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Color name
RGBA 143 59 113 0.75

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 143 59 113 0.75 it is the complementary color RGBA 112 196 142 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 143 59 113 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 143 59 113 0.75 shade: RGBA 148 59 108 0.75, RGBA 165 77 127 0.75, RGBA 182 95 146 0.75, RGBA 199 113 165 0.75 and RGBA 216 131 184 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 143 59 113 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 143 59 113 0.75 shade: RGBA 143 59 113 0.75, RGBA 126 41 94 0.75, RGBA 109 23 75 0.75, RGBA 92 5 56 0.75 and RGBA 75 0 37 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 143 59 113 0.75 shade: RGB 145 59 114, RGB 145 59 91, RGB 145 59 68 and RGB 145 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 143 59 113 0.75 shade: RGB 145 59 114, RGB 145 59 137, RGB 129 59 145, RGB 106 59 145 and RGB 83 59 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 143 59 113 0.75 shade matches the following richer shades: RGB 145 59 114, RGB 161 43 119, RGB 178 26 124 and RGB 194 10 128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 143 59 113 0.75 shade: RGB 145 59 114, RGB 128 76 110, RGB 112 92 105, RGB 95 109 100 and RGB 79 125 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 143 59 113 0.75 shade: RGB 129 59 145, RGB 145 59 138, RGB 145 59 115, RGB 145 59 92 and RGB 145 59 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 143 59 113 0.75 shade: RGB 86 35 68, RGB 116 47 91, RGB 145 59 114, RGB 174 71 137 and RGB 190 96 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 143 59 113 0.75 shade: RGB 143 59 113, RGB 145 106 59 and RGB 59 145 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 143 59 113 0.75 shade: RGB 143 59 113, RGB 115 145 59 and RGB 59 115 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 143 59 113 0.75 shade: RGB 143 59 113, RGB 145 106 59, RGB 59 145 89 and RGB 59 98 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 143 59 113 0.75 shade: RGB 143 59 113, RGB 145 132 59, RGB 59 145 89 and RGB 59 72 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 16 / 33

HEX #8F3B71BF

RGBA 143 59 113 0.75

HSLA 321.43, 0.42%, 0.4%, 0.75

LABA 38.13, 42.03, -13.83, 0.75

 

Complementary color

CMYK 32 / 0 / 21 / 17

HEX #70C48EBF

RGBA 112 196 142 0.75

HSLA 141.43, 0.42%, 0.6%, 0.75

LABA 72.81, -37.51, 19.32, 0.75

 

CMYK 0 / 45 / 20 / 31

HEX #943B6CBF

RGBA 148 59 108 0.75

HSLA 326.97, 0.43%, 0.41%, 0.75

LABA 38.74, 42.9, -9.71, 0.75

 

CMYK 0 / 40 / 17 / 26

HEX #A54D7FBF

RGBA 165 77 127 0.75

HSLA 325.91, 0.36%, 0.47%, 0.75

LABA 45.41, 42.29, -11.09, 0.75

 

CMYK 0 / 36 / 15 / 21

HEX #B65F92BF

RGBA 182 95 146 0.75

HSLA 324.83, 0.37%, 0.54%, 0.75

LABA 52.07, 41.55, -12.18, 0.75

 

CMYK 0 / 32 / 13 / 16

HEX #C771A5BF

RGBA 199 113 165 0.75

HSLA 323.72, 0.43%, 0.61%, 0.75

LABA 58.67, 40.76, -13.1, 0.75

 

CMYK 0 / 30 / 11 / 11

HEX #D883B8BF

RGBA 216 131 184 0.75

HSLA 322.59, 0.52%, 0.68%, 0.75

LABA 65.19, 39.98, -13.89, 0.75

 

CMYK 0 / 44 / 16 / 33

HEX #8F3B71BF

RGBA 143 59 113 0.75

HSLA 321.43, 0.42%, 0.4%, 0.75

LABA 38.13, 42.03, -13.83, 0.75

 

CMYK 0 / 51 / 19 / 38

HEX #7E295EBF

RGBA 126 41 94 0.75

HSLA 322.59, 0.51%, 0.33%, 0.75

LABA 31.42, 42.33, -12.25, 0.75

 

CMYK 0 / 59 / 23 / 43

HEX #6D174BBF

RGBA 109 23 75 0.75

HSLA 323.72, 0.65%, 0.26%, 0.75

LABA 24.86, 41.91, -9.99, 0.75

 

CMYK 0 / 71 / 29 / 48

HEX #5C0538BF

RGBA 92 5 56 0.75

HSLA 324.83, 0.9%, 0.19%, 0.75

LABA 18.67, 40.16, -6.62, 0.75

 

CMYK 0 / 75 / 38 / 53

HEX #4B0025BF

RGBA 75 0 37 0.75

HSLA 330.4, 1%, 0.15%, 0.75

LABA 13.41, 35.29, -1.12, 0.75

 

CMYK 0 / 59 / 21 / 43

HEX #913B72

RGB 145 59 114

HSL 321.63, 0.42%, 0.4%

LAB 38.49, 42.82, -13.88

 

CMYK 0 / 59 / 37 / 43

HEX #913B5B

RGB 145 59 91

HSL 337.67, 0.42%, 0.4%

LAB 37.67, 39.65, -0.65

 

CMYK 0 / 59 / 53 / 43

HEX #913B44

RGB 145 59 68

HSL 353.72, 0.42%, 0.4%

LAB 37.05, 37.17, 13.05

 

CMYK 0 / 59 / 59 / 43

HEX #913B3B

RGB 145 59 59

HSL 0, 0.42%, 0.4%

LAB 36.86, 36.4, 18.46

 

CMYK 0 / 59 / 21 / 43

HEX #913B72

RGB 145 59 114

HSL 321.63, 0.42%, 0.4%

LAB 38.49, 42.82, -13.88

 

CMYK 0 / 59 / 6 / 43

HEX #913B89

RGB 145 59 137

HSL 305.58, 0.42%, 0.4%

LAB 39.5, 46.6, -26.52

 

CMYK 11 / 59 / 0 / 43

HEX #813B91

RGB 129 59 145

HSL 288.84, 0.42%, 0.4%

LAB 37.55, 43.67, -34.64

 

CMYK 27 / 59 / 0 / 43

HEX #6A3B91

RGB 106 59 145

HSL 272.79, 0.42%, 0.4%

LAB 34.47, 37.53, -39.73

 

CMYK 43 / 59 / 0 / 43

HEX #533B91

RGB 83 59 145

HSL 256.74, 0.42%, 0.4%

LAB 31.83, 31.76, -44.11

 

CMYK 0 / 59 / 21 / 43

HEX #913B72

RGB 145 59 114

HSL 321.63, 0.42%, 0.4%

LAB 38.49, 42.82, -13.88

 

CMYK 0 / 73 / 26 / 37

HEX #A12B77

RGB 161 43 119

HSL 321.36, 0.58%, 0.4%

LAB 38.96, 54.89, -16.03

 

CMYK 0 / 85 / 30 / 30

HEX #B21A7C

RGB 178 26 124

HSL 321.32, 0.75%, 0.4%

LAB 40.67, 64.43, -16.25

 

CMYK 0 / 95 / 34 / 24

HEX #C20A80

RGB 194 10 128

HSL 321.52, 0.9%, 0.4%

LAB 43.13, 70.75, -14.69

 

CMYK 0 / 59 / 21 / 43

HEX #913B72

RGB 145 59 114

HSL 321.63, 0.42%, 0.4%

LAB 38.49, 42.82, -13.88

 

CMYK 0 / 41 / 14 / 50

HEX #804C6E

RGB 128 76 110

HSL 320.77, 0.25%, 0.4%

LAB 39.38, 27.21, -10.27

 

CMYK 0 / 18 / 6 / 56

HEX #705C69

RGB 112 92 105

HSL 321, 0.1%, 0.4%

LAB 41.4, 10.57, -4.36

 

CMYK 13 / 0 / 8 / 57

HEX #5F6D64

RGB 95 109 100

HSL 141.43, 0.07%, 0.4%

LAB 44.65, -7.22, 3.24

 

CMYK 37 / 0 / 24 / 51

HEX #4F7D5F

RGB 79 125 95

HSL 140.87, 0.23%, 0.4%

LAB 48.46, -22.72, 11.47

 

CMYK 11 / 59 / 0 / 43

HEX #813B91

RGB 129 59 145

HSL 288.84, 0.42%, 0.4%

LAB 37.55, 43.67, -34.64

 

CMYK 0 / 59 / 5 / 43

HEX #913B8A

RGB 145 59 138

HSL 304.88, 0.42%, 0.4%

LAB 39.55, 46.77, -27.06

 

CMYK 0 / 59 / 21 / 43

HEX #913B73

RGB 145 59 115

HSL 320.93, 0.42%, 0.4%

LAB 38.53, 42.97, -14.45

 

CMYK 0 / 59 / 37 / 43

HEX #913B5C

RGB 145 59 92

HSL 336.98, 0.42%, 0.4%

LAB 37.7, 39.77, -1.24

 

CMYK 0 / 59 / 52 / 43

HEX #913B45

RGB 145 59 69

HSL 353.02, 0.42%, 0.4%

LAB 37.07, 37.26, 12.45

 

CMYK 0 / 59 / 21 / 66

HEX #562344

RGB 86 35 68

HSL 321.18, 0.42%, 0.24%

LAB 22.29, 28.12, -9.55

 

CMYK 0 / 59 / 22 / 55

HEX #742F5B

RGB 116 47 91

HSL 321.74, 0.42%, 0.32%

LAB 30.64, 35.83, -11.64

 

CMYK 0 / 59 / 21 / 43

HEX #913B72

RGB 145 59 114

HSL 321.63, 0.42%, 0.4%

LAB 38.49, 42.82, -13.88

 

CMYK 0 / 59 / 21 / 32

HEX #AE4789

RGB 174 71 137

HSL 321.55, 0.42%, 0.48%

LAB 46.06, 49.52, -16.03

 

CMYK 0 / 49 / 17 / 25

HEX #BE609D

RGB 190 96 157

HSL 321.06, 0.42%, 0.56%

LAB 53.76, 45.35, -15.99

 

CMYK 0 / 59 / 21 / 44

HEX #8F3B71

RGB 143 59 113

HSL 321.43, 0.42%, 0.4%

LAB 38.13, 42.03, -13.83

 

CMYK 0 / 27 / 59 / 43

HEX #916A3B

RGB 145 106 59

HSL 32.79, 0.42%, 0.4%

LAB 47.81, 10.07, 32.16

 

CMYK 59 / 0 / 3 / 43

HEX #3B918D

RGB 59 145 141

HSL 177.21, 0.42%, 0.4%

LAB 55.18, -26.55, -5.63

 

CMYK 0 / 59 / 21 / 44

HEX #8F3B71

RGB 143 59 113

HSL 321.43, 0.42%, 0.4%

LAB 38.13, 42.03, -13.83

 

CMYK 21 / 0 / 59 / 43

HEX #73913B

RGB 115 145 59

HSL 80.93, 0.42%, 0.4%

LAB 56.3, -24.58, 41.37

 

CMYK 59 / 21 / 0 / 43

HEX #3B7391

RGB 59 115 145

HSL 200.93, 0.42%, 0.4%

LAB 45.96, -9.13, -21.92

 

CMYK 0 / 59 / 21 / 44

HEX #8F3B71

RGB 143 59 113

HSL 321.43, 0.42%, 0.4%

LAB 38.13, 42.03, -13.83

 

CMYK 0 / 27 / 59 / 43

HEX #916A3B

RGB 145 106 59

HSL 32.79, 0.42%, 0.4%

LAB 47.81, 10.07, 32.16

 

CMYK 59 / 0 / 39 / 43

HEX #3B9159

RGB 59 145 89

HSL 140.93, 0.42%, 0.4%

LAB 53.92, -39.03, 22.19

 

CMYK 59 / 32 / 0 / 43

HEX #3B6291

RGB 59 98 145

HSL 212.79, 0.42%, 0.4%

LAB 40.75, 1.11, -30.02

 

CMYK 0 / 59 / 21 / 44

HEX #8F3B71

RGB 143 59 113

HSL 321.43, 0.42%, 0.4%

LAB 38.13, 42.03, -13.83

 

CMYK 0 / 9 / 59 / 43

HEX #91843B

RGB 145 132 59

HSL 50.93, 0.42%, 0.4%

LAB 54.91, -4.71, 40.43

 

CMYK 59 / 0 / 39 / 43

HEX #3B9159

RGB 59 145 89

HSL 140.93, 0.42%, 0.4%

LAB 53.92, -39.03, 22.19

 

CMYK 59 / 50 / 0 / 43

HEX #3B4891

RGB 59 72 145

HSL 230.93, 0.42%, 0.4%

LAB 33.15, 17.96, -42.08

 

Description

Color code: RGBA 143 59 113 0.75 | qconv.com Color code: RGBA 143 59 113 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 59 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 59 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 16 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 16% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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