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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 149 26 9 0.5 it is the complementary color RGBA 106 229 246 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 149 26 9 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 149 26 9 0.5 shade: RGBA 154 26 4 0.5, RGBA 171 44 23 0.5, RGBA 188 62 42 0.5, RGBA 205 80 61 0.5 and RGBA 222 98 80 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 149 26 9 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 149 26 9 0.5 shade: RGBA 149 26 9 0.5, RGBA 132 8 0 0.5, RGBA 115 0 0 0.5, RGBA 98 0 0 0.5 and RGBA 81 0 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 149 26 9 0.5 shade: RGB 149 26 9 and RGB 149 9 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 149 26 9 0.5 shade: RGB 149 26 9, RGB 149 64 9, RGB 149 102 9, RGB 149 140 9 and RGB 121 149 9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 149 26 9 0.5 shade matches the following richer shades: RGB 149 26 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 149 26 9 0.5 shade: RGB 149 26 9, RGB 137 35 21, RGB 124 45 34, RGB 111 55 47 and RGB 98 65 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 149 26 9 0.5 shade: RGB 149 9 67, RGB 149 9 30, RGB 149 25 9, RGB 149 63 9 and RGB 149 100 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 149 26 9 0.5 shade: RGB 71 12 4, RGB 110 19 6, RGB 149 26 9, RGB 188 33 11 and RGB 227 39 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 149 26 9 0.5 shade: RGB 149 26 9, RGB 105 149 9 and RGB 9 49 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 149 26 9 0.5 shade: RGB 149 26 9, RGB 9 149 25 and RGB 25 9 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 149 26 9 0.5 shade: RGB 149 26 9, RGB 105 149 9, RGB 9 133 149 and RGB 53 9 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 149 26 9 0.5 shade: RGB 149 26 9, RGB 63 149 9, RGB 9 133 149 and RGB 95 9 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 47 / 21

HEX #951A097F

RGBA 149 26 9 0.5

HSLA 7.29, 0.89%, 0.31%, 0.5

LABA 32.14, 48.87, 41.64, 0.5

 

Complementary color

CMYK 28 / 3 / 0 / 2

HEX #6AE5F67F

RGBA 106 229 246 0.5

HSLA 187.29, 0.89%, 0.69%, 0.5

LABA 84.87, -29.56, -18.67, 0.5

 

CMYK 0 / 42 / 49 / 20

HEX #9A1A047F

RGBA 154 26 4 0.5

HSLA 8.8, 0.95%, 0.31%, 0.5

LABA 33.17, 50.32, 44.86, 0.5

 

CMYK 0 / 37 / 43 / 16

HEX #AB2C177F

RGBA 171 44 23 0.5

HSLA 8.51, 0.76%, 0.38%, 0.5

LABA 38.76, 50.29, 42.54, 0.5

 

CMYK 0 / 34 / 39 / 13

HEX #BC3E2A7F

RGBA 188 62 42 0.5

HSLA 8.22, 0.63%, 0.45%, 0.5

LABA 44.67, 49.54, 39.55, 0.5

 

CMYK 0 / 30 / 35 / 10

HEX #CD503D7F

RGBA 205 80 61 0.5

HSLA 7.92, 0.59%, 0.52%, 0.5

LABA 50.75, 48.46, 36.64, 0.5

 

CMYK 0 / 28 / 32 / 6

HEX #DE62507F

RGBA 222 98 80 0.5

HSLA 7.61, 0.68%, 0.59%, 0.5

LABA 56.92, 47.24, 34.04, 0.5

 

CMYK 0 / 41 / 47 / 21

HEX #951A097F

RGBA 149 26 9 0.5

HSLA 7.29, 0.89%, 0.31%, 0.5

LABA 32.14, 48.87, 41.64, 0.5

 

CMYK 0 / 47 / 50 / 24

HEX #8408007F

RGBA 132 8 0 0.5

HSLA 3.64, 1%, 0.26%, 0.5

LABA 26.96, 47.7, 39.7, 0.5

 

CMYK 0 / 50 / 50 / 27

HEX #7300007F

RGBA 115 0 0 0.5

HSLA 0, 1%, 0.23%, 0.5

LABA 22.46, 44.5, 33.99, 0.5

 

CMYK 0 / 50 / 50 / 31

HEX #6200007F

RGBA 98 0 0 0.5

HSLA 0, 1%, 0.19%, 0.5

LABA 18.35, 39.75, 28.27, 0.5

 

CMYK 0 / 50 / 50 / 34

HEX #5100007F

RGBA 81 0 0 0.5

HSLA 0, 1%, 0.16%, 0.5

LABA 14.11, 34.84, 22.06, 0.5

 

CMYK 0 / 83 / 94 / 42

HEX #951A09

RGB 149 26 9

HSL 7.29, 0.89%, 0.31%

LAB 32.14, 48.87, 41.64

 

CMYK 0 / 94 / 94 / 42

HEX #950909

RGB 149 9 9

HSL 0, 0.89%, 0.31%

LAB 30.89, 52.44, 40.78

 

CMYK 0 / 83 / 94 / 42

HEX #951A09

RGB 149 26 9

HSL 7.29, 0.89%, 0.31%

LAB 32.14, 48.87, 41.64

 

CMYK 0 / 57 / 94 / 42

HEX #954009

RGB 149 64 9

HSL 23.57, 0.89%, 0.31%

LAB 37.98, 33.12, 45.65

 

CMYK 0 / 32 / 94 / 42

HEX #956609

RGB 149 102 9

HSL 39.86, 0.89%, 0.31%

LAB 46.86, 11.84, 52.12

 

CMYK 0 / 6 / 94 / 42

HEX #958C09

RGB 149 140 9

HSL 56.14, 0.89%, 0.31%

LAB 57.24, -9.51, 59.97

 

CMYK 19 / 0 / 94 / 42

HEX #799509

RGB 121 149 9

HSL 72, 0.89%, 0.31%

LAB 57.64, -26.68, 59.32

 

CMYK 0 / 83 / 94 / 42

HEX #951A09

RGB 149 26 9

HSL 7.29, 0.89%, 0.31%

LAB 32.14, 48.87, 41.64

 

CMYK 0 / 83 / 94 / 42

HEX #951A09

RGB 149 26 9

HSL 7.29, 0.89%, 0.31%

LAB 32.14, 48.87, 41.64

 

CMYK 0 / 74 / 85 / 46

HEX #892315

RGB 137 35 21

HSL 7.24, 0.73%, 0.31%

LAB 30.82, 42.25, 33.91

 

CMYK 0 / 64 / 73 / 51

HEX #7C2D22

RGB 124 45 34

HSL 7.33, 0.57%, 0.31%

LAB 30.1, 33.65, 24.83

 

CMYK 0 / 50 / 58 / 56

HEX #6F372F

RGB 111 55 47

HSL 7.5, 0.41%, 0.31%

LAB 30.2, 23.89, 16.28

 

CMYK 0 / 34 / 39 / 62

HEX #62413C

RGB 98 65 60

HSL 7.89, 0.24%, 0.31%

LAB 31.12, 13.64, 8.87

 

CMYK 0 / 94 / 55 / 42

HEX #950943

RGB 149 9 67

HSL 335.14, 0.89%, 0.31%

LAB 31.78, 54.94, 6.5

 

CMYK 0 / 94 / 80 / 42

HEX #95091E

RGB 149 9 30

HSL 351, 0.89%, 0.31%

LAB 31.06, 52.93, 29.76

 

CMYK 0 / 83 / 94 / 42

HEX #951909

RGB 149 25 9

HSL 6.86, 0.89%, 0.31%

LAB 32.04, 49.14, 41.58

 

CMYK 0 / 58 / 94 / 42

HEX #953F09

RGB 149 63 9

HSL 23.14, 0.89%, 0.31%

LAB 37.78, 33.64, 45.51

 

CMYK 0 / 33 / 94 / 42

HEX #956409

RGB 149 100 9

HSL 39, 0.89%, 0.31%

LAB 46.34, 13, 51.73

 

CMYK 0 / 83 / 94 / 72

HEX #470C04

RGB 71 12 4

HSL 7.16, 0.89%, 0.15%

LAB 13.3, 27.25, 18.91

 

CMYK 0 / 83 / 95 / 57

HEX #6E1306

RGB 110 19 6

HSL 7.5, 0.9%, 0.23%

LAB 22.98, 38.5, 31.73

 

CMYK 0 / 83 / 94 / 42

HEX #951A09

RGB 149 26 9

HSL 7.29, 0.89%, 0.31%

LAB 32.14, 48.87, 41.64

 

CMYK 0 / 82 / 94 / 26

HEX #BC210B

RGB 188 33 11

HSL 7.46, 0.89%, 0.39%

LAB 40.9, 58.64, 50.48

 

CMYK 0 / 83 / 94 / 11

HEX #E3270D

RGB 227 39 13

HSL 7.29, 0.89%, 0.47%

LAB 49.27, 68.24, 58.83

 

CMYK 0 / 83 / 94 / 42

HEX #951A09

RGB 149 26 9

HSL 7.29, 0.89%, 0.31%

LAB 32.14, 48.87, 41.64

 

CMYK 30 / 0 / 94 / 42

HEX #699509

RGB 105 149 9

HSL 78.86, 0.89%, 0.31%

LAB 56.6, -33.33, 58.06

 

CMYK 94 / 67 / 0 / 42

HEX #093195

RGB 9 49 149

HSL 222.86, 0.89%, 0.31%

LAB 25.03, 29.04, -57.85

 

CMYK 0 / 83 / 94 / 42

HEX #951A09

RGB 149 26 9

HSL 7.29, 0.89%, 0.31%

LAB 32.14, 48.87, 41.64

 

CMYK 94 / 0 / 83 / 42

HEX #099519

RGB 9 149 25

HSL 126.86, 0.89%, 0.31%

LAB 53.62, -56.18, 50.83

 

CMYK 83 / 94 / 0 / 42

HEX #190995

RGB 25 9 149

HSL 246.86, 0.89%, 0.31%

LAB 18.24, 50.64, -69.08

 

CMYK 0 / 83 / 94 / 42

HEX #951A09

RGB 149 26 9

HSL 7.29, 0.89%, 0.31%

LAB 32.14, 48.87, 41.64

 

CMYK 30 / 0 / 94 / 42

HEX #699509

RGB 105 149 9

HSL 78.86, 0.89%, 0.31%

LAB 56.6, -33.33, 58.06

 

CMYK 94 / 11 / 0 / 42

HEX #098595

RGB 9 133 149

HSL 186.86, 0.89%, 0.31%

LAB 50.69, -23.87, -17.11

 

CMYK 64 / 94 / 0 / 42

HEX #350995

RGB 53 9 149

HSL 258.86, 0.89%, 0.31%

LAB 20.53, 52.05, -65.21

 

CMYK 0 / 83 / 94 / 42

HEX #951A09

RGB 149 26 9

HSL 7.29, 0.89%, 0.31%

LAB 32.14, 48.87, 41.64

 

CMYK 58 / 0 / 94 / 42

HEX #3F9509

RGB 63 149 9

HSL 96.86, 0.89%, 0.31%

LAB 54.63, -47.83, 55.63

 

CMYK 94 / 11 / 0 / 42

HEX #098595

RGB 9 133 149

HSL 186.86, 0.89%, 0.31%

LAB 50.69, -23.87, -17.11

 

CMYK 36 / 94 / 0 / 42

HEX #5F0995

RGB 95 9 149

HSL 276.86, 0.89%, 0.31%

LAB 26.15, 56.24, -55.74

 

Description

Color code: RGBA 149 26 9 0.5 | qconv.com Color code: RGBA 149 26 9 0.5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 26 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 26 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 47 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 47% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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