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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 149 162 106 0.75 it is the complementary color RGBA 106 93 149 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 149 162 106 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 149 162 106 0.75 shade: RGBA 154 162 101 0.75, RGBA 171 180 120 0.75, RGBA 188 198 139 0.75, RGBA 205 216 158 0.75 and RGBA 222 234 177 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 149 162 106 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 149 162 106 0.75 shade: RGBA 149 162 106 0.75, RGBA 132 144 87 0.75, RGBA 115 126 68 0.75, RGBA 98 108 49 0.75 and RGBA 81 90 30 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 149 162 106 0.75 shade: RGB 150 163 108, RGB 163 161 108, RGB 163 146 108, RGB 163 131 108 and RGB 163 116 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 149 162 106 0.75 shade: RGB 150 163 108, RGB 135 163 108, RGB 120 163 108, RGB 108 163 110 and RGB 108 163 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 149 162 106 0.75 shade matches the following richer shades: RGB 150 163 108, RGB 160 182 88, RGB 171 201 69, RGB 181 221 49 and RGB 191 240 30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 149 162 106 0.75 shade: RGB 150 163 108, RGB 140 143 127, RGB 129 124 146, RGB 119 105 166 and RGB 108 85 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 149 162 106 0.75 shade: RGB 163 145 108, RGB 163 160 108, RGB 151 163 108, RGB 136 163 108 and RGB 121 163 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 149 162 106 0.75 shade: RGB 105 115 72, RGB 129 141 88, RGB 150 163 108, RGB 168 179 133 and RGB 186 194 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 149 162 106 0.75 shade: RGB 149 162 106, RGB 108 163 131 and RGB 153 108 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 149 162 106 0.75 shade: RGB 149 162 106, RGB 108 151 163 and RGB 163 108 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 149 162 106 0.75 shade: RGB 149 162 106, RGB 108 163 131, RGB 120 108 163 and RGB 163 108 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 149 162 106 0.75 shade: RGB 149 162 106, RGB 108 163 147, RGB 120 108 163 and RGB 163 108 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 26 / 27

HEX #95A26ABF

RGBA 149 162 106 0.75

HSLA 73.93, 0.23%, 0.53%, 0.75

LABA 64.38, -14.1, 27.64, 0.75

 

Complementary color

CMYK 22 / 28 / 0 / 31

HEX #6A5D95BF

RGBA 106 93 149 0.75

HSLA 253.93, 0.23%, 0.47%, 0.75

LABA 42.86, 18.19, -28.88, 0.75

 

CMYK 4 / 0 / 28 / 27

HEX #9AA265BF

RGBA 154 162 101 0.75

HSLA 67.87, 0.25%, 0.52%, 0.75

LABA 64.68, -12.74, 30.79, 0.75

 

CMYK 4 / 0 / 25 / 22

HEX #ABB478BF

RGBA 171 180 120 0.75

HSLA 69, 0.29%, 0.59%, 0.75

LABA 71.32, -12.93, 29.61, 0.75

 

CMYK 4 / 0 / 22 / 17

HEX #BCC68BBF

RGBA 188 198 139 0.75

HSLA 70.17, 0.34%, 0.66%, 0.75

LABA 77.84, -13.09, 28.49, 0.75

 

CMYK 4 / 0 / 20 / 11

HEX #CDD89EBF

RGBA 205 216 158 0.75

HSLA 71.38, 0.43%, 0.73%, 0.75

LABA 84.26, -13.21, 27.43, 0.75

 

CMYK 4 / 0 / 18 / 6

HEX #DEEAB1BF

RGBA 222 234 177 0.75

HSLA 72.63, 0.58%, 0.81%, 0.75

LABA 90.57, -13.32, 26.41, 0.75

 

CMYK 6 / 0 / 26 / 27

HEX #95A26ABF

RGBA 149 162 106 0.75

HSLA 73.93, 0.23%, 0.53%, 0.75

LABA 64.38, -14.1, 27.64, 0.75

 

CMYK 6 / 0 / 30 / 33

HEX #849057BF

RGBA 132 144 87 0.75

HSLA 72.63, 0.25%, 0.45%, 0.75

LABA 57.6, -13.96, 28.85, 0.75

 

CMYK 7 / 0 / 35 / 38

HEX #737E44BF

RGBA 115 126 68 0.75

HSLA 71.38, 0.3%, 0.38%, 0.75

LABA 50.67, -13.76, 30.1, 0.75

 

CMYK 7 / 0 / 41 / 43

HEX #626C31BF

RGBA 98 108 49 0.75

HSLA 70.17, 0.38%, 0.31%, 0.75

LABA 43.57, -13.45, 31.36, 0.75

 

CMYK 8 / 0 / 50 / 49

HEX #515A1EBF

RGBA 81 90 30 0.75

HSLA 69, 0.5%, 0.24%, 0.75

LABA 36.28, -12.97, 32.46, 0.75

 

CMYK 8 / 0 / 34 / 36

HEX #96A36C

RGB 150 163 108

HSL 74.18, 0.23%, 0.53%

LAB 64.77, -13.96, 27.09

 

CMYK 0 / 1 / 34 / 36

HEX #A3A16C

RGB 163 161 108

HSL 57.82, 0.23%, 0.53%

LAB 65.25, -7.68, 27.91

 

CMYK 0 / 10 / 34 / 36

HEX #A3926C

RGB 163 146 108

HSL 41.45, 0.23%, 0.53%

LAB 61.16, 0.48, 22.48

 

CMYK 0 / 20 / 34 / 36

HEX #A3836C

RGB 163 131 108

HSL 25.09, 0.23%, 0.53%

LAB 57.17, 8.86, 17.08

 

CMYK 0 / 29 / 34 / 36

HEX #A3746C

RGB 163 116 108

HSL 8.73, 0.23%, 0.53%

LAB 53.34, 17.39, 11.77

 

CMYK 8 / 0 / 34 / 36

HEX #96A36C

RGB 150 163 108

HSL 74.18, 0.23%, 0.53%

LAB 64.77, -13.96, 27.09

 

CMYK 17 / 0 / 34 / 36

HEX #87A36C

RGB 135 163 108

HSL 90.55, 0.23%, 0.53%

LAB 63.7, -19.79, 25.47

 

CMYK 26 / 0 / 34 / 36

HEX #78A36C

RGB 120 163 108

HSL 106.91, 0.23%, 0.53%

LAB 62.74, -25.33, 24.02

 

CMYK 34 / 0 / 33 / 36

HEX #6CA36E

RGB 108 163 110

HSL 122.18, 0.23%, 0.53%

LAB 62.09, -29.16, 21.95

 

CMYK 34 / 0 / 23 / 36

HEX #6CA37D

RGB 108 163 125

HSL 138.55, 0.23%, 0.53%

LAB 62.39, -26.39, 14.1

 

CMYK 8 / 0 / 34 / 36

HEX #96A36C

RGB 150 163 108

HSL 74.18, 0.23%, 0.53%

LAB 64.77, -13.96, 27.09

 

CMYK 12 / 0 / 52 / 29

HEX #A0B658

RGB 160 182 88

HSL 74.04, 0.39%, 0.53%

LAB 70.62, -21.98, 44.84

 

CMYK 15 / 0 / 66 / 21

HEX #ABC945

RGB 171 201 69

HSL 73.64, 0.55%, 0.53%

LAB 76.59, -28.35, 60.15

 

CMYK 18 / 0 / 78 / 13

HEX #B5DD31

RGB 181 221 49

HSL 73.95, 0.72%, 0.53%

LAB 82.78, -34.76, 73.3

 

CMYK 20 / 0 / 88 / 6

HEX #BFF01E

RGB 191 240 30

HSL 74, 0.88%, 0.53%

LAB 88.68, -39.98, 82.96

 

CMYK 8 / 0 / 34 / 36

HEX #96A36C

RGB 150 163 108

HSL 74.18, 0.23%, 0.53%

LAB 64.77, -13.96, 27.09

 

CMYK 2 / 0 / 11 / 44

HEX #8C8F7F

RGB 140 143 127

HSL 71.25, 0.07%, 0.53%

LAB 58.74, -4.1, 8.14

 

CMYK 12 / 15 / 0 / 43

HEX #817C92

RGB 129 124 146

HSL 253.64, 0.09%, 0.53%

LAB 53.12, 6.47, -11.18

 

CMYK 28 / 37 / 0 / 35

HEX #7769A6

RGB 119 105 166

HSL 253.77, 0.26%, 0.53%

LAB 47.98, 19.34, -30.85

 

CMYK 42 / 54 / 0 / 27

HEX #6C55B9

RGB 108 85 185

HSL 253.8, 0.42%, 0.53%

LAB 43.05, 33.63, -49.87

 

CMYK 0 / 11 / 34 / 36

HEX #A3916C

RGB 163 145 108

HSL 40.36, 0.23%, 0.53%

LAB 60.89, 1.03, 22.12

 

CMYK 0 / 2 / 34 / 36

HEX #A3A06C

RGB 163 160 108

HSL 56.73, 0.23%, 0.53%

LAB 64.97, -7.14, 27.55

 

CMYK 7 / 0 / 34 / 36

HEX #97A36C

RGB 151 163 108

HSL 73.09, 0.23%, 0.53%

LAB 64.85, -13.56, 27.21

 

CMYK 17 / 0 / 34 / 36

HEX #88A36C

RGB 136 163 108

HSL 89.45, 0.23%, 0.53%

LAB 63.76, -19.41, 25.58

 

CMYK 26 / 0 / 34 / 36

HEX #79A36C

RGB 121 163 108

HSL 105.82, 0.23%, 0.53%

LAB 62.8, -24.98, 24.11

 

CMYK 9 / 0 / 37 / 55

HEX #697348

RGB 105 115 72

HSL 73.95, 0.23%, 0.37%

LAB 46.62, -11.48, 22.57

 

CMYK 9 / 0 / 38 / 45

HEX #818D58

RGB 129 141 88

HSL 73.58, 0.23%, 0.45%

LAB 56.51, -13.46, 26.85

 

CMYK 8 / 0 / 34 / 36

HEX #96A36C

RGB 150 163 108

HSL 74.18, 0.23%, 0.53%

LAB 64.77, -13.96, 27.09

 

CMYK 6 / 0 / 26 / 30

HEX #A8B385

RGB 168 179 133

HSL 74.35, 0.23%, 0.61%

LAB 71.05, -11.77, 22.26

 

CMYK 4 / 0 / 19 / 24

HEX #BAC29E

RGB 186 194 158

HSL 73.33, 0.23%, 0.69%

LAB 76.98, -9.01, 17.21

 

CMYK 8 / 0 / 35 / 36

HEX #95A26A

RGB 149 162 106

HSL 73.93, 0.23%, 0.53%

LAB 64.38, -14.1, 27.64

 

CMYK 34 / 0 / 20 / 36

HEX #6CA383

RGB 108 163 131

HSL 145.09, 0.23%, 0.53%

LAB 62.53, -25.2, 10.95

 

CMYK 6 / 34 / 0 / 36

HEX #996CA3

RGB 153 108 163

HSL 289.09, 0.23%, 0.53%

LAB 52, 27.74, -22.6

NCS® S3040-R50B

CMYK 8 / 0 / 35 / 36

HEX #95A26A

RGB 149 162 106

HSL 73.93, 0.23%, 0.53%

LAB 64.38, -14.1, 27.64

 

CMYK 34 / 7 / 0 / 36

HEX #6C97A3

RGB 108 151 163

HSL 193.09, 0.23%, 0.53%

LAB 59.86, -11.55, -10.99

 

CMYK 0 / 34 / 7 / 36

HEX #A36C97

RGB 163 108 151

HSL 313.09, 0.23%, 0.53%

LAB 52.67, 28.8, -14.45

 

CMYK 8 / 0 / 35 / 36

HEX #95A26A

RGB 149 162 106

HSL 73.93, 0.23%, 0.53%

LAB 64.38, -14.1, 27.64

 

CMYK 34 / 0 / 20 / 36

HEX #6CA383

RGB 108 163 131

HSL 145.09, 0.23%, 0.53%

LAB 62.53, -25.2, 10.95

 

CMYK 26 / 34 / 0 / 36

HEX #786CA3

RGB 120 108 163

HSL 253.09, 0.23%, 0.53%

LAB 48.71, 17.06, -27.94

 

CMYK 0 / 34 / 14 / 36

HEX #A36C8C

RGB 163 108 140

HSL 325.09, 0.23%, 0.53%

LAB 52.29, 26.85, -8.56

 

CMYK 8 / 0 / 35 / 36

HEX #95A26A

RGB 149 162 106

HSL 73.93, 0.23%, 0.53%

LAB 64.38, -14.1, 27.64

 

CMYK 34 / 0 / 10 / 36

HEX #6CA393

RGB 108 163 147

HSL 162.55, 0.23%, 0.53%

LAB 62.92, -21.75, 2.56

 

CMYK 26 / 34 / 0 / 36

HEX #786CA3

RGB 120 108 163

HSL 253.09, 0.23%, 0.53%

LAB 48.71, 17.06, -27.94

 

CMYK 0 / 34 / 25 / 36

HEX #A36C7B

RGB 163 108 123

HSL 343.64, 0.23%, 0.53%

LAB 51.77, 24.1, 0.71

 

Description

Color code: RGBA 149 162 106 0.75 | qconv.com Color code: RGBA 149 162 106 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 162 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 162 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 26 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 26% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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