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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 149 160 152 0.75 it is the complementary color RGBA 106 95 103 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 149 160 152 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 149 160 152 0.75 shade: RGBA 154 160 147 0.75, RGBA 171 178 166 0.75, RGBA 188 196 185 0.75, RGBA 205 214 204 0.75 and RGBA 222 232 223 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 149 160 152 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 149 160 152 0.75 shade: RGBA 149 160 152 0.75, RGBA 132 142 133 0.75, RGBA 115 124 114 0.75, RGBA 98 106 95 0.75 and RGBA 81 88 76 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 149 160 152 0.75 shade: RGB 151 161 153, RGB 151 161 151, RGB 153 161 151, RGB 156 161 151 and RGB 159 161 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 149 160 152 0.75 shade: RGB 151 161 153, RGB 151 161 156, RGB 151 161 159, RGB 151 160 161 and RGB 151 157 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 149 160 152 0.75 shade matches the following richer shades: RGB 151 161 153, RGB 134 177 146, RGB 118 193 139, RGB 102 209 131 and RGB 86 225 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 149 160 152 0.75 shade: RGB 151 161 153, RGB 167 144 161, RGB 183 128 168, RGB 199 112 175 and RGB 215 96 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 149 160 152 0.75 shade: RGB 153 161 151, RGB 151 161 151, RGB 151 161 153, RGB 151 161 156 and RGB 151 161 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 149 160 152 0.75 shade: RGB 109 120 112, RGB 129 141 132, RGB 151 161 153, RGB 172 180 174 and RGB 194 200 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 149 160 152 0.75 shade: RGB 149 160 152, RGB 151 156 161 and RGB 161 151 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 149 160 152 0.75 shade: RGB 149 160 152, RGB 153 151 161 and RGB 161 153 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 149 160 152 0.75 shade: RGB 149 160 152, RGB 151 156 161, RGB 161 151 158 and RGB 161 155 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 149 160 152 0.75 shade: RGB 149 160 152, RGB 151 153 161, RGB 161 151 158 and RGB 161 158 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 4 / 28

HEX #95A098BF

RGBA 149 160 152 0.75

HSLA 136.36, 0.05%, 0.61%, 0.75

LABA 64.8, -5.48, 2.81, 0.75

 

Complementary color

CMYK 0 / 8 / 2 / 44

HEX #6A5F67BF

RGBA 106 95 103 0.75

HSLA 316.36, 0.05%, 0.39%, 0.75

LABA 41.58, 5.99, -2.94, 0.75

 

CMYK 3 / 0 / 6 / 28

HEX #9AA093BF

RGBA 154 160 147 0.75

HSLA 87.69, 0.06%, 0.6%, 0.75

LABA 65.06, -4.6, 6.03, 0.75

 

CMYK 3 / 0 / 5 / 23

HEX #ABB2A6BF

RGBA 171 178 166 0.75

HSLA 95, 0.07%, 0.67%, 0.75

LABA 71.73, -4.69, 5.27, 0.75

 

CMYK 3 / 0 / 4 / 17

HEX #BCC4B9BF

RGBA 188 196 185 0.75

HSLA 103.64, 0.09%, 0.75%, 0.75

LABA 78.27, -4.78, 4.56, 0.75

 

CMYK 3 / 0 / 4 / 12

HEX #CDD6CCBF

RGBA 205 214 204 0.75

HSLA 114, 0.11%, 0.82%, 0.75

LABA 84.71, -4.87, 3.87, 0.75

 

CMYK 3 / 0 / 3 / 7

HEX #DEE8DFBF

RGBA 222 232 223 0.75

HSLA 126, 0.18%, 0.89%, 0.75

LABA 91.04, -4.95, 3.21, 0.75

 

CMYK 5 / 0 / 4 / 28

HEX #95A098BF

RGBA 149 160 152 0.75

HSLA 136.36, 0.05%, 0.61%, 0.75

LABA 64.8, -5.48, 2.81, 0.75

 

CMYK 5 / 0 / 5 / 33

HEX #848E85BF

RGBA 132 142 133 0.75

HSLA 126, 0.04%, 0.54%, 0.75

LABA 57.98, -5.43, 3.54, 0.75

 

CMYK 5 / 0 / 6 / 39

HEX #737C72BF

RGBA 115 124 114 0.75

HSLA 114, 0.04%, 0.47%, 0.75

LABA 51.01, -5.38, 4.31, 0.75

 

CMYK 6 / 0 / 8 / 44

HEX #626A5FBF

RGBA 98 106 95 0.75

HSLA 103.64, 0.05%, 0.39%, 0.75

LABA 43.84, -5.34, 5.13, 0.75

 

CMYK 6 / 0 / 10 / 49

HEX #51584CBF

RGBA 81 88 76 0.75

HSLA 95, 0.07%, 0.32%, 0.75

LABA 36.46, -5.31, 6.02, 0.75

 

CMYK 6 / 0 / 5 / 37

HEX #97A199

RGB 151 161 153

HSL 132, 0.05%, 0.61%

LAB 65.25, -5.11, 2.93

 

CMYK 6 / 0 / 6 / 37

HEX #97A197

RGB 151 161 151

HSL 120, 0.05%, 0.61%

LAB 65.2, -5.49, 3.97

 

CMYK 5 / 0 / 6 / 37

HEX #99A197

RGB 153 161 151

HSL 108, 0.05%, 0.61%

LAB 65.35, -4.77, 4.21

 

CMYK 3 / 0 / 6 / 37

HEX #9CA197

RGB 156 161 151

HSL 90, 0.05%, 0.61%

LAB 65.59, -3.68, 4.58

 

CMYK 1 / 0 / 6 / 37

HEX #9FA197

RGB 159 161 151

HSL 72, 0.05%, 0.61%

LAB 65.82, -2.58, 4.95

 

CMYK 6 / 0 / 5 / 37

HEX #97A199

RGB 151 161 153

HSL 132, 0.05%, 0.61%

LAB 65.25, -5.11, 2.93

 

CMYK 6 / 0 / 3 / 37

HEX #97A19C

RGB 151 161 156

HSL 150, 0.05%, 0.61%

LAB 65.33, -4.53, 1.37

 

CMYK 6 / 0 / 1 / 37

HEX #97A19F

RGB 151 161 159

HSL 168, 0.05%, 0.61%

LAB 65.41, -3.94, -0.19

 

CMYK 6 / 1 / 0 / 37

HEX #97A0A1

RGB 151 160 161

HSL 186, 0.05%, 0.61%

LAB 65.2, -2.99, -1.63

 

CMYK 6 / 2 / 0 / 37

HEX #979DA1

RGB 151 157 161

HSL 204, 0.05%, 0.61%

LAB 64.38, -1.34, -2.84

 

CMYK 6 / 0 / 5 / 37

HEX #97A199

RGB 151 161 153

HSL 132, 0.05%, 0.61%

LAB 65.25, -5.11, 2.93

 

CMYK 24 / 0 / 18 / 31

HEX #86B192

RGB 134 177 146

HSL 136.74, 0.22%, 0.61%

LAB 68.45, -20.8, 11.23

 

CMYK 39 / 0 / 28 / 24

HEX #76C18B

RGB 118 193 139

HSL 136.8, 0.38%, 0.61%

LAB 72.13, -34.96, 20.03

 

CMYK 51 / 0 / 37 / 18

HEX #66D183

RGB 102 209 131

HSL 136.26, 0.54%, 0.61%

LAB 76.11, -47.83, 29.5

 

CMYK 62 / 0 / 45 / 12

HEX #56E17C

RGB 86 225 124

HSL 136.4, 0.7%, 0.61%

LAB 80.34, -58.93, 38.45

 

CMYK 6 / 0 / 5 / 37

HEX #97A199

RGB 151 161 153

HSL 132, 0.05%, 0.61%

LAB 65.25, -5.11, 2.93

 

CMYK 0 / 14 / 4 / 35

HEX #A790A1

RGB 167 144 161

HSL 315.65, 0.12%, 0.61%

LAB 62.28, 11.64, -5.77

 

CMYK 0 / 30 / 8 / 28

HEX #B780A8

RGB 183 128 168

HSL 316.36, 0.28%, 0.61%

LAB 60.19, 27.63, -12.72

 

CMYK 0 / 44 / 12 / 22

HEX #C770AF

RGB 199 112 175

HSL 316.55, 0.44%, 0.61%

LAB 58.81, 42.89, -18.63

 

CMYK 0 / 55 / 15 / 16

HEX #D760B7

RGB 215 96 183

HSL 316.13, 0.6%, 0.61%

LAB 58.26, 56.97, -23.88

 

CMYK 5 / 0 / 6 / 37

HEX #99A197

RGB 153 161 151

HSL 108, 0.05%, 0.61%

LAB 65.35, -4.77, 4.21

 

CMYK 6 / 0 / 6 / 37

HEX #97A197

RGB 151 161 151

HSL 120, 0.05%, 0.61%

LAB 65.2, -5.49, 3.97

 

CMYK 6 / 0 / 5 / 37

HEX #97A199

RGB 151 161 153

HSL 132, 0.05%, 0.61%

LAB 65.25, -5.11, 2.93

 

CMYK 6 / 0 / 3 / 37

HEX #97A19C

RGB 151 161 156

HSL 150, 0.05%, 0.61%

LAB 65.33, -4.53, 1.37

 

CMYK 6 / 0 / 1 / 37

HEX #97A19F

RGB 151 161 159

HSL 168, 0.05%, 0.61%

LAB 65.41, -3.94, -0.19

 

CMYK 9 / 0 / 7 / 53

HEX #6D7870

RGB 109 120 112

HSL 136.36, 0.05%, 0.45%

LAB 49.32, -5.77, 2.98

 

CMYK 9 / 0 / 6 / 45

HEX #818D84

RGB 129 141 132

HSL 135, 0.05%, 0.53%

LAB 57.45, -6.17, 3.3

 

CMYK 6 / 0 / 5 / 37

HEX #97A199

RGB 151 161 153

HSL 132, 0.05%, 0.61%

LAB 65.25, -5.11, 2.93

 

CMYK 4 / 0 / 3 / 29

HEX #ACB4AE

RGB 172 180 174

HSL 135, 0.05%, 0.69%

LAB 72.54, -3.93, 2.08

 

CMYK 3 / 0 / 3 / 22

HEX #C2C8C3

RGB 194 200 195

HSL 130, 0.05%, 0.77%

LAB 80.02, -2.98, 1.77

 

CMYK 7 / 0 / 5 / 37

HEX #95A098

RGB 149 160 152

HSL 136.36, 0.05%, 0.61%

LAB 64.8, -5.48, 2.81

 

CMYK 6 / 3 / 0 / 37

HEX #979CA1

RGB 151 156 161

HSL 210, 0.05%, 0.61%

LAB 64.1, -0.79, -3.24

 

CMYK 0 / 6 / 6 / 37

HEX #A19798

RGB 161 151 152

HSL 354, 0.05%, 0.61%

LAB 63.32, 3.85, 0.79

 

CMYK 7 / 0 / 5 / 37

HEX #95A098

RGB 149 160 152

HSL 136.36, 0.05%, 0.61%

LAB 64.8, -5.48, 2.81

 

CMYK 5 / 6 / 0 / 37

HEX #9997A1

RGB 153 151 161

HSL 252, 0.05%, 0.61%

LAB 62.91, 2.7, -4.98

 

CMYK 0 / 5 / 6 / 37

HEX #A19997

RGB 161 153 151

HSL 12, 0.05%, 0.61%

LAB 63.83, 2.56, 2.09

 

CMYK 7 / 0 / 5 / 37

HEX #95A098

RGB 149 160 152

HSL 136.36, 0.05%, 0.61%

LAB 64.8, -5.48, 2.81

 

CMYK 6 / 3 / 0 / 37

HEX #979CA1

RGB 151 156 161

HSL 210, 0.05%, 0.61%

LAB 64.1, -0.79, -3.24

 

CMYK 0 / 6 / 2 / 37

HEX #A1979E

RGB 161 151 158

HSL 318, 0.05%, 0.61%

LAB 63.49, 4.97, -2.36

 

CMYK 0 / 4 / 6 / 37

HEX #A19B97

RGB 161 155 151

HSL 24, 0.05%, 0.61%

LAB 64.37, 1.45, 2.86

 

CMYK 7 / 0 / 5 / 37

HEX #95A098

RGB 149 160 152

HSL 136.36, 0.05%, 0.61%

LAB 64.8, -5.48, 2.81

 

CMYK 6 / 5 / 0 / 37

HEX #9799A1

RGB 151 153 161

HSL 228, 0.05%, 0.61%

LAB 63.29, 0.87, -4.44

 

CMYK 0 / 6 / 2 / 37

HEX #A1979E

RGB 161 151 158

HSL 318, 0.05%, 0.61%

LAB 63.49, 4.97, -2.36

 

CMYK 0 / 2 / 6 / 37

HEX #A19E97

RGB 161 158 151

HSL 42, 0.05%, 0.61%

LAB 65.17, -0.21, 4.03

 

Description

Color code: RGBA 149 160 152 0.75 | qconv.com Color code: RGBA 149 160 152 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 160 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 160 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 4 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 4% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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