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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 149 31 14 0.5 it is the complementary color RGBA 106 224 241 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 149 31 14 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 149 31 14 0.5 shade: RGBA 154 31 9 0.5, RGBA 171 49 28 0.5, RGBA 188 67 47 0.5, RGBA 205 85 66 0.5 and RGBA 222 103 85 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 149 31 14 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 149 31 14 0.5 shade: RGBA 149 31 14 0.5, RGBA 132 13 0 0.5, RGBA 115 0 0 0.5, RGBA 98 0 0 0.5 and RGBA 81 0 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 149 31 14 0.5 shade: RGB 149 31 14 and RGB 149 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 149 31 14 0.5 shade: RGB 149 31 14, RGB 149 67 14, RGB 149 104 14, RGB 149 141 14 and RGB 122 149 14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 149 31 14 0.5 shade matches the following richer shades: RGB 149 31 14 and RGB 163 21 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 149 31 14 0.5 shade: RGB 149 31 14, RGB 136 41 27, RGB 123 51 40, RGB 110 61 53 and RGB 97 70 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 149 31 14 0.5 shade: RGB 149 14 70, RGB 149 14 34, RGB 149 30 14, RGB 149 66 14 and RGB 149 102 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 149 31 14 0.5 shade: RGB 74 15 7, RGB 112 23 10, RGB 149 31 14, RGB 187 39 17 and RGB 225 47 21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 149 31 14 0.5 shade: RGB 149 31 14, RGB 106 149 14 and RGB 14 52 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 149 31 14 0.5 shade: RGB 149 31 14, RGB 14 149 30 and RGB 30 14 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 149 31 14 0.5 shade: RGB 149 31 14, RGB 106 149 14, RGB 14 134 149 and RGB 57 14 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 149 31 14 0.5 shade: RGB 149 31 14, RGB 66 149 14, RGB 14 134 149 and RGB 97 14 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 45 / 21

HEX #951F0E7F

RGBA 149 31 14 0.5

HSLA 7.56, 0.83%, 0.32%, 0.5

LABA 32.7, 47.45, 39.95, 0.5

 

Complementary color

CMYK 28 / 4 / 0 / 3

HEX #6AE0F17F

RGBA 106 224 241 0.5

HSLA 187.56, 0.83%, 0.68%, 0.5

LABA 83.3, -28.52, -18.4, 0.5

 

CMYK 0 / 40 / 47 / 20

HEX #9A1F097F

RGBA 154 31 9 0.5

HSLA 9.1, 0.89%, 0.32%, 0.5

LABA 33.71, 48.94, 43.18, 0.5

 

CMYK 0 / 36 / 42 / 16

HEX #AB311C7F

RGBA 171 49 28 0.5

HSLA 8.81, 0.72%, 0.39%, 0.5

LABA 39.48, 48.55, 40.72, 0.5

 

CMYK 0 / 32 / 38 / 13

HEX #BC432F7F

RGBA 188 67 47 0.5

HSLA 8.51, 0.6%, 0.46%, 0.5

LABA 45.51, 47.61, 37.73, 0.5

 

CMYK 0 / 29 / 34 / 10

HEX #CD55427F

RGBA 205 85 66 0.5

HSLA 8.2, 0.58%, 0.53%, 0.5

LABA 51.69, 46.42, 34.94, 0.5

 

CMYK 0 / 27 / 31 / 6

HEX #DE67557F

RGBA 222 103 85 0.5

HSLA 7.88, 0.67%, 0.6%, 0.5

LABA 57.93, 45.15, 32.49, 0.5

 

CMYK 0 / 40 / 45 / 21

HEX #951F0E7F

RGBA 149 31 14 0.5

HSLA 7.56, 0.83%, 0.32%, 0.5

LABA 32.7, 47.45, 39.95, 0.5

 

CMYK 0 / 45 / 50 / 24

HEX #840D007F

RGBA 132 13 0 0.5

HSLA 5.91, 1%, 0.26%, 0.5

LABA 27.28, 46.79, 39.98, 0.5

 

CMYK 0 / 50 / 50 / 27

HEX #7300007F

RGBA 115 0 0 0.5

HSLA 0, 1%, 0.23%, 0.5

LABA 22.46, 44.5, 33.99, 0.5

 

CMYK 0 / 50 / 50 / 31

HEX #6200007F

RGBA 98 0 0 0.5

HSLA 0, 1%, 0.19%, 0.5

LABA 18.35, 39.75, 28.27, 0.5

 

CMYK 0 / 50 / 50 / 34

HEX #5100007F

RGBA 81 0 0 0.5

HSLA 0, 1%, 0.16%, 0.5

LABA 14.11, 34.84, 22.06, 0.5

 

CMYK 0 / 79 / 91 / 42

HEX #951F0E

RGB 149 31 14

HSL 7.56, 0.83%, 0.32%

LAB 32.7, 47.45, 39.95

 

CMYK 0 / 91 / 91 / 42

HEX #950E0E

RGB 149 14 14

HSL 0, 0.83%, 0.32%

LAB 31.2, 51.72, 38.81

 

CMYK 0 / 79 / 91 / 42

HEX #951F0E

RGB 149 31 14

HSL 7.56, 0.83%, 0.32%

LAB 32.7, 47.45, 39.95

 

CMYK 0 / 55 / 91 / 42

HEX #95430E

RGB 149 67 14

HSL 23.56, 0.83%, 0.32%

LAB 38.61, 31.65, 44.5

 

CMYK 0 / 30 / 91 / 42

HEX #95680E

RGB 149 104 14

HSL 40, 0.83%, 0.32%

LAB 47.39, 10.79, 51.36

 

CMYK 0 / 5 / 91 / 42

HEX #958D0E

RGB 149 141 14

HSL 56.44, 0.83%, 0.32%

LAB 57.53, -9.96, 59.35

 

CMYK 18 / 0 / 91 / 42

HEX #7A950E

RGB 122 149 14

HSL 72, 0.83%, 0.32%

LAB 57.72, -26.15, 58.59

 

CMYK 0 / 79 / 91 / 42

HEX #951F0E

RGB 149 31 14

HSL 7.56, 0.83%, 0.32%

LAB 32.7, 47.45, 39.95

 

CMYK 0 / 87 / 99 / 36

HEX #A31501

RGB 163 21 1

HSL 7.41, 0.99%, 0.32%

LAB 34.65, 54.13, 47.94

 

CMYK 0 / 79 / 91 / 42

HEX #951F0E

RGB 149 31 14

HSL 7.56, 0.83%, 0.32%

LAB 32.7, 47.45, 39.95

 

CMYK 0 / 70 / 80 / 47

HEX #88291B

RGB 136 41 27

HSL 7.71, 0.67%, 0.32%

LAB 31.58, 39.65, 31.26

 

CMYK 0 / 59 / 67 / 52

HEX #7B3328

RGB 123 51 40

HSL 7.95, 0.51%, 0.32%

LAB 31.19, 30.54, 22.37

 

CMYK 0 / 45 / 52 / 57

HEX #6E3D35

RGB 110 61 53

HSL 8.42, 0.35%, 0.32%

LAB 31.6, 20.52, 14.27

 

CMYK 0 / 28 / 31 / 62

HEX #614643

RGB 97 70 67

HSL 6, 0.18%, 0.32%

LAB 32.54, 11.11, 6.35

 

CMYK 0 / 91 / 53 / 42

HEX #950E46

RGB 149 14 70

HSL 335.11, 0.83%, 0.32%

LAB 32.14, 54.4, 5.01

 

CMYK 0 / 91 / 77 / 42

HEX #950E22

RGB 149 14 34

HSL 351.11, 0.83%, 0.32%

LAB 31.39, 52.28, 27.63

 

CMYK 0 / 80 / 91 / 42

HEX #951E0E

RGB 149 30 14

HSL 7.11, 0.83%, 0.32%

LAB 32.59, 47.76, 39.87

 

CMYK 0 / 56 / 91 / 42

HEX #95420E

RGB 149 66 14

HSL 23.11, 0.83%, 0.32%

LAB 38.41, 32.17, 44.34

 

CMYK 0 / 32 / 91 / 42

HEX #95660E

RGB 149 102 14

HSL 39.11, 0.83%, 0.32%

LAB 46.87, 11.94, 50.95

 

CMYK 0 / 80 / 91 / 71

HEX #4A0F07

RGB 74 15 7

HSL 7.16, 0.83%, 0.16%

LAB 14.47, 27.25, 19.36

 

CMYK 0 / 79 / 91 / 56

HEX #70170A

RGB 112 23 10

HSL 7.65, 0.84%, 0.24%

LAB 23.93, 37.89, 31.2

 

CMYK 0 / 79 / 91 / 42

HEX #951F0E

RGB 149 31 14

HSL 7.56, 0.83%, 0.32%

LAB 32.7, 47.45, 39.95

 

CMYK 0 / 79 / 91 / 27

HEX #BB2711

RGB 187 39 17

HSL 7.76, 0.83%, 0.4%

LAB 41.31, 56.79, 48.49

 

CMYK 0 / 79 / 91 / 12

HEX #E12F15

RGB 225 47 21

HSL 7.65, 0.83%, 0.48%

LAB 49.61, 65.77, 56.24

 

CMYK 0 / 79 / 91 / 42

HEX #951F0E

RGB 149 31 14

HSL 7.56, 0.83%, 0.32%

LAB 32.7, 47.45, 39.95

 

CMYK 29 / 0 / 91 / 42

HEX #6A950E

RGB 106 149 14

HSL 79.11, 0.83%, 0.32%

LAB 56.67, -32.81, 57.31

 

CMYK 91 / 65 / 0 / 42

HEX #0E3495

RGB 14 52 149

HSL 223.11, 0.83%, 0.32%

LAB 25.92, 27.22, -56.38

 

CMYK 0 / 79 / 91 / 42

HEX #951F0E

RGB 149 31 14

HSL 7.56, 0.83%, 0.32%

LAB 32.7, 47.45, 39.95

 

CMYK 91 / 0 / 80 / 42

HEX #0E951E

RGB 14 149 30

HSL 127.11, 0.83%, 0.32%

LAB 53.69, -55.52, 49.38

 

CMYK 80 / 91 / 0 / 42

HEX #1E0E95

RGB 30 14 149

HSL 247.11, 0.83%, 0.32%

LAB 19.06, 49.27, -67.71

 

CMYK 0 / 79 / 91 / 42

HEX #951F0E

RGB 149 31 14

HSL 7.56, 0.83%, 0.32%

LAB 32.7, 47.45, 39.95

 

CMYK 29 / 0 / 91 / 42

HEX #6A950E

RGB 106 149 14

HSL 79.11, 0.83%, 0.32%

LAB 56.67, -32.81, 57.31

 

CMYK 91 / 10 / 0 / 42

HEX #0E8695

RGB 14 134 149

HSL 186.67, 0.83%, 0.32%

LAB 51.05, -24.14, -16.55

 

CMYK 62 / 91 / 0 / 42

HEX #390E95

RGB 57 14 149

HSL 259.11, 0.83%, 0.32%

LAB 21.41, 50.99, -63.73

 

CMYK 0 / 79 / 91 / 42

HEX #951F0E

RGB 149 31 14

HSL 7.56, 0.83%, 0.32%

LAB 32.7, 47.45, 39.95

 

CMYK 56 / 0 / 91 / 42

HEX #42950E

RGB 66 149 14

HSL 96.89, 0.83%, 0.32%

LAB 54.75, -46.84, 54.91

 

CMYK 91 / 10 / 0 / 42

HEX #0E8695

RGB 14 134 149

HSL 186.67, 0.83%, 0.32%

LAB 51.05, -24.14, -16.55

 

CMYK 35 / 91 / 0 / 42

HEX #610E95

RGB 97 14 149

HSL 276.89, 0.83%, 0.32%

LAB 26.81, 55.49, -54.65

 

Description

Color code: RGBA 149 31 14 0.5 | qconv.com Color code: RGBA 149 31 14 0.5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 31 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 31 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 45 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 45% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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