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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 149 239 195 0.75 it is the complementary color RGBA 106 16 60 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 149 239 195 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 149 239 195 0.75 shade: RGBA 154 239 190 0.75, RGBA 171 255 209 0.75, RGBA 188 255 228 0.75, RGBA 205 255 247 0.75 and RGBA 222 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 149 239 195 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 149 239 195 0.75 shade: RGBA 149 239 195 0.75, RGBA 132 221 176 0.75, RGBA 115 203 157 0.75, RGBA 98 185 138 0.75 and RGBA 81 167 119 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 149 239 195 0.75 shade: RGB 149 239 195, RGB 149 239 170, RGB 151 239 149, RGB 175 239 149 and RGB 200 239 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 149 239 195 0.75 shade: RGB 149 239 195, RGB 149 239 219, RGB 149 235 239, RGB 149 210 239 and RGB 149 186 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 149 239 195 0.75 shade matches the following richer shades: RGB 149 239 195 and RGB 139 249 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 149 239 195 0.75 shade: RGB 149 239 195, RGB 158 229 195, RGB 168 219 194, RGB 178 209 194 and RGB 188 199 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 149 239 195 0.75 shade: RGB 152 239 149, RGB 149 239 170, RGB 149 239 194, RGB 149 239 218 and RGB 149 236 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 149 239 195 0.75 shade: RGB 77 228 154, RGB 113 234 175, RGB 149 239 195, RGB 184 244 215 and RGB 220 250 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 149 239 195 0.75 shade: RGB 149 239 195, RGB 149 176 239 and RGB 239 158 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 149 239 195 0.75 shade: RGB 149 239 195, RGB 194 149 239 and RGB 239 194 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 149 239 195 0.75 shade: RGB 149 239 195, RGB 149 176 239, RGB 239 149 194 and RGB 239 212 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 149 239 195 0.75 shade: RGB 149 239 195, RGB 149 149 239, RGB 239 149 194 and RGB 239 239 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 14 / 5

HEX #95EFC3BF

RGBA 149 239 195 0.75

HSLA 150.67, 0.74%, 0.76%, 0.75

LABA 88, -36.44, 12.88, 0.75

 

Complementary color

CMYK 0 / 64 / 33 / 44

HEX #6A103CBF

RGBA 106 16 60 0.75

HSLA 330.67, 0.74%, 0.24%, 0.75

LABA 22.87, 41.51, -2.82, 0.75

 

CMYK 27 / 0 / 15 / 5

HEX #9AEFBEBF

RGBA 154 239 190 0.75

HSLA 145.41, 0.73%, 0.77%, 0.75

LABA 88.12, -36, 15.69, 0.75

 

CMYK 25 / 0 / 14 / 0

HEX #ABFFD1BF

RGBA 171 255 209 0.75

HSLA 147.14, 1%, 0.84%, 0.75

LABA 93.79, -34.84, 14, 0.75

 

CMYK 20 / 0 / 8 / 0

HEX #BCFFE4BF

RGBA 188 255 228 0.75

HSLA 155.82, 1%, 0.87%, 0.75

LABA 95.08, -26.19, 6.19, 0.75

 

CMYK 15 / 0 / 2 / 0

HEX #CDFFF7BF

RGBA 205 255 247 0.75

HSLA 170.4, 1%, 0.9%, 0.75

LABA 96.5, -17.34, -1.41, 0.75

 

CMYK 10 / 0 / 0 / 0

HEX #DEFFFFBF

RGBA 222 255 255 0.75

HSLA 180, 1%, 0.94%, 0.75

LABA 97.74, -10.56, -3.59, 0.75

 

CMYK 28 / 0 / 14 / 5

HEX #95EFC3BF

RGBA 149 239 195 0.75

HSLA 150.67, 0.74%, 0.76%, 0.75

LABA 88, -36.44, 12.88, 0.75

 

CMYK 30 / 0 / 15 / 10

HEX #84DDB0BF

RGBA 132 221 176 0.75

HSLA 149.66, 0.57%, 0.69%, 0.75

LABA 81.7, -36.68, 13.82, 0.75

 

CMYK 33 / 0 / 17 / 15

HEX #73CB9DBF

RGBA 115 203 157 0.75

HSLA 148.64, 0.46%, 0.62%, 0.75

LABA 75.32, -36.92, 14.81, 0.75

 

CMYK 35 / 0 / 19 / 21

HEX #62B98ABF

RGBA 98 185 138 0.75

HSLA 147.59, 0.38%, 0.55%, 0.75

LABA 68.85, -37.14, 15.89, 0.75

 

CMYK 39 / 0 / 22 / 26

HEX #51A777BF

RGBA 81 167 119 0.75

HSLA 146.51, 0.35%, 0.49%, 0.75

LABA 62.27, -37.31, 17.06, 0.75

 

CMYK 38 / 0 / 18 / 6

HEX #95EFC3

RGB 149 239 195

HSL 150.67, 0.74%, 0.76%

LAB 88, -36.44, 12.88

 

CMYK 38 / 0 / 29 / 6

HEX #95EFAA

RGB 149 239 170

HSL 134, 0.74%, 0.76%

LAB 87.5, -41.1, 25.1

 

CMYK 37 / 0 / 38 / 6

HEX #97EF95

RGB 151 239 149

HSL 118.67, 0.74%, 0.76%

LAB 87.23, -43.9, 35.4

 

CMYK 27 / 0 / 38 / 6

HEX #AFEF95

RGB 175 239 149

HSL 102.67, 0.74%, 0.76%

LAB 88.46, -36.2, 37.24

 

CMYK 16 / 0 / 38 / 6

HEX #C8EF95

RGB 200 239 149

HSL 86, 0.74%, 0.76%

LAB 89.94, -27.47, 39.46

 

CMYK 38 / 0 / 18 / 6

HEX #95EFC3

RGB 149 239 195

HSL 150.67, 0.74%, 0.76%

LAB 88, -36.44, 12.88

 

CMYK 38 / 0 / 8 / 6

HEX #95EFDB

RGB 149 239 219

HSL 166.67, 0.74%, 0.76%

LAB 88.56, -31.41, 1.17

 

CMYK 38 / 2 / 0 / 6

HEX #95EBEF

RGB 149 235 239

HSL 182.67, 0.74%, 0.76%

LAB 87.99, -24.9, -10.15

 

CMYK 38 / 12 / 0 / 6

HEX #95D2EF

RGB 149 210 239

HSL 199.33, 0.74%, 0.76%

LAB 81.13, -12.33, -20.44

 

CMYK 38 / 22 / 0 / 6

HEX #95BAEF

RGB 149 186 239

HSL 215.33, 0.74%, 0.76%

LAB 74.66, 0.45, -30.32

 

CMYK 38 / 0 / 18 / 6

HEX #95EFC3

RGB 149 239 195

HSL 150.67, 0.74%, 0.76%

LAB 88, -36.44, 12.88

 

CMYK 44 / 0 / 22 / 2

HEX #8BF9C3

RGB 139 249 195

HSL 150.55, 0.9%, 0.76%

LAB 90.4, -43.57, 16.22

 

CMYK 38 / 0 / 18 / 6

HEX #95EFC3

RGB 149 239 195

HSL 150.67, 0.74%, 0.76%

LAB 88, -36.44, 12.88

 

CMYK 31 / 0 / 15 / 10

HEX #9EE5C3

RGB 158 229 195

HSL 151.27, 0.58%, 0.76%

LAB 85.63, -29.2, 9.57

 

CMYK 23 / 0 / 11 / 14

HEX #A8DBC2

RGB 168 219 194

HSL 150.59, 0.41%, 0.76%

LAB 83.38, -21.49, 6.94

 

CMYK 15 / 0 / 7 / 18

HEX #B2D1C2

RGB 178 209 194

HSL 150.97, 0.25%, 0.76%

LAB 81.27, -13.24, 3.98

 

CMYK 6 / 0 / 3 / 22

HEX #BCC7C2

RGB 188 199 194

HSL 152.73, 0.09%, 0.76%

LAB 79.29, -4.7, 1.19

 

CMYK 36 / 0 / 38 / 6

HEX #98EF95

RGB 152 239 149

HSL 118, 0.74%, 0.76%

LAB 87.28, -43.6, 35.47

 

CMYK 38 / 0 / 29 / 6

HEX #95EFAA

RGB 149 239 170

HSL 134, 0.74%, 0.76%

LAB 87.5, -41.1, 25.1

 

CMYK 38 / 0 / 19 / 6

HEX #95EFC2

RGB 149 239 194

HSL 150, 0.74%, 0.76%

LAB 87.98, -36.64, 13.37

 

CMYK 38 / 0 / 9 / 6

HEX #95EFDA

RGB 149 239 218

HSL 166, 0.74%, 0.76%

LAB 88.54, -31.63, 1.66

 

CMYK 38 / 1 / 0 / 6

HEX #95ECEF

RGB 149 236 239

HSL 182, 0.74%, 0.76%

LAB 88.26, -25.38, -9.74

 

CMYK 66 / 0 / 32 / 11

HEX #4DE49A

RGB 77 228 154

HSL 150.6, 0.74%, 0.6%

LAB 81.51, -56.42, 24.75

 

CMYK 52 / 0 / 25 / 8

HEX #71EAAF

RGB 113 234 175

HSL 150.74, 0.74%, 0.68%

LAB 84.72, -47.42, 18.45

 

CMYK 38 / 0 / 18 / 6

HEX #95EFC3

RGB 149 239 195

HSL 150.67, 0.74%, 0.76%

LAB 88, -36.44, 12.88

 

CMYK 25 / 0 / 12 / 4

HEX #B8F4D7

RGB 184 244 215

HSL 151, 0.73%, 0.84%

LAB 91.59, -24.65, 7.86

 

CMYK 12 / 0 / 6 / 2

HEX #DCFAEB

RGB 220 250 235

HSL 150, 0.75%, 0.92%

LAB 95.82, -12.49, 3.9

 

CMYK 38 / 0 / 18 / 6

HEX #95EFC3

RGB 149 239 195

HSL 150.67, 0.74%, 0.76%

LAB 88, -36.44, 12.88

 

CMYK 38 / 26 / 0 / 6

HEX #95B0EF

RGB 149 176 239

HSL 222, 0.74%, 0.76%

LAB 72.01, 5.97, -34.41

 

CMYK 0 / 34 / 38 / 6

HEX #EF9E95

RGB 239 158 149

HSL 6, 0.74%, 0.76%

LAB 72.88, 29.1, 17.14

 

CMYK 38 / 0 / 18 / 6

HEX #95EFC3

RGB 149 239 195

HSL 150.67, 0.74%, 0.76%

LAB 88, -36.44, 12.88

 

CMYK 19 / 38 / 0 / 6

HEX #C295EF

RGB 194 149 239

HSL 270, 0.74%, 0.76%

LAB 68.89, 33.84, -38.98

 

CMYK 0 / 19 / 38 / 6

HEX #EFC295

RGB 239 194 149

HSL 30, 0.74%, 0.76%

LAB 81.35, 10.06, 28.7

 

CMYK 38 / 0 / 18 / 6

HEX #95EFC3

RGB 149 239 195

HSL 150.67, 0.74%, 0.76%

LAB 88, -36.44, 12.88

 

CMYK 38 / 26 / 0 / 6

HEX #95B0EF

RGB 149 176 239

HSL 222, 0.74%, 0.76%

LAB 72.01, 5.97, -34.41

 

CMYK 0 / 38 / 19 / 6

HEX #EF95C2

RGB 239 149 194

HSL 330, 0.74%, 0.76%

LAB 72.05, 39.82, -8.92

 

CMYK 0 / 11 / 38 / 6

HEX #EFD495

RGB 239 212 149

HSL 42, 0.74%, 0.76%

LAB 85.81, 0.7, 34.62

 

CMYK 38 / 0 / 18 / 6

HEX #95EFC3

RGB 149 239 195

HSL 150.67, 0.74%, 0.76%

LAB 88, -36.44, 12.88

 

CMYK 38 / 38 / 0 / 6

HEX #9595EF

RGB 149 149 239

HSL 240, 0.74%, 0.76%

LAB 65.05, 21.29, -45.27

 

CMYK 0 / 38 / 19 / 6

HEX #EF95C2

RGB 239 149 194

HSL 330, 0.74%, 0.76%

LAB 72.05, 39.82, -8.92

 

CMYK 0 / 0 / 38 / 6

HEX #EFEF95

RGB 239 239 149

HSL 60, 0.74%, 0.76%

LAB 92.69, -12.92, 43.53

 

Description

Color code: RGBA 149 239 195 0.75 | qconv.com Color code: RGBA 149 239 195 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 239 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 239 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 14 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 14% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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