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Color name
RGBA 146 120 53 0.25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 146 120 53 0.25 it is the complementary color RGBA 109 135 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 146 120 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 146 120 53 0.25 shade: RGBA 151 120 48 0.25, RGBA 168 138 67 0.25, RGBA 185 156 86 0.25, RGBA 202 174 105 0.25 and RGBA 219 192 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 146 120 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 146 120 53 0.25 shade: RGBA 146 120 53 0.25, RGBA 129 102 34 0.25, RGBA 112 84 15 0.25, RGBA 95 66 0 0.25 and RGBA 78 48 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 146 120 53 0.25 shade: RGB 146 120 53, RGB 146 95 53, RGB 146 70 53 and RGB 146 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 146 120 53 0.25 shade: RGB 146 120 53, RGB 146 145 53, RGB 122 146 53, RGB 97 146 53 and RGB 71 146 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 146 120 53 0.25 shade matches the following richer shades: RGB 146 120 53, RGB 162 127 37, RGB 178 134 21 and RGB 194 141 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 146 120 53 0.25 shade: RGB 146 120 53, RGB 130 113 69, RGB 114 106 85, RGB 98 99 101 and RGB 82 92 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 146 120 53 0.25 shade: RGB 146 70 53, RGB 146 95 53, RGB 146 120 53, RGB 146 145 53 and RGB 123 146 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 146 120 53 0.25 shade: RGB 86 70 31, RGB 116 95 42, RGB 146 120 53, RGB 177 145 64 and RGB 194 164 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 146 120 53 0.25 shade: RGB 146 120 53, RGB 60 146 53 and RGB 82 53 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 146 120 53 0.25 shade: RGB 146 120 53, RGB 53 146 120 and RGB 120 53 146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 146 120 53 0.25 shade: RGB 146 120 53, RGB 60 146 53, RGB 53 79 146 and RGB 138 53 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 146 120 53 0.25 shade: RGB 146 120 53, RGB 53 146 73, RGB 53 79 146 and RGB 146 53 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 16 / 11

HEX #9278353F

RGBA 146 120 53 0.25

HSLA 43.23, 0.47%, 0.39%, 0.25

LABA 51.61, 2.01, 39.72, 0.25

 

Complementary color

CMYK 12 / 8 / 0 / 5

HEX #6D87CA3F

RGBA 109 135 202 0.25

HSLA 223.23, 0.47%, 0.61%, 0.25

LABA 56.92, 8.71, -37.62, 0.25

 

CMYK 0 / 5 / 17 / 10

HEX #9778303F

RGBA 151 120 48 0.25

HSLA 41.94, 0.52%, 0.39%, 0.25

LABA 52.09, 3.96, 42.82, 0.25

 

CMYK 0 / 4 / 15 / 9

HEX #A88A433F

RGBA 168 138 67 0.25

HSLA 42.18, 0.43%, 0.46%, 0.25

LABA 58.89, 2.82, 41.61, 0.25

 

CMYK 0 / 4 / 13 / 7

HEX #B99C563F

RGBA 185 156 86 0.25

HSLA 42.42, 0.41%, 0.53%, 0.25

LABA 65.56, 1.89, 40.3, 0.25

 

CMYK 0 / 3 / 12 / 5

HEX #CAAE693F

RGBA 202 174 105 0.25

HSLA 42.68, 0.48%, 0.6%, 0.25

LABA 72.13, 1.11, 38.99, 0.25

 

CMYK 0 / 3 / 11 / 4

HEX #DBC07C3F

RGBA 219 192 124 0.25

HSLA 42.95, 0.57%, 0.67%, 0.25

LABA 78.59, 0.45, 37.73, 0.25

 

CMYK 0 / 4 / 16 / 11

HEX #9278353F

RGBA 146 120 53 0.25

HSLA 43.23, 0.47%, 0.39%, 0.25

LABA 51.61, 2.01, 39.72, 0.25

 

CMYK 0 / 5 / 18 / 12

HEX #8166223F

RGBA 129 102 34 0.25

HSLA 42.95, 0.58%, 0.32%, 0.25

LABA 44.64, 3.27, 40.79, 0.25

 

CMYK 0 / 6 / 22 / 14

HEX #70540F3F

RGBA 112 84 15 0.25

HSLA 42.68, 0.76%, 0.25%, 0.25

LABA 37.52, 4.88, 41.1, 0.25

 

CMYK 0 / 8 / 25 / 16

HEX #5F42003F

RGBA 95 66 0 0.25

HSLA 41.68, 1%, 0.19%, 0.25

LABA 30.23, 6.95, 39.67, 0.25

 

CMYK 0 / 10 / 25 / 17

HEX #4E30003F

RGBA 78 48 0 0.25

HSLA 36.92, 1%, 0.15%, 0.25

LABA 22.77, 9.64, 32.12, 0.25

 

CMYK 0 / 18 / 64 / 43

HEX #927835

RGB 146 120 53

HSL 43.23, 0.47%, 0.39%

LAB 51.61, 2.01, 39.72

 

CMYK 0 / 35 / 64 / 43

HEX #925F35

RGB 146 95 53

HSL 27.1, 0.47%, 0.39%

LAB 45.02, 16.43, 32.16

 

CMYK 0 / 52 / 64 / 43

HEX #924635

RGB 146 70 53

HSL 10.97, 0.47%, 0.39%

LAB 39.15, 30.58, 25.09

 

CMYK 0 / 64 / 64 / 43

HEX #923535

RGB 146 53 53

HSL 0, 0.47%, 0.39%

LAB 35.82, 39.25, 20.9

 

CMYK 0 / 18 / 64 / 43

HEX #927835

RGB 146 120 53

HSL 43.23, 0.47%, 0.39%

LAB 51.61, 2.01, 39.72

 

CMYK 0 / 1 / 64 / 43

HEX #929135

RGB 146 145 53

HSL 59.35, 0.47%, 0.39%

LAB 58.62, -11.78, 47.35

 

CMYK 16 / 0 / 64 / 43

HEX #7A9235

RGB 122 146 53

HSL 75.48, 0.47%, 0.39%

LAB 57.03, -22.7, 45.09

 

CMYK 34 / 0 / 64 / 43

HEX #619235

RGB 97 146 53

HSL 91.61, 0.47%, 0.39%

LAB 55.44, -32.7, 42.89

 

CMYK 51 / 0 / 64 / 43

HEX #479235

RGB 71 146 53

HSL 108.39, 0.47%, 0.39%

LAB 54.19, -41.54, 41.16

 

CMYK 0 / 18 / 64 / 43

HEX #927835

RGB 146 120 53

HSL 43.23, 0.47%, 0.39%

LAB 51.61, 2.01, 39.72

 

CMYK 0 / 22 / 77 / 36

HEX #A27F25

RGB 162 127 37

HSL 43.2, 0.63%, 0.39%

LAB 55.07, 4.46, 50.98

 

CMYK 0 / 25 / 88 / 30

HEX #B28615

RGB 178 134 21

HSL 43.18, 0.79%, 0.39%

LAB 58.57, 7.33, 59.87

 

CMYK 0 / 27 / 98 / 24

HEX #C28D04

RGB 194 141 4

HSL 43.26, 0.96%, 0.39%

LAB 62.11, 10.42, 66.39

 

CMYK 0 / 18 / 64 / 43

HEX #927835

RGB 146 120 53

HSL 43.23, 0.47%, 0.39%

LAB 51.61, 2.01, 39.72

 

CMYK 0 / 13 / 47 / 49

HEX #827145

RGB 130 113 69

HSL 43.28, 0.31%, 0.39%

LAB 48.24, 0.23, 26.8

 

CMYK 0 / 7 / 25 / 55

HEX #726A55

RGB 114 106 85

HSL 43.45, 0.15%, 0.39%

LAB 45, -0.56, 12.94

 

CMYK 3 / 2 / 0 / 60

HEX #626365

RGB 98 99 101

HSL 220, 0.02%, 0.39%

LAB 41.94, 0.04, -1.27

 

CMYK 30 / 21 / 0 / 54

HEX #525C75

RGB 82 92 117

HSL 222.86, 0.18%, 0.39%

LAB 39.13, 2.43, -15.42

 

CMYK 0 / 52 / 64 / 43

HEX #924635

RGB 146 70 53

HSL 10.97, 0.47%, 0.39%

LAB 39.15, 30.58, 25.09

 

CMYK 0 / 35 / 64 / 43

HEX #925F35

RGB 146 95 53

HSL 27.1, 0.47%, 0.39%

LAB 45.02, 16.43, 32.16

 

CMYK 0 / 18 / 64 / 43

HEX #927835

RGB 146 120 53

HSL 43.23, 0.47%, 0.39%

LAB 51.61, 2.01, 39.72

 

CMYK 0 / 1 / 64 / 43

HEX #929135

RGB 146 145 53

HSL 59.35, 0.47%, 0.39%

LAB 58.62, -11.78, 47.35

 

CMYK 16 / 0 / 64 / 43

HEX #7B9235

RGB 123 146 53

HSL 74.84, 0.47%, 0.39%

LAB 57.1, -22.27, 45.19

 

CMYK 0 / 19 / 64 / 66

HEX #56461F

RGB 86 70 31

HSL 42.55, 0.47%, 0.23%

LAB 30.54, 1.49, 25.67

 

CMYK 0 / 18 / 64 / 55

HEX #745F2A

RGB 116 95 42

HSL 42.97, 0.47%, 0.31%

LAB 41.32, 1.75, 32.89

 

CMYK 0 / 18 / 64 / 43

HEX #927835

RGB 146 120 53

HSL 43.23, 0.47%, 0.39%

LAB 51.61, 2.01, 39.72

 

CMYK 0 / 18 / 64 / 31

HEX #B19140

RGB 177 145 64

HSL 43.01, 0.47%, 0.47%

LAB 61.63, 2.71, 46.41

 

CMYK 0 / 15 / 55 / 24

HEX #C2A457

RGB 194 164 87

HSL 43.18, 0.47%, 0.55%

LAB 68.54, 1.49, 43.57

 

CMYK 0 / 18 / 64 / 43

HEX #927835

RGB 146 120 53

HSL 43.23, 0.47%, 0.39%

LAB 51.61, 2.01, 39.72

 

CMYK 59 / 0 / 64 / 43

HEX #3C9235

RGB 60 146 53

HSL 115.48, 0.47%, 0.39%

LAB 53.79, -44.62, 40.6

 

CMYK 44 / 64 / 0 / 43

HEX #523592

RGB 82 53 146

HSL 258.71, 0.47%, 0.39%

LAB 30.44, 35.42, -46.98

 

CMYK 0 / 18 / 64 / 43

HEX #927835

RGB 146 120 53

HSL 43.23, 0.47%, 0.39%

LAB 51.61, 2.01, 39.72

 

CMYK 64 / 0 / 18 / 43

HEX #359278

RGB 53 146 120

HSL 163.23, 0.47%, 0.39%

LAB 54.73, -33.85, 5.76

 

CMYK 18 / 64 / 0 / 43

HEX #783592

RGB 120 53 146

HSL 283.23, 0.47%, 0.39%

LAB 35.23, 44.53, -39.02

 

CMYK 0 / 18 / 64 / 43

HEX #927835

RGB 146 120 53

HSL 43.23, 0.47%, 0.39%

LAB 51.61, 2.01, 39.72

 

CMYK 59 / 0 / 64 / 43

HEX #3C9235

RGB 60 146 53

HSL 115.48, 0.47%, 0.39%

LAB 53.79, -44.62, 40.6

 

CMYK 64 / 46 / 0 / 43

HEX #354F92

RGB 53 79 146

HSL 223.23, 0.47%, 0.39%

LAB 34.85, 12.47, -39.99

 

CMYK 5 / 64 / 0 / 43

HEX #8A3592

RGB 138 53 146

HSL 294.84, 0.47%, 0.39%

LAB 37.89, 49.12, -34.63

 

CMYK 0 / 18 / 64 / 43

HEX #927835

RGB 146 120 53

HSL 43.23, 0.47%, 0.39%

LAB 51.61, 2.01, 39.72

 

CMYK 64 / 0 / 50 / 43

HEX #359249

RGB 53 146 73

HSL 132.9, 0.47%, 0.39%

LAB 53.81, -43.62, 30.65

 

CMYK 64 / 46 / 0 / 43

HEX #354F92

RGB 53 79 146

HSL 223.23, 0.47%, 0.39%

LAB 34.85, 12.47, -39.99

 

CMYK 0 / 64 / 14 / 43

HEX #92357E

RGB 146 53 126

HSL 312.9, 0.47%, 0.39%

LAB 38.13, 47.78, -21.87

 

Description

Color code: RGBA 146 120 53 0.25 | qconv.com Color code: RGBA 146 120 53 0.25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 120 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 120 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 16 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 16% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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