124 178 0

HSLA 253.33, 0.26%, 0.59%, 0

LABA 54.93, 16.3, -26.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #776A9F00

RGBA 119 106 159 0

HSLA 254.72, 0.22%, 0.52%, 0

LABA 47.92, 16.93, -26.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #66588C00

RGBA 102 88 140 0

HSLA 256.15, 0.23%, 0.45%, 0

LABA 40.73, 17.64, -26.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #55467900

RGBA 85 70 121 0

HSLA 257.65, 0.27%, 0.37%, 0

LABA 33.33, 18.48, -26.86, 0

 

CMYK 22 / 28 / 0 / 23

HEX #988DC4

RGB 152 141 196

HSL 252, 0.32%, 0.66%

LAB 61.4, 15.78, -27.02

 

CMYK 15 / 28 / 0 / 23

HEX #A78DC4

RGB 167 141 196

HSL 268.36, 0.32%, 0.66%

LAB 62.72, 20.52, -24.89

 

CMYK 7 / 28 / 0 / 23

HEX #B68DC4

RGB 182 141 196

HSL 284.73, 0.32%, 0.66%

LAB 64.15, 25.39, -22.58

 

CMYK 0 / 28 / 0 / 23

HEX #C48DC4

RGB 196 141 196

HSL 300, 0.32%, 0.66%

LAB 65.57, 30.01, -20.28

 

CMYK 0 / 28 / 8 / 23

HEX #C48DB5

RGB 196 141 181

HSL 316.36, 0.32%, 0.66%

LAB 65.06, 27.26, -12.63

 

CMYK 22 / 28 / 0 / 23

HEX #988DC4

RGB 152 141 196

HSL 252, 0.32%, 0.66%

LAB 61.4, 15.78, -27.02

 

CMYK 28 / 28 / 0 / 23

HEX #8D8DC4

RGB 141 141 196

HSL 240, 0.32%, 0.66%

LAB 60.51, 12.41, -28.47

 

CMYK 22 / 28 / 0 / 23

HEX #988DC4

RGB 152 141 196

HSL 252, 0.32%, 0.66%

LAB 61.4, 15.78, -27.02

 

CMYK 32 / 40 / 0 / 18

HEX #8F7FD2

RGB 143 127 210

HSL 251.57, 0.48%, 0.66%

LAB 57.72, 24.72, -40.7

 

CMYK 40 / 50 / 0 / 12

HEX #8770E0

RGB 135 112 224

HSL 252.32, 0.64%, 0.66%

LAB 54.16, 35.14, -54.29

 

CMYK 47 / 59 / 0 / 7

HEX #7E62EE

RGB 126 98 238

HSL 252, 0.8%, 0.66%

LAB 51.09, 45.12, -67.12

 

CMYK 53 / 67 / 0 / 1

HEX #7654FC

RGB 118 84 252

HSL 252.14, 0.97%, 0.66%

LAB 48.54, 55.36, -79.12

 

CMYK 22 / 28 / 0 / 23

HEX #988DC4

RGB 152 141 196

HSL 252, 0.32%, 0.66%

LAB 61.4, 15.78, -27.02

 

CMYK 12 / 15 / 0 / 29

HEX #A09BB6

RGB 160 155 182

HSL 251.11, 0.16%, 0.66%

LAB 65.2, 7.25, -13.32

 

CMYK 1 / 0 / 1 / 34

HEX #A8A9A8

RGB 168 169 168

HSL 120, 0.01%, 0.66%

LAB 69.13, -0.54, 0.38

 

CMYK 3 / 0 / 16 / 28

HEX #B1B79A

RGB 177 183 154

HSL 72.41, 0.17%, 0.66%

LAB 73.25, -7.22, 14.05

 

CMYK 6 / 0 / 29 / 23

HEX #B9C58C

RGB 185 197 140

HSL 72.63, 0.33%, 0.66%

LAB 77.36, -13.58, 27.29

 

CMYK 28 / 19 / 0 / 23

HEX #8D9FC4

RGB 141 159 196

HSL 220.36, 0.32%, 0.66%

LAB 65.31, 2.16, -21.1

 

CMYK 28 / 27 / 0 / 23

HEX #8D90C4

RGB 141 144 196

HSL 236.73, 0.32%, 0.66%

LAB 61.3, 10.68, -27.25

 

CMYK 22 / 28 / 0 / 23

HEX #988DC4

RGB 152 141 196

HSL 252, 0.32%, 0.66%

LAB 61.4, 15.78, -27.02

 

CMYK 15 / 28 / 0 / 23

HEX #A68DC4

RGB 166 141 196

HSL 267.27, 0.32%, 0.66%

LAB 62.63, 20.2, -25.04

 

CMYK 8 / 28 / 0 / 23

HEX #B58DC4

RGB 181 141 196

HSL 283.64, 0.32%, 0.66%

LAB 64.05, 25.07, -22.74

 

CMYK 39 / 49 / 0 / 34

HEX #6756A8

RGB 103 86 168

HSL 252.44, 0.32%, 0.5%

LAB 41.79, 26.91, -41.89

 

CMYK 30 / 38 / 0 / 29

HEX #7F71B6

RGB 127 113 182

HSL 252.17, 0.32%, 0.58%

LAB 51.5, 21.1, -34.61

 

CMYK 22 / 28 / 0 / 23

HEX #988DC4

RGB 152 141 196

HSL 252, 0.32%, 0.66%

LAB 61.4, 15.78, -27.02

 

CMYK 16 / 20 / 0 / 18

HEX #B0A8D2

RGB 176 168 210

HSL 251.43, 0.32%, 0.74%

LAB 70.79, 11.32, -20.27

 

CMYK 10 / 13 / 0 / 12

HEX #C9C3E0

RGB 201 195 224

HSL 252.41, 0.32%, 0.82%

LAB 80.08, 7.63, -13.66

 

CMYK 22 / 28 / 0 / 23

HEX #998EC5

RGB 153 142 197

HSL 252, 0.32%, 0.66%

LAB 61.78, 15.75, -26.99

 

CMYK 0 / 28 / 11 / 23

HEX #C48DAE

RGB 196 141 174

HSL 324, 0.32%, 0.66%

LAB 64.84, 26.04, -9.02

 

CMYK 22 / 0 / 28 / 23

HEX #98C48D

RGB 152 196 141

HSL 108, 0.32%, 0.66%

LAB 74.87, -24.99, 23.01

 

CMYK 22 / 28 / 0 / 23

HEX #998EC5

RGB 153 142 197

HSL 252, 0.32%, 0.66%

LAB 61.78, 15.75, -26.99

 

CMYK 0 / 22 / 28 / 23

HEX #C4988D

RGB 196 152 141

HSL 12, 0.32%, 0.66%

LAB 66.61, 14.84, 12.1

 

CMYK 28 / 0 / 22 / 23

HEX #8DC498

RGB 141 196 152

HSL 132, 0.32%, 0.66%

LAB 74.45, -26.8, 16.46

 

CMYK 22 / 28 / 0 / 23

HEX #998EC5

RGB 153 142 197

HSL 252, 0.32%, 0.66%

LAB 61.78, 15.75, -26.99

 

CMYK 0 / 28 / 11 / 23

HEX #C48DAE

RGB 196 141 174

HSL 324, 0.32%, 0.66%

LAB 64.84, 26.04, -9.02

 

CMYK 6 / 0 / 28 / 23

HEX #B9C48D

RGB 185 196 141

HSL 72, 0.32%, 0.66%

LAB 77.11, -12.93, 26.42

 

CMYK 28 / 0 / 17 / 23

HEX #8DC4A3

RGB 141 196 163

HSL 144, 0.32%, 0.66%

LAB 74.69, -24.72, 10.88

 

CMYK 22 / 28 / 0 / 23

HEX #998EC5

RGB 153 142 197

HSL 252, 0.32%, 0.66%

LAB 61.78, 15.75, -26.99

 

CMYK 0 / 28 / 20 / 23

HEX #C48D9D

RGB 196 141 157

HSL 342.55, 0.32%, 0.66%

LAB 64.34, 23.27, -0.15

 

CMYK 6 / 0 / 28 / 23

HEX #B9C48D

RGB 185 196 141

HSL 72, 0.32%, 0.66%

LAB 77.11, -12.93, 26.42

 

CMYK 28 / 0 / 9 / 23

HEX #8DC4B3

RGB 141 196 179

HSL 161.45, 0.32%, 0.66%

LAB 75.07, -21.46, 2.79

 

Description

Color code: RGBA 153 142 197 0 | qconv.com Color code: RGBA 153 142 197 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 142 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 142 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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