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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 150 75 53 0 it is the complementary color RGBA 105 180 202 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 150 75 53 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 150 75 53 0 shade: RGBA 155 75 48 0, RGBA 172 93 67 0, RGBA 189 111 86 0, RGBA 206 129 105 0 and RGBA 223 147 124 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 150 75 53 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 150 75 53 0 shade: RGBA 150 75 53 0, RGBA 133 57 34 0, RGBA 116 39 15 0, RGBA 99 21 0 0 and RGBA 82 3 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 150 75 53 0 shade: RGB 151 75 53 and RGB 151 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 150 75 53 0 shade: RGB 151 75 53, RGB 151 102 53, RGB 151 128 53, RGB 147 151 53 and RGB 121 151 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 150 75 53 0 shade matches the following richer shades: RGB 151 75 53, RGB 167 66 37, RGB 184 57 20 and RGB 200 48 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 150 75 53 0 shade: RGB 151 75 53, RGB 134 84 70, RGB 118 93 86, RGB 101 102 103 and RGB 85 111 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 150 75 53 0 shade: RGB 151 53 84, RGB 151 53 58, RGB 151 74 53, RGB 151 100 53 and RGB 151 126 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 150 75 53 0 shade: RGB 90 45 32, RGB 120 60 42, RGB 151 75 53, RGB 181 90 64 and RGB 197 114 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 150 75 53 0 shade: RGB 150 75 53, RGB 110 151 53 and RGB 53 71 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 150 75 53 0 shade: RGB 150 75 53, RGB 53 151 74 and RGB 74 53 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 150 75 53 0 shade: RGB 150 75 53, RGB 110 151 53, RGB 53 130 151 and RGB 94 53 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 150 75 53 0 shade: RGB 150 75 53, RGB 81 151 53, RGB 53 130 151 and RGB 123 53 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #964B3500

RGBA 150 75 53 0

HSLA 13.61, 0.48%, 0.4%, 0

LABA 40.85, 29.49, 27.32, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #69B4CA00

RGBA 105 180 202 0

HSLA 193.61, 0.48%, 0.6%, 0

LABA 69.41, -17.39, -18.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9B4B3000

RGBA 155 75 48 0

HSLA 15.14, 0.53%, 0.4%, 0

LABA 41.55, 31.22, 31.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AC5D4300

RGBA 172 93 67 0

HSLA 14.86, 0.44%, 0.47%, 0

LABA 48.27, 29.71, 29.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BD6F5600

RGBA 189 111 86 0

HSLA 14.56, 0.44%, 0.54%, 0

LABA 54.93, 28.35, 27.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CE816900

RGBA 206 129 105 0

HSLA 14.26, 0.51%, 0.61%, 0

LABA 61.52, 27.14, 25.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DF937C00

RGBA 223 147 124 0

HSLA 13.94, 0.61%, 0.68%, 0

LABA 68.03, 26.07, 23.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #964B3500

RGBA 150 75 53 0

HSLA 13.61, 0.48%, 0.4%, 0

LABA 40.85, 29.49, 27.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #85392200

RGBA 133 57 34 0

HSLA 13.94, 0.59%, 0.33%, 0

LABA 34.04, 31.06, 29.73, 0

 

CMYK 0 / 0 / 0 / 0

HEX #74270F00

RGBA 116 39 15 0

HSLA 14.26, 0.77%, 0.26%, 0

LABA 27.29, 32.64, 32.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #63150000

RGBA 99 21 0 0

HSLA 12.73, 1%, 0.19%, 0

LABA 20.79, 33.82, 31.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #52030000

RGBA 82 3 0 0

HSLA 2.2, 1%, 0.16%, 0

LABA 14.73, 34.09, 22.91, 0

 

CMYK 0 / 50 / 65 / 41

HEX #974B35

RGB 151 75 53

HSL 13.47, 0.48%, 0.4%

LAB 41.01, 29.91, 27.54

 

CMYK 0 / 65 / 65 / 41

HEX #973535

RGB 151 53 53

HSL 0, 0.48%, 0.4%

LAB 36.71, 41.05, 22.22

 

CMYK 0 / 50 / 65 / 41

HEX #974B35

RGB 151 75 53

HSL 13.47, 0.48%, 0.4%

LAB 41.01, 29.91, 27.54

 

CMYK 0 / 32 / 65 / 41

HEX #976635

RGB 151 102 53

HSL 30, 0.48%, 0.4%

LAB 47.42, 14.62, 35.12

 

CMYK 0 / 15 / 65 / 41

HEX #978035

RGB 151 128 53

HSL 45.92, 0.48%, 0.4%

LAB 54.32, -0.23, 42.85

 

CMYK 3 / 0 / 65 / 41

HEX #939735

RGB 147 151 53

HSL 62.45, 0.48%, 0.4%

LAB 60.42, -14.51, 49.28

 

CMYK 20 / 0 / 65 / 41

HEX #799735

RGB 121 151 53

HSL 78.37, 0.48%, 0.4%

LAB 58.47, -25.61, 46.62

 

CMYK 0 / 50 / 65 / 41

HEX #974B35

RGB 151 75 53

HSL 13.47, 0.48%, 0.4%

LAB 41.01, 29.91, 27.54

 

CMYK 0 / 60 / 78 / 35

HEX #A74225

RGB 167 66 37

HSL 13.38, 0.64%, 0.4%

LAB 41.6, 40, 37.9

 

CMYK 0 / 69 / 89 / 28

HEX #B83914

RGB 184 57 20

HSL 13.54, 0.8%, 0.4%

LAB 43.01, 49.6, 48.3

 

CMYK 0 / 76 / 98 / 22

HEX #C83004

RGB 200 48 4

HSL 13.47, 0.96%, 0.4%

LAB 44.8, 57.84, 56.03

 

CMYK 0 / 50 / 65 / 41

HEX #974B35

RGB 151 75 53

HSL 13.47, 0.48%, 0.4%

LAB 41.01, 29.91, 27.54

 

CMYK 0 / 37 / 48 / 47

HEX #865446

RGB 134 84 70

HSL 13.13, 0.31%, 0.4%

LAB 40.98, 19.13, 16.85

 

CMYK 0 / 21 / 27 / 54

HEX #765D56

RGB 118 93 86

HSL 13.13, 0.16%, 0.4%

LAB 41.77, 9.04, 7.89

 

CMYK 2 / 1 / 0 / 60

HEX #656667

RGB 101 102 103

HSL 210, 0.01%, 0.4%

LAB 43.14, -0.18, -0.7

 

CMYK 29 / 7 / 0 / 53

HEX #556F77

RGB 85 111 119

HSL 194.12, 0.17%, 0.4%

LAB 45.13, -7.45, -7.55

 

CMYK 0 / 65 / 44 / 41

HEX #973554

RGB 151 53 84

HSL 341.02, 0.48%, 0.4%

LAB 37.42, 43.71, 3.56

 

CMYK 0 / 65 / 62 / 41

HEX #97353A

RGB 151 53 58

HSL 356.94, 0.48%, 0.4%

LAB 36.8, 41.4, 19.21

 

CMYK 0 / 51 / 65 / 41

HEX #974A35

RGB 151 74 53

HSL 12.86, 0.48%, 0.4%

LAB 40.79, 30.45, 27.27

 

CMYK 0 / 34 / 65 / 41

HEX #976435

RGB 151 100 53

HSL 28.78, 0.48%, 0.4%

LAB 46.91, 15.77, 34.53

 

CMYK 0 / 17 / 65 / 41

HEX #977E35

RGB 151 126 53

HSL 44.69, 0.48%, 0.4%

LAB 53.77, 0.9, 42.25

 

CMYK 0 / 50 / 64 / 65

HEX #5A2D20

RGB 90 45 32

HSL 13.45, 0.48%, 0.24%

LAB 24.18, 19.23, 17.55

 

CMYK 0 / 50 / 65 / 53

HEX #783C2A

RGB 120 60 42

HSL 13.85, 0.48%, 0.32%

LAB 32.68, 24.45, 22.85

 

CMYK 0 / 50 / 65 / 41

HEX #974B35

RGB 151 75 53

HSL 13.47, 0.48%, 0.4%

LAB 41.01, 29.91, 27.54

 

CMYK 0 / 50 / 65 / 29

HEX #B55A40

RGB 181 90 64

HSL 13.33, 0.48%, 0.48%

LAB 48.89, 34.73, 31.82

 

CMYK 0 / 42 / 54 / 23

HEX #C5725A

RGB 197 114 90

HSL 13.46, 0.48%, 0.56%

LAB 56.73, 30.29, 27.41

 

CMYK 0 / 50 / 65 / 41

HEX #964B35

RGB 150 75 53

HSL 13.61, 0.48%, 0.4%

LAB 40.85, 29.49, 27.32

 

CMYK 27 / 0 / 65 / 41

HEX #6E9735

RGB 110 151 53

HSL 85.1, 0.48%, 0.4%

LAB 57.76, -30.04, 45.64

 

CMYK 65 / 53 / 0 / 41

HEX #354797

RGB 53 71 151

HSL 228.98, 0.48%, 0.4%

LAB 32.91, 19.63, -46.15

 

CMYK 0 / 50 / 65 / 41

HEX #964B35

RGB 150 75 53

HSL 13.61, 0.48%, 0.4%

LAB 40.85, 29.49, 27.32

 

CMYK 65 / 0 / 51 / 41

HEX #35974A

RGB 53 151 74

HSL 132.86, 0.48%, 0.4%

LAB 55.47, -45.43, 32.19

 

CMYK 51 / 65 / 0 / 41

HEX #4A3597

RGB 74 53 151

HSL 252.86, 0.48%, 0.4%

LAB 30, 35.24, -50.79

 

CMYK 0 / 50 / 65 / 41

HEX #964B35

RGB 150 75 53

HSL 13.61, 0.48%, 0.4%

LAB 40.85, 29.49, 27.32

 

CMYK 27 / 0 / 65 / 41

HEX #6E9735

RGB 110 151 53

HSL 85.1, 0.48%, 0.4%

LAB 57.76, -30.04, 45.64

 

CMYK 65 / 14 / 0 / 41

HEX #358297

RGB 53 130 151

HSL 192.86, 0.48%, 0.4%

LAB 50.64, -16.8, -18.28

 

CMYK 38 / 65 / 0 / 41

HEX #5E3597

RGB 94 53 151

HSL 265.1, 0.48%, 0.4%

LAB 32.17, 39.5, -47.17

 

CMYK 0 / 50 / 65 / 41

HEX #964B35

RGB 150 75 53

HSL 13.61, 0.48%, 0.4%

LAB 40.85, 29.49, 27.32

 

CMYK 46 / 0 / 65 / 41

HEX #519735

RGB 81 151 53

HSL 102.86, 0.48%, 0.4%

LAB 56.23, -40.51, 43.54

 

CMYK 65 / 14 / 0 / 41

HEX #358297

RGB 53 130 151

HSL 192.86, 0.48%, 0.4%

LAB 50.64, -16.8, -18.28

 

CMYK 19 / 65 / 0 / 41

HEX #7B3597

RGB 123 53 151

HSL 282.86, 0.48%, 0.4%

LAB 35.97, 46.37, -40.86

 

Description

Color code: RGBA 150 75 53 0 | qconv.com Color code: RGBA 150 75 53 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 75 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 75 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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