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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 151 178 120 0.75 it is the complementary color RGBA 104 77 135 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 151 178 120 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 151 178 120 0.75 shade: RGBA 156 178 115 0.75, RGBA 173 196 134 0.75, RGBA 190 214 153 0.75, RGBA 207 232 172 0.75 and RGBA 224 250 191 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 151 178 120 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 151 178 120 0.75 shade: RGBA 151 178 120 0.75, RGBA 134 160 101 0.75, RGBA 117 142 82 0.75, RGBA 100 124 63 0.75 and RGBA 83 106 44 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 151 178 120 0.75 shade: RGB 150 177 119, RGB 165 177 119, RGB 177 173 119, RGB 177 157 119 and RGB 177 141 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 151 178 120 0.75 shade: RGB 150 177 119, RGB 134 177 119, RGB 119 177 119, RGB 119 177 135 and RGB 119 177 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 151 178 120 0.75 shade matches the following richer shades: RGB 150 177 119, RGB 151 194 102, RGB 152 211 84, RGB 153 229 67 and RGB 155 246 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 151 178 120 0.75 shade: RGB 150 177 119, RGB 149 159 136, RGB 148 142 154, RGB 146 125 171 and RGB 145 108 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 151 178 120 0.75 shade: RGB 177 172 119, RGB 166 177 119, RGB 151 177 119, RGB 135 177 119 and RGB 120 177 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 151 178 120 0.75 shade: RGB 109 135 78, RGB 130 162 93, RGB 150 177 119, RGB 170 192 145 and RGB 190 207 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 151 178 120 0.75 shade: RGB 151 178 120, RGB 119 177 157 and RGB 177 119 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 151 178 120 0.75 shade: RGB 151 178 120, RGB 119 151 177 and RGB 177 119 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 151 178 120 0.75 shade: RGB 151 178 120, RGB 119 177 157, RGB 145 119 177 and RGB 177 119 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 151 178 120 0.75 shade: RGB 151 178 120, RGB 119 177 174, RGB 145 119 177 and RGB 177 119 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 24 / 23

HEX #97B278BF

RGBA 151 178 120 0.75

HSLA 87.93, 0.27%, 0.58%, 0.75

LABA 69.31, -19.61, 26.68, 0.75

 

Complementary color

CMYK 17 / 32 / 0 / 35

HEX #684D87BF

RGBA 104 77 135 0.75

HSLA 267.93, 0.27%, 0.42%, 0.75

LABA 37.84, 23.78, -28.28, 0.75

 

CMYK 9 / 0 / 27 / 23

HEX #9CB273BF

RGBA 156 178 115 0.75

HSLA 80.95, 0.29%, 0.57%, 0.75

LABA 69.57, -18.41, 29.75, 0.75

 

CMYK 9 / 0 / 24 / 17

HEX #ADC486BF

RGBA 173 196 134 0.75

HSLA 82.26, 0.34%, 0.65%, 0.75

LABA 76.12, -18.44, 28.62, 0.75

 

CMYK 8 / 0 / 21 / 12

HEX #BED699BF

RGBA 190 214 153 0.75

HSLA 83.61, 0.43%, 0.72%, 0.75

LABA 82.56, -18.45, 27.55, 0.75

 

CMYK 8 / 0 / 19 / 7

HEX #CFE8ACBF

RGBA 207 232 172 0.75

HSLA 85, 0.57%, 0.79%, 0.75

LABA 88.9, -18.45, 26.53, 0.75

 

CMYK 8 / 0 / 18 / 1

HEX #E0FABFBF

RGBA 224 250 191 0.75

HSLA 86.44, 0.86%, 0.86%, 0.75

LABA 95.15, -18.45, 25.56, 0.75

 

CMYK 11 / 0 / 24 / 23

HEX #97B278BF

RGBA 151 178 120 0.75

HSLA 87.93, 0.27%, 0.58%, 0.75

LABA 69.31, -19.61, 26.68, 0.75

 

CMYK 12 / 0 / 28 / 28

HEX #86A065BF

RGBA 134 160 101 0.75

HSLA 86.44, 0.24%, 0.51%, 0.75

LABA 62.63, -19.64, 27.84, 0.75

 

CMYK 13 / 0 / 32 / 33

HEX #758E52BF

RGBA 117 142 82 0.75

HSLA 85, 0.27%, 0.44%, 0.75

LABA 55.82, -19.65, 29.06, 0.75

 

CMYK 15 / 0 / 37 / 39

HEX #647C3FBF

RGBA 100 124 63 0.75

HSLA 83.61, 0.33%, 0.37%, 0.75

LABA 48.86, -19.61, 30.31, 0.75

 

CMYK 16 / 0 / 44 / 44

HEX #536A2CBF

RGBA 83 106 44 0.75

HSLA 82.26, 0.41%, 0.29%, 0.75

LABA 41.73, -19.48, 31.54, 0.75

 

CMYK 15 / 0 / 33 / 31

HEX #96B177

RGB 150 177 119

HSL 87.93, 0.27%, 0.58%

LAB 68.94, -19.63, 26.71

 

CMYK 7 / 0 / 33 / 31

HEX #A5B177

RGB 165 177 119

HSL 72.41, 0.27%, 0.58%

LAB 70.02, -13.86, 28.34

 

CMYK 0 / 2 / 33 / 31

HEX #B1AD77

RGB 177 173 119

HSL 55.86, 0.27%, 0.58%

LAB 69.87, -7.02, 28.32

 

CMYK 0 / 11 / 33 / 31

HEX #B19D77

RGB 177 157 119

HSL 39.31, 0.27%, 0.58%

LAB 65.59, 1.58, 22.6

 

CMYK 0 / 20 / 33 / 31

HEX #B18D77

RGB 177 141 119

HSL 22.76, 0.27%, 0.58%

LAB 61.42, 10.42, 16.91

 

CMYK 15 / 0 / 33 / 31

HEX #96B177

RGB 150 177 119

HSL 87.93, 0.27%, 0.58%

LAB 68.94, -19.63, 26.71

 

CMYK 24 / 0 / 33 / 31

HEX #86B177

RGB 134 177 119

HSL 104.48, 0.27%, 0.58%

LAB 67.91, -25.51, 25.15

 

CMYK 33 / 0 / 33 / 31

HEX #77B177

RGB 119 177 119

HSL 120, 0.27%, 0.58%

LAB 67.05, -30.68, 23.85

 

CMYK 33 / 0 / 24 / 31

HEX #77B187

RGB 119 177 135

HSL 136.55, 0.27%, 0.58%

LAB 67.36, -27.81, 15.61

 

CMYK 33 / 0 / 15 / 31

HEX #77B196

RGB 119 177 150

HSL 152.07, 0.27%, 0.58%

LAB 67.7, -24.81, 7.85

 

CMYK 15 / 0 / 33 / 31

HEX #96B177

RGB 150 177 119

HSL 87.93, 0.27%, 0.58%

LAB 68.94, -19.63, 26.71

 

CMYK 22 / 0 / 47 / 24

HEX #97C266

RGB 151 194 102

HSL 88.04, 0.43%, 0.58%

LAB 73.62, -29.81, 41.49

 

CMYK 28 / 0 / 60 / 17

HEX #98D354

RGB 152 211 84

HSL 87.87, 0.59%, 0.58%

LAB 78.41, -39.09, 55.5

 

CMYK 33 / 0 / 71 / 10

HEX #99E543

RGB 153 229 67

HSL 88.15, 0.76%, 0.58%

LAB 83.56, -47.77, 67.69

 

CMYK 37 / 0 / 80 / 4

HEX #9BF632

RGB 155 246 50

HSL 87.86, 0.92%, 0.58%

LAB 88.5, -54.91, 77.69

 

CMYK 15 / 0 / 33 / 31

HEX #96B177

RGB 150 177 119

HSL 87.93, 0.27%, 0.58%

LAB 68.94, -19.63, 26.71

 

CMYK 6 / 0 / 14 / 38

HEX #959F88

RGB 149 159 136

HSL 86.09, 0.11%, 0.58%

LAB 64.13, -7.87, 10.8

 

CMYK 4 / 8 / 0 / 40

HEX #948E9A

RGB 148 142 154

HSL 270, 0.06%, 0.58%

LAB 59.87, 4.56, -5.56

 

CMYK 15 / 27 / 0 / 33

HEX #927DAB

RGB 146 125 171

HSL 267.39, 0.21%, 0.58%

LAB 55.8, 17.3, -21.45

 

CMYK 23 / 43 / 0 / 26

HEX #916CBC

RGB 145 108 188

HSL 267.75, 0.37%, 0.58%

LAB 52.26, 30.84, -36.75

 

CMYK 0 / 3 / 33 / 31

HEX #B1AC77

RGB 177 172 119

HSL 54.83, 0.27%, 0.58%

LAB 69.6, -6.49, 27.96

 

CMYK 6 / 0 / 33 / 31

HEX #A6B177

RGB 166 177 119

HSL 71.38, 0.27%, 0.58%

LAB 70.09, -13.47, 28.45

 

CMYK 15 / 0 / 33 / 31

HEX #97B177

RGB 151 177 119

HSL 86.9, 0.27%, 0.58%

LAB 69.01, -19.25, 26.82

 

CMYK 24 / 0 / 33 / 31

HEX #87B177

RGB 135 177 119

HSL 103.45, 0.27%, 0.58%

LAB 67.97, -25.15, 25.24

 

CMYK 32 / 0 / 33 / 31

HEX #78B177

RGB 120 177 119

HSL 118.97, 0.27%, 0.58%

LAB 67.1, -30.34, 23.93

 

CMYK 19 / 0 / 42 / 47

HEX #6D874E

RGB 109 135 78

HSL 87.37, 0.27%, 0.42%

LAB 53.09, -19.75, 27.63

 

CMYK 20 / 0 / 43 / 36

HEX #82A25D

RGB 130 162 93

HSL 87.83, 0.27%, 0.5%

LAB 62.82, -23.28, 32.29

 

CMYK 15 / 0 / 33 / 31

HEX #96B177

RGB 150 177 119

HSL 87.93, 0.27%, 0.58%

LAB 68.94, -19.63, 26.71

 

CMYK 11 / 0 / 24 / 25

HEX #AAC091

RGB 170 192 145

HSL 88.09, 0.27%, 0.66%

LAB 75.01, -15.91, 21.26

 

CMYK 8 / 0 / 17 / 19

HEX #BECFAB

RGB 190 207 171

HSL 88.33, 0.27%, 0.74%

LAB 81.02, -12.17, 15.98

 

CMYK 15 / 0 / 33 / 30

HEX #97B278

RGB 151 178 120

HSL 87.93, 0.27%, 0.58%

LAB 69.31, -19.61, 26.68

 

CMYK 33 / 0 / 11 / 31

HEX #77B19D

RGB 119 177 157

HSL 159.31, 0.27%, 0.58%

LAB 67.87, -23.32, 4.24

 

CMYK 0 / 33 / 2 / 31

HEX #B177AE

RGB 177 119 174

HSL 303.1, 0.27%, 0.58%

LAB 57.65, 31.7, -20.06

 

CMYK 15 / 0 / 33 / 30

HEX #97B278

RGB 151 178 120

HSL 87.93, 0.27%, 0.58%

LAB 69.31, -19.61, 26.68

 

CMYK 33 / 15 / 0 / 31

HEX #7797B1

RGB 119 151 177

HSL 206.9, 0.27%, 0.58%

LAB 60.98, -4.73, -17.16

 

CMYK 0 / 33 / 15 / 31

HEX #B17797

RGB 177 119 151

HSL 326.9, 0.27%, 0.58%

LAB 56.86, 27.58, -8

 

CMYK 15 / 0 / 33 / 30

HEX #97B278

RGB 151 178 120

HSL 87.93, 0.27%, 0.58%

LAB 69.31, -19.61, 26.68

 

CMYK 33 / 0 / 11 / 31

HEX #77B19D

RGB 119 177 157

HSL 159.31, 0.27%, 0.58%

LAB 67.87, -23.32, 4.24

 

CMYK 18 / 33 / 0 / 31

HEX #9177B1

RGB 145 119 177

HSL 266.9, 0.27%, 0.58%

LAB 54.44, 21.84, -27.02

 

CMYK 0 / 33 / 21 / 31

HEX #B1778B

RGB 177 119 139

HSL 339.31, 0.27%, 0.58%

LAB 56.49, 25.64, -1.57

 

CMYK 15 / 0 / 33 / 30

HEX #97B278

RGB 151 178 120

HSL 87.93, 0.27%, 0.58%

LAB 69.31, -19.61, 26.68

 

CMYK 33 / 0 / 2 / 31

HEX #77B1AE

RGB 119 177 174

HSL 176.9, 0.27%, 0.58%

LAB 68.33, -19.43, -4.49

 

CMYK 18 / 33 / 0 / 31

HEX #9177B1

RGB 145 119 177

HSL 266.9, 0.27%, 0.58%

LAB 54.44, 21.84, -27.02

 

CMYK 0 / 33 / 31 / 31

HEX #B1777A

RGB 177 119 122

HSL 356.9, 0.27%, 0.58%

LAB 56.03, 23.16, 7.65

 

Description

Color code: RGBA 151 178 120 0.75 | qconv.com Color code: RGBA 151 178 120 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 178 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 178 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 24 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 24% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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