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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 149 201 155 0.75 it is the complementary color RGBA 106 54 100 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 149 201 155 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 149 201 155 0.75 shade: RGBA 154 201 150 0.75, RGBA 171 219 169 0.75, RGBA 188 237 188 0.75, RGBA 205 255 207 0.75 and RGBA 222 255 226 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 149 201 155 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 149 201 155 0.75 shade: RGBA 149 201 155 0.75, RGBA 132 183 136 0.75, RGBA 115 165 117 0.75, RGBA 98 147 98 0.75 and RGBA 81 129 79 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 149 201 155 0.75 shade: RGB 150 202 156, RGB 158 202 150, RGB 172 202 150, RGB 186 202 150 and RGB 200 202 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 149 201 155 0.75 shade: RGB 150 202 156, RGB 150 202 170, RGB 150 202 184, RGB 150 202 198 and RGB 150 192 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 149 201 155 0.75 shade matches the following richer shades: RGB 150 202 156, RGB 137 215 146, RGB 124 228 136, RGB 111 240 126 and RGB 99 253 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 149 201 155 0.75 shade: RGB 150 202 156, RGB 163 189 166, RGB 175 176 176, RGB 188 164 185 and RGB 201 151 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 149 201 155 0.75 shade: RGB 172 202 150, RGB 159 202 150, RGB 150 202 155, RGB 150 202 169 and RGB 150 202 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 149 201 155 0.75 shade: RGB 95 174 104, RGB 122 188 130, RGB 150 202 156, RGB 177 216 182 and RGB 205 230 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 149 201 155 0.75 shade: RGB 149 201 155, RGB 150 186 202 and RGB 202 150 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 149 201 155 0.75 shade: RGB 149 201 155, RGB 155 150 202 and RGB 202 155 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 149 201 155 0.75 shade: RGB 149 201 155, RGB 150 186 202, RGB 202 150 197 and RGB 202 166 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 149 201 155 0.75 shade: RGB 149 201 155, RGB 150 171 202, RGB 202 150 197 and RGB 202 181 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 17 / 16

HEX #95C99BBF

RGBA 149 201 155 0.75

HSLA 126.92, 0.33%, 0.69%, 0.75

LABA 76.39, -26.07, 17.63, 0.75

 

Complementary color

CMYK 0 / 37 / 4 / 44

HEX #6A3664BF

RGBA 106 54 100 0.75

HSLA 306.92, 0.33%, 0.31%, 0.75

LABA 30.93, 30.26, -17.14, 0.75

 

CMYK 18 / 0 / 19 / 16

HEX #9AC996BF

RGBA 154 201 150 0.75

HSLA 115.29, 0.32%, 0.69%, 0.75

LABA 76.59, -25.26, 20.6, 0.75

 

CMYK 16 / 0 / 17 / 11

HEX #ABDBA9BF

RGBA 171 219 169 0.75

HSLA 117.6, 0.41%, 0.76%, 0.75

LABA 83.01, -25.07, 19.62, 0.75

 

CMYK 16 / 0 / 16 / 5

HEX #BCEDBCBF

RGBA 188 237 188 0.75

HSLA 120, 0.58%, 0.83%, 0.75

LABA 89.34, -24.9, 18.7, 0.75

 

CMYK 15 / 0 / 14 / 0

HEX #CDFFCFBF

RGBA 205 255 207 0.75

HSLA 122.4, 1%, 0.9%, 0.75

LABA 95.58, -24.74, 17.81, 0.75

 

CMYK 10 / 0 / 9 / 0

HEX #DEFFE2BF

RGBA 222 255 226 0.75

HSLA 127.27, 1%, 0.94%, 0.75

LABA 97.04, -15.92, 10.3, 0.75

 

CMYK 19 / 0 / 17 / 16

HEX #95C99BBF

RGBA 149 201 155 0.75

HSLA 126.92, 0.33%, 0.69%, 0.75

LABA 76.39, -26.07, 17.63, 0.75

 

CMYK 21 / 0 / 19 / 21

HEX #84B788BF

RGBA 132 183 136 0.75

HSLA 124.71, 0.26%, 0.62%, 0.75

LABA 69.86, -26.31, 18.63, 0.75

 

CMYK 23 / 0 / 22 / 26

HEX #73A575BF

RGBA 115 165 117 0.75

HSLA 122.4, 0.22%, 0.55%, 0.75

LABA 63.21, -26.55, 19.7, 0.75

 

CMYK 25 / 0 / 25 / 32

HEX #629362BF

RGBA 98 147 98 0.75

HSLA 120, 0.2%, 0.48%, 0.75

LABA 56.43, -26.81, 20.85, 0.75

 

CMYK 28 / 0 / 29 / 37

HEX #51814FBF

RGBA 81 129 79 0.75

HSLA 117.6, 0.24%, 0.41%, 0.75

LABA 49.51, -27.07, 22.1, 0.75

 

CMYK 26 / 0 / 23 / 21

HEX #96CA9C

RGB 150 202 156

HSL 126.92, 0.33%, 0.69%

LAB 76.75, -26.05, 17.61

 

CMYK 22 / 0 / 26 / 21

HEX #9ECA96

RGB 158 202 150

HSL 110.77, 0.33%, 0.69%

LAB 77.11, -24.38, 21.36

 

CMYK 15 / 0 / 26 / 21

HEX #ACCA96

RGB 172 202 150

HSL 94.62, 0.33%, 0.69%

LAB 78, -19.45, 22.73

 

CMYK 8 / 0 / 26 / 21

HEX #BACA96

RGB 186 202 150

HSL 78.46, 0.33%, 0.69%

LAB 78.97, -14.33, 24.21

 

CMYK 1 / 0 / 26 / 21

HEX #C8CA96

RGB 200 202 150

HSL 62.31, 0.33%, 0.69%

LAB 80.02, -9.07, 25.81

 

CMYK 26 / 0 / 23 / 21

HEX #96CA9C

RGB 150 202 156

HSL 126.92, 0.33%, 0.69%

LAB 76.75, -26.05, 17.61

 

CMYK 26 / 0 / 16 / 21

HEX #96CAAA

RGB 150 202 170

HSL 143.08, 0.33%, 0.69%

LAB 77.06, -23.46, 10.55

 

CMYK 26 / 0 / 9 / 21

HEX #96CAB8

RGB 150 202 184

HSL 159.23, 0.33%, 0.69%

LAB 77.39, -20.66, 3.51

 

CMYK 26 / 0 / 2 / 21

HEX #96CAC6

RGB 150 202 198

HSL 175.38, 0.33%, 0.69%

LAB 77.76, -17.66, -3.5

 

CMYK 26 / 5 / 0 / 21

HEX #96C0CA

RGB 150 192 202

HSL 191.54, 0.33%, 0.69%

LAB 75.11, -11.6, -9.59

 

CMYK 26 / 0 / 23 / 21

HEX #96CA9C

RGB 150 202 156

HSL 126.92, 0.33%, 0.69%

LAB 76.75, -26.05, 17.61

 

CMYK 36 / 0 / 32 / 16

HEX #89D792

RGB 137 215 146

HSL 126.92, 0.49%, 0.69%

LAB 79.61, -38.03, 26.67

 

CMYK 46 / 0 / 40 / 11

HEX #7CE488

RGB 124 228 136

HSL 126.92, 0.66%, 0.69%

LAB 82.67, -49.07, 35.73

 

CMYK 54 / 0 / 48 / 6

HEX #6FF07E

RGB 111 240 126

HSL 126.98, 0.81%, 0.69%

LAB 85.61, -58.7, 44.29

 

CMYK 61 / 0 / 54 / 1

HEX #63FD75

RGB 99 253 117

HSL 127.01, 0.97%, 0.69%

LAB 89.01, -67.37, 52.59

 

CMYK 26 / 0 / 23 / 21

HEX #96CA9C

RGB 150 202 156

HSL 126.92, 0.33%, 0.69%

LAB 76.75, -26.05, 17.61

 

CMYK 14 / 0 / 12 / 26

HEX #A3BDA6

RGB 163 189 166

HSL 126.92, 0.16%, 0.69%

LAB 74.15, -13.3, 8.67

 

CMYK 1 / 0 / 0 / 31

HEX #AFB0B0

RGB 175 176 176

HSL 180, 0.01%, 0.69%

LAB 71.76, -0.35, -0.13

 

CMYK 0 / 13 / 2 / 26

HEX #BCA4B9

RGB 188 164 185

HSL 307.5, 0.15%, 0.69%

LAB 70, 12.48, -7.57

 

CMYK 0 / 25 / 3 / 21

HEX #C997C3

RGB 201 151 195

HSL 307.2, 0.32%, 0.69%

LAB 68.38, 26, -15.41

 

CMYK 15 / 0 / 26 / 21

HEX #ACCA96

RGB 172 202 150

HSL 94.62, 0.33%, 0.69%

LAB 78, -19.45, 22.73

 

CMYK 21 / 0 / 26 / 21

HEX #9FCA96

RGB 159 202 150

HSL 109.62, 0.33%, 0.69%

LAB 77.17, -24.04, 21.45

 

CMYK 26 / 0 / 23 / 21

HEX #96CA9B

RGB 150 202 155

HSL 125.77, 0.33%, 0.69%

LAB 76.73, -26.23, 18.11

 

CMYK 26 / 0 / 16 / 21

HEX #96CAA9

RGB 150 202 169

HSL 141.92, 0.33%, 0.69%

LAB 77.03, -23.65, 11.05

 

CMYK 26 / 0 / 9 / 21

HEX #96CAB7

RGB 150 202 183

HSL 158.08, 0.33%, 0.69%

LAB 77.37, -20.86, 4.01

 

CMYK 45 / 0 / 40 / 32

HEX #5FAE68

RGB 95 174 104

HSL 126.84, 0.33%, 0.53%

LAB 64.73, -39.33, 28.56

 

CMYK 35 / 0 / 31 / 26

HEX #7ABC82

RGB 122 188 130

HSL 127.27, 0.33%, 0.61%

LAB 70.67, -33.02, 22.88

 

CMYK 26 / 0 / 23 / 21

HEX #96CA9C

RGB 150 202 156

HSL 126.92, 0.33%, 0.69%

LAB 76.75, -26.05, 17.61

 

CMYK 18 / 0 / 16 / 15

HEX #B1D8B6

RGB 177 216 182

HSL 127.69, 0.33%, 0.77%

LAB 82.83, -19.33, 12.57

 

CMYK 11 / 0 / 10 / 10

HEX #CDE6D0

RGB 205 230 208

HSL 127.2, 0.33%, 0.85%

LAB 88.98, -12.31, 7.93

 

CMYK 26 / 0 / 23 / 21

HEX #95C99B

RGB 149 201 155

HSL 126.92, 0.33%, 0.69%

LAB 76.39, -26.07, 17.63

 

CMYK 26 / 8 / 0 / 21

HEX #96BACA

RGB 150 186 202

HSL 198.46, 0.33%, 0.69%

LAB 73.46, -8.43, -12.05

 

CMYK 0 / 26 / 18 / 21

HEX #CA96A6

RGB 202 150 166

HSL 341.54, 0.33%, 0.69%

LAB 67.37, 21.93, -0.71

 

CMYK 26 / 0 / 23 / 21

HEX #95C99B

RGB 149 201 155

HSL 126.92, 0.33%, 0.69%

LAB 76.39, -26.07, 17.63

 

CMYK 23 / 26 / 0 / 21

HEX #9B96CA

RGB 155 150 202

HSL 245.77, 0.33%, 0.69%

LAB 64.2, 12.99, -26.07

 

CMYK 0 / 23 / 26 / 21

HEX #CA9B96

RGB 202 155 150

HSL 5.77, 0.33%, 0.69%

LAB 68.17, 16.78, 9.38

 

CMYK 26 / 0 / 23 / 21

HEX #95C99B

RGB 149 201 155

HSL 126.92, 0.33%, 0.69%

LAB 76.39, -26.07, 17.63

 

CMYK 26 / 8 / 0 / 21

HEX #96BACA

RGB 150 186 202

HSL 198.46, 0.33%, 0.69%

LAB 73.46, -8.43, -12.05

 

CMYK 0 / 26 / 2 / 21

HEX #CA96C5

RGB 202 150 197

HSL 305.77, 0.33%, 0.69%

LAB 68.31, 27.26, -16.61

 

CMYK 0 / 18 / 26 / 21

HEX #CAA696

RGB 202 166 150

HSL 18.46, 0.33%, 0.69%

LAB 70.89, 10.78, 13.24

 

CMYK 26 / 0 / 23 / 21

HEX #95C99B

RGB 149 201 155

HSL 126.92, 0.33%, 0.69%

LAB 76.39, -26.07, 17.63

 

CMYK 26 / 15 / 0 / 21

HEX #96ABCA

RGB 150 171 202

HSL 215.77, 0.33%, 0.69%

LAB 69.38, -0.32, -18.19

 

CMYK 0 / 26 / 2 / 21

HEX #CA96C5

RGB 202 150 197

HSL 305.77, 0.33%, 0.69%

LAB 68.31, 27.26, -16.61

 

CMYK 0 / 10 / 26 / 21

HEX #CAB596

RGB 202 181 150

HSL 35.77, 0.33%, 0.69%

LAB 74.7, 2.7, 18.55

 

Description

Color code: RGBA 149 201 155 0.75 | qconv.com Color code: RGBA 149 201 155 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 201 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 201 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 17 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 17% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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