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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 152 149 241 0.75 it is the complementary color RGBA 103 106 14 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 152 149 241 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 152 149 241 0.75 shade: RGBA 157 149 236 0.75, RGBA 174 167 255 0.75, RGBA 191 185 255 0.75, RGBA 208 203 255 0.75 and RGBA 225 221 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 152 149 241 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 152 149 241 0.75 shade: RGBA 152 149 241 0.75, RGBA 135 131 222 0.75, RGBA 118 113 203 0.75, RGBA 101 95 184 0.75 and RGBA 84 77 165 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 152 149 241 0.75 shade: RGB 150 147 241, RGB 175 147 241, RGB 201 147 241, RGB 226 147 241 and RGB 241 147 230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 152 149 241 0.75 shade: RGB 150 147 241 and RGB 147 147 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 152 149 241 0.75 shade matches the following richer shades: RGB 150 147 241 and RGB 140 137 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 152 149 241 0.75 shade: RGB 150 147 241, RGB 159 157 231, RGB 168 166 221, RGB 178 176 211 and RGB 187 186 201

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 152 149 241 0.75 shade: RGB 147 195 241, RGB 147 170 241, RGB 148 147 241, RGB 173 147 241 and RGB 199 147 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 152 149 241 0.75 shade: RGB 79 74 231, RGB 114 110 236, RGB 150 147 241, RGB 185 183 246 and RGB 221 220 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 152 149 241 0.75 shade: RGB 152 149 241, RGB 241 147 221 and RGB 183 241 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 152 149 241 0.75 shade: RGB 152 149 241, RGB 241 148 147 and RGB 147 241 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 152 149 241 0.75 shade: RGB 152 149 241, RGB 241 147 221, RGB 239 241 147 and RGB 147 241 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 152 149 241 0.75 shade: RGB 152 149 241, RGB 241 147 192, RGB 239 241 147 and RGB 147 241 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 29 / 0 / 4

HEX #9895F1BF

RGBA 152 149 241 0.75

HSLA 241.96, 0.77%, 0.76%, 0.75

LABA 65.37, 22.61, -45.85, 0.75

 

Complementary color

CMYK 2 / 0 / 65 / 44

HEX #676A0EBF

RGBA 103 106 14 0.75

HSLA 61.96, 0.77%, 0.24%, 0.75

LABA 43.1, -12.36, 45.84, 0.75

 

CMYK 25 / 28 / 0 / 6

HEX #9D95ECBF

RGBA 157 149 236 0.75

HSLA 245.52, 0.7%, 0.75%, 0.75

LABA 65.53, 22.63, -42.83, 0.75

 

CMYK 24 / 26 / 0 / 0

HEX #AEA7FFBF

RGBA 174 167 255 0.75

HSLA 244.77, 1%, 0.83%, 0.75

LABA 72.13, 21.92, -42.76, 0.75

 

CMYK 19 / 21 / 0 / 0

HEX #BFB9FFBF

RGBA 191 185 255 0.75

HSLA 245.14, 1%, 0.86%, 0.75

LABA 77.87, 16.74, -33.74, 0.75

 

CMYK 14 / 15 / 0 / 0

HEX #D0CBFFBF

RGBA 208 203 255 0.75

HSLA 245.77, 1%, 0.9%, 0.75

LABA 83.62, 12.05, -24.81, 0.75

 

CMYK 9 / 10 / 0 / 0

HEX #E1DDFFBF

RGBA 225 221 255 0.75

HSLA 247.06, 1%, 0.93%, 0.75

LABA 89.37, 7.79, -16.01, 0.75

 

CMYK 28 / 29 / 0 / 4

HEX #9895F1BF

RGBA 152 149 241 0.75

HSLA 241.96, 0.77%, 0.76%, 0.75

LABA 65.37, 22.61, -45.85, 0.75

 

CMYK 29 / 31 / 0 / 10

HEX #8783DEBF

RGBA 135 131 222 0.75

HSLA 242.64, 0.58%, 0.69%, 0.75

LABA 58.66, 23.46, -46.01, 0.75

 

CMYK 31 / 33 / 0 / 15

HEX #7671CBBF

RGBA 118 113 203 0.75

HSLA 243.33, 0.46%, 0.62%, 0.75

LABA 51.81, 24.44, -46.22, 0.75

 

CMYK 34 / 36 / 0 / 21

HEX #655FB8BF

RGBA 101 95 184 0.75

HSLA 244.04, 0.39%, 0.55%, 0.75

LABA 44.82, 25.57, -46.48, 0.75

 

CMYK 37 / 40 / 0 / 26

HEX #544DA5BF

RGBA 84 77 165 0.75

HSLA 244.77, 0.36%, 0.47%, 0.75

LABA 37.68, 26.91, -46.79, 0.75

 

CMYK 38 / 39 / 0 / 5

HEX #9693F1

RGB 150 147 241

HSL 241.91, 0.77%, 0.76%

LAB 64.73, 23.24, -46.88

 

CMYK 27 / 39 / 0 / 5

HEX #AF93F1

RGB 175 147 241

HSL 257.87, 0.77%, 0.76%

LAB 66.77, 29.98, -43.52

 

CMYK 17 / 39 / 0 / 5

HEX #C993F1

RGB 201 147 241

HSL 274.47, 0.77%, 0.76%

LAB 69.21, 37.41, -39.53

 

CMYK 6 / 39 / 0 / 5

HEX #E293F1

RGB 226 147 241

HSL 290.43, 0.77%, 0.76%

LAB 71.82, 44.78, -35.28

 

CMYK 0 / 39 / 5 / 5

HEX #F193E6

RGB 241 147 230

HSL 307.02, 0.77%, 0.76%

LAB 73.08, 47.32, -27.18

 

CMYK 38 / 39 / 0 / 5

HEX #9693F1

RGB 150 147 241

HSL 241.91, 0.77%, 0.76%

LAB 64.73, 23.24, -46.88

 

CMYK 39 / 39 / 0 / 5

HEX #9393F1

RGB 147 147 241

HSL 240, 0.77%, 0.76%

LAB 64.5, 22.46, -47.25

 

CMYK 38 / 39 / 0 / 5

HEX #9693F1

RGB 150 147 241

HSL 241.91, 0.77%, 0.76%

LAB 64.73, 23.24, -46.88

 

CMYK 44 / 45 / 0 / 2

HEX #8C89FB

RGB 140 137 251

HSL 241.58, 0.93%, 0.76%

LAB 62.03, 29.34, -56.71

 

CMYK 38 / 39 / 0 / 5

HEX #9693F1

RGB 150 147 241

HSL 241.91, 0.77%, 0.76%

LAB 64.73, 23.24, -46.88

 

CMYK 31 / 32 / 0 / 9

HEX #9F9DE7

RGB 159 157 231

HSL 241.62, 0.61%, 0.76%

LAB 67.47, 17.34, -37.04

 

CMYK 24 / 25 / 0 / 13

HEX #A8A6DD

RGB 168 166 221

HSL 242.18, 0.45%, 0.76%

LAB 70.05, 12.45, -27.5

 

CMYK 16 / 17 / 0 / 17

HEX #B2B0D3

RGB 178 176 211

HSL 243.43, 0.28%, 0.76%

LAB 73.04, 7.77, -17.4

 

CMYK 7 / 7 / 0 / 21

HEX #BBBAC9

RGB 187 186 201

HSL 244, 0.12%, 0.76%

LAB 76.01, 3.23, -7.43

 

CMYK 39 / 19 / 0 / 5

HEX #93C3F1

RGB 147 195 241

HSL 209.36, 0.77%, 0.76%

LAB 77.03, -4.42, -27.77

 

CMYK 39 / 29 / 0 / 5

HEX #93AAF1

RGB 147 170 241

HSL 225.32, 0.77%, 0.76%

LAB 70.39, 9.33, -38.03

 

CMYK 39 / 39 / 0 / 5

HEX #9493F1

RGB 148 147 241

HSL 240.64, 0.77%, 0.76%

LAB 64.58, 22.72, -47.13

 

CMYK 28 / 39 / 0 / 5

HEX #AD93F1

RGB 173 147 241

HSL 256.6, 0.77%, 0.76%

LAB 66.6, 29.42, -43.81

 

CMYK 17 / 39 / 0 / 5

HEX #C793F1

RGB 199 147 241

HSL 273.19, 0.77%, 0.76%

LAB 69.01, 36.83, -39.86

 

CMYK 66 / 68 / 0 / 9

HEX #4F4AE7

RGB 79 74 231

HSL 241.91, 0.77%, 0.6%

LAB 41.73, 49.02, -78.58

 

CMYK 52 / 53 / 0 / 7

HEX #726EEC

RGB 114 110 236

HSL 241.9, 0.77%, 0.68%

LAB 52.71, 35.14, -63.42

 

CMYK 38 / 39 / 0 / 5

HEX #9693F1

RGB 150 147 241

HSL 241.91, 0.77%, 0.76%

LAB 64.73, 23.24, -46.88

 

CMYK 25 / 26 / 0 / 4

HEX #B9B7F6

RGB 185 183 246

HSL 241.9, 0.78%, 0.84%

LAB 76.58, 13.98, -30.94

 

CMYK 12 / 12 / 0 / 2

HEX #DDDCFA

RGB 221 220 250

HSL 242, 0.75%, 0.92%

LAB 88.67, 6.05, -14.46

 

CMYK 37 / 38 / 0 / 5

HEX #9895F1

RGB 152 149 241

HSL 241.96, 0.77%, 0.76%

LAB 65.37, 22.61, -45.85

 

CMYK 0 / 39 / 8 / 5

HEX #F193DD

RGB 241 147 221

HSL 312.77, 0.77%, 0.76%

LAB 72.75, 45.79, -22.74

 

CMYK 24 / 0 / 39 / 5

HEX #B7F193

RGB 183 241 147

HSL 97.02, 0.77%, 0.76%

LAB 89.43, -34.66, 39.58

 

CMYK 37 / 38 / 0 / 5

HEX #9895F1

RGB 152 149 241

HSL 241.96, 0.77%, 0.76%

LAB 65.37, 22.61, -45.85

 

CMYK 0 / 39 / 39 / 5

HEX #F19493

RGB 241 148 147

HSL 0.64, 0.77%, 0.76%

LAB 70.86, 34.88, 15.47

 

CMYK 39 / 0 / 39 / 5

HEX #93F194

RGB 147 241 148

HSL 120.64, 0.77%, 0.76%

LAB 87.61, -46.12, 36.36

 

CMYK 37 / 38 / 0 / 5

HEX #9895F1

RGB 152 149 241

HSL 241.96, 0.77%, 0.76%

LAB 65.37, 22.61, -45.85

 

CMYK 0 / 39 / 8 / 5

HEX #F193DD

RGB 241 147 221

HSL 312.77, 0.77%, 0.76%

LAB 72.75, 45.79, -22.74

 

CMYK 1 / 0 / 39 / 5

HEX #EFF193

RGB 239 241 147

HSL 61.28, 0.77%, 0.76%

LAB 93.18, -14.12, 45.13

 

CMYK 39 / 0 / 31 / 5

HEX #93F1A7

RGB 147 241 167

HSL 132.77, 0.77%, 0.76%

LAB 87.92, -43.07, 27.2

 

CMYK 37 / 38 / 0 / 5

HEX #9895F1

RGB 152 149 241

HSL 241.96, 0.77%, 0.76%

LAB 65.37, 22.61, -45.85

 

CMYK 0 / 39 / 20 / 5

HEX #F193C0

RGB 241 147 192

HSL 331.28, 0.77%, 0.76%

LAB 71.81, 41.24, -8.16

 

CMYK 1 / 0 / 39 / 5

HEX #EFF193

RGB 239 241 147

HSL 61.28, 0.77%, 0.76%

LAB 93.18, -14.12, 45.13

 

CMYK 39 / 0 / 19 / 5

HEX #93F1C3

RGB 147 241 195

HSL 150.64, 0.77%, 0.76%

LAB 88.47, -37.9, 13.54

 

Description

Color code: RGBA 152 149 241 0.75 | qconv.com Color code: RGBA 152 149 241 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 149 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 149 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 29 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 29% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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