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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 149 103 17 0.5 it is the complementary color RGBA 106 152 238 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 149 103 17 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 149 103 17 0.5 shade: RGBA 154 103 12 0.5, RGBA 171 121 31 0.5, RGBA 188 139 50 0.5, RGBA 205 157 69 0.5 and RGBA 222 175 88 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 149 103 17 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 149 103 17 0.5 shade: RGBA 149 103 17 0.5, RGBA 132 85 0 0.5, RGBA 115 67 0 0.5, RGBA 98 49 0 0.5 and RGBA 81 31 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 149 103 17 0.5 shade: RGB 151 105 17, RGB 151 68 17, RGB 151 32 17 and RGB 151 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 149 103 17 0.5 shade: RGB 151 105 17, RGB 151 141 17, RGB 126 151 17, RGB 89 151 17 and RGB 53 151 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 149 103 17 0.5 shade matches the following richer shades: RGB 151 105 17 and RGB 165 109 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 149 103 17 0.5 shade: RGB 151 105 17, RGB 138 100 30, RGB 124 96 44, RGB 111 92 58 and RGB 97 88 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 149 103 17 0.5 shade: RGB 151 33 17, RGB 151 68 17, RGB 151 104 17, RGB 151 140 17 and RGB 127 151 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 149 103 17 0.5 shade: RGB 77 53 9, RGB 114 79 13, RGB 151 105 17, RGB 189 130 21 and RGB 226 156 25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 149 103 17 0.5 shade: RGB 149 103 17, RGB 37 151 17 and RGB 50 17 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 149 103 17 0.5 shade: RGB 149 103 17, RGB 17 151 104 and RGB 104 17 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 149 103 17 0.5 shade: RGB 149 103 17, RGB 37 151 17, RGB 17 64 151 and RGB 131 17 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 149 103 17 0.5 shade: RGB 149 103 17, RGB 17 151 37, RGB 17 64 151 and RGB 151 17 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 44 / 21

HEX #9567117F

RGBA 149 103 17 0.5

HSLA 39.09, 0.8%, 0.33%, 0.5

LABA 47.15, 11.43, 50.34, 0.5

 

Complementary color

CMYK 28 / 18 / 0 / 3

HEX #6A98EE7F

RGBA 106 152 238 0.5

HSLA 219.09, 0.8%, 0.67%, 0.5

LABA 63.09, 9.11, -48, 0.5

 

CMYK 0 / 17 / 46 / 20

HEX #9A670C7F

RGBA 154 103 12 0.5

HSLA 38.45, 0.86%, 0.33%, 0.5

LABA 47.75, 13.64, 52.39, 0.5

 

CMYK 0 / 15 / 41 / 16

HEX #AB791F7F

RGBA 171 121 31 0.5

HSLA 38.57, 0.69%, 0.4%, 0.5

LABA 54.48, 11.7, 53.06, 0.5

 

CMYK 0 / 13 / 37 / 13

HEX #BC8B327F

RGBA 188 139 50 0.5

HSLA 38.7, 0.58%, 0.47%, 0.5

LABA 61.12, 10.07, 52.54, 0.5

 

CMYK 0 / 12 / 33 / 10

HEX #CD9D457F

RGBA 205 157 69 0.5

HSLA 38.82, 0.58%, 0.54%, 0.5

LABA 67.67, 8.7, 51.52, 0.5

 

CMYK 0 / 11 / 30 / 6

HEX #DEAF587F

RGBA 222 175 88 0.5

HSLA 38.96, 0.67%, 0.61%, 0.5

LABA 74.12, 7.53, 50.29, 0.5

 

CMYK 0 / 15 / 44 / 21

HEX #9567117F

RGBA 149 103 17 0.5

HSLA 39.09, 0.8%, 0.33%, 0.5

LABA 47.15, 11.43, 50.34, 0.5

 

CMYK 0 / 18 / 50 / 24

HEX #8455007F

RGBA 132 85 0 0.5

HSLA 38.64, 1%, 0.26%, 0.5

LABA 40.25, 13.59, 48.74, 0.5

 

CMYK 0 / 21 / 50 / 27

HEX #7343007F

RGBA 115 67 0 0.5

HSLA 34.96, 1%, 0.23%, 0.5

LABA 33.26, 16.21, 43.05, 0.5

 

CMYK 0 / 25 / 50 / 31

HEX #6231007F

RGBA 98 49 0 0.5

HSLA 30, 1%, 0.19%, 0.5

LABA 26.14, 18.94, 36.46, 0.5

 

CMYK 0 / 31 / 50 / 34

HEX #511F007F

RGBA 81 31 0 0.5

HSLA 22.96, 1%, 0.16%, 0.5

LABA 18.93, 21.67, 28.02, 0.5

 

CMYK 0 / 30 / 89 / 41

HEX #976911

RGB 151 105 17

HSL 39.4, 0.8%, 0.33%

LAB 47.91, 11.21, 51.06

 

CMYK 0 / 55 / 89 / 41

HEX #974411

RGB 151 68 17

HSL 22.84, 0.8%, 0.33%

LAB 39.16, 32.01, 43.98

 

CMYK 0 / 79 / 89 / 41

HEX #972011

RGB 151 32 17

HSL 6.72, 0.8%, 0.33%

LAB 33.25, 47.82, 39.17

 

CMYK 0 / 89 / 89 / 41

HEX #971111

RGB 151 17 17

HSL 0, 0.8%, 0.33%

LAB 31.85, 51.77, 38.04

 

CMYK 0 / 30 / 89 / 41

HEX #976911

RGB 151 105 17

HSL 39.4, 0.8%, 0.33%

LAB 47.91, 11.21, 51.06

 

CMYK 0 / 7 / 89 / 41

HEX #978D11

RGB 151 141 17

HSL 55.52, 0.8%, 0.33%

LAB 57.72, -8.98, 58.97

 

CMYK 17 / 0 / 89 / 41

HEX #7E9711

RGB 126 151 17

HSL 71.19, 0.8%, 0.33%

LAB 58.61, -25.34, 58.86

 

CMYK 41 / 0 / 89 / 41

HEX #599711

RGB 89 151 17

HSL 87.76, 0.8%, 0.33%

LAB 56.38, -40.08, 56.09

 

CMYK 65 / 0 / 89 / 41

HEX #359711

RGB 53 151 17

HSL 103.88, 0.8%, 0.33%

LAB 55, -50.85, 54.36

 

CMYK 0 / 30 / 89 / 41

HEX #976911

RGB 151 105 17

HSL 39.4, 0.8%, 0.33%

LAB 47.91, 11.21, 51.06

 

CMYK 0 / 34 / 98 / 35

HEX #A56D03

RGB 165 109 3

HSL 39.26, 0.96%, 0.33%

LAB 50.62, 15.12, 57.01

 

CMYK 0 / 30 / 89 / 41

HEX #976911

RGB 151 105 17

HSL 39.4, 0.8%, 0.33%

LAB 47.91, 11.21, 51.06

 

CMYK 0 / 28 / 78 / 46

HEX #8A641E

RGB 138 100 30

HSL 38.89, 0.64%, 0.33%

LAB 45.1, 8.48, 43.34

 

CMYK 0 / 23 / 65 / 51

HEX #7C602C

RGB 124 96 44

HSL 39, 0.48%, 0.33%

LAB 42.51, 5.08, 33.43

 

CMYK 0 / 17 / 48 / 56

HEX #6F5C3A

RGB 111 92 58

HSL 38.49, 0.31%, 0.33%

LAB 40.15, 2.73, 22.41

 

CMYK 0 / 9 / 27 / 62

HEX #615847

RGB 97 88 71

HSL 39.23, 0.15%, 0.33%

LAB 37.8, 0.61, 11.2

 

CMYK 0 / 78 / 89 / 41

HEX #972111

RGB 151 33 17

HSL 7.16, 0.8%, 0.33%

LAB 33.37, 47.49, 39.27

 

CMYK 0 / 55 / 89 / 41

HEX #974411

RGB 151 68 17

HSL 22.84, 0.8%, 0.33%

LAB 39.16, 32.01, 43.98

 

CMYK 0 / 31 / 89 / 41

HEX #976811

RGB 151 104 17

HSL 38.96, 0.8%, 0.33%

LAB 47.65, 11.79, 50.85

 

CMYK 0 / 7 / 89 / 41

HEX #978C11

RGB 151 140 17

HSL 55.07, 0.8%, 0.33%

LAB 57.44, -8.44, 58.74

 

CMYK 16 / 0 / 89 / 41

HEX #7F9711

RGB 127 151 17

HSL 70.75, 0.8%, 0.33%

LAB 58.68, -24.91, 58.95

 

CMYK 0 / 31 / 88 / 70

HEX #4D3509

RGB 77 53 9

HSL 38.82, 0.79%, 0.17%

LAB 24.14, 6.28, 29.79

 

CMYK 0 / 31 / 89 / 55

HEX #724F0D

RGB 114 79 13

HSL 39.21, 0.8%, 0.25%

LAB 36.36, 8.82, 40.9

 

CMYK 0 / 30 / 89 / 41

HEX #976911

RGB 151 105 17

HSL 39.4, 0.8%, 0.33%

LAB 47.91, 11.21, 51.06

 

CMYK 0 / 31 / 89 / 26

HEX #BD8215

RGB 189 130 21

HSL 38.93, 0.8%, 0.41%

LAB 58.82, 14.49, 60.61

 

CMYK 0 / 31 / 89 / 11

HEX #E29C19

RGB 226 156 25

HSL 39.1, 0.8%, 0.49%

LAB 69.48, 16.65, 69.8

 

CMYK 0 / 31 / 89 / 42

HEX #956711

RGB 149 103 17

HSL 39.09, 0.8%, 0.33%

LAB 47.15, 11.43, 50.34

 

CMYK 75 / 0 / 89 / 41

HEX #259711

RGB 37 151 17

HSL 111.04, 0.8%, 0.33%

LAB 54.62, -54.06, 53.88

 

CMYK 67 / 89 / 0 / 41

HEX #321197

RGB 50 17 151

HSL 254.78, 0.8%, 0.33%

LAB 21.26, 50, -65.24

 

CMYK 0 / 31 / 89 / 42

HEX #956711

RGB 149 103 17

HSL 39.09, 0.8%, 0.33%

LAB 47.15, 11.43, 50.34

 

CMYK 89 / 0 / 31 / 41

HEX #119768

RGB 17 151 104

HSL 158.96, 0.8%, 0.33%

LAB 55.33, -44.69, 15.59

 

CMYK 31 / 89 / 0 / 41

HEX #681197

RGB 104 17 151

HSL 278.96, 0.8%, 0.33%

LAB 28.32, 56.22, -53.36

 

CMYK 0 / 31 / 89 / 42

HEX #956711

RGB 149 103 17

HSL 39.09, 0.8%, 0.33%

LAB 47.15, 11.43, 50.34

 

CMYK 75 / 0 / 89 / 41

HEX #259711

RGB 37 151 17

HSL 111.04, 0.8%, 0.33%

LAB 54.62, -54.06, 53.88

 

CMYK 89 / 58 / 0 / 41

HEX #114097

RGB 17 64 151

HSL 218.96, 0.8%, 0.33%

LAB 29.46, 19.92, -51.81

 

CMYK 13 / 89 / 0 / 41

HEX #831197

RGB 131 17 151

HSL 291.04, 0.8%, 0.33%

LAB 32.83, 60.59, -45.83

 

CMYK 0 / 31 / 89 / 42

HEX #956711

RGB 149 103 17

HSL 39.09, 0.8%, 0.33%

LAB 47.15, 11.43, 50.34

 

CMYK 89 / 0 / 75 / 41

HEX #119725

RGB 17 151 37

HSL 128.96, 0.8%, 0.33%

LAB 54.43, -55.36, 47.69

 

CMYK 89 / 58 / 0 / 41

HEX #114097

RGB 17 64 151

HSL 218.96, 0.8%, 0.33%

LAB 29.46, 19.92, -51.81

 

CMYK 0 / 89 / 13 / 41

HEX #971183

RGB 151 17 131

HSL 308.96, 0.8%, 0.33%

LAB 35.24, 61.18, -29.43

 

Description

Color code: RGBA 149 103 17 0.5 | qconv.com Color code: RGBA 149 103 17 0.5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 103 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 103 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 44 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 44% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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