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Color name
RGBA 149 189 53 0.25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 149 189 53 0.25 it is the complementary color RGBA 106 66 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 149 189 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 149 189 53 0.25 shade: RGBA 154 189 48 0.25, RGBA 171 207 67 0.25, RGBA 188 225 86 0.25, RGBA 205 243 105 0.25 and RGBA 222 255 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 149 189 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 149 189 53 0.25 shade: RGBA 149 189 53 0.25, RGBA 132 171 34 0.25, RGBA 115 153 15 0.25, RGBA 98 135 0 0.25 and RGBA 81 117 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 149 189 53 0.25 shade: RGB 147 187 53, RGB 184 187 53, RGB 187 154 53, RGB 187 118 53 and RGB 187 82 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 149 189 53 0.25 shade: RGB 147 187 53, RGB 111 187 53, RGB 75 187 53, RGB 53 187 67 and RGB 53 187 103

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 149 189 53 0.25 shade matches the following richer shades: RGB 147 187 53, RGB 155 206 33 and RGB 163 226 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 149 189 53 0.25 shade: RGB 147 187 53, RGB 139 168 72, RGB 132 148 92, RGB 124 129 111 and RGB 116 109 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 149 189 53 0.25 shade: RGB 187 153 53, RGB 185 187 53, RGB 149 187 53, RGB 113 187 53 and RGB 77 187 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 149 189 53 0.25 shade: RGB 97 123 35, RGB 122 155 44, RGB 147 187 53, RGB 167 205 76 and RGB 183 214 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 149 189 53 0.25 shade: RGB 149 189 53, RGB 53 187 118 and RGB 171 53 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 149 189 53 0.25 shade: RGB 149 189 53, RGB 53 149 187 and RGB 187 53 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 149 189 53 0.25 shade: RGB 149 189 53, RGB 53 187 118, RGB 91 53 187 and RGB 187 53 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 149 189 53 0.25 shade: RGB 149 189 53, RGB 53 187 158, RGB 91 53 187 and RGB 187 53 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 18 / 6

HEX #95BD353F

RGBA 149 189 53 0.25

HSLA 77.65, 0.56%, 0.47%, 0.25

LABA 71.58, -32.47, 60.68, 0.25

 

Complementary color

CMYK 12 / 17 / 0 / 5

HEX #6A42CA3F

RGBA 106 66 202 0.25

HSLA 257.65, 0.56%, 0.53%, 0.25

LABA 39.96, 48.85, -64.77, 0.25

 

CMYK 5 / 0 / 19 / 6

HEX #9ABD303F

RGBA 154 189 48 0.25

HSLA 74.89, 0.59%, 0.46%, 0.25

LABA 71.88, -30.74, 62.81, 0.25

 

CMYK 4 / 0 / 17 / 5

HEX #ABCF433F

RGBA 171 207 67 0.25

HSLA 75.43, 0.59%, 0.54%, 0.25

LABA 78.28, -31.31, 62.68, 0.25

 

CMYK 4 / 0 / 15 / 3

HEX #BCE1563F

RGBA 188 225 86 0.25

HSLA 75.97, 0.7%, 0.61%, 0.25

LABA 84.59, -31.74, 62.09, 0.25

 

CMYK 4 / 0 / 14 / 1

HEX #CDF3693F

RGBA 205 243 105 0.25

HSLA 76.52, 0.85%, 0.68%, 0.25

LABA 90.83, -32.07, 61.24, 0.25

 

CMYK 3 / 0 / 13 / 0

HEX #DEFF7C3F

RGBA 222 255 124 0.25

HSLA 75.11, 1%, 0.74%, 0.25

LABA 95.37, -29.55, 58.38, 0.25

 

CMYK 5 / 0 / 18 / 6

HEX #95BD353F

RGBA 149 189 53 0.25

HSLA 77.65, 0.56%, 0.47%, 0.25

LABA 71.58, -32.47, 60.68, 0.25

 

CMYK 6 / 0 / 20 / 8

HEX #84AB223F

RGBA 132 171 34 0.25

HSLA 77.08, 0.67%, 0.4%, 0.25

LABA 65.08, -31.84, 60.36, 0.25

 

CMYK 6 / 0 / 23 / 10

HEX #73990F3F

RGBA 115 153 15 0.25

HSLA 76.52, 0.82%, 0.33%, 0.25

LABA 58.47, -30.99, 58.84, 0.25

 

CMYK 7 / 0 / 25 / 12

HEX #6287003F

RGBA 98 135 0 0.25

HSLA 76.44, 1%, 0.26%, 0.25

LABA 51.75, -29.87, 55.59, 0.25

 

CMYK 8 / 0 / 25 / 14

HEX #5175003F

RGBA 81 117 0 0.25

HSLA 78.46, 1%, 0.23%, 0.25

LABA 44.9, -28.41, 49.88, 0.25

 

CMYK 21 / 0 / 72 / 27

HEX #93BB35

RGB 147 187 53

HSL 77.91, 0.56%, 0.47%

LAB 70.87, -32.34, 59.93

 

CMYK 2 / 0 / 72 / 27

HEX #B8BB35

RGB 184 187 53

HSL 61.34, 0.56%, 0.47%

LAB 73.54, -17.02, 63.45

 

CMYK 0 / 18 / 72 / 27

HEX #BB9A35

RGB 187 154 53

HSL 45.22, 0.56%, 0.47%

LAB 64.91, 1.58, 55.06

 

CMYK 0 / 37 / 72 / 27

HEX #BB7635

RGB 187 118 53

HSL 29.1, 0.56%, 0.47%

LAB 55.87, 21.39, 45.73

 

CMYK 0 / 56 / 72 / 27

HEX #BB5235

RGB 187 82 53

HSL 12.99, 0.56%, 0.47%

LAB 48.08, 40.5, 37.23

 

CMYK 21 / 0 / 72 / 27

HEX #93BB35

RGB 147 187 53

HSL 77.91, 0.56%, 0.47%

LAB 70.87, -32.34, 59.93

 

CMYK 41 / 0 / 72 / 27

HEX #6FBB35

RGB 111 187 53

HSL 94.03, 0.56%, 0.47%

LAB 68.88, -45.64, 57.28

 

CMYK 60 / 0 / 72 / 27

HEX #4BBB35

RGB 75 187 53

HSL 110.15, 0.56%, 0.47%

LAB 67.5, -56.13, 55.43

 

CMYK 72 / 0 / 64 / 27

HEX #35BB43

RGB 53 187 67

HSL 126.27, 0.56%, 0.47%

LAB 67.05, -59.35, 49.13

 

CMYK 72 / 0 / 45 / 27

HEX #35BB67

RGB 53 187 103

HSL 142.39, 0.56%, 0.47%

LAB 67.48, -54.31, 32.4

 

CMYK 21 / 0 / 72 / 27

HEX #93BB35

RGB 147 187 53

HSL 77.91, 0.56%, 0.47%

LAB 70.87, -32.34, 59.93

 

CMYK 25 / 0 / 84 / 19

HEX #9BCE21

RGB 155 206 33

HSL 77.69, 0.72%, 0.47%

LAB 76.81, -38.75, 71.52

 

CMYK 28 / 0 / 94 / 11

HEX #A3E20E

RGB 163 226 14

HSL 77.83, 0.88%, 0.47%

LAB 83.03, -44.85, 79.93

 

CMYK 21 / 0 / 72 / 27

HEX #93BB35

RGB 147 187 53

HSL 77.91, 0.56%, 0.47%

LAB 70.87, -32.34, 59.93

 

CMYK 17 / 0 / 57 / 34

HEX #8BA848

RGB 139 168 72

HSL 78.13, 0.4%, 0.47%

LAB 64.93, -25.02, 45.48

 

CMYK 11 / 0 / 38 / 42

HEX #84945C

RGB 132 148 92

HSL 77.14, 0.23%, 0.47%

LAB 58.84, -15.43, 27.74

 

CMYK 4 / 0 / 14 / 49

HEX #7C816F

RGB 124 129 111

HSL 76.67, 0.08%, 0.47%

LAB 53.1, -5.31, 9.13

 

CMYK 11 / 16 / 0 / 49

HEX #746D82

RGB 116 109 130

HSL 260, 0.09%, 0.47%

LAB 47.32, 7.13, -10.59

 

CMYK 0 / 18 / 72 / 27

HEX #BB9935

RGB 187 153 53

HSL 44.78, 0.56%, 0.47%

LAB 64.65, 2.12, 54.79

 

CMYK 1 / 0 / 72 / 27

HEX #B9BB35

RGB 185 187 53

HSL 60.9, 0.56%, 0.47%

LAB 73.62, -16.59, 63.55

 

CMYK 20 / 0 / 72 / 27

HEX #95BB35

RGB 149 187 53

HSL 77.01, 0.56%, 0.47%

LAB 71, -31.54, 60.1

 

CMYK 40 / 0 / 72 / 27

HEX #71BB35

RGB 113 187 53

HSL 93.13, 0.56%, 0.47%

LAB 68.97, -44.96, 57.41

 

CMYK 59 / 0 / 72 / 27

HEX #4DBB35

RGB 77 187 53

HSL 109.25, 0.56%, 0.47%

LAB 67.56, -55.64, 55.51

 

CMYK 21 / 0 / 72 / 52

HEX #617B23

RGB 97 123 35

HSL 77.73, 0.56%, 0.31%

LAB 48.04, -23.03, 42.9

 

CMYK 21 / 0 / 72 / 39

HEX #7A9B2C

RGB 122 155 44

HSL 77.84, 0.56%, 0.39%

LAB 59.67, -27.78, 51.6

 

CMYK 21 / 0 / 72 / 27

HEX #93BB35

RGB 147 187 53

HSL 77.91, 0.56%, 0.47%

LAB 70.87, -32.34, 59.93

 

CMYK 19 / 0 / 63 / 20

HEX #A7CD4C

RGB 167 205 76

HSL 77.67, 0.56%, 0.55%

LAB 77.52, -31.33, 58.19

 

CMYK 14 / 0 / 49 / 16

HEX #B7D66D

RGB 183 214 109

HSL 77.71, 0.56%, 0.63%

LAB 81.44, -26.47, 48.09

 

CMYK 21 / 0 / 72 / 26

HEX #95BD35

RGB 149 189 53

HSL 77.65, 0.56%, 0.47%

LAB 71.58, -32.47, 60.68

 

CMYK 72 / 0 / 37 / 27

HEX #35BB76

RGB 53 187 118

HSL 149.1, 0.56%, 0.47%

LAB 67.73, -51.56, 24.88

 

CMYK 9 / 72 / 0 / 27

HEX #AB35BB

RGB 171 53 187

HSL 292.84, 0.56%, 0.47%

LAB 45.35, 64.4, -46.91

 

CMYK 21 / 0 / 72 / 26

HEX #95BD35

RGB 149 189 53

HSL 77.65, 0.56%, 0.47%

LAB 71.58, -32.47, 60.68

 

CMYK 72 / 20 / 0 / 27

HEX #3595BB

RGB 53 149 187

HSL 197.01, 0.56%, 0.47%

LAB 57.88, -15.31, -27.82

 

CMYK 0 / 72 / 20 / 27

HEX #BB3595

RGB 187 53 149

HSL 317.01, 0.56%, 0.47%

LAB 46.02, 62.15, -23.14

 

CMYK 21 / 0 / 72 / 26

HEX #95BD35

RGB 149 189 53

HSL 77.65, 0.56%, 0.47%

LAB 71.58, -32.47, 60.68

 

CMYK 72 / 0 / 37 / 27

HEX #35BB76

RGB 53 187 118

HSL 149.1, 0.56%, 0.47%

LAB 67.73, -51.56, 24.88

 

CMYK 51 / 72 / 0 / 27

HEX #5B35BB

RGB 91 53 187

HSL 257.01, 0.56%, 0.47%

LAB 34.72, 48.9, -64.62

 

CMYK 0 / 72 / 35 / 27

HEX #BB357A

RGB 187 53 122

HSL 329.1, 0.56%, 0.47%

LAB 44.96, 58.77, -8.35

 

CMYK 21 / 0 / 72 / 26

HEX #95BD35

RGB 149 189 53

HSL 77.65, 0.56%, 0.47%

LAB 71.58, -32.47, 60.68

 

CMYK 72 / 0 / 16 / 27

HEX #35BB9E

RGB 53 187 158

HSL 167.01, 0.56%, 0.47%

LAB 68.58, -42.47, 4.41

 

CMYK 51 / 72 / 0 / 27

HEX #5B35BB

RGB 91 53 187

HSL 257.01, 0.56%, 0.47%

LAB 34.72, 48.9, -64.62

 

CMYK 0 / 72 / 56 / 27

HEX #BB3552

RGB 187 53 82

HSL 347.01, 0.56%, 0.47%

LAB 43.83, 55, 14.75

 

Description

Color code: RGBA 149 189 53 0.25 | qconv.com Color code: RGBA 149 189 53 0.25 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 189 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 189 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 18 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 18% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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