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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 151 198 156 0.75 it is the complementary color RGBA 104 57 99 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 151 198 156 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 151 198 156 0.75 shade: RGBA 156 198 151 0.75, RGBA 173 216 170 0.75, RGBA 190 234 189 0.75, RGBA 207 252 208 0.75 and RGBA 224 255 227 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 151 198 156 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 151 198 156 0.75 shade: RGBA 151 198 156 0.75, RGBA 134 180 137 0.75, RGBA 117 162 118 0.75, RGBA 100 144 99 0.75 and RGBA 83 126 80 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 151 198 156 0.75 shade: RGB 150 197 155, RGB 157 197 150, RGB 170 197 150, RGB 183 197 150 and RGB 196 197 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 151 198 156 0.75 shade: RGB 150 197 155, RGB 150 197 168, RGB 150 197 180, RGB 150 197 193 and RGB 150 188 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 151 198 156 0.75 shade matches the following richer shades: RGB 150 197 155, RGB 137 210 144, RGB 123 223 134, RGB 110 237 124 and RGB 97 250 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 151 198 156 0.75 shade: RGB 150 197 155, RGB 163 184 165, RGB 176 171 176, RGB 189 157 186 and RGB 203 144 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 151 198 156 0.75 shade: RGB 170 197 150, RGB 158 197 150, RGB 150 197 154, RGB 150 197 167 and RGB 150 197 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 151 198 156 0.75 shade: RGB 97 168 104, RGB 123 182 129, RGB 150 197 155, RGB 176 212 180 and RGB 203 226 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 151 198 156 0.75 shade: RGB 151 198 156, RGB 150 183 197 and RGB 197 150 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 151 198 156 0.75 shade: RGB 151 198 156, RGB 154 150 197 and RGB 197 154 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 151 198 156 0.75 shade: RGB 151 198 156, RGB 150 183 197, RGB 197 150 192 and RGB 197 164 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 151 198 156 0.75 shade: RGB 151 198 156, RGB 150 169 197, RGB 197 150 192 and RGB 197 178 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 16 / 17

HEX #97C69CBF

RGBA 151 198 156 0.75

HSLA 126.38, 0.29%, 0.68%, 0.75

LABA 75.68, -23.76, 16.12, 0.75

 

Complementary color

CMYK 0 / 34 / 4 / 44

HEX #683963BF

RGBA 104 57 99 0.75

HSLA 306.38, 0.29%, 0.32%, 0.75

LABA 31.28, 27.64, -15.99, 0.75

 

CMYK 16 / 0 / 18 / 17

HEX #9CC697BF

RGBA 156 198 151 0.75

HSLA 113.62, 0.29%, 0.68%, 0.75

LABA 75.88, -22.93, 19.11, 0.75

 

CMYK 15 / 0 / 16 / 11

HEX #ADD8AABF

RGBA 173 216 170 0.75

HSLA 116.09, 0.37%, 0.76%, 0.75

LABA 82.32, -22.77, 18.16, 0.75

 

CMYK 14 / 0 / 14 / 6

HEX #BEEABDBF

RGBA 190 234 189 0.75

HSLA 118.67, 0.52%, 0.83%, 0.75

LABA 88.67, -22.62, 17.26, 0.75

 

CMYK 13 / 0 / 13 / 1

HEX #CFFCD0BF

RGBA 207 252 208 0.75

HSLA 121.33, 0.88%, 0.9%, 0.75

LABA 94.92, -22.48, 16.4, 0.75

 

CMYK 9 / 0 / 8 / 0

HEX #E0FFE3BF

RGBA 224 255 227 0.75

HSLA 125.81, 1%, 0.94%, 0.75

LABA 97.19, -15.09, 10.02, 0.75

 

CMYK 18 / 0 / 16 / 17

HEX #97C69CBF

RGBA 151 198 156 0.75

HSLA 126.38, 0.29%, 0.68%, 0.75

LABA 75.68, -23.76, 16.12, 0.75

 

CMYK 19 / 0 / 18 / 22

HEX #86B489BF

RGBA 134 180 137 0.75

HSLA 123.91, 0.23%, 0.62%, 0.75

LABA 69.12, -23.97, 17.09, 0.75

 

CMYK 21 / 0 / 20 / 27

HEX #75A276BF

RGBA 117 162 118 0.75

HSLA 121.33, 0.19%, 0.55%, 0.75

LABA 62.45, -24.2, 18.13, 0.75

 

CMYK 23 / 0 / 23 / 33

HEX #649063BF

RGBA 100 144 99 0.75

HSLA 118.67, 0.19%, 0.48%, 0.75

LABA 55.64, -24.45, 19.25, 0.75

 

CMYK 26 / 0 / 27 / 38

HEX #537E50BF

RGBA 83 126 80 0.75

HSLA 116.09, 0.22%, 0.4%, 0.75

LABA 48.69, -24.71, 20.46, 0.75

 

CMYK 24 / 0 / 21 / 23

HEX #96C59B

RGB 150 197 155

HSL 126.38, 0.29%, 0.68%

LAB 75.32, -23.78, 16.14

 

CMYK 20 / 0 / 24 / 23

HEX #9DC596

RGB 157 197 150

HSL 111.06, 0.29%, 0.68%

LAB 75.64, -22.26, 19.33

 

CMYK 14 / 0 / 24 / 23

HEX #AAC596

RGB 170 197 150

HSL 94.47, 0.29%, 0.68%

LAB 76.49, -17.66, 20.62

 

CMYK 7 / 0 / 24 / 23

HEX #B7C596

RGB 183 197 150

HSL 77.87, 0.29%, 0.68%

LAB 77.4, -12.89, 22.03

 

CMYK 1 / 0 / 24 / 23

HEX #C4C596

RGB 196 197 150

HSL 61.28, 0.29%, 0.68%

LAB 78.39, -8.01, 23.54

 

CMYK 24 / 0 / 21 / 23

HEX #96C59B

RGB 150 197 155

HSL 126.38, 0.29%, 0.68%

LAB 75.32, -23.78, 16.14

 

CMYK 24 / 0 / 15 / 23

HEX #96C5A8

RGB 150 197 168

HSL 142.98, 0.29%, 0.68%

LAB 75.6, -21.36, 9.56

 

CMYK 24 / 0 / 9 / 23

HEX #96C5B4

RGB 150 197 180

HSL 158.3, 0.29%, 0.68%

LAB 75.89, -18.97, 3.49

 

CMYK 24 / 0 / 2 / 23

HEX #96C5C1

RGB 150 197 193

HSL 174.89, 0.29%, 0.68%

LAB 76.23, -16.2, -3.04

 

CMYK 24 / 5 / 0 / 23

HEX #96BCC5

RGB 150 188 197

HSL 191.49, 0.29%, 0.68%

LAB 73.86, -10.64, -8.73

 

CMYK 24 / 0 / 21 / 23

HEX #96C59B

RGB 150 197 155

HSL 126.38, 0.29%, 0.68%

LAB 75.32, -23.78, 16.14

 

CMYK 35 / 0 / 31 / 18

HEX #89D290

RGB 137 210 144

HSL 125.75, 0.45%, 0.68%

LAB 78.13, -36.09, 25.71

 

CMYK 45 / 0 / 40 / 13

HEX #7BDF86

RGB 123 223 134

HSL 126.6, 0.61%, 0.68%

LAB 81.13, -47.57, 34.72

 

CMYK 54 / 0 / 48 / 7

HEX #6EED7C

RGB 110 237 124

HSL 126.61, 0.78%, 0.68%

LAB 84.66, -58.08, 44.06

 

CMYK 61 / 0 / 55 / 2

HEX #61FA71

RGB 97 250 113

HSL 126.27, 0.94%, 0.68%

LAB 88.02, -67.23, 53.2

 

CMYK 24 / 0 / 21 / 23

HEX #96C59B

RGB 150 197 155

HSL 126.38, 0.29%, 0.68%

LAB 75.32, -23.78, 16.14

 

CMYK 11 / 0 / 10 / 28

HEX #A3B8A5

RGB 163 184 165

HSL 125.71, 0.13%, 0.68%

LAB 72.75, -10.88, 7.22

 

CMYK 0 / 3 / 0 / 31

HEX #B0ABB0

RGB 176 171 176

HSL 300, 0.03%, 0.68%

LAB 70.52, 2.72, -1.94

 

CMYK 0 / 17 / 2 / 26

HEX #BD9DBA

RGB 189 157 186

HSL 305.63, 0.2%, 0.68%

LAB 68.37, 16.88, -10.53

 

CMYK 0 / 29 / 3 / 20

HEX #CB90C4

RGB 203 144 196

HSL 307.12, 0.36%, 0.68%

LAB 67, 30.69, -18.04

 

CMYK 14 / 0 / 24 / 23

HEX #AAC596

RGB 170 197 150

HSL 94.47, 0.29%, 0.68%

LAB 76.49, -17.66, 20.62

 

CMYK 20 / 0 / 24 / 23

HEX #9EC596

RGB 158 197 150

HSL 109.79, 0.29%, 0.68%

LAB 75.7, -21.91, 19.42

 

CMYK 24 / 0 / 22 / 23

HEX #96C59A

RGB 150 197 154

HSL 125.11, 0.29%, 0.68%

LAB 75.3, -23.96, 16.65

 

CMYK 24 / 0 / 15 / 23

HEX #96C5A7

RGB 150 197 167

HSL 141.7, 0.29%, 0.68%

LAB 75.58, -21.55, 10.06

 

CMYK 24 / 0 / 9 / 23

HEX #96C5B4

RGB 150 197 180

HSL 158.3, 0.29%, 0.68%

LAB 75.89, -18.97, 3.49

 

CMYK 42 / 0 / 38 / 34

HEX #61A868

RGB 97 168 104

HSL 125.92, 0.29%, 0.52%

LAB 62.97, -36.04, 26.27

 

CMYK 32 / 0 / 29 / 29

HEX #7BB681

RGB 123 182 129

HSL 126.1, 0.29%, 0.6%

LAB 68.93, -30.03, 21.06

 

CMYK 24 / 0 / 21 / 23

HEX #96C59B

RGB 150 197 155

HSL 126.38, 0.29%, 0.68%

LAB 75.32, -23.78, 16.14

 

CMYK 17 / 0 / 15 / 17

HEX #B0D4B4

RGB 176 212 180

HSL 126.67, 0.3%, 0.76%

LAB 81.63, -18.03, 11.92

 

CMYK 10 / 0 / 9 / 11

HEX #CBE2CD

RGB 203 226 205

HSL 125.22, 0.28%, 0.84%

LAB 87.73, -11.5, 7.68

 

CMYK 24 / 0 / 21 / 22

HEX #97C69C

RGB 151 198 156

HSL 126.38, 0.29%, 0.68%

LAB 75.68, -23.76, 16.12

 

CMYK 24 / 7 / 0 / 23

HEX #96B7C5

RGB 150 183 197

HSL 197.87, 0.29%, 0.68%

LAB 72.48, -7.99, -10.77

 

CMYK 0 / 24 / 17 / 23

HEX #C596A4

RGB 197 150 164

HSL 342.13, 0.29%, 0.68%

LAB 66.8, 19.78, -0.49

 

CMYK 24 / 0 / 21 / 22

HEX #97C69C

RGB 151 198 156

HSL 126.38, 0.29%, 0.68%

LAB 75.68, -23.76, 16.12

 

CMYK 22 / 24 / 0 / 23

HEX #9A96C5

RGB 154 150 197

HSL 245.11, 0.29%, 0.68%

LAB 63.93, 11.49, -23.69

 

CMYK 0 / 22 / 24 / 23

HEX #C59A96

RGB 197 154 150

HSL 5.11, 0.29%, 0.68%

LAB 67.41, 15.42, 8.24

 

CMYK 24 / 0 / 21 / 22

HEX #97C69C

RGB 151 198 156

HSL 126.38, 0.29%, 0.68%

LAB 75.68, -23.76, 16.12

 

CMYK 24 / 7 / 0 / 23

HEX #96B7C5

RGB 150 183 197

HSL 197.87, 0.29%, 0.68%

LAB 72.48, -7.99, -10.77

 

CMYK 0 / 24 / 3 / 23

HEX #C596C0

RGB 197 150 192

HSL 306.38, 0.29%, 0.68%

LAB 67.64, 24.64, -14.89

 

CMYK 0 / 17 / 24 / 23

HEX #C5A496

RGB 197 164 150

HSL 17.87, 0.29%, 0.68%

LAB 69.91, 9.95, 11.79

 

CMYK 24 / 0 / 21 / 22

HEX #97C69C

RGB 151 198 156

HSL 126.38, 0.29%, 0.68%

LAB 75.68, -23.76, 16.12

 

CMYK 24 / 14 / 0 / 23

HEX #96A9C5

RGB 150 169 197

HSL 215.74, 0.29%, 0.68%

LAB 68.67, -0.4, -16.5

 

CMYK 0 / 24 / 3 / 23

HEX #C596C0

RGB 197 150 192

HSL 306.38, 0.29%, 0.68%

LAB 67.64, 24.64, -14.89

 

CMYK 0 / 10 / 24 / 23

HEX #C5B296

RGB 197 178 150

HSL 35.74, 0.29%, 0.68%

LAB 73.49, 2.38, 16.8

 

Description

Color code: RGBA 151 198 156 0.75 | qconv.com Color code: RGBA 151 198 156 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 198 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 198 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 16 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 16% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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