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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 152 214 120 0.75 it is the complementary color RGBA 103 41 135 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 152 214 120 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 152 214 120 0.75 shade: RGBA 157 214 115 0.75, RGBA 174 232 134 0.75, RGBA 191 250 153 0.75, RGBA 208 255 172 0.75 and RGBA 225 255 191 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 152 214 120 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 152 214 120 0.75 shade: RGBA 152 214 120 0.75, RGBA 135 196 101 0.75, RGBA 118 178 82 0.75, RGBA 101 160 63 0.75 and RGBA 84 142 44 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 152 214 120 0.75 shade: RGB 151 213 118, RGB 176 213 118, RGB 202 213 118, RGB 213 199 118 and RGB 213 173 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 152 214 120 0.75 shade: RGB 151 213 118, RGB 125 213 118, RGB 118 213 137, RGB 118 213 163 and RGB 118 213 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 152 214 120 0.75 shade matches the following richer shades: RGB 151 213 118, RGB 146 227 104 and RGB 141 242 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 152 214 120 0.75 shade: RGB 151 213 118, RGB 155 199 133, RGB 160 184 147, RGB 164 170 162 and RGB 169 155 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 152 214 120 0.75 shade: RGB 202 213 118, RGB 177 213 118, RGB 152 213 118, RGB 126 213 118 and RGB 118 213 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 152 214 120 0.75 shade: RGB 103 190 59, RGB 127 203 87, RGB 151 213 118, RGB 175 223 150 and RGB 199 232 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 152 214 120 0.75 shade: RGB 152 214 120, RGB 118 213 199 and RGB 213 118 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 152 214 120 0.75 shade: RGB 152 214 120, RGB 118 152 213 and RGB 213 118 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 152 214 120 0.75 shade: RGB 152 214 120, RGB 118 213 199, RGB 180 118 213 and RGB 213 118 133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 152 214 120 0.75 shade: RGB 152 214 120, RGB 118 199 213, RGB 180 118 213 and RGB 213 133 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 33 / 12

HEX #98D678BF

RGBA 152 214 120 0.75

HSLA 99.57, 0.53%, 0.65%, 0.75

LABA 79.68, -36.54, 40.14, 0.75

 

Complementary color

CMYK 18 / 52 / 0 / 35

HEX #672987BF

RGBA 103 41 135 0.75

HSLA 279.57, 0.53%, 0.35%, 0.75

LABA 29.96, 43.78, -40.82, 0.75

 

CMYK 20 / 0 / 35 / 12

HEX #9DD673BF

RGBA 157 214 115 0.75

HSLA 94.55, 0.55%, 0.65%, 0.75

LABA 79.9, -35.42, 42.93, 0.75

 

CMYK 19 / 0 / 32 / 7

HEX #AEE886BF

RGBA 174 232 134 0.75

HSLA 95.51, 0.68%, 0.72%, 0.75

LABA 86.22, -35.34, 41.77, 0.75

 

CMYK 18 / 0 / 29 / 1

HEX #BFFA99BF

RGBA 191 250 153 0.75

HSLA 96.49, 0.91%, 0.79%, 0.75

LABA 92.46, -35.24, 40.64, 0.75

 

CMYK 14 / 0 / 24 / 0

HEX #D0FFACBF

RGBA 208 255 172 0.75

HSLA 93.98, 1%, 0.84%, 0.75

LABA 95.12, -29.13, 34.91, 0.75

 

CMYK 9 / 0 / 19 / 0

HEX #E1FFBFBF

RGBA 225 255 191 0.75

HSLA 88.13, 1%, 0.87%, 0.75

LABA 96.53, -20.52, 27.45, 0.75

 

CMYK 22 / 0 / 33 / 12

HEX #98D678BF

RGBA 152 214 120 0.75

HSLA 99.57, 0.53%, 0.65%, 0.75

LABA 79.68, -36.54, 40.14, 0.75

 

CMYK 23 / 0 / 36 / 17

HEX #87C465BF

RGBA 135 196 101 0.75

HSLA 98.53, 0.45%, 0.58%, 0.75

LABA 73.27, -36.64, 41.33, 0.75

 

CMYK 25 / 0 / 40 / 23

HEX #76B252BF

RGBA 118 178 82 0.75

HSLA 97.5, 0.38%, 0.51%, 0.75

LABA 66.75, -36.69, 42.51, 0.75

 

CMYK 28 / 0 / 45 / 28

HEX #65A03FBF

RGBA 101 160 63 0.75

HSLA 96.49, 0.43%, 0.44%, 0.75

LABA 60.13, -36.64, 43.6, 0.75

 

CMYK 31 / 0 / 52 / 33

HEX #548E2CBF

RGBA 84 142 44 0.75

HSLA 95.51, 0.53%, 0.36%, 0.75

LABA 53.4, -36.44, 44.45, 0.75

 

CMYK 29 / 0 / 45 / 16

HEX #97D576

RGB 151 213 118

HSL 99.16, 0.53%, 0.65%

LAB 79.31, -36.69, 40.66

 

CMYK 17 / 0 / 45 / 16

HEX #B0D576

RGB 176 213 118

HSL 83.37, 0.53%, 0.65%

LAB 80.81, -27.67, 42.85

 

CMYK 5 / 0 / 45 / 16

HEX #CAD576

RGB 202 213 118

HSL 66.95, 0.53%, 0.65%

LAB 82.62, -17.68, 45.5

 

CMYK 0 / 7 / 45 / 16

HEX #D5C776

RGB 213 199 118

HSL 51.16, 0.53%, 0.65%

LAB 79.78, -6.21, 42.17

 

CMYK 0 / 19 / 45 / 16

HEX #D5AD76

RGB 213 173 118

HSL 34.74, 0.53%, 0.65%

LAB 73.12, 7.46, 33.71

 

CMYK 29 / 0 / 45 / 16

HEX #97D576

RGB 151 213 118

HSL 99.16, 0.53%, 0.65%

LAB 79.31, -36.69, 40.66

 

CMYK 41 / 0 / 45 / 16

HEX #7DD576

RGB 125 213 118

HSL 115.58, 0.53%, 0.65%

LAB 78.03, -45.13, 38.76

 

CMYK 45 / 0 / 36 / 16

HEX #76D589

RGB 118 213 137

HSL 132, 0.53%, 0.65%

LAB 78.02, -44.23, 29.05

 

CMYK 45 / 0 / 23 / 16

HEX #76D5A3

RGB 118 213 163

HSL 148.42, 0.53%, 0.65%

LAB 78.51, -39.43, 16.11

 

CMYK 45 / 0 / 12 / 16

HEX #76D5BC

RGB 118 213 188

HSL 164.21, 0.53%, 0.65%

LAB 79.08, -34.08, 3.62

 

CMYK 29 / 0 / 45 / 16

HEX #97D576

RGB 151 213 118

HSL 99.16, 0.53%, 0.65%

LAB 79.31, -36.69, 40.66

 

CMYK 36 / 0 / 54 / 11

HEX #92E368

RGB 146 227 104

HSL 99.51, 0.69%, 0.65%

LAB 82.94, -46.16, 51.7

 

CMYK 42 / 0 / 63 / 5

HEX #8DF25A

RGB 141 242 90

HSL 99.87, 0.85%, 0.65%

LAB 86.95, -55.26, 62.29

 

CMYK 29 / 0 / 45 / 16

HEX #97D576

RGB 151 213 118

HSL 99.16, 0.53%, 0.65%

LAB 79.31, -36.69, 40.66

 

CMYK 22 / 0 / 33 / 22

HEX #9BC785

RGB 155 199 133

HSL 100, 0.37%, 0.65%

LAB 75.77, -26.64, 28.46

 

CMYK 13 / 0 / 20 / 28

HEX #A0B893

RGB 160 184 147

HSL 98.92, 0.21%, 0.65%

LAB 72.14, -15.13, 16.11

 

CMYK 4 / 0 / 5 / 33

HEX #A4AAA2

RGB 164 170 162

HSL 105, 0.04%, 0.65%

LAB 68.93, -3.64, 3.37

 

CMYK 4 / 12 / 0 / 31

HEX #A99BB0

RGB 169 155 176

HSL 280, 0.12%, 0.65%

LAB 65.76, 9.09, -9.04

 

CMYK 5 / 0 / 45 / 16

HEX #CAD576

RGB 202 213 118

HSL 66.95, 0.53%, 0.65%

LAB 82.62, -17.68, 45.5

 

CMYK 17 / 0 / 45 / 16

HEX #B1D576

RGB 177 213 118

HSL 82.74, 0.53%, 0.65%

LAB 80.87, -27.3, 42.95

 

CMYK 29 / 0 / 45 / 16

HEX #98D576

RGB 152 213 118

HSL 98.53, 0.53%, 0.65%

LAB 79.37, -36.34, 40.74

 

CMYK 41 / 0 / 45 / 16

HEX #7ED576

RGB 126 213 118

HSL 114.95, 0.53%, 0.65%

LAB 78.07, -44.83, 38.83

 

CMYK 45 / 0 / 36 / 16

HEX #76D588

RGB 118 213 136

HSL 131.37, 0.53%, 0.65%

LAB 78, -44.4, 29.54

 

CMYK 46 / 0 / 69 / 25

HEX #67BE3B

RGB 103 190 59

HSL 99.85, 0.53%, 0.49%

LAB 69.49, -49, 55.51

 

CMYK 37 / 0 / 57 / 20

HEX #7FCB57

RGB 127 203 87

HSL 99.31, 0.53%, 0.57%

LAB 74.77, -44.03, 49.68

 

CMYK 29 / 0 / 45 / 16

HEX #97D576

RGB 151 213 118

HSL 99.16, 0.53%, 0.65%

LAB 79.31, -36.69, 40.66

 

CMYK 22 / 0 / 33 / 13

HEX #AFDF96

RGB 175 223 150

HSL 99.45, 0.53%, 0.73%

LAB 84.01, -28.62, 30.87

 

CMYK 14 / 0 / 22 / 9

HEX #C7E8B6

RGB 199 232 182

HSL 99.6, 0.52%, 0.81%

LAB 88.56, -19.74, 20.81

 

CMYK 29 / 0 / 44 / 16

HEX #98D678

RGB 152 214 120

HSL 99.57, 0.53%, 0.65%

LAB 79.68, -36.54, 40.14

 

CMYK 45 / 0 / 7 / 16

HEX #76D5C7

RGB 118 213 199

HSL 171.16, 0.53%, 0.65%

LAB 79.36, -31.51, -1.85

 

CMYK 0 / 45 / 11 / 16

HEX #D576BD

RGB 213 118 189

HSL 315.16, 0.53%, 0.65%

LAB 62.32, 46.56, -21.11

 

CMYK 29 / 0 / 44 / 16

HEX #98D678

RGB 152 214 120

HSL 99.57, 0.53%, 0.65%

LAB 79.68, -36.54, 40.14

 

CMYK 45 / 29 / 0 / 16

HEX #7698D5

RGB 118 152 213

HSL 218.53, 0.53%, 0.65%

LAB 62.6, 4.29, -34.88

 

CMYK 0 / 45 / 29 / 16

HEX #D57698

RGB 213 118 152

HSL 338.53, 0.53%, 0.65%

LAB 61.11, 41.04, -1.79

 

CMYK 29 / 0 / 44 / 16

HEX #98D678

RGB 152 214 120

HSL 99.57, 0.53%, 0.65%

LAB 79.68, -36.54, 40.14

 

CMYK 45 / 0 / 7 / 16

HEX #76D5C7

RGB 118 213 199

HSL 171.16, 0.53%, 0.65%

LAB 79.36, -31.51, -1.85

 

CMYK 15 / 45 / 0 / 16

HEX #B476D5

RGB 180 118 213

HSL 279.16, 0.53%, 0.65%

LAB 59.4, 41.1, -39.5

 

CMYK 0 / 45 / 38 / 16

HEX #D57685

RGB 213 118 133

HSL 350.53, 0.53%, 0.65%

LAB 60.6, 38.66, 8.41

 

CMYK 29 / 0 / 44 / 16

HEX #98D678

RGB 152 214 120

HSL 99.57, 0.53%, 0.65%

LAB 79.68, -36.54, 40.14

 

CMYK 45 / 7 / 0 / 16

HEX #76C7D5

RGB 118 199 213

HSL 188.84, 0.53%, 0.65%

LAB 75.76, -21.13, -14.73

 

CMYK 15 / 45 / 0 / 16

HEX #B476D5

RGB 180 118 213

HSL 279.16, 0.53%, 0.65%

LAB 59.4, 41.1, -39.5

 

CMYK 0 / 38 / 45 / 16

HEX #D58576

RGB 213 133 118

HSL 9.47, 0.53%, 0.65%

LAB 63.53, 29.05, 21.02

 

Description

Color code: RGBA 152 214 120 0.75 | qconv.com Color code: RGBA 152 214 120 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 214 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 214 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 33 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 33% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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