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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 151 160 121 0.75 it is the complementary color RGBA 104 95 134 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 151 160 121 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 151 160 121 0.75 shade: RGBA 156 160 116 0.75, RGBA 173 178 135 0.75, RGBA 190 196 154 0.75, RGBA 207 214 173 0.75 and RGBA 224 232 192 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 151 160 121 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 151 160 121 0.75 shade: RGBA 151 160 121 0.75, RGBA 134 142 102 0.75, RGBA 117 124 83 0.75, RGBA 100 106 64 0.75 and RGBA 83 88 45 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 151 160 121 0.75 shade: RGB 151 160 121, RGB 160 158 121, RGB 160 148 121, RGB 160 137 121 and RGB 160 127 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 151 160 121 0.75 shade: RGB 151 160 121, RGB 140 160 121, RGB 130 160 121, RGB 121 160 122 and RGB 121 160 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 151 160 121 0.75 shade matches the following richer shades: RGB 151 160 121, RGB 161 178 102, RGB 171 197 84, RGB 181 215 65 and RGB 191 234 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 151 160 121 0.75 shade: RGB 151 160 121, RGB 141 141 139, RGB 131 123 158, RGB 121 104 176 and RGB 111 85 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 151 160 121 0.75 shade: RGB 160 147 121, RGB 160 158 121, RGB 151 160 121, RGB 141 160 121 and RGB 130 160 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 151 160 121 0.75 shade: RGB 108 116 82, RGB 131 140 99, RGB 151 160 121, RGB 169 177 145 and RGB 188 194 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 151 160 121 0.75 shade: RGB 151 160 121, RGB 121 160 137 and RGB 153 121 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 151 160 121 0.75 shade: RGB 151 160 121, RGB 121 151 160 and RGB 160 121 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 151 160 121 0.75 shade: RGB 151 160 121, RGB 121 160 137, RGB 129 121 160 and RGB 160 121 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 151 160 121 0.75 shade: RGB 151 160 121, RGB 121 160 149, RGB 129 121 160 and RGB 160 121 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 18 / 28

HEX #97A079BF

RGBA 151 160 121 0.75

HSLA 73.85, 0.17%, 0.55%, 0.75

LABA 64.24, -10.1, 19.31, 0.75

 

Complementary color

CMYK 17 / 22 / 0 / 36

HEX #685F86BF

RGBA 104 95 134 0.75

HSLA 253.85, 0.17%, 0.45%, 0.75

LABA 42.53, 12.41, -20.38, 0.75

 

CMYK 2 / 0 / 21 / 28

HEX #9CA074BF

RGBA 156 160 116 0.75

HSLA 65.45, 0.19%, 0.54%, 0.75

LABA 64.54, -8.88, 22.52, 0.75

 

CMYK 2 / 0 / 18 / 23

HEX #ADB287BF

RGBA 173 178 135 0.75

HSLA 66.98, 0.22%, 0.61%, 0.75

LABA 71.2, -9.04, 21.45, 0.75

 

CMYK 2 / 0 / 16 / 17

HEX #BEC49ABF

RGBA 190 196 154 0.75

HSLA 68.57, 0.26%, 0.69%, 0.75

LABA 77.73, -9.17, 20.44, 0.75

 

CMYK 2 / 0 / 14 / 12

HEX #CFD6ADBF

RGBA 207 214 173 0.75

HSLA 70.24, 0.33%, 0.76%, 0.75

LABA 84.16, -9.29, 19.49, 0.75

 

CMYK 3 / 0 / 13 / 7

HEX #E0E8C0BF

RGBA 224 232 192 0.75

HSLA 72, 0.47%, 0.83%, 0.75

LABA 90.49, -9.39, 18.59, 0.75

 

CMYK 4 / 0 / 18 / 28

HEX #97A079BF

RGBA 151 160 121 0.75

HSLA 73.85, 0.17%, 0.55%, 0.75

LABA 64.24, -10.1, 19.31, 0.75

 

CMYK 4 / 0 / 21 / 33

HEX #868E66BF

RGBA 134 142 102 0.75

HSLA 72, 0.16%, 0.48%, 0.75

LABA 57.44, -10, 20.39, 0.75

 

CMYK 4 / 0 / 25 / 39

HEX #757C53BF

RGBA 117 124 83 0.75

HSLA 70.24, 0.2%, 0.41%, 0.75

LABA 50.48, -9.86, 21.56, 0.75

 

CMYK 4 / 0 / 30 / 44

HEX #646A40BF

RGBA 100 106 64 0.75

HSLA 68.57, 0.25%, 0.33%, 0.75

LABA 43.34, -9.67, 22.82, 0.75

 

CMYK 4 / 0 / 37 / 49

HEX #53582DBF

RGBA 83 88 45 0.75

HSLA 66.98, 0.32%, 0.26%, 0.75

LABA 36, -9.39, 24.16, 0.75

 

CMYK 6 / 0 / 24 / 37

HEX #97A079

RGB 151 160 121

HSL 73.85, 0.17%, 0.55%

LAB 64.24, -10.1, 19.31

 

CMYK 0 / 1 / 24 / 37

HEX #A09E79

RGB 160 158 121

HSL 56.92, 0.17%, 0.55%

LAB 64.41, -5.5, 19.65

 

CMYK 0 / 7 / 24 / 37

HEX #A09479

RGB 160 148 121

HSL 41.54, 0.17%, 0.55%

LAB 61.68, -0.03, 15.9

 

CMYK 0 / 14 / 24 / 37

HEX #A08979

RGB 160 137 121

HSL 24.62, 0.17%, 0.55%

LAB 58.74, 6.11, 11.79

 

CMYK 0 / 21 / 24 / 37

HEX #A07F79

RGB 160 127 121

HSL 9.23, 0.17%, 0.55%

LAB 56.12, 11.78, 8.1

 

CMYK 6 / 0 / 24 / 37

HEX #97A079

RGB 151 160 121

HSL 73.85, 0.17%, 0.55%

LAB 64.24, -10.1, 19.31

 

CMYK 13 / 0 / 24 / 37

HEX #8CA079

RGB 140 160 121

HSL 90.77, 0.17%, 0.55%

LAB 63.42, -14.32, 18.05

 

CMYK 19 / 0 / 24 / 37

HEX #82A079

RGB 130 160 121

HSL 106.15, 0.17%, 0.55%

LAB 62.73, -18.04, 16.99

 

CMYK 24 / 0 / 24 / 37

HEX #79A07A

RGB 121 160 122

HSL 121.54, 0.17%, 0.55%

LAB 62.18, -21.08, 15.58

 

CMYK 24 / 0 / 17 / 37

HEX #79A085

RGB 121 160 133

HSL 138.46, 0.17%, 0.55%

LAB 62.42, -19, 9.79

 

CMYK 6 / 0 / 24 / 37

HEX #97A079

RGB 151 160 121

HSL 73.85, 0.17%, 0.55%

LAB 64.24, -10.1, 19.31

 

CMYK 10 / 0 / 43 / 30

HEX #A1B266

RGB 161 178 102

HSL 73.42, 0.33%, 0.55%

LAB 69.74, -18.08, 36.8

 

CMYK 13 / 0 / 57 / 23

HEX #ABC554

RGB 171 197 84

HSL 73.81, 0.49%, 0.55%

LAB 75.59, -25.3, 52.67

 

CMYK 16 / 0 / 70 / 16

HEX #B5D741

RGB 181 215 65

HSL 73.6, 0.65%, 0.55%

LAB 81.19, -31.2, 66.58

 

CMYK 18 / 0 / 80 / 8

HEX #BFEA2E

RGB 191 234 46

HSL 73.72, 0.82%, 0.55%

LAB 87.06, -36.84, 78.17

 

CMYK 6 / 0 / 24 / 37

HEX #97A079

RGB 151 160 121

HSL 73.85, 0.17%, 0.55%

LAB 64.24, -10.1, 19.31

 

CMYK 0 / 0 / 1 / 45

HEX #8D8D8B

RGB 141 141 139

HSL 60, 0.01%, 0.55%

LAB 58.58, -0.38, 1.06

 

CMYK 17 / 22 / 0 / 38

HEX #837B9E

RGB 131 123 158

HSL 253.71, 0.15%, 0.55%

LAB 53.45, 10.48, -17.65

 

CMYK 31 / 41 / 0 / 31

HEX #7968B0

RGB 121 104 176

HSL 254.17, 0.31%, 0.55%

LAB 48.39, 23.16, -36.05

 

CMYK 43 / 56 / 0 / 24

HEX #6F55C3

RGB 111 85 195

HSL 254.18, 0.48%, 0.55%

LAB 43.97, 37.19, -54.19

 

CMYK 0 / 8 / 24 / 37

HEX #A09379

RGB 160 147 121

HSL 40, 0.17%, 0.55%

LAB 61.41, 0.52, 15.53

 

CMYK 0 / 1 / 24 / 37

HEX #A09E79

RGB 160 158 121

HSL 56.92, 0.17%, 0.55%

LAB 64.41, -5.5, 19.65

 

CMYK 6 / 0 / 24 / 37

HEX #97A079

RGB 151 160 121

HSL 73.85, 0.17%, 0.55%

LAB 64.24, -10.1, 19.31

 

CMYK 12 / 0 / 24 / 37

HEX #8DA079

RGB 141 160 121

HSL 89.23, 0.17%, 0.55%

LAB 63.5, -13.94, 18.16

 

CMYK 19 / 0 / 24 / 37

HEX #82A079

RGB 130 160 121

HSL 106.15, 0.17%, 0.55%

LAB 62.73, -18.04, 16.99

 

CMYK 7 / 0 / 29 / 55

HEX #6C7452

RGB 108 116 82

HSL 74.12, 0.17%, 0.39%

LAB 47.35, -9.3, 17.83

 

CMYK 6 / 0 / 29 / 45

HEX #838C63

RGB 131 140 99

HSL 73.17, 0.17%, 0.47%

LAB 56.57, -10.57, 20.86

 

CMYK 6 / 0 / 24 / 37

HEX #97A079

RGB 151 160 121

HSL 73.85, 0.17%, 0.55%

LAB 64.24, -10.1, 19.31

 

CMYK 5 / 0 / 18 / 31

HEX #A9B191

RGB 169 177 145

HSL 75, 0.17%, 0.63%

LAB 70.82, -8.49, 15.45

 

CMYK 3 / 0 / 13 / 24

HEX #BCC2A9

RGB 188 194 169

HSL 74.4, 0.17%, 0.71%

LAB 77.36, -6.51, 11.87

 

CMYK 6 / 0 / 24 / 37

HEX #97A079

RGB 151 160 121

HSL 73.85, 0.17%, 0.55%

LAB 64.24, -10.1, 19.31

 

CMYK 24 / 0 / 14 / 37

HEX #79A089

RGB 121 160 137

HSL 144.62, 0.17%, 0.55%

LAB 62.52, -18.2, 7.69

 

CMYK 4 / 24 / 0 / 37

HEX #9979A0

RGB 153 121 160

HSL 289.23, 0.17%, 0.55%

LAB 55.06, 19.62, -16.18

 

CMYK 6 / 0 / 24 / 37

HEX #97A079

RGB 151 160 121

HSL 73.85, 0.17%, 0.55%

LAB 64.24, -10.1, 19.31

 

CMYK 24 / 6 / 0 / 37

HEX #7997A0

RGB 121 151 160

HSL 193.85, 0.17%, 0.55%

LAB 60.55, -8.33, -8.18

 

CMYK 0 / 24 / 6 / 37

HEX #A07997

RGB 160 121 151

HSL 313.85, 0.17%, 0.55%

LAB 55.46, 20.32, -10.27

 

CMYK 6 / 0 / 24 / 37

HEX #97A079

RGB 151 160 121

HSL 73.85, 0.17%, 0.55%

LAB 64.24, -10.1, 19.31

 

CMYK 24 / 0 / 14 / 37

HEX #79A089

RGB 121 160 137

HSL 144.62, 0.17%, 0.55%

LAB 62.52, -18.2, 7.69

 

CMYK 19 / 24 / 0 / 37

HEX #8179A0

RGB 129 121 160

HSL 252.31, 0.17%, 0.55%

LAB 52.82, 11.46, -19.79

 

CMYK 0 / 24 / 10 / 37

HEX #A07990

RGB 160 121 144

HSL 324.62, 0.17%, 0.55%

LAB 55.24, 19.04, -6.54

 

CMYK 6 / 0 / 24 / 37

HEX #97A079

RGB 151 160 121

HSL 73.85, 0.17%, 0.55%

LAB 64.24, -10.1, 19.31

 

CMYK 24 / 0 / 7 / 37

HEX #79A095

RGB 121 160 149

HSL 163.08, 0.17%, 0.55%

LAB 62.82, -15.68, 1.39

 

CMYK 19 / 24 / 0 / 37

HEX #8179A0

RGB 129 121 160

HSL 252.31, 0.17%, 0.55%

LAB 52.82, 11.46, -19.79

 

CMYK 0 / 24 / 18 / 37

HEX #A07984

RGB 160 121 132

HSL 343.08, 0.17%, 0.55%

LAB 54.88, 16.96, -0.08

 

Description

Color code: RGBA 151 160 121 0.75 | qconv.com Color code: RGBA 151 160 121 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 160 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 160 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 18 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 18% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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