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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 145 138 53 0.25 it is the complementary color RGBA 110 117 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 145 138 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 145 138 53 0.25 shade: RGBA 150 138 48 0.25, RGBA 167 156 67 0.25, RGBA 184 174 86 0.25, RGBA 201 192 105 0.25 and RGBA 218 210 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 145 138 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 145 138 53 0.25 shade: RGBA 145 138 53 0.25, RGBA 128 120 34 0.25, RGBA 111 102 15 0.25, RGBA 94 84 0 0.25 and RGBA 77 66 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 145 138 53 0.25 shade: RGB 145 138 54, RGB 145 114 54, RGB 145 89 54, RGB 145 64 54 and RGB 145 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 145 138 53 0.25 shade: RGB 145 138 54, RGB 127 145 54, RGB 103 145 54, RGB 78 145 54 and RGB 54 145 54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 145 138 53 0.25 shade matches the following richer shades: RGB 145 138 54, RGB 161 152 38, RGB 177 166 22 and RGB 193 179 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 145 138 53 0.25 shade: RGB 145 138 54, RGB 129 125 70, RGB 113 111 86, RGB 97 97 102 and RGB 81 84 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 145 138 53 0.25 shade: RGB 145 89 54, RGB 145 113 54, RGB 145 138 54, RGB 128 145 54 and RGB 104 145 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 145 138 53 0.25 shade: RGB 85 81 31, RGB 115 110 43, RGB 145 138 54, RGB 175 167 65 and RGB 193 185 88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 145 138 53 0.25 shade: RGB 145 138 53, RGB 54 145 64 and RGB 101 54 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 145 138 53 0.25 shade: RGB 145 138 53, RGB 54 145 138 and RGB 138 54 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 145 138 53 0.25 shade: RGB 145 138 53, RGB 54 145 64, RGB 54 61 145 and RGB 145 54 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 145 138 53 0.25 shade: RGB 145 138 53, RGB 54 145 92, RGB 54 61 145 and RGB 145 54 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 16 / 11

HEX #918A353F

RGBA 145 138 53 0.25

HSLA 55.43, 0.46%, 0.39%, 0.25

LABA 56.54, -8.45, 45.1, 0.25

 

Complementary color

CMYK 11 / 11 / 0 / 5

HEX #6E75CA3F

RGBA 110 117 202 0.25

HSLA 235.43, 0.46%, 0.61%, 0.25

LABA 52.18, 19.74, -45.1, 0.25

 

CMYK 0 / 2 / 17 / 10

HEX #968A303F

RGBA 150 138 48 0.25

HSLA 52.94, 0.52%, 0.39%, 0.25

LABA 56.95, -6.53, 47.91, 0.25

 

CMYK 0 / 2 / 15 / 9

HEX #A79C433F

RGBA 167 156 67 0.25

HSLA 53.4, 0.43%, 0.46%, 0.25

LABA 63.67, -7.43, 47, 0.25

 

CMYK 0 / 1 / 13 / 7

HEX #B8AE563F

RGBA 184 174 86 0.25

HSLA 53.88, 0.41%, 0.53%, 0.25

LABA 70.27, -8.15, 45.87, 0.25

 

CMYK 0 / 1 / 12 / 5

HEX #C9C0693F

RGBA 201 192 105 0.25

HSLA 54.38, 0.47%, 0.6%, 0.25

LABA 76.76, -8.74, 44.68, 0.25

 

CMYK 0 / 1 / 11 / 4

HEX #DAD27C3F

RGBA 218 210 124 0.25

HSLA 54.89, 0.56%, 0.67%, 0.25

LABA 83.15, -9.23, 43.48, 0.25

 

CMYK 0 / 1 / 16 / 11

HEX #918A353F

RGBA 145 138 53 0.25

HSLA 55.43, 0.46%, 0.39%, 0.25

LABA 56.54, -8.45, 45.1, 0.25

 

CMYK 0 / 2 / 18 / 12

HEX #8078223F

RGBA 128 120 34 0.25

HSLA 54.89, 0.58%, 0.32%, 0.25

LABA 49.66, -7.49, 45.76, 0.25

 

CMYK 0 / 2 / 22 / 14

HEX #6F660F3F

RGBA 111 102 15 0.25

HSLA 54.38, 0.76%, 0.25%, 0.25

LABA 42.64, -6.22, 45.46, 0.25

 

CMYK 0 / 3 / 25 / 16

HEX #5E54003F

RGBA 94 84 0 0.25

HSLA 53.62, 1%, 0.18%, 0.25

LABA 35.44, -4.57, 43.3, 0.25

 

CMYK 0 / 4 / 25 / 17

HEX #4D42003F

RGBA 77 66 0 0.25

HSLA 51.43, 1%, 0.15%, 0.25

LABA 28.05, -2.39, 37.02, 0.25

 

CMYK 0 / 5 / 63 / 43

HEX #918A36

RGB 145 138 54

HSL 55.38, 0.46%, 0.39%

LAB 56.55, -8.38, 44.65

 

CMYK 0 / 21 / 63 / 43

HEX #917236

RGB 145 114 54

HSL 39.56, 0.46%, 0.39%

LAB 49.88, 5.06, 37.24

 

CMYK 0 / 39 / 63 / 43

HEX #915936

RGB 145 89 54

HSL 23.08, 0.46%, 0.39%

LAB 43.41, 19.53, 29.66

 

CMYK 0 / 56 / 63 / 43

HEX #914036

RGB 145 64 54

HSL 6.59, 0.46%, 0.39%

LAB 37.76, 33.45, 22.71

 

CMYK 0 / 63 / 63 / 43

HEX #913636

RGB 145 54 54

HSL 0, 0.46%, 0.39%

LAB 35.84, 38.48, 20.27

 

CMYK 0 / 5 / 63 / 43

HEX #918A36

RGB 145 138 54

HSL 55.38, 0.46%, 0.39%

LAB 56.55, -8.38, 44.65

 

CMYK 12 / 0 / 63 / 43

HEX #7F9136

RGB 127 145 54

HSL 71.87, 0.46%, 0.39%

LAB 57.1, -19.99, 44.83

 

CMYK 29 / 0 / 63 / 43

HEX #679136

RGB 103 145 54

HSL 87.69, 0.46%, 0.39%

LAB 55.48, -29.84, 42.58

 

CMYK 46 / 0 / 63 / 43

HEX #4E9136

RGB 78 145 54

HSL 104.18, 0.46%, 0.39%

LAB 54.17, -38.83, 40.76

 

CMYK 63 / 0 / 63 / 43

HEX #369136

RGB 54 145 54

HSL 120, 0.46%, 0.39%

LAB 53.28, -45.62, 39.51

 

CMYK 0 / 5 / 63 / 43

HEX #918A36

RGB 145 138 54

HSL 55.38, 0.46%, 0.39%

LAB 56.55, -8.38, 44.65

 

CMYK 0 / 6 / 76 / 37

HEX #A19826

RGB 161 152 38

HSL 55.61, 0.62%, 0.39%

LAB 61.8, -9.64, 56.9

 

CMYK 0 / 6 / 88 / 31

HEX #B1A616

RGB 177 166 22

HSL 55.74, 0.78%, 0.39%

LAB 67.03, -10.39, 66.4

 

CMYK 0 / 7 / 97 / 24

HEX #C1B305

RGB 193 179 5

HSL 55.53, 0.95%, 0.39%

LAB 71.95, -10.31, 73.29

 

CMYK 0 / 5 / 63 / 43

HEX #918A36

RGB 145 138 54

HSL 55.38, 0.46%, 0.39%

LAB 56.55, -8.38, 44.65

 

CMYK 0 / 3 / 46 / 49

HEX #817D46

RGB 129 125 70

HSL 55.93, 0.3%, 0.39%

LAB 51.58, -6.9, 30.42

 

CMYK 0 / 2 / 24 / 56

HEX #716F56

RGB 113 111 86

HSL 55.56, 0.14%, 0.39%

LAB 46.38, -3.73, 14.24

 

CMYK 5 / 5 / 0 / 60

HEX #616166

RGB 97 97 102

HSL 240, 0.03%, 0.39%

LAB 41.3, 1.07, -2.84

 

CMYK 31 / 29 / 0 / 54

HEX #515476

RGB 81 84 118

HSL 235.14, 0.19%, 0.39%

LAB 36.74, 7.4, -19.71

 

CMYK 0 / 39 / 63 / 43

HEX #915936

RGB 145 89 54

HSL 23.08, 0.46%, 0.39%

LAB 43.41, 19.53, 29.66

 

CMYK 0 / 22 / 63 / 43

HEX #917136

RGB 145 113 54

HSL 38.9, 0.46%, 0.39%

LAB 49.61, 5.63, 36.93

 

CMYK 0 / 5 / 63 / 43

HEX #918A36

RGB 145 138 54

HSL 55.38, 0.46%, 0.39%

LAB 56.55, -8.38, 44.65

 

CMYK 12 / 0 / 63 / 43

HEX #809136

RGB 128 145 54

HSL 71.21, 0.46%, 0.39%

LAB 57.18, -19.56, 44.93

 

CMYK 28 / 0 / 63 / 43

HEX #689136

RGB 104 145 54

HSL 87.03, 0.46%, 0.39%

LAB 55.54, -29.45, 42.67

 

CMYK 0 / 5 / 64 / 67

HEX #55511F

RGB 85 81 31

HSL 55.56, 0.47%, 0.23%

LAB 33.81, -5.74, 29.34

 

CMYK 0 / 4 / 63 / 55

HEX #736E2B

RGB 115 110 43

HSL 55.83, 0.46%, 0.31%

LAB 45.59, -7.34, 37.12

 

CMYK 0 / 5 / 63 / 43

HEX #918A36

RGB 145 138 54

HSL 55.38, 0.46%, 0.39%

LAB 56.55, -8.38, 44.65

 

CMYK 0 / 5 / 63 / 31

HEX #AFA741

RGB 175 167 65

HSL 55.64, 0.46%, 0.47%

LAB 67.38, -9.92, 52.16

 

CMYK 0 / 4 / 54 / 24

HEX #C1B958

RGB 193 185 88

HSL 55.43, 0.46%, 0.55%

LAB 74.02, -9.92, 49.48

 

CMYK 0 / 5 / 63 / 43

HEX #918A35

RGB 145 138 53

HSL 55.43, 0.46%, 0.39%

LAB 56.54, -8.45, 45.1

 

CMYK 63 / 0 / 56 / 43

HEX #369140

RGB 54 145 64

HSL 126.59, 0.46%, 0.39%

LAB 53.39, -44.34, 34.77

 

CMYK 30 / 63 / 0 / 43

HEX #653691

RGB 101 54 145

HSL 270.99, 0.46%, 0.39%

LAB 32.81, 39.03, -42.43

 

CMYK 0 / 5 / 63 / 43

HEX #918A35

RGB 145 138 53

HSL 55.43, 0.46%, 0.39%

LAB 56.54, -8.45, 45.1

 

CMYK 63 / 0 / 5 / 43

HEX #36918A

RGB 54 145 138

HSL 175.38, 0.46%, 0.39%

LAB 54.94, -28.35, -4.27

 

CMYK 5 / 63 / 0 / 43

HEX #8A3691

RGB 138 54 145

HSL 295.38, 0.46%, 0.39%

LAB 38, 48.48, -33.85

 

CMYK 0 / 5 / 63 / 43

HEX #918A35

RGB 145 138 53

HSL 55.43, 0.46%, 0.39%

LAB 56.54, -8.45, 45.1

 

CMYK 63 / 0 / 56 / 43

HEX #369140

RGB 54 145 64

HSL 126.59, 0.46%, 0.39%

LAB 53.39, -44.34, 34.77

 

CMYK 63 / 58 / 0 / 43

HEX #363D91

RGB 54 61 145

HSL 235.38, 0.46%, 0.39%

LAB 29.83, 24.3, -47.47

 

CMYK 0 / 63 / 7 / 43

HEX #913687

RGB 145 54 135

HSL 306.59, 0.46%, 0.39%

LAB 38.56, 48.55, -26.76

 

CMYK 0 / 5 / 63 / 43

HEX #918A35

RGB 145 138 53

HSL 55.43, 0.46%, 0.39%

LAB 56.54, -8.45, 45.1

 

CMYK 63 / 0 / 37 / 43

HEX #36915C

RGB 54 145 92

HSL 145.05, 0.46%, 0.39%

LAB 53.82, -39.58, 20.36

 

CMYK 63 / 58 / 0 / 43

HEX #363D91

RGB 54 61 145

HSL 235.38, 0.46%, 0.39%

LAB 29.83, 24.3, -47.47

 

CMYK 0 / 63 / 26 / 43

HEX #91366B

RGB 145 54 107

HSL 325.05, 0.46%, 0.39%

LAB 37.33, 44.16, -11.25

 

Description

Color code: RGBA 145 138 53 0.25 | qconv.com Color code: RGBA 145 138 53 0.25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 138 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 138 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 16 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 16% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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