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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 149 201 120 0.75 it is the complementary color RGBA 106 54 135 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 149 201 120 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 149 201 120 0.75 shade: RGBA 154 201 115 0.75, RGBA 171 219 134 0.75, RGBA 188 237 153 0.75, RGBA 205 255 172 0.75 and RGBA 222 255 191 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 149 201 120 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 149 201 120 0.75 shade: RGBA 149 201 120 0.75, RGBA 132 183 101 0.75, RGBA 115 165 82 0.75, RGBA 98 147 63 0.75 and RGBA 81 129 44 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 149 201 120 0.75 shade: RGB 149 201 120, RGB 171 201 120, RGB 193 201 120, RGB 201 188 120 and RGB 201 166 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 149 201 120 0.75 shade: RGB 149 201 120, RGB 127 201 120, RGB 120 201 135, RGB 120 201 157 and RGB 120 201 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 149 201 120 0.75 shade matches the following richer shades: RGB 149 201 120, RGB 145 216 105, RGB 140 232 90 and RGB 136 247 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 149 201 120 0.75 shade: RGB 149 201 120, RGB 153 186 135, RGB 158 171 151, RGB 162 155 166 and RGB 166 140 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 149 201 120 0.75 shade: RGB 193 201 120, RGB 171 201 120, RGB 150 201 120, RGB 128 201 120 and RGB 120 201 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 149 201 120 0.75 shade: RGB 105 171 68, RGB 126 189 91, RGB 149 201 120, RGB 172 213 150 and RGB 195 225 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 149 201 120 0.75 shade: RGB 149 201 120, RGB 120 201 188 and RGB 201 120 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 149 201 120 0.75 shade: RGB 149 201 120, RGB 120 150 201 and RGB 201 120 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 149 201 120 0.75 shade: RGB 149 201 120, RGB 120 201 188, RGB 171 120 201 and RGB 201 120 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 149 201 120 0.75 shade: RGB 149 201 120, RGB 120 190 201, RGB 171 120 201 and RGB 201 131 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 30 / 16

HEX #95C978BF

RGBA 149 201 120 0.75

HSLA 98.52, 0.43%, 0.63%, 0.75

LABA 75.77, -31.58, 35.12, 0.75

 

Complementary color

CMYK 16 / 45 / 0 / 35

HEX #6A3687BF

RGBA 106 54 135 0.75

HSLA 278.52, 0.43%, 0.37%, 0.75

LABA 32.81, 37.87, -36.22, 0.75

 

CMYK 18 / 0 / 32 / 16

HEX #9AC973BF

RGBA 154 201 115 0.75

HSLA 92.79, 0.44%, 0.62%, 0.75

LABA 76, -30.44, 38, 0.75

 

CMYK 16 / 0 / 29 / 11

HEX #ABDB86BF

RGBA 171 219 134 0.75

HSLA 93.88, 0.54%, 0.69%, 0.75

LABA 82.4, -30.36, 36.84, 0.75

 

CMYK 16 / 0 / 27 / 5

HEX #BCED99BF

RGBA 188 237 153 0.75

HSLA 95, 0.7%, 0.76%, 0.75

LABA 88.71, -30.27, 35.72, 0.75

 

CMYK 15 / 0 / 24 / 0

HEX #CDFFACBF

RGBA 205 255 172 0.75

HSLA 96.14, 1%, 0.84%, 0.75

LABA 94.94, -30.16, 34.64, 0.75

 

CMYK 10 / 0 / 19 / 0

HEX #DEFFBFBF

RGBA 222 255 191 0.75

HSLA 90.94, 1%, 0.87%, 0.75

LABA 96.33, -21.56, 27.15, 0.75

 

CMYK 19 / 0 / 30 / 16

HEX #95C978BF

RGBA 149 201 120 0.75

HSLA 98.52, 0.43%, 0.63%, 0.75

LABA 75.77, -31.58, 35.12, 0.75

 

CMYK 21 / 0 / 34 / 21

HEX #84B765BF

RGBA 132 183 101 0.75

HSLA 97.32, 0.36%, 0.56%, 0.75

LABA 69.26, -31.69, 36.32, 0.75

 

CMYK 23 / 0 / 38 / 26

HEX #73A552BF

RGBA 115 165 82 0.75

HSLA 96.14, 0.34%, 0.48%, 0.75

LABA 62.65, -31.77, 37.53, 0.75

 

CMYK 25 / 0 / 43 / 32

HEX #62933FBF

RGBA 98 147 63 0.75

HSLA 95, 0.4%, 0.41%, 0.75

LABA 55.91, -31.78, 38.71, 0.75

 

CMYK 28 / 0 / 49 / 37

HEX #51812CBF

RGBA 81 129 44 0.75

HSLA 93.88, 0.49%, 0.34%, 0.75

LABA 49.05, -31.66, 39.73, 0.75

 

CMYK 26 / 0 / 40 / 21

HEX #95C978

RGB 149 201 120

HSL 98.52, 0.43%, 0.63%

LAB 75.77, -31.58, 35.12

 

CMYK 15 / 0 / 40 / 21

HEX #ABC978

RGB 171 201 120

HSL 82.22, 0.43%, 0.63%

LAB 77.15, -23.51, 37.17

 

CMYK 4 / 0 / 40 / 21

HEX #C1C978

RGB 193 201 120

HSL 65.93, 0.43%, 0.63%

LAB 78.73, -15.01, 39.5

 

CMYK 0 / 6 / 40 / 21

HEX #C9BC78

RGB 201 188 120

HSL 50.37, 0.43%, 0.63%

LAB 75.91, -5.14, 36.04

 

CMYK 0 / 17 / 40 / 21

HEX #C9A678

RGB 201 166 120

HSL 34.07, 0.43%, 0.63%

LAB 70.21, 6.55, 28.62

 

CMYK 26 / 0 / 40 / 21

HEX #95C978

RGB 149 201 120

HSL 98.52, 0.43%, 0.63%

LAB 75.77, -31.58, 35.12

 

CMYK 37 / 0 / 40 / 21

HEX #7FC978

RGB 127 201 120

HSL 114.81, 0.43%, 0.63%

LAB 74.6, -38.98, 33.37

 

CMYK 40 / 0 / 33 / 21

HEX #78C987

RGB 120 201 135

HSL 131.11, 0.43%, 0.63%

LAB 74.52, -38.72, 25.42

 

CMYK 40 / 0 / 22 / 21

HEX #78C99D

RGB 120 201 157

HSL 147.41, 0.43%, 0.63%

LAB 74.95, -34.61, 14.33

 

CMYK 40 / 0 / 11 / 21

HEX #78C9B3

RGB 120 201 179

HSL 163.7, 0.43%, 0.63%

LAB 75.46, -29.92, 3.22

 

CMYK 26 / 0 / 40 / 21

HEX #95C978

RGB 149 201 120

HSL 98.52, 0.43%, 0.63%

LAB 75.77, -31.58, 35.12

 

CMYK 33 / 0 / 51 / 15

HEX #91D869

RGB 145 216 105

HSL 98.38, 0.59%, 0.63%

LAB 79.7, -41.65, 47.36

 

CMYK 40 / 0 / 61 / 9

HEX #8CE85A

RGB 140 232 90

HSL 98.87, 0.76%, 0.63%

LAB 83.98, -51.57, 58.99

 

CMYK 45 / 0 / 70 / 3

HEX #88F74A

RGB 136 247 74

HSL 98.5, 0.92%, 0.63%

LAB 88.09, -59.97, 69.55

 

CMYK 26 / 0 / 40 / 21

HEX #95C978

RGB 149 201 120

HSL 98.52, 0.43%, 0.63%

LAB 75.77, -31.58, 35.12

 

CMYK 18 / 0 / 27 / 27

HEX #99BA87

RGB 153 186 135

HSL 98.82, 0.27%, 0.63%

LAB 71.99, -20.64, 22.29

 

CMYK 8 / 0 / 12 / 33

HEX #9EAB97

RGB 158 171 151

HSL 99, 0.11%, 0.63%

LAB 68.48, -8.34, 8.75

 

CMYK 2 / 7 / 0 / 35

HEX #A29BA6

RGB 162 155 166

HSL 278.18, 0.06%, 0.63%

LAB 64.87, 4.65, -4.82

 

CMYK 8 / 23 / 0 / 29

HEX #A68CB5

RGB 166 140 181

HSL 278.05, 0.22%, 0.63%

LAB 61.83, 17.54, -17.8

 

CMYK 4 / 0 / 40 / 21

HEX #C1C978

RGB 193 201 120

HSL 65.93, 0.43%, 0.63%

LAB 78.73, -15.01, 39.5

 

CMYK 15 / 0 / 40 / 21

HEX #ABC978

RGB 171 201 120

HSL 82.22, 0.43%, 0.63%

LAB 77.15, -23.51, 37.17

 

CMYK 25 / 0 / 40 / 21

HEX #96C978

RGB 150 201 120

HSL 97.78, 0.43%, 0.63%

LAB 75.83, -31.22, 35.21

 

CMYK 36 / 0 / 40 / 21

HEX #80C978

RGB 128 201 120

HSL 114.07, 0.43%, 0.63%

LAB 74.65, -38.66, 33.44

 

CMYK 40 / 0 / 33 / 21

HEX #78C986

RGB 120 201 134

HSL 130.37, 0.43%, 0.63%

LAB 74.5, -38.9, 25.92

 

CMYK 39 / 0 / 60 / 33

HEX #69AB44

RGB 105 171 68

HSL 98.45, 0.43%, 0.47%

LAB 63.79, -39.6, 45.51

 

CMYK 33 / 0 / 52 / 26

HEX #7EBD5B

RGB 126 189 91

HSL 98.57, 0.43%, 0.55%

LAB 70.58, -37.81, 42.85

 

CMYK 26 / 0 / 40 / 21

HEX #95C978

RGB 149 201 120

HSL 98.52, 0.43%, 0.63%

LAB 75.77, -31.58, 35.12

 

CMYK 19 / 0 / 30 / 16

HEX #ACD596

RGB 172 213 150

HSL 99.05, 0.43%, 0.71%

LAB 81.05, -24.87, 26.87

 

CMYK 13 / 0 / 20 / 12

HEX #C3E1B3

RGB 195 225 179

HSL 99.13, 0.43%, 0.79%

LAB 86.36, -18.16, 19.28

 

CMYK 26 / 0 / 40 / 21

HEX #95C978

RGB 149 201 120

HSL 98.52, 0.43%, 0.63%

LAB 75.77, -31.58, 35.12

 

CMYK 40 / 0 / 6 / 21

HEX #78C9BC

RGB 120 201 188

HSL 170.37, 0.43%, 0.63%

LAB 75.7, -27.85, -1.3

 

CMYK 0 / 40 / 9 / 21

HEX #C978B6

RGB 201 120 182

HSL 314.07, 0.43%, 0.63%

LAB 60.98, 40.51, -19.31

 

CMYK 26 / 0 / 40 / 21

HEX #95C978

RGB 149 201 120

HSL 98.52, 0.43%, 0.63%

LAB 75.77, -31.58, 35.12

 

CMYK 40 / 25 / 0 / 21

HEX #7896C9

RGB 120 150 201

HSL 217.78, 0.43%, 0.63%

LAB 61.67, 2.56, -29.6

 

CMYK 0 / 40 / 25 / 21

HEX #C97896

RGB 201 120 150

HSL 337.78, 0.43%, 0.63%

LAB 59.94, 35.48, -2.54

 

CMYK 26 / 0 / 40 / 21

HEX #95C978

RGB 149 201 120

HSL 98.52, 0.43%, 0.63%

LAB 75.77, -31.58, 35.12

 

CMYK 40 / 0 / 6 / 21

HEX #78C9BC

RGB 120 201 188

HSL 170.37, 0.43%, 0.63%

LAB 75.7, -27.85, -1.3

 

CMYK 15 / 40 / 0 / 21

HEX #AB78C9

RGB 171 120 201

HSL 277.78, 0.43%, 0.63%

LAB 58.33, 34.74, -34.48

 

CMYK 0 / 40 / 33 / 21

HEX #C97886

RGB 201 120 134

HSL 349.63, 0.43%, 0.63%

LAB 59.5, 33.32, 6.05

 

CMYK 26 / 0 / 40 / 21

HEX #95C978

RGB 149 201 120

HSL 98.52, 0.43%, 0.63%

LAB 75.77, -31.58, 35.12

 

CMYK 40 / 5 / 0 / 21

HEX #78BEC9

RGB 120 190 201

HSL 188.15, 0.43%, 0.63%

LAB 72.92, -19.16, -12.48

 

CMYK 15 / 40 / 0 / 21

HEX #AB78C9

RGB 171 120 201

HSL 277.78, 0.43%, 0.63%

LAB 58.33, 34.74, -34.48

 

CMYK 0 / 35 / 40 / 21

HEX #C98378

RGB 201 131 120

HSL 8.15, 0.43%, 0.63%

LAB 61.66, 25.66, 17.1

 

Description

Color code: RGBA 149 201 120 0.75 | qconv.com Color code: RGBA 149 201 120 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 201 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 201 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 30 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 30% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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