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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 149 178 140 0.75 it is the complementary color RGBA 106 77 115 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 149 178 140 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 149 178 140 0.75 shade: RGBA 154 178 135 0.75, RGBA 171 196 154 0.75, RGBA 188 214 173 0.75, RGBA 205 232 192 0.75 and RGBA 222 250 211 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 149 178 140 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 149 178 140 0.75 shade: RGBA 149 178 140 0.75, RGBA 132 160 121 0.75, RGBA 115 142 102 0.75, RGBA 98 124 83 0.75 and RGBA 81 106 64 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 149 178 140 0.75 shade: RGB 148 177 139, RGB 158 177 139, RGB 169 177 139, RGB 177 176 139 and RGB 177 165 139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 149 178 140 0.75 shade: RGB 148 177 139, RGB 139 177 140, RGB 139 177 150, RGB 139 177 161 and RGB 139 177 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 149 178 140 0.75 shade matches the following richer shades: RGB 148 177 139, RGB 140 193 123, RGB 131 209 107, RGB 123 225 92 and RGB 115 240 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 149 178 140 0.75 shade: RGB 148 177 139, RGB 156 162 154, RGB 164 146 170, RGB 173 130 186 and RGB 181 115 201

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 149 178 140 0.75 shade: RGB 169 177 139, RGB 159 177 139, RGB 148 177 139, RGB 139 177 139 and RGB 139 177 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 149 178 140 0.75 shade: RGB 105 140 93, RGB 125 161 114, RGB 148 177 139, RGB 171 194 163 and RGB 194 210 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 149 178 140 0.75 shade: RGB 149 178 140, RGB 139 177 176 and RGB 177 139 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 149 178 140 0.75 shade: RGB 149 178 140, RGB 139 148 177 and RGB 177 139 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 149 178 140 0.75 shade: RGB 149 178 140, RGB 139 177 176, RGB 168 139 177 and RGB 177 139 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 149 178 140 0.75 shade: RGB 149 178 140, RGB 139 168 177, RGB 168 139 177 and RGB 177 148 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 16 / 23

HEX #95B28CBF

RGBA 149 178 140 0.75

HSLA 105.79, 0.2%, 0.62%, 0.75

LABA 69.56, -17.19, 16.21, 0.75

 

Complementary color

CMYK 6 / 25 / 0 / 41

HEX #6A4D73BF

RGBA 106 77 115 0.75

HSLA 285.79, 0.2%, 0.38%, 0.75

LABA 37.13, 19.65, -17.05, 0.75

 

CMYK 10 / 0 / 18 / 23

HEX #9AB287BF

RGBA 154 178 135 0.75

HSLA 93.49, 0.22%, 0.61%, 0.75

LABA 69.8, -16.2, 19.3, 0.75

 

CMYK 10 / 0 / 16 / 17

HEX #ABC49ABF

RGBA 171 196 154 0.75

HSLA 95.71, 0.26%, 0.69%, 0.75

LABA 76.36, -16.15, 18.33, 0.75

 

CMYK 9 / 0 / 14 / 12

HEX #BCD6ADBF

RGBA 188 214 173 0.75

HSLA 98.05, 0.33%, 0.76%, 0.75

LABA 82.81, -16.1, 17.4, 0.75

 

CMYK 9 / 0 / 13 / 7

HEX #CDE8C0BF

RGBA 205 232 192 0.75

HSLA 100.5, 0.47%, 0.83%, 0.75

LABA 89.16, -16.05, 16.52, 0.75

 

CMYK 8 / 0 / 12 / 1

HEX #DEFAD3BF

RGBA 222 250 211 0.75

HSLA 103.08, 0.8%, 0.9%, 0.75

LABA 95.41, -16.02, 15.68, 0.75

 

CMYK 12 / 0 / 16 / 23

HEX #95B28CBF

RGBA 149 178 140 0.75

HSLA 105.79, 0.2%, 0.62%, 0.75

LABA 69.56, -17.19, 16.21, 0.75

 

CMYK 13 / 0 / 18 / 28

HEX #84A079BF

RGBA 132 160 121 0.75

HSLA 103.08, 0.17%, 0.55%, 0.75

LABA 62.87, -17.3, 17.2, 0.75

 

CMYK 14 / 0 / 21 / 33

HEX #738E66BF

RGBA 115 142 102 0.75

HSLA 100.5, 0.16%, 0.48%, 0.75

LABA 56.04, -17.43, 18.26, 0.75

 

CMYK 16 / 0 / 25 / 39

HEX #627C53BF

RGBA 98 124 83 0.75

HSLA 98.05, 0.2%, 0.41%, 0.75

LABA 49.05, -17.56, 19.41, 0.75

 

CMYK 18 / 0 / 30 / 44

HEX #516A40BF

RGBA 81 106 64 0.75

HSLA 95.71, 0.25%, 0.33%, 0.75

LABA 41.89, -17.7, 20.65, 0.75

 

CMYK 16 / 0 / 21 / 31

HEX #94B18B

RGB 148 177 139

HSL 105.79, 0.2%, 0.62%

LAB 69.19, -17.21, 16.22

 

CMYK 11 / 0 / 21 / 31

HEX #9EB18B

RGB 158 177 139

HSL 90, 0.2%, 0.62%

LAB 69.88, -13.56, 17.29

 

CMYK 5 / 0 / 21 / 31

HEX #A9B18B

RGB 169 177 139

HSL 72.63, 0.2%, 0.62%

LAB 70.69, -9.44, 18.54

 

CMYK 0 / 1 / 21 / 31

HEX #B1B08B

RGB 177 176 139

HSL 58.42, 0.2%, 0.62%

LAB 71.05, -5.86, 19.14

 

CMYK 0 / 7 / 21 / 31

HEX #B1A58B

RGB 177 165 139

HSL 41.05, 0.2%, 0.62%

LAB 68.11, 0.04, 15.06

 

CMYK 16 / 0 / 21 / 31

HEX #94B18B

RGB 148 177 139

HSL 105.79, 0.2%, 0.62%

LAB 69.19, -17.21, 16.22

 

CMYK 21 / 0 / 21 / 31

HEX #8BB18C

RGB 139 177 140

HSL 121.58, 0.2%, 0.62%

LAB 68.63, -20.21, 14.81

 

CMYK 21 / 0 / 15 / 31

HEX #8BB196

RGB 139 177 150

HSL 137.37, 0.2%, 0.62%

LAB 68.85, -18.35, 9.64

 

CMYK 21 / 0 / 9 / 31

HEX #8BB1A1

RGB 139 177 161

HSL 154.74, 0.2%, 0.62%

LAB 69.12, -16.16, 3.97

 

CMYK 21 / 0 / 3 / 31

HEX #8BB1AB

RGB 139 177 171

HSL 170.53, 0.2%, 0.62%

LAB 69.38, -14.05, -1.16

 

CMYK 16 / 0 / 21 / 31

HEX #94B18B

RGB 148 177 139

HSL 105.79, 0.2%, 0.62%

LAB 69.19, -17.21, 16.22

 

CMYK 27 / 0 / 36 / 24

HEX #8CC17B

RGB 140 193 123

HSL 105.43, 0.36%, 0.62%

LAB 72.99, -30.52, 29.84

 

CMYK 37 / 0 / 49 / 18

HEX #83D16B

RGB 131 209 107

HSL 105.88, 0.53%, 0.62%

LAB 76.97, -43, 42.92

 

CMYK 45 / 0 / 59 / 12

HEX #7BE15C

RGB 123 225 92

HSL 106.02, 0.69%, 0.62%

LAB 81.2, -53.8, 54.8

 

CMYK 52 / 0 / 68 / 6

HEX #73F04C

RGB 115 240 76

HSL 105.73, 0.85%, 0.62%

LAB 85.24, -63.16, 65.64

 

CMYK 16 / 0 / 21 / 31

HEX #94B18B

RGB 148 177 139

HSL 105.79, 0.2%, 0.62%

LAB 69.19, -17.21, 16.22

 

CMYK 4 / 0 / 5 / 36

HEX #9CA29A

RGB 156 162 154

HSL 105, 0.04%, 0.62%

LAB 65.94, -3.67, 3.41

 

CMYK 4 / 14 / 0 / 33

HEX #A492AA

RGB 164 146 170

HSL 285, 0.12%, 0.62%

LAB 62.8, 11.2, -10.12

 

CMYK 7 / 30 / 0 / 27

HEX #AD82BA

RGB 173 130 186

HSL 286.07, 0.29%, 0.62%

LAB 60.24, 26.57, -22.99

 

CMYK 10 / 43 / 0 / 21

HEX #B573C9

RGB 181 115 201

HSL 286.05, 0.44%, 0.62%

LAB 58.32, 40.5, -34.4

 

CMYK 5 / 0 / 21 / 31

HEX #A9B18B

RGB 169 177 139

HSL 72.63, 0.2%, 0.62%

LAB 70.69, -9.44, 18.54

 

CMYK 10 / 0 / 21 / 31

HEX #9FB18B

RGB 159 177 139

HSL 88.42, 0.2%, 0.62%

LAB 69.95, -13.19, 17.4

 

CMYK 16 / 0 / 21 / 31

HEX #94B18B

RGB 148 177 139

HSL 105.79, 0.2%, 0.62%

LAB 69.19, -17.21, 16.22

 

CMYK 21 / 0 / 21 / 31

HEX #8BB18B

RGB 139 177 139

HSL 120, 0.2%, 0.62%

LAB 68.6, -20.39, 15.32

 

CMYK 21 / 0 / 15 / 31

HEX #8BB196

RGB 139 177 150

HSL 137.37, 0.2%, 0.62%

LAB 68.85, -18.35, 9.64

 

CMYK 25 / 0 / 34 / 45

HEX #698C5D

RGB 105 140 93

HSL 104.68, 0.2%, 0.46%

LAB 54.61, -21.63, 21.26

 

CMYK 22 / 0 / 29 / 37

HEX #7DA172

RGB 125 161 114

HSL 105.96, 0.2%, 0.54%

LAB 62.56, -21.55, 20.57

 

CMYK 16 / 0 / 21 / 31

HEX #94B18B

RGB 148 177 139

HSL 105.79, 0.2%, 0.62%

LAB 69.19, -17.21, 16.22

 

CMYK 12 / 0 / 16 / 24

HEX #ABC2A3

RGB 171 194 163

HSL 104.52, 0.2%, 0.7%

LAB 76, -13.61, 13

 

CMYK 8 / 0 / 10 / 18

HEX #C2D2BC

RGB 194 210 188

HSL 103.64, 0.2%, 0.78%

LAB 82.48, -9.43, 9.06

 

CMYK 16 / 0 / 21 / 30

HEX #95B28C

RGB 149 178 140

HSL 105.79, 0.2%, 0.62%

LAB 69.56, -17.19, 16.21

 

CMYK 21 / 0 / 1 / 31

HEX #8BB1B0

RGB 139 177 176

HSL 178.42, 0.2%, 0.62%

LAB 69.52, -12.96, -3.71

 

CMYK 0 / 21 / 7 / 31

HEX #B18BA4

RGB 177 139 164

HSL 320.53, 0.2%, 0.62%

LAB 62.08, 18.62, -7.68

 

CMYK 16 / 0 / 21 / 30

HEX #95B28C

RGB 149 178 140

HSL 105.79, 0.2%, 0.62%

LAB 69.56, -17.19, 16.21

 

CMYK 21 / 16 / 0 / 31

HEX #8B94B1

RGB 139 148 177

HSL 225.79, 0.2%, 0.62%

LAB 61.52, 3.14, -16.22

 

CMYK 0 / 21 / 16 / 31

HEX #B18B94

RGB 177 139 148

HSL 345.79, 0.2%, 0.62%

LAB 61.61, 15.85, 0.74

 

CMYK 16 / 0 / 21 / 30

HEX #95B28C

RGB 149 178 140

HSL 105.79, 0.2%, 0.62%

LAB 69.56, -17.19, 16.21

 

CMYK 21 / 0 / 1 / 31

HEX #8BB1B0

RGB 139 177 176

HSL 178.42, 0.2%, 0.62%

LAB 69.52, -12.96, -3.71

 

CMYK 5 / 21 / 0 / 31

HEX #A88BB1

RGB 168 139 177

HSL 285.79, 0.2%, 0.62%

LAB 61.62, 17.96, -15.83

 

CMYK 0 / 21 / 20 / 31

HEX #B18B8D

RGB 177 139 141

HSL 356.84, 0.2%, 0.62%

LAB 61.43, 14.73, 4.45

 

CMYK 16 / 0 / 21 / 30

HEX #95B28C

RGB 149 178 140

HSL 105.79, 0.2%, 0.62%

LAB 69.56, -17.19, 16.21

 

CMYK 21 / 5 / 0 / 31

HEX #8BA8B1

RGB 139 168 177

HSL 194.21, 0.2%, 0.62%

LAB 67.03, -7.93, -7.95

 

CMYK 5 / 21 / 0 / 31

HEX #A88BB1

RGB 168 139 177

HSL 285.79, 0.2%, 0.62%

LAB 61.62, 17.96, -15.83

 

CMYK 0 / 16 / 21 / 31

HEX #B1948B

RGB 177 148 139

HSL 14.21, 0.2%, 0.62%

LAB 63.66, 9.39, 8.79

 

Description

Color code: RGBA 149 178 140 0.75 | qconv.com Color code: RGBA 149 178 140 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 178 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 178 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 16 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 16% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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